"Everything is as it should be."

                                                                                  - Benjamin Purcell Morris

 

 

© all material on this website is written by Michael McCaffrey, is copyrighted, and may not be republished without consent

Follow me on Twitter: Michael McCaffrey @MPMActingCo

Lost Opportunities and Dastardly Deeds in the Age of Coronavirus

Estimated Reading Time: 5 minutes 27 seconds

On March 17th, I published an op-ed titled “Coronavirus Will Eventually Get Better, But America Never Will”, that made the argument that while everything should change because of coronavirus, but nothing would change because of corruption. This week the Republicans and Democrats did me the great favor of once again proving me correct when they passed a gargantuan $2 trillion “stimulus” bill that is really just a massive bail out and corporate coup, all while fucking over the middle, working and lower class people of this country.

The coronavirus is the iceberg that has hit the U.S.S. Good Ship Lollipop as it wandered lost in the fog of its own decadence. The delusional, the duped and the damned are left in shock, stunned that such a calamity could actually befall The Greatest Nation on Earth® they thought was invincible.

What the ruling elite are doing with this bailout bill is once again stealing from the poor in order to try to reinflate a bubble, in this case the post-2008 bubble, which is actually a bubble on top of a bubble on top of a bubble going all the way back to Reagan. What ends up happening when you reinflate bubbles is that they become more and more unstable and more and more untenable, and when they burst it takes more and more effort to reinflate them until there is nothing left in the lungs to exhale. Eventually U.S. economic policy will be reduced to bailouts that are the equivalent of a corpse giving CPR to another corpse.

For example, when the tech bubble of the late 90’s burst it was propped back up with the housing bubble. The housing bubble burst in 07/08 and that was propped up with the stock buy back bubble of 2009-2020, which has now burst upon the rocks of reality revealed by the coronavirus. The stock buyback bubble is what they are trying to reinflate with the yet another bazillion dollar corporate handout.

The bottom line is this, our economy is as fundamentally unstable as a one-legged stool and as crooked as a dog’s hind leg and has been for decades. The Reagan/Clinton casino banking model has always been just another Titanic, and this trillion dollar bailout package is nothing more than the hoarding of deck chairs by the rich as they throw the poor into the icy Atlantic of inescapable poverty to try and keep their financial monstrosity afloat for just a few glorious seconds longer.

As long time readers know, it wasn’t just last week that I was a bringer of bad news. In 2015 in a review of the Ridley Scott film The Martian, I wrote about how our economy was fatally flawed and that a tsunami was coming. I did the same thing in my 2016 review of The Big Short, where I wrote, “The house of cards is coming down whether we are ready for it or not…it isn't a matter of if…it is a matter of when. You can either prepare for the coming tsunami* or not, that is up to you…but what you cannot do this time around...is say that no one told you it was coming.”

CRISIS AS OPPORTUNITY

I have always maintained that crisis is an opportunity…for good or for ill. The coronavirus pandemic presents a unique set of problems, and the correct answers to those problems could possibly transform our country and society in extremely positive ways. The problem though is that our political class is so riddled with the cancer of corruption that any chance of good coming from this is basically nil, and the odds of bad things coming from it are so high they are off the charts.

With that in mind I decided to put together a little list of things that should or could have happened in response to coronavirus to save this country and its people…but never will. I’ve also compiled some terrible things that most likely will happen that are even worse than the $2 trillion bailout we just had rammed into our collective anus.

No doubt these lists will infuriate most everyone for one reason or another, but as you can imagine I am pretty used to that.

HEALTH CARE AND HEALTH INSURANCE

Coronavirus has shown that our deplorable health care and health insurance system is not just a health crisis, it is a national security crisis, and yet we have two political parties dedicated to preserving the corporate status quo that fails Americans and leaves the nation vulnerable.

Health care must be made not only a human right, but a national security priority.

Pandemic preparation must be as great a priority as our military preparation, as coronavirus has proven that we are much more vulnerable to invasion by illness than by enemy.

