****THIS IS A SPOILER FREE REVIEW!!! THERE ARE ZERO SPOILERS IN THIS REVIEW!!!****
RATING: 1.42 STARS OUT OF 5 STARS
RECOMMENDATION : SKIP IT. THERE IS REALLY NO REASON TO SEE THIS FILM UNLESS YOU ARE AN ABSOLUTE COMIC BOOK AND X-MEN FANATIC WITH A LOT OF TIME TO KILL.
ESTIMATED READING TIME : 5 MINUTES 4 SECONDS
I did it, I went and saw ANOTHER super hero movie. Last summer I was unable to go to the movies during blockbuster season, so I am making up for lost time by giving as much money as possible to those fine people at the movie studios for all of the selflessly great work that they do (God Bless Them!!!). I feel, deep down, that if I didn't make multiple pilgrimages to the theatre this summer and missed a second straight blockbuster season, I would be a bad American…and frankly…the terrorists just might win, and I simply cannot let that happen.
Before I begin my review in earnest I must make a Full Disclosure: during my teen years I attended and graduated from Charles Francis Xavier's (Professor X) "School for Gifted Youngsters" in upstate New York. I have struggled for years to say this but...I am officially a mutant. My mutation gives me two super powers, a Level 5 Contrarianism and the ability to smell bullshit from over a mile away. Granted these powers aren't exactly invisibility and flight but you take what you can get and do the best you can with what you've got..at least that's what they taught me at "XSGY" (Xavier's School for Gifted Youngsters) or "X School" as we alumni call it. I cherished my time at X School, where I excelled on the J.V. quidditch team and was voted "least likely to succeed" in the yearbook.
With all of that off my chest, let's get to the film X-Men: Apocalypse. The film is the ninth installment in the X-Men franchise and is the fourth X-Men film directed by Bryan Singer (X-Men, X2, X-Men: Days of Future Past and X-Men: Apocalypse). The film stars a cavalcade of top notch young actors, including Academy Award winner Jennifer Lawrence, Academy Award nominee Michael Fassbender, Rose Byrne, James McAvoy, and Oscar Isaac, to name but a few.
The X-Men comic book mythology is nothing short of brilliant. Mutants are a fantastic metaphor for various modern issues, civil rights and gay rights to name but two, and are symbolic of archetypes both new and old. The X-Men source material is genius, the problem though is that the X-Men movies have never failed to be anything other than pedestrian even at their zenith. Even the top films in the series have been little more than second rate fare. I have never left an X-Men film without feeling underwhelmed and disappointed. It is too bad because it would be a glorious thing to have a truly great director, like a Christopher Nolan for example, take the complex and nuanced foundational material and do something really great with it, like he did with the Dark Knight trilogy. But instead we are stuck with Bryan Singer, a hack personified, driving these films into a ditch for over a decade now. And so it is with the latest installment, X-Men: Apocalypse.
The main problem with the film is that it lacks any dramatic cohesion and tension and is therefore rendered remarkably dull. That lack of dramatic cohesion and tension falls squarely on Mr. Singer, as does the films uninspired and flat visual style. The film feels shallow and rushed and frankly, devoid of any purpose. I should clarify that comment, the film is devoid of any artistic and creative purpose, but it has plenty of corporate purpose, not the least of which is Fox's contractual obligation to make X-Men films in a timely manner or lose the rights to the characters. Oh…and there is always the desire to fleece idiots like myself who will give our hard earned dollars to go see anything with super men and women in tights kicking bad guy ass.
There is nothing original or even remotely interesting in X-Men: Apocalypse, only the same old tired tropes and cliches, which is not shocking considering it is the ninth cinematic go around for the X gang. I mean, the Fox cinematic X-Men horse has not only been beaten to death, but drawn and quartered and then beaten into dust.
From the very beginning the X-Men films have boasted very serious and quality actors, such as Sir Patrick Stewart, Sir Ian McKellen and Halle Berry, who did the best they can with the little they were given, and so it is with the actors in this latest film. Michael Fassbender's Magneto is such a rich and fascinating character that he could easily carry a film about himself alone, but I would want that film to be directed by someone with a command of the power, craft and subtlety of filmmaking…in other words, not Bryan Singer. Fassbender salvages what he can from the scraps of a script he is given to work with, as does the always luminous Jennifer Lawrence and the solid and steady James McAvoy. Other actors don't fare quite as well. Oscar Isaac plays Apocalypse, and is given nothing of substance to work with at all. His costume and make-up are atrocious and undermine any sort of sense of power and menace the character might have been able to generate, and Isaac is left looking embarrassingly ridiculous. Olivia Munn, who has proven herself to be a very capable actress in other projects (HBO's The Newsroom for example), looks completely lost and terribly uncomfortable her entire time on screen. Her discomfort is palpable and distracting, and while Ms. Munn isn't entirely blameless for her poor performance, a good portion of the blame for her struggles falls once again on the ineptitude of Bryan Singer.
I enjoyed the last two X-Men films, X-Men: First Class and X-Men: Days of Future Past, they weren't great films or even very good films but they were at least clever and interesting. In both of those films the storyline jumped back in time and the films became period pieces. First Class was set from World War II up to the Cuban Missile Crisis, and Days of Future Past was set in the early seventies. Adding the element of time period to the films gave them a bit of a boost in terms of interesting material, costume and the intrigue of history. X-Men: Apocalypse tries to do the same thing by setting the time period in the eighties and it simply doesn't work. The third time around is not the charm in regards to time period, as this time it feels stale, forced and creatively bankrupt.
The time period element is a symptom of the greater disease afflicting the X-Men franchise, that disease is artistic insolvency. The creative team behind the X-Men franchise are simply destitute in regards to good ideas, and due to sub-par directing from the likes of Mr. Singer, they were never even able to make the most of the pittance of good ideas they had in the first place. This franchise is in dire need of new artistic blood. They brought in new acting blood, McAvoy for Stewart, Fassbender for McKellen etc, in the X-Men: First Class film and have rode that horse as far as it will take them. The new blood needed is not in front of the camera, but behind it. A new director, a whole new creative team, from writers on down through to cinematography, costume and set design are desperately needed to salvage the X-Men franchise and give the X-Men mythology the cinematic glory it so richly deserves. I doubt that will happen though, as Fox has made it clear that in regards to the X-Men franchise, quantity will always top quality.
In conclusion, X-Men: Apocalypse is another in a long line of missed opportunities in the X-Men film series. If you are a huge comic book and X-Men fan, you will have probably already seen and been disappointed in the film. But if you are even a slightly below fanatical consumer of comic book films and the X-Men, then skip this film. You will never have any need to see it in the theatre or on cable/Netflix. Now I think I can take a little rest from the theatre as my cinematic comic book calendar appears to be free until Suicide Squad comes out in August. I'll spend this long, hot summer honing my Level 5 Contrarianism and bullshit smelling powers for the fall, when I'll really need them, as it will be election time!!