Meg 2: The Trench - A Review : I Don't Love the Smell of Rotting Fish in the Morning
/****THIS IS A SPOILER FREE REVIEW!! THIS REVIEW CONTAINS ZERO SPOILERS!!****
My Rating: ½ stars out of 5 stars
My Recommendation: SKIP IT. This is bad…and not so-bad-it’s-good type of bad…just plain old bad.
Meg 2: The Trench, starring Jason Statham and directed by Ben Wheatley, could technically be classified as a docu-drama as it dramatizes the greatest threat we as humans face in the 21st century…Megalodons escaping from a prehistoric deep sea trench and wreaking havoc upon mini-submarines and expensive island resorts populated by wealthy Chinese social media influencers.
The scourge of Megalodons upon the earth is a topic very close to my heart as my cousin Rusty was killed by one five years ago while nude para-sailing in the South China Sea. In the wake of Rusty’s tragic, yet erotically-charged death, I studied up on the subject and learned that Megalodons are the leading cause of death for people nude para-sailing as well as for those driving mini-subs into a pre-historic deep-sea trench.
Due to my sad history with Megalodons, I knew that watching Meg 2: The Trench would be emotionally taxing. And it was…so very, very taxing. But I also knew that I was in good hands on my Meg 2 journey as the film’s star Jason Statham is unquestionably the world’s greatest actor, and the film’s director, Ben Wheatley, is arguably the greatest filmmaker in the history of cinema.
Speaking of the history of cinema, as a student of film history I often try to put the films I review into the broader context of the overall expanse of the art form. In the case of Meg 2: The Trench, I can confidently say that one hundred years from now people will look back and clearly be able to delineate that cinema history is broken down into to two basic eras…Before Meg 2: The Trench, and After Meg 2: The Trench.
The specifics as to why Meg 2: The Trench is so astounding are almost too long to list, but I’ll try.
First there’s the story. Thankfully screenwriters Jon and Erich Hoeber decided to discard a coherent approach and instead threw together some incomprehensible scenes that don’t seem to have any connection to one another at all.
The decision by the Hoebers to avoid creating any interesting characters, or writing compelling scenes or action sequences, was also a wise choice, as it forces the audience to imagine a better movie in their heads while stuck watching this movie. To force imagination exercises upon audiences is a courageous and much-needed decision by the writers of Meg 2, as audiences have coasted long enough by having stories told to them and not having to make up their own in order to pass the longest two-hours of their life.
The editing on Meg 2 is particularly noteworthy as it borrows heavily and poorly from the French New Wave movement by splicing together scenes and movements which have no connection at all. The editing jumps around so much that characters appear in places at which they shouldn’t appear, which makes the whole thing very confusing and gives the audience the sense that they have suffered severe head trauma. Bravo to the editors for forcing audiences to better understand the experience of head trauma survivors!
Director Wheatley’s mastery of underwater filmmaking is on full display in the cinematically muddled and dramatically inert deep-sea hike that is completely incomprehensible. Wheatley’s decision to remove the drama from the film by eliminating peril to any of the main characters by basically giving them superpowers, is also a masterstroke, as is his sprinkling in of impotent jump scares throughout. Equally brilliant was the idea to have the Megalodons be basically background actors in their own movie. And adding in some bizarre, amphibious deep-sea dog monsters is just another piece of evidence that Ben Wheatley is the Kurosawa of the 21st Century.
But the greatest part of the film is undoubtedly the cast, most notably star Jason Statham. Statham’s Olivier-esque performance is not surprising considering his past work, but it is still jaw-dropping. No one, and I mean no one, can act on a Jet Ski as well as Statham. Statham’s connection with his Jet Ski is considerably more believable than his character’s alleged parental love for a teen orphan he’s sort of adopted.
The rest of the cast are equally magnetic and compelling. Wu Jing is a Chinese guy who can’t act and plays a Chinese guy. Sophia Cai is a Chinese girl who can’t act who plays a Chinese girl. Sienna Guillory is a white woman who can’t act and she plays an evil white woman…the same is true of Skyler Samuels. Not to be outdone by any of the other bad actors is Sergio Peris-Monchetta, who is a Latino guy who can’t act who plays a Latino bad guy. As an ensemble, this group is remarkably both wooden and lifeless as well as ridiculously over-the-top, and one can only tip their cap to their dedication to entirely ignoring their craft.
Meg 2: The Trench is the sequel to 2018’s The Meg. If you haven’t seen The Meg you might be a bit confused watching Meg 2, but to be fair I saw The Meg (and thought it was a harmless, silly bit of fun) and was a more than a bit confused watching Meg 2, so who knows, maybe it doesn’t matter…and not to get all existential on you, but after watching Meg 2: The Trench I’m feeling like maybe nothing matters.
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