The for-profit health insurance industry must be eradicated from the face of the earth. In order to do this health care must be classified a national security priority so that funds from the bloated Pentagon budget can be diverted for a massive rebuilding of our medical infrastructure. This infrastructure includes building more hospitals, building a medical manufacturing base and training more nurses and doctors, as well as implementing a Medicare-for-all, single payer insurance system.

The implementation of single payer healthcare will also have the benefit of releasing working Americans from the indentured servitude that is employer based health insurance and the corporate slavery that is the abomination called Obamacare.

In terms of economics, having a robust national health care system and Medicare-for-all/single payer health insurance will create a safety net that will put American business and enterprise on equal footing with their competition across the globe. It will also free people from staying in jobs that mistreat them, thus giving more power to workers, and will invigorate the entrepreneurial spirit, freeing people to start their own businesses knowing that they wont have to carry the burden of their employees health care or worry about not having health care themselves if their business fails.

Another instrument that would spur economic growth and entrepreneurialism would be a Universal Basic Income. As Andrew Yang showed in his Quixotic presidential campaign, it is a manageable program that could be funded simply by fairly taxing a behemoth like Amazon. It would also be good to see a stake through the heart of the trickle down thinking that has brought the U.S. to this point in its demise. Some “trickle-up” economics would be a wise change of pace.

ECONOMICS, TRADE AND IMMIGRATION

Another national security crisis is the globalism and free trade that has decimated the working and middle class in America so that corporations and the investor class can increase their wealth and power.

Free trade is a national security crisis because our supply line runs through China and other nations, which leaves America, its citizens and military, weakened and defenseless since we rely on the Chinese for many of our medications and medical supplies. This is the equivalent of relying on Japanese manufacturers to build the engines of our fighter planes during World War II.

It is simply untenable for any nation to rely upon others for vital goods, be it weapons, food, energy or medical equipment. For the U.S. to be so intertwined with China and other countries is good for investors, but bad for America.

I don’t think we should go to war with China or be belligerent towards them, but I do think we need to unwind our economic relationship with them so that it benefits American workers and companies, and solidifies our national security.

China always behaves in its best national security interest, so why don’t we?

Immigration is another national security issue highlighted by coronavirus. If we were an actual country in control of its borders, and had even the the most basic competent leadership, we should have shut the borders down the second the disease began to pop up around the globe. But ever the buffoon, the orange shitbag Trump was afraid of acting decisively and spooking the markets that got spooked anyway, and he, as always, failed magnificently.

The reality is that illegal immigration leaves us exposed and it leaves the working class in America unprotected. I don’t blame illegal immigrants for trying to come here from the third world shitholes they’re trying to escape. Much of the reason why those third world shitholes are third world shitholes is because of malignant and malevolent American empire, colonialism and meddling.

That said, when the third world migrates to the first world, the first world deteriorates into the third world. Drive around the streets of Los Angeles and you’ll notice something pretty quickly, this is unquestionably a third world city. 60,000 people live on the streets in the shadow of multi-million dollar homes, where they all shit and piss and where many steal and shoot drugs…and the LAPD are basically mandated to not do a single thing about it.

The cheap and easily exploited labor of illegal immigrants creates third world conditions by depressing the wages of working and lower class Americans and enriching the corporate and investor class, thus expanding our extreme wealth disparity. To deny this is to be willfully ignorant and blinded by sentimentality.

What needs to happen is that our border must be closed and illegal immigration stopped entirely, and legal immigration must be put on hiatus for the next 5 years. If we don’t get our immigration situation under control we are doomed. The best way to do this is to punish companies that use illegal/undocumented immigrants…and don’t punish them with fines, punish their managerial class with actual jail time. The market for illegal labor will then quickly dry up, and American workers (of all ethnicities and races) will have more leverage to demand higher wages and better working conditions.

Temporarily stopping legal immigration and eliminating the often-exploited H1B visas for “skilled workers”, would force American companies to solely hire American workers, thus elevating the standard of living in…AMERICA.

