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The Forever Prisoner: A Documentary Review

My Rating: 3 out of 5 stars

My Recommendation: SEE IT. Documentarian Alex Gibney once again expertly exposes the origins of the U.S. torture program, although he doesn’t adequately shame the ruling elites responsible for the moral and ethical atrocity of torture.

 Watching the new HBO documentary, The Forever Prisoner, by Academy Award winning filmmaker Alex Gibney now available on HBO Max, is an at times infuriating experience.

 The film isn’t infuriating because it’s a flawed but damning reminder of America’s hypocrisy and brutality as it examines the birth of the CIA’s post-9/11 torture program and the death of the delusion of American ideals. No, it’s infuriating because you know no one of any consequence will be held accountable for the gruesome crime being exposed in heinous detail before you.

‘The Forever Prisoner’ of the title is Abu Zubaydah, the alleged terrorist mastermind captured in Pakistan in 2002 who was savagely tortured by the CIA for months and now resides in an endless legal limbo in Guantanamo Bay.

 Zubaydah’s torture, which included isolation, sleep deprivation, freezing, beatings, stress positions, and 83 water boarding sessions, is shown to have been the blueprint for CIA and U.S. military torture programs from Bagram Air Force Base in Afghanistan to Abu Ghraib in Iraq to Guantanamo Bay in the War on Terror.

Zubaydah was no innocent, but he also wasn’t the al Qaeda heavy hitter that the CIA claimed him to be. That said, he was a useful asset, as FBI agent Ali Soufan was able to extract vital information from him during the early, pre-torture days of his interrogation.

As Soufan explains, it was non-torture interrogation techniques that got Zubaydah to identify Khalid Sheikh Muhammed as an al Qaeda leader and mastermind of 9/11.

But when word got back to CIA director George Tenet that it was FBI agents getting info from Zubaydah and not the CIA, the ever-territorial Tenet went ballistic.

So, FBI agent Soufan was out and after a 47-day isolation period where Zubaydah saw and spoke to no one – a clear indication that the ticking time bomb scenario so often used to justify torture was invalid, the insidious clown show that was the CIA took over and the torture program kicked off.

The CIA man who developed the torture regime used on Zubaydah which became the playbook for America’s torture program, James Mitchell, is featured in The Forever Prisoner and vociferously but poorly defends himself and his work.

As the film shows, the CIA were so desperate to create an “enhanced interrogation” system they chose the eager Mitchell with virtually no vetting and despite the fact that he had no experience in actual interrogation.

Mitchell and his partner Dr. Bruce Jensen’s only remotely relevant experience was in working with the SERE (Survival, Evasion, Resistance and Extraction) program which teaches U.S. military personnel how to avoid being captured and how to resist torture techniques.

The CIA reverse engineering SERE to create an interrogation program creates obvious legal and operational contradictions as the SERE program clearly states that torture techniques only extract false confessions and empty propaganda victories.

Not surprisingly, Mitchell and Jensen’s immoral and unethical torture program was also ineffective, as it failed miserably to garner any useful intelligence, but despite their abysmal failure they were paid by the CIA an astonishing $81 million as torture teachers.

The man who led the CIA torture program and signed those checks was Director of the CIA Counterterrorism Center, Jose Rodriguez, and he knew the evil and illegality he was perpetrating, as evidenced by his telling his subordinates, “Do not put your legal concerns in writing. Not helpful.”

Rodriguez and his Chief of Staff, Gina Haspel, were also the ones who illegally destroyed the videotapes of the Zubaydah torture sessions, against the advice of legal counsel.

Haspel and Rodriguez never faced any legal recourse for their part in the torture program or for destroying evidence. In fact, Haspel later became Director of the CIA and then Director of National Intelligence, while Rodriguez became wealthy as a consultant with an impressive car collection.

Deep State darlings like General Michael Hayden and John Brennan avoided consequences as well, as they’re now warmly welcomed on CNN and MSNBC and even get fellated by Bill Maher for being “heroes”.

