"Everything is as it should be."

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Queen - The Forum: A Review

QUEEN WITH ADAM LAMBERT - THE FORUM - JULY 19, 2019

Last Friday, July 19th, I continued my year of living musically by diving into the nostalgia pool to see Queen with Adam Lambert at The Forum. Queen are rock royalty from the 1970’s and 80’s which are currently comprised of two pivotal members from their original lineup, guitarist Brian May and drummer Roger Taylor, as well as new editions Adam Lambert (lead vocals), Spike Edney (keyboards), Neil Fairclough (bass) and Tyler Warren (percussion).

Like most rock fans of my generation (Gen X), I grew up with Queen being in heavy rotation on the soundtrack of my life, but unlike many of my friends I never really got into them like I did other bands from the era. I certainly recognized their genius, and Freddie Mercury’s astounding vocal abilities, but I just never became a super fan. For instance, I have never bought a Queen album…and it wasn’t until about 5 years ago that I actually possessed a Queen album when I got their three greatest hits compilations for free.

As much as I liked Queen’s songs, and I did like them a lot, in my eyes Queen was sort of a second level band from the second wave of the British Invasion. To me Queen existed, along with everyone else in the 1970’s, in Led Zeppelin’s long and dark shadow. As my musician friend Steam Roller Johnny once aptly said of Queen, “listening to Queen is like eating an ice cream sundae, it is delicious but it isn’t something you can eat all the time”. Even though that assessment seems spot on, there really isn’t any good reason I can conjure that I haven’t been a bigger Queen fan in my teenage and adult years.

When I saw Bohemian Rhapsody in the movie theatre last year I thought the film was pretty average fare that shed no new light on Queen or Mercury. That said, the thing that jumped out to me was the final fifteen minutes of the movie that showed Queen playing Live Aid. That sequence was electrifying and it sent me to the internet to find more live Queen. After devouring what seemed like hours of footage, I was left in awe of the band’s power and live presence.

Coincidentally…or more likely not…shortly after Bohemian Rhapsody got attention in movie theatres and at the Academy Awards, Queen announced a tour. Freddie Mercury has been dead for nearly thirty years, but the Queen machine has not stopped touring over the decades and cashing in on rock fan’s nostalgic impulses. The problem for Queen has always been…how do you replace Freddie Mercury, one of the greatest singers in rock history? From 2004-2009 Queen successfully went with the substantial and formidable talents of former Bad Company frontman Paul Rodgers as their lead singer. Rodgers is a stellar blues/rock singer in his own right, and even though his vocals are markedly different in almost every way from Mercury’s, the merger could be deemed to have been fruitful.

In 2014 Queen did a world tour with American Idol alum Adam Lambert as Mercury’s stand in. I was dubious of Lambert’s ability to go from a cavity inducing pop-star wannabe to a front man of one of the handful of great rock bands in the history of the genre. I asked my buddy and all around musical encyclopedia, music aficionado and Queen fanatic Red Dragon, if Queen with Adam Lambert was worth seeing. Dragon has seen the band many times, the most recent being with Lambert at the helm a few years ago. Dragon gave two vociferous thumbs up on Queen with Adam Lambert. That was good enough for me…so I bought the tickets the day they went on sale.

I’ve been to The Forum a few times to see concerts and it is a really great venue. While the nosebleed seats can be problematic due to acoustic issues, everywhere else in the building is a pretty good seat. Our seats were mid-arena and gave us a solid view of the festivities.

The crowd was, not surprisingly, mostly middle-aged or older. There were some younger people, and even families with young kids, but all the place there were white-haired, beer-bellied fellas and heavily made-up, fat-bottomed aging ladies squeezed into age-inappropriate tart attire. As I made my way up the stairs to my seats, I got stuck behind not one, but two, older folks trying to navigate the stairs with their canes. A women in front of me apologized for her lethargic pace and said mournfully, “it sucks getting old”. While it seemed at the time that truer words were never spoken, I would bet Freddie Mercury might argue that getting old beats the alternative. I later saw three more older folks being assisted up the stairs, to their seats, one was equipped with a full walker….a truer metaphor for the state of rock and roll could not be found.

There was no opening act so, in accordance with the band’s instructions, we arrived promptly at 7:45 for what was supposed to be an 8:00 show. The band did not go on until 8:30 but no one seemed to be any worse for wear from the delay.

Queen hit the stage with all the grandiosity you’d expect from rock royalty and the crowd erupted as they played the aptly titled “Now I’m Here”. The thing that struck me from the get go was that the band and Adam Lambert are very keen to respect Freddie Mercury and his fans. For the first four songs it was guitarist Brian May who stood at center stage in the spotlight, not lead singer Lambert.

It wasn’t until there was a brief break in the action where Lambert addressed the audience that he took a more pronounced role. During this break Lambert spoke to the crowd and mentioned the “pink elephant” in the room…namely that he was here and Freddie wasn’t. He assured the audience that he wasn’t here to replace Freddie because no one could replace Freddie. He was, just like everyone in the crowd, here to honor Freddie and his legacy. The band then kicked into a scathing version of “Killer Queen” with Lambert taking over the spotlight.