Now, the counter-argument is that this will lead to corporations moving overseas for cheaper labor. Good for them. But the way to stop that is to put exorbitant tariffs on all products made outside of the U.S. All of them. If a product isn’t made by American workers, it should cost an arm and a leg to sell it in America…and missing out on the American market would be a death knell for most any company.

Manufacturing simply must be returned to America in full in order to maintain our nation. If a product isn’t made here…BY UNION EMPLOYEES… then it must not be allowed to be profitably be sold here. Protectionism must be our top priority, regardless of what it does to the smoke and mirrors bullshit of the stock market or the investor class.

If we don’t rebuild our country from the working class on up…our boom/bust economy will continue to collapse and reinflate and collapse again until we have wheelbarrows full of worthless paper we used to call money.

In addition to all of that, while we are building a plethora of new hospitals across the country we should also be building government run housing in order for the homeless to have shelter and be accessible to receive much needed health, mental health, addiction and employment services.

Now…will any of these things listed above, that seem not-so-pie-in-the-sky when compared to the magical trillions of dollars the government just conjured up to hand out to corporations, actually happen?

No.

Coronavirus has shown us that the ruling corporate class in America would rather we all die than implement a single payer, non-profit health care system. They would rather have cheap labor from illegal immigrants than a secure border. They would rather have their profits from globalist free trade than protect Americans from the vulnerability of a supply chain that runs through China and other nations. They would rather bail out the wealthy corporate and investor class than hard working Americans who have been struggling just to survive for decades.

That is the ugly, awful, cold, hard reality.

Speaking of terrible things…

CIVIL LIBERTIES

The coronavirus pandemic is much, much, much worse in scope and scale than the catastrophe of 9-11, and as i explain above our response must be much, much, much more aggressive if we ever hope to save this country.

Of course, after 9-11, Bush and company went to work to turn the crisis into an opportunity, so they quickly moved to strangle civil liberties with the Patriot Act, rev up the military industrial complex for some heavy doses of corruption, and invaded Iraq…not to mention put into place a torture regime. All not good.

As evidenced by the bipartisan coronavirus stimulus bill, the same corrupt and tyrannical forces will exploit this coronavirus crisis for their own nefarious ends. The money train has already left the Washington station with its final destination the pockets of millionaires and billionaires as well as those who hold the levers of power.

The next step is the rise of the implementation of the police state and the reduction of civil liberties. What is so ingenious about the civil liberties angle is that people are imprisoning themselves under house arrest and shaming anyone who disobeys. This is an Orwellian stroke of genius for the police and surveillance state.

Another benefit of more than half the U.S. population in confinement is that there is no opportunity for any type of meaningful protest like an Occupy Wall Street or anti-Iraq war marches or even the right-wing Tea Party protests.

I am not saying that people should violate the stay at home orders, or that this is not a legitimate health crisis, but I am saying it is extraordinarily convenient for the ruling powers that the social dynamic now in place is that to leave your home is an immoral act that could kill you or others.

In keeping with this theme of tyranny, the Department of Justice has asked Congress for the power to eliminate Habeas Corpus during emergencies…with coronavirus already officially being designated as a national emergency.

The government will always try to expand its powers when the population is scared and right now the population is scared both for their health as well as for their financial well-being. People are ripe to be manipulated and propagandized to accept just about anything in order to “feel” safe.

In addition,the technology companies in Silicon valley are teaming up with governments across the globe to figure out a way to track every person to see where their have been, who they have talked to and what they have done in order to “track the virus”. Ummm…yeah…that sounds totally benign.

Some states are now even saying they will stop cars and knock on doors to identify people, and decide who may or may not have been to states with high infection rates. States are also closing their borders to travelers from certain areas. Freedom of movement in these allegedly United States of America is no more.

Another wonderfully Orwellian maneuver is that many local governments, like mine here in L.A., are forcing the closing of gun shops. Yes, the last thing we need when our government, led by a voracious authoritarian tyrant, is declaring a state of emergency and moving to impose draconian restrictions on the entire population, is an armed populace.