Of course, George W. Bush was never held to account for his torture program, and liberals now adore him because he once gave a candy to Michelle Obama.

President Obama too gets a pass for his complicity after the fact regarding the torture program, as he refused to investigate or prosecute any of these war criminals, instead only admitting that “we tortured some folks”, but then calling the torturers “real patriots”. I suppose that just as one man’s terrorist is another man’s freedom fighter, one man’s war criminal is another man’s “real patriot”.

Zubaydah has never been charged for a crime but he still may very well deserve his lifetime imprisonment in Guantanamo Bay. But also deserving of that dismal fate are the Washington ghouls like Bush, Cheney, Brennan, Hayden, Haspel, and Obama who were either directly responsible, complicit or aided and abetted some of the worst war crimes of the War on Terror era.

While The Forever Prisoner viscerally recounts the crimes committed upon Abu Zubaydah, often using his own drawings as a visual guide, like the establishment media, it unfortunately doesn’t do enough to shame the murderer’s row of Washington war criminals listed above.

Like Gibney’s Oscar winning film, Taxi to the Dark Side, The Forever Prisoner dutifully and skillfully exposes the depravity unleashed by the U.S. in the wake of 9/11, but it’s ultimately a frustrating film because it fails to adequately target the brutal and barbaric elites that conjured the evil of torture and yet managed to maintain their reputations despite the blood on their hands.

 A version of this article was originally published at RT.

©2021

The Mauritanian: A Review and Commentary

****THIS IS A SPOILER FREE REVIEW!! THIS REVIEW CONTAINS ZERO SPOILERS!!****

My Rating: 2 out of 5 stars

My Recommendation: SKIP IT/SEE IT. A great story but not so great movie. Not worth paying to see but its subject matter is crucially important and makes the film worthy of a watch when it becomes available on a streaming service for free.

The Mauritanian, directed by Kevin Macdonald, tells the true story of Mohamedou Salahi, who in the wake of 9-11 was tortured and held by the U.S. at Guantanamo Bay detention camp for 14 years without charge.

The film, which as of March 2nd is in theaters and available on Video-On-Demand, is adapted from Salahi’s memoir Guantanamo Diary, and stars Tahar Rahim, Jodie Foster, Shailene Woodly and Benedict Cumberbatch.

The Mauritanian is a great story, but unfortunately not a particularly great film. Despite some effective moments, particularly the torture sequences, and a solid performance from Tahar Rahim as Salahi, it’s a mediocrity that’s not nearly as good as I wanted it to be or that it needed to be. One can’t help but wonder what a better director could have done with such dramatically potent material.

The film suffers because it looks like a tv movie. This rather flat and dull aesthetic keeps the story dramatically constrained and so we are never drawn into it.

The performances are equally middling, with the lone exception being Rahim, who plays the riddle that is Sahir with a charm and humanity worthy of note.

Jodie Foster won a Golden Globe for her work as a defense attorney Nancy Hollander in the film but I found her performance to be rather banal. Shailene Woodley gives an equally lackluster performance as another lawyer Teri Duncan.

Benedict Cumberbatch plays Marine Corps lawyer Lt. Col. Stuart Couch, who was assigned to be the prosecutor on Sahir’s case. Cumberbatch deploys a Southern accent to his Couch (who is a real person) and it is egregiously awful. When British actors miss on American accents, particularly New York and Southern accents, it is so mannered and lifeless as to be painfully distracting, and Cumberbatch’s butchering of the dialect is gruesome to behold. As I watched Cumberbatch lose his wrestling match with the Southern drawl I couldn’t help but wonder…were there no American actors available to play this part?

That said, while the movie isn’t worth paying $20 to see On Demand, I still recommend The Mauritanian when it becomes available for free if for no other reason than it is an important story that contains some vital lessons for our current turbulent time.

