"Everything is as it should be."

                                                                                  - Benjamin Purcell Morris

 

 

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Avatar: The Way of Water - A Review - Blue is the Dullest Color

****THIS IS A SPOILER FREE REVIEW!! THIS REVIEW CONTAINS ZERO SPOILERS!!****

My Rating: 2 out of 5 stars

My Recommendation: SKIP IT. An underwhelming, unneeded sequel that is just as forgettable as the original. It’s time to close Pandora’s box.

One need to look no further than the box office and Oscar ballot to understand why we are doomed as a nation, a civilization, and a species.

In the last year, two movies dominated that speak volumes about the monumental moronity of the masses. First there was Top Gun: Maverick, a hellaciously stupid, completely unnecessary, thirty-five years too late, second-rate sequel to the gay-themed, feature film Pentagon commercial that was the original Top Gun (1986). Maverick has made over a billion dollars since it premiered in May of 2022 and just got nominated for Best Picture at the Academy Awards.  

And there’s also Avatar: The Way of Water, a ten-years too late sequel to a movie everyone saw but nobody remembers – Avatar (2011). The Way of Water is a three-hour and fifteen-minute middling monstrosity that has made over two billion dollars at the box office and also been nominated for Best Picture at the Oscars.

After going to the movie theatre to see Maverick like a sucker, I promised myself I wouldn’t do the same for The Way of Water. I figured if writer/director James Cameron wanted to vomit out retreads of his immensely uninteresting Avatar world onto to audiences for the rest of his career, he could do it without my twenty bucks.

But since I am a tremendous big shot in Hollywood, I recently got a screener of The Way of Water and in service to you dear reader, I decided to watch it and review it.

To give context to my thoughts on The Way of Water, let me just briefly recap my feelings on the original Avatar. Basically, I thought it was an instantly forgettable, painfully dull venture that was dreadfully written and looked like a high-end videogame. I never watched it again after seeing it in the theatre, and never thought about it and never had any interest in a sequel.

Which brings us to…the sequel.

Avatar: The Way of Water is even more dreadfully written, even more forgettable and an even more dull movie than the original. It is a putrid and puerile piece of pissant moviemaking that serves no purpose whatsoever.

Unlike say the money printing machines that are the Star Wars or Marvel movies, Avatar has no compelling underlying mythology that can enrich and elevate its pedestrian story. Instead the film franchise attempts to satiate the viewer’s need for psychologically rich archetypes and mythology with vapid, vacuous, trite and insipid American cultural politics.

Speaking of the story, the plot of The Way of Water is as flaccid as the one in the original Avatar. On the planet Pandora (not to be confused with the music streaming service), Jake Sully, a former disabled human Marine and current Na’vi leader, husband and father, must protect his Na’vi family from the evil of human militarism and colonialism.

Sully’s old Marine unit was wiped out in the original Avatar – don’t worry I didn’t remember that either, but all are back now with their consciousness implanted into newly lab-grown Na’vi. So all those old, completely forgettable characters you didn’t remember from the original are back!!

In order to protect his family, which consists of his wife, two teenage boys, one teenage girl, and a younger kid whose gender I cannot for the life of me remember, Sully takes them away from the Omatikaya - forest Na’vi, and to the Metkayina - water Na’vi.

The movie is mostly a teen angst drama revolving around the struggles of the Sully kids to fit in with the water Na’vi, surrounded by predictable battle scenes between good guys and bad guys.

Here’s the thing, The Way of Water is like every bad teenage angst movie ever made, but cliched characters speaking bad dialogue don’t magically become interesting just because their skin is blue. And make no mistake, teenagers are no less annoying when they’re blue either.

The movie at one point feels like Blue Rebel Without a Cause, with Sully’s middle son Lo’ak as bargain basement James Dean and a four eyed whale as Sal Mineo’s Plato.

The movie has lots of scenes of laughing at people trying to learn new skills, like when the Metkayina teens mock the Sully kids for struggling to learn how-to-live in water, and when Spider – a human child raised by the Na’vi, laughs at the reincarnated Marine Colonel now trying to live in his new Na’vi body. Everybody laughs except for those watching.

Speaking of Spider, he’s like every dreadlock wearing white kid who thinks he’s black, as well as every skateboarding douchebag who thinks he’s interesting and tough. To say that Spider is the most annoying and embarrassing character to hit the big screen in ages would be a massive understatement.

As for the women in The Way of Water…they are all Na’vi and they are all repellant, hyper-emotionalist shrews of the highest order. If I wanted to spend hours on end with grating hags, I would’ve stayed married to my first, second or fourth wife (FYI…my third wife, Barbarella, was an angel…who unfortunately died from injuries sustained in a freak pole dancing accident - RIP).

The cast of The Way of Water, which include Sam Worthington, Zoe Saldana, Sigourney Weaver, Kate Winslet and Stephen Lang are tough to judge because they’re basically animated blue beings. No one sounds very believable or anything, but acting in CGI isn’t exactly easy.

Edie Falco, plays General Ardmore, one of the few actual human characters, and as much as I love Edie Falco and respect her as an actress, she is actively awful in this movie.

Jack Champion, who plays Spider, is just atrocious as well.

As for the most important part of The Way of Water…how it looks…I have to say that it looks…fine. Granted, I didn’t see it on the big screen and watched a digital screener on my rather big tv, so my opinion on the visuals is to be taken with a gigantic grain of salt. I will say this though, a movie having nothing going for it except that it looks like a fantastically high-end video game, is not a very strong argument that it’s a good movie.

The bottom line is that Avatar: The Way of Water is a very long, very boring and banal, very derivative and dull cinematic venture. James Cameron has made some great, and I mean great, movies. Both Terminator films are absolutely fantastic, and Aliens (1986), True Lies and even The Abyss, are flawed but exceedingly well-made, entertaining films. That said, Cameron will no doubt make a bazillion dollars with his Avatar franchise, but he won’t make anything artistically or cinematically worthwhile, which is a shame and feels like a waste of his talents.

Which brings me to my final point. Top Gun: Maverick and Avatar: The Way of Water, are two movies that aren’t original and aren’t good, and yet they’ve dominated the culture for the last year. The fact that there are people out there who think these movies are awesome is a strong indicator that America is a country and empire is steep and steady decline.

Culture is the canary in the coalmine, and with Maverick and The Way of Water, that poor son of a bitch of a bird is down in the darkness, flat on his back in the muck and the mire, wheezing his last bitter breath.

Don’t say I didn’t warn you.

©2023

Looking California and Feeling Minnesota: Episode 80 - Black Adam

On this episode, Barry and I head to Kahndaq to go toe-to-toe with Black Adam, the new DC superhero movie starring Dwayne "The Rock" Johnson. Questions debated include to Rock or not to Rock? Will aliens murder us to put us out of our cinematic misery? And who ya got...The Rock or John Cena?

Looking California and Feeling Minnesota: Episode 80 - Black Adam

Thanks for listening!

©2022

Black Adam: One Rock to Rule Them All

****THIS REVIEW CONTAINS MINOR SPOILERS!!! THIS IS NOT A SPOILER FREE REVIEW..BUT THE MOVIE IS SO BAD IT DOESN’T MATTER!!****

My Rating: 1 out of 5 stars

My Recommendation: SKIP IT. A bad, boring movie.

I just watched Black Adam, the new DC superhero movie starring Dwayne “The Rock” Johnson, which tells the tale of, you guessed it, D-level superhero Black Adam, a 5,000-year-old super being awakened to either wreak havoc on modern-day earth or save certain segments of it, and there’s only one thing I can take away from the film…that Dwayne “The Rock” Johnson is going to eventually be the President of the United States of America.

I don’t think The Rock is going to be president because the movie is great and he’s fantastic in it. The movie is garbage and The Rock makes Arnold Schwarzenegger look like Sir Laurence Olivier. To give an indication of how bad Black Adam is, after the film, my date, a much younger woman who, the last time we went to the movies we saw Eternals, debated which movie was worse. We concluded Eternals was worse…but it was close.

No, the reasons I think the The Rock will be president are multitude. The first of which is that, even people who loathe his consistently atrocious movies, like me, still begrudgingly say that The Rock seems like a nice guy because he does seem like a nice guy. Americans love the idea of the “nice guy” president, which is how we got not only dementia-addled pedophile Joe Biden, but also bailout Barack Obama – the drone king and Espionage Act champion, and sociopathic war criminal George W. Bush (remember – he was the guy people wanted to have a beer with…yikes!).

Secondly, like his presidential predecessors (most recently The Donald), The Rock is a raging sub-mediocrity that has consistently failed upward throughout his life despite not actually being good at anything but self-promotion. Once you get past his incessant charm offensive it becomes clear that The Rock is so devoid of substance that even his attempts at style feel vapid.

Coincidentally or not, The Rock’s presidential bona fides are fully on display in Black Adam as he kills people with ease and without a second thought, and does so with a cock-eyed smirk on his face. Like numerous previous presidents, The Rock as Black Adam kills all these people in the Middle-East, but unlike those other presidents, the people he kills in the movie are almost universally white. I’m sure some will see that as progress.

Put on your tinfoil hat because Black Adam feels like a rather shameless subliminal and symbolic two-hour campaign ad for The Rock’s presidency directed at the only constituency that truly matters – the behind-the-scenes, nefarious power brokers who pull the strings in our perpetually fucked-up world. The soulless, blood-thirsty beasts at the World Economic Forum, as well as members of The Council on Foreign Relations, The Club of Rome, Bohemian Grove, Skull and Bones, and the Bilderberg Group, among many others, will adore Black Adam, and will no doubt loudly receive the message from The Rock that he is all-to-happy to fellate them and serve their interests, and they will act in kind to make him the charming front-man to cover for their relentless deviousness and deviancy.

For example, the Illuminati hand symbol is a major