So as a result of coronavirus we have the federal and state governments eliminating our First, Second, Fourth and Fourteenth Amendment protections. What could possibly go wrong?

As Orwell told us, “If you want a vision of the future, imagine a boot stamping on a human face - forever”. Well America, the future is now….better get used to the taste of boot leather.

©2020

The Martian : A Review

 

SPOILER ALERT!! THIS REVIEW CONTAINS SPOILERS!! CONSIDER THIS YOUR OFFICIAL SPOILER ALERT!!

MY RATING: SKIP IT IN THE THEATRE, SEE IT ON CABLE OR NETFLIX

The Martian, directed by Ridley Scott and starring Matt Damon, is the story of Mark Watney (Matt Damon), an astronaut accidentally left behind on Mars when his fellow crew members think he has been killed in an accident. The film follows Watney's struggle to survive on the barren planet and NASA's attempts to rescue him. As my very clever friend The Magnificent Anderson said to me, "with Saving Private Ryan, Interstellar and The Martian, America has spent a ridiculous amount of money to rescue Matt Damon". I gotta be honest, after seeing The Martian, I don't think that money was very well spent.

I was excited to see Ridley Scott and Matt Damon paired off, as I am a big fan of both men and their work. Scott, much like his star Damon, is an often underrated talent. He has made some of the most iconic films of the last forty years. From Alien to Blade Runner to Gladiator to Thelma and Louise, Ridley Scott at his best is as good as anyone. Matt Damon is also often over shadowed by his more fame seeking contemporaries like Brad Pitt or Matthew McConnaghey, but Damon, with his work in Good Will Hunting, The Talented Mr. Ripley, The Departed and The Informant, has proven to be by far the more superior actor. 

"NOTHING EVER HAPPENS ON MARS.BORING! BORING! BORING!" - Waiting for Guffman

From Mission to Mars to Red Planet to Mars Needs Moms, the planet Mars is generally where movies go to die. With The Martian the result of the trip is not as horrible as the three previously mentioned films, but it certainly keeps the Mars cinematic jinx firmly in place. So what went wrong with The Martian? Let's take a look.

The Martian is a very strange film indeed. It is bursting with dramatic and cinematic potential, and yet, due to it's fundamental flaws, it is never able to break the bonds of its pedestrian atmosphere and soar to the great beyond of filmmaking achievement. The fundamental flaw I am speaking of is the film's incredibly poor narrative structure, which leaves the movie curiously devoid of tension and drama. The structural flaw of the film is pretty basic, instead of giving the viewer only Mark Watney's perspective, Ridley Scott chose to show the audience the God perspective, where they see everything that is happening. So the audience is able to see and know things that the film's protagonist Watney, does not see and know. Because of this choice, all of the drama of Watney's precarious situation on Mars is drained and we are left with a rather flaccid storytelling and dramatic endeavor.

If the viewer were only given Watney's perspective, this would have greatly heightened the drama in a few ways. The first is, the viewer would be entirely connected to the Watney character to a much greater degree than they already are. If we spent the first two thirds of the film trapped with Watney on Mars, like we were trapped on an island with Tom Hanks in Castaway for instance, then we would have had a more intimate and genuine connection to Watney. The second thing that would have happened is that the audience would be put through the emotional and mental anguish that Watney would have gone through when he doesn't know if anyone even knows he's alive, never mind trying to rescue him.  We would have, along with Watney, discovered what it's like to be the loneliest man in the universe. The decision to use the God perspective completely undermines these vital dramatic points by showing us that NASA knows he's alive and is trying to figure out how to save him, and Watney doesn't know it. If we were left in the dark along with Watney, then every other development in the story would take on greater significance and dramatic power. For instance, when Watney finally figures out that NASA knows he's alive, that would have been a tremendously thrilling moment, instead it is a rather mundane one since we knew that the whole time while Watney did not. All throughout the story there are significant moments that could have been greatly increased by the use of a  minimalist perspective, such as when Watney figures out how to increase his food supply, communicate with NASA, how to escape Mars, and then how to aid in his own rescue.  Instead the viewing experience is diminished because we are never truly able to project ourselves onto Watney since we have a grander view of things than he does. The energetic connection between viewer and protagonist is broken, and the film greatly suffers for it.

Damon's performance is also undercut by the perspective issue. While he is certainly able to give Watney a humanity through humor, he fails to portray a viable sense of impending doom and dread. Watney, the eternal optimist, never has his optimism truly challenged, and neither does the audience. Resiliance is a great trait to have, maybe the greatest, but dramatically it can ring hollow if the character is never fully allowed to hit rock bottom. Watney needs to be allowed to fall into despair, a deep existential despair, yet he and the audience are never allowed to because we KNOW that he isn't forgotten and alone on Mars. If we could have shared in Watney's desperation, this would make his achievements, his strength and his resilience all the more impactful for the viewer.  Instead we get a performance that is just like the film, neither hot nor cold, but mildly luke warm. Damon's performance is, like the entire film, relentlessly safe and middlebrow, which are two words that previously would have been unthinkable in regards to a Ridley Scott project.

HOUSTON WE HAVE A PROBLEM, AND THAT PROBLEM IS YOU

The other problem with showing us the God perspective is that we are forced to suffer through all of the scenes back on earth. These earth bound scenes are, at best, terribly generic, and at worst, cringeworthy. I would prefer to die cold and alone on Mars than watch one more actor melodramatically pause and raise their eyebrows to signify that they've just thought of something astonishingly brilliant while everyone else looks on perplexed. This happens again and again and again. The acting on earth is pretty atrocious, with Mackenzie Davis being the lone, notable exception. Davis actually seems like a down to earth (pardon the pun), genuine human being, not an actor trying to play a real human being.

There are also some pretty egregious casting decisions as well. Jeff Daniels is a fine actor, his work in The Squid and the Whale is testament to that. Yet he is terribly miscast in The Martian as the sometimes cut throat leader of NASA. We seem to be in the midst of a Jeff Daniels renaissance at the moment, which is good for him, but I cannot for the life of me figure out why he keeps being miscast. He was remarkably miscast in The Newsroom as well. Daniels is good at a lot of things, but he lacks the gravitas to play the head of NASA or a bombastic tv show host. One of the reasons he lacks gravitas is that his jaw is not very prominent or square, and he is not much of a physical presence. Secondly, his voice is slightly nasal and higher toned and his diction can veer into mush mouth, both of which undermine any power or gravitas that come with the characters he is cast to play. The result is we are left with performances from him that feel forced and ring hollow when he isn't in a role that suits his considerable strengths. An actor who would be perfectly suited to play the role of the head of NASA in The Martian would be Ed Harris.

A MILE WIDE AND AN INCH DEEP

The Martian is one of those movies that badly wants to be both taken seriously and liked by everyone, yet in my opinion it achieves neither. The film tries desperately for a scientific realism throughout, but that becomes less viable as the film goes on, finally spiraling into a sort of scientific farce during Watney's rescue. The highlight of which is when Watney goes full on "Iron Man" by puncturing his spacesuit and propelling himself into the waiting arms of his commanding officer Melissa Lewis, played by an under used Jessica Chastain. This sequence is supposed to be the dramatic crescendo of the story but it plays as contrived, underwhelming and frankly laughable.

The Martian is not a great film, in fact, I would argue that at it's very best it is surprisingly average. Comparisons to another recent astronaut film, Gravity, which won seven Oscars including Best Director, will do it no favors. Gravity was not a great film either, but it was visually pretty stunning. The Martian is neither visually nor dramatically compelling, and I found it frustrating because of the remarkable talents of Ridley Scott and Matt Damon being involved.

Which brings me to my final point. Ridley Scott is a master craftsman and artist. He knows what the hell he is doing. A look at his most recent films, the bafflingly inept Prometheus and the abhorrent Exodus: Gods and Kings, shows he may have lost his fastball, but maybe, just maybe, with The Martian he was up to something else. The errors in the most basic fundamentals of filmmaking and the tepid storytelling by such a creatively brilliant man as Scott, have left me wondering if he wasn't up to something else, something much deeper. I have been thinking about The Martian and mulling it over for a week now, wondering what the hell was really going on? What was Ridley Scott REALLY up to. Was there something much deeper and more meaningful hidden within the film that could redeem it? I've come up with a few ideas. 

SYMBOLISM, THE COMING ECONOMIC COLLAPSE AND REAGAN'S MORNING IN AMERICA

One idea I had is that The Martian is really about the coming economic tsunami. What economic tsunami you may ask? Ever since I left a job on Wall Street in the early 2000's, I was telling everyone who would listen that we were headed for an economic earthquake. The evidence was hiding in plain sight for anybody with eyes to see if they dared look. I wasn't writing back then so you will have to take my word for it. Most people thought I was a kook and ignored me. Then 2007/2008 happened, and I ended up being right, and those people ended up being wrong…and losing a lot of money. Well…it seems very apparent to me that another economic seismic event on the same scale or larger than 2007-2008 is coming. The economy, like The Martian, is fundamentally flawed, dare I say, fatally flawed. The reasons for this are much too complex to get into here, but rest assured, I am not the only person seeing this tsunami coming, not by a long shot. Lots of people who are a hell of a lot smarter than I am are seeing it coming too. Spend some time over at Zerohedge, Chris Martenson, Max Keiser, Peter Schiff or The Independent Report among others and you'll get some great analysis on what is coming our way. Of course the establishment media will continue to cheerlead for the economy like the band playing while the Titanic sinks, they always do. In my humble opinion, the time frame for this global economic tsunami is the only thing in question.

Now that I've told you the tsunami is coming, what the hell does any of that have to do with The Martian?  Here's my theory…from the very beginning of the film Matt Damon represents the regular working man. In one of the very first scenes, he is meticulously checking soil along a very small grid, inch by inch. As he tries to talk to his co-workers and superior officer, he is told to be quiet and then his communication is shut off. No one wants to hear what the lowly worker has to say. Then, AS A HUGE STORM UNEXPECTEDLY ROLLS IN (the economic storm that is coming), and everyone runs to the ship, Damon is impaled and thought to be killed by a communication dish. 

When Damon awakes and finds himself alone on a dead and barren planet, he must use his smarts in order to survive. He starts by surgically removing the communications wire stuck in him, symbolically severing the ties with establishment media. Then he uses his intellect, AND THE REMNANTS OF THE MISSIONS THAT CAME BEFORE HIM, to survive. 

Damon uses everyday items to transform his surroundings and to protect himself. He uses a simple tarp and duct tape to reinforce his shelter, and later his escape rocket. He digs up some left over radioactive material in order to stay warm, a symbolic move that we must get away from carbon based fuels, of which Mars has none, and use alternative fuel, such as nuclear and solar. 

Damon uses his skill as a botanist, an old school, nearly forgotten science, in order to double and triple his food supply. This is symbolic of our need to return to more locally sourced and organic farming techniques in order to overcome the coming shortages. He even uses his own and his crew member's shit in order to grow food. After the economic tsunami, there is going to be a big shit sandwich, and we are all going to have to take a bite. The idea of turning chicken shit into chicken salad will take on a whole new meaning. We will have to be lean and resourceful to survive.

Damon also figures out how to reconfigure an old way of communicating, a Mars rover, and uses it to start communicating with NASA anew. He also uses an old, scientific alphabet when he communicates, this being a metaphor for civilization looking backward to the basics in order to look forward for solutions and that the old way of talking about things must be discarded and replaced with a new one, even if it comes from an old one.

When the US is unable to successfully send a ship to save Damon, the Chinese step in with their advanced technology in order to help out. This is symbolic of how global the coming collapse will be and how the world will be multi-polar instead of uni-polar from here on out.

Even the rescue mission is symbolic of what it will take to overcome the difficulties that lie ahead. The NASA ship that is coming to save Damon must LOWER ITS TRAJECTORY AND SLOW IT'S SPEED, in order to get closer to Damon as he can only propel himself so high. The graph used to show that trajectory could be an economic graph, meaning that endless rates of high growth are unsustainable and we will have to lower expectations and slow down growth if we want to have any chance to for the earth and humanity to survive. Also the rescue ship must blow up and jettison a great deal of its excess rooms in order to facilitate the slowing of it's speed and it's trajectory, both symbolic of the need for excess and decadence to be eschewed in order to right the ship of our planet.

Finally, as Damon is falling short of the rescue ship, he punctures his space suit in order to propel himself to his saviors, just like people will have to puncture their own bubbles of expectations in order to find the courage and the final fuel to move them forward into the future. Chastain catches Damon and the two tumble and spiral together, getting wrapped in her tether, symbolizing the need for everyone, both rich and poor, to commit to stick together in order for humanity and civilization to survive.

Yes…I know this may be insane. But watching The Martian  through this lens makes it much, much more interesting than watching it as a straight up Mars movie. There are a lot of symbols throughout the film which lend themselves to this reading of the movie. For instance, there are constant references to the 1970's…Damon watches Happy Days and poses as Fonzie, he listens to Chastain's playlists which is nothing but 1970's disco. These could all be symbolic of another more political theme, namely that Damon is the eternal American optimist, Ronald Reagan, who is trying to escape and survive the economic and cultural malaise of the 1970's and bring us into the stratosphere of the 80's boom (which was more a mirage than a boom, but that's a discussion for another day). I fully admit that this might be a bridge too far…but there is some evidence that supports this theory as well.

CONCLUSION

In conclusion, if I am giving the benefit of the doubt to Ridley Scott, which I believe he has earned, then The Martian may be a metaphor for the the coming economic collapse and for how humanity and civilization must behave in order to survive it. Or it may be a metaphor for America which is stuck in a 1970's type of stagnation, both economically, politically and culturally, and that a Reagan-esque figure is needed to teach us to 'never give up' and to go back to our individualistic and resourceful roots in order to break free and survive. (by the way, just to be clear, I am not saying that is true, I am saying that the film may be saying that it's true)

Regardless of what you think of me, my economic predictions, or my theories, I recommend you keep them in mind when you watch the film. Trust me when I tell you it will make for a much more interesting viewing  experience. As for watching the film…there is no need to rush out and pay full price to see it in a theatre, you would be wiser to save your hard-earned money (and prepare for the coming economic tsunami!!). Plus you can always wait until The Martian is on cable or Netflix and watch it from the comfort of your own home while civilization crumbles all about you outside. 

UPDATE : I got a great email from reader Arthur H., who hails from the Land of 10,000 Lakes and 2 Coen Brothers, he writes in regard to The Martian…"I was greatly relieved to read your thoughtful, critical review because almost everyone I know who saw it, and so many movie reviewers, think it is a truly great film. After reading your comments, I feel much less nuts." Welcome to my life!! Just remember Arthur, in the Land of the Blind, the One-Eyed Man is King.

Arthur then gave a brief but very insightful review of his own, which with his permission I share with you here in full.

"The Martian is a "quintessential American" movie. Mark Watney, played by Matt Damon, is a classic mythological American white man who, in this incarnation, claims the entire planet of Mars because he grows potatoes in his own excrement. Thankfully, he did not have to murder millions of Martians in the process of claiming Mars as his property. The Martian is also an excruciatingly boring, completely and ridiculously implausible, intelligence insulting Hollywood B movie for the uncritical masses. Watney making a plastic tarp sealed with duct tape to cover a hole in the spacecraft that can withstand the tremendous speed in his lift off from Mars? The final scene where astronauts catch Watney flying by with rope and bring him safely aboard their space vehicle? One needs to suspend your disbelief to appreciate theatre. For The Martian, you would have to totally demolish it. Well, at least, even though we, your God view, knew from the first moment Watney would be saved, there still is a lot of dramatic tension building throughout the film. NOT, none, nada, zero. Like someone said, "By the end no one cared except on the screen, and they were all acting."

Well said, thank you Arthur!!