Lambert graciously and wisely embraces his role as substitute and surrogate Freddie, and his gratitude and undeniable cheeky energy are contagious as the audience not only welcomes him into the role but actively roots for him to succeed. Lambert has landed the sweetest karaoke gig on the planet and he knows it. He plays his role with aplomb and even though he constantly defers to May and Taylor throughout the show, he is able to a cohesive and quality front man in his own right.

Lambert is a fantastic singer and his voice is well suited for Queen’s catalogue. There was a palpable sense throughout the arena of people being awed by Lambert’s vocal prowess and you could feel people being more and more impressed by his singing as the night wore on.

While Lambert has a remarkable voice…Freddie was a remarkable singer. For all of Mercury’s vocal gymnastics, what made him so amazing was that his voice’s foundational power was in the lower register…and from there his astounding range took off. Lambert’s vocal power is found in his higher register, which is pretty amazing to behold but does alter the songs a bit and turns a gutteral connection with the material into, dare I say, a Broadway-esque, performance of the songs. In comparing it to dance, Freddie Mercury was Gene Kelly, who hit the bottom of the note hard, while Adam Lambert is Fred Astaire hitting the top of the note loudly but gently.

The “pink elephant” Lambert refers to is not just Freddie’s absence but the thing that he and Lambert have in common…namely their homosexuality. Freddie Mercury was gay…but Adam Lambert is super gay. If Freddie Mercury were alive to watch Adam Lambert perform he’d say, “I’m gay…but wow…that guy is REALLY gay”. To Lambert’s great credit he is unapologetically gay and people love him for it. I couldn’t help but think about the middle-aged and older people in the crowd who were swooning with every prance and preen of Lambert’s, and that in their lifetime homosexuality has gone from being shamed and marginalized to being celebrated.

It was also a striking sign of the total victory in the culture wars that one of Lambert’s great weaknesses as a front man is that he is so painfully safe. Lambert’s campiness is more akin to Liberace than it is to Freddie Mercury. Freddie was, at his core, a freak…a freak vocalist, a freak songwriter, a freak character…Freddie was aggressively a freak…it is what made him so deliciously Freddie Mercury. Adam Lambert is a nice kid with a great voice who gets a little sassy sometimes.

Brian May proved himself to still be among the rock guitar gods with his performance on the 19th, which was his 72nd birthday. May’s playing was precise and crisp, chock full of power and bombast. His voice has held up quite well too, as he sang acoustic version of “Love of My Life” and “‘39”. it was during this quieter section of the show that the audience spontaneously serenaded the appreciative septuagenarian with a hearty ‘Happy Birthday”.

Roger Taylor’s voice has held up pretty well too as he belted out solid version of “I’m In Love With My Car” and the Bowie parts of “Under Pressure”. Taylor’s drumming is another subject altogether and he has definitely lost a step. To his credit he accepts this fact and is very well aided by a Tyler Warren, who is the second drummer who covers for any weak spots in his drumming game. The Warren is a whirling dervish who works his ass off in the shadows to keep the Queen machine rolling.

The highlights of the show were Killer Queen and Fat Bottomed Girls, the rendition of which really kicked the show into high gear, as well as exquisite back to back versions of “Crazy Little Thing Called Love” and “Under Pressure”. The crowd was in a state of orgasmic delirium for the show’s climax of “Another One Bites the Dust”, “Radio Ga Ga” and “Bohemian Rhapsody” (which features a vocal cameo by Freddie Mercury and younger Queen) which led into an encore that opened with a digital Freddie mercury playing “Ay-oh” with the crowd and then erupted into “We Will Rock You/We Are the Champions”.

Overall, the Queen with Adam Lambert experience was a contagiously joyful one from start to finish. From Queen’s terrific catalogue of songs to Brian May’s guitar virtuosity to Adam Lambert’s sterling vocals and welcoming presence, the entire night felt like a fitting tribute to Freddie Mercury in every single way, and I think would have made the original King of Queen very proud.

If you are a Queen fan then you really should go see them as they are worth every penny. If, like me you are a marginal fan (or a new fan), I highly recommend you pull the trigger and spend the money to see them when they come to your town because, while they made good on their promise of ‘we will rock you’, and proved that that they really are the champions, they are getting long in the tooth and there is no telling when another one will bite the dust.

SET LIST

Now I’m Here

Seven Seas of Rhye

Keep Yourself Alive

Hammer to Fall

Killer Queen

Don’t Stop Me Now

In the Lap of the Gods…Revisited

Somebody to Love

The Show Must Go On

I’m in Love With My Car

Bicycle Race

Fat Bottomed Girls

Machines (or Back to Humans)

I Want It All

Love of My Life

‘39

Happy Birthday

Doing All Right

Crazy Little Thing Called Love

Under Pressure

I Want to Break Free

You Take My Breath Away

Who Wants to Live Forever

Last Horizon

Guitar Solo

Tie Your Mother Down

Dragon Attack

Another One Bites the Dust

Radio Ga Ga

Bohemian Rhapsody

ENCORE

Ay-Oh

We Will Rock You

We Are the Champions

©2019