As Orwell taught us, “to see what is in front of one’s nose needs a constant struggle”, and in the United States of Amnesia, our prodigiously propagandized populace is conditioned to be myopic in the moment and utterly blind to the past. This makes for a pliable citizenry that can be led around by their noses by a mainstream media designed to do just that. This is heightened by gullible Americans lacking the intellectual vim and vigor to swim against the powerful current of establishment narratives in a search for some semblance of truth.

Thankfully The Mauritanian is at least a visual aid to remind America of that which it is consistently capable, namely, brutal authoritarianism fueled by frantic emotionalism.

The film does a service by reminding viewers of a few critical things.

First that Guantanamo Bay prison is still open and people still languish there, despite Obama’s promises to close it when he became president in 2009.

Second, that al-Qeada and the U.S. were allies in the war against the Soviets in Afghanistan. It doesn’t get into great detail or anything, but even that little bit of information might be shocking to those who’ve conveniently forgotten that fact (or never knew it in the first place) and other much more damning facts about America and al-Qaeda’s fruitful relationship, then and now.

And third, that war criminals like George W. Bush, Dick Cheney, Donald Rumsfeld and Barrack Obama, and their immoral minions, have never been punished for their atrocities, which is an abomination considering those that exposed their crimes, such as Julian Assange and Edward Snowden, rot in prison or are forced to live in exile.

As The Mauritanian highlights, post 9-11 America went into a full-blown hysteria. The result of this hysteria was the Patriot Act, massive surveillance, rendition, torture and the mass murder and mayhem of the wars in Afghanistan and Iraq.

 America has only gotten more hysterical in the following two decades. In recent years we’ve had one mindless panic after another. There’s been the Russia panic, the #MeToo panic, and the racism/white supremacy panic…all of them delusions and illusions built on minimal evidence and fueled by irrationalism and self-righteous fanaticism.

These panics have been used to distort reality and manipulate people into fighting for draconian and totalitarian measures to combat them.

The most alarming hysteria is the new “domestic terrorism” panic that sprung up in the wake of the Q-Anon Capitol riot of January 6th.

In reaction to this Q-Anon clownshow the political establishment and media have gone full Spinal Tap and upped the hyperbole to 11…9-11 that is.

The delusional discourse that the Capitol riot was a 9-11 level event has led to politicians demanding a “9-11 Commission” type of investigation. I wonder if the new Q-Anon Commission, maybe headed by the new “Reality Czar”, will be as toothless as the contrived show trial that was the 9-11 Commission?

Watching The Mauritanian I couldn’t help but think that Washington and the mainstream media want to do to troublesome “conspiracy theorists”, traditionalists, Christians and Trumpists what Bush, Obama and company did to Mamadou Salahi…make them suffer and disappear. Unfortunately, many regular liberals who have either sold their souls or lost their minds, moral compass and way after years of being heavily propagandized and indoctrinated, wholeheartedly agree with this assessment.

This furor and frenzy over “domestic terrorists” and “white supremacy” is inversely proportional to the actual threat from these manufactured shadows dancing upon America’s cave wall. 

9-11 was a savage and heinous attack, but the U.S.’s over reaction to it brutalized innocent people and ended up transforming the brush fire of Islamic radicalism it was meant to extinguish into an inferno that engulfed the world and torched the Constitution. It seems very likely that a similar over-reaction to the Capitol Riot will result in the same counter conflagration on American soil, and the phantom threat of “right-wing radicals” and “white supremacists” will thus be made manifest.

In conclusion, The Mauritanian isn’t great but is worth watching because it serves a noble purpose, which is to remind Americans of their unquenchable thirst to demonize and dehumanize those they deem as terrorists. Though the targets are now different, America’s evil impulse is as powerful as ever, and so is its susceptibility to hysteria and rampant emotionalism…and that portends a terrifyingly dark future indeed.

 A version of this article was originally published at RT.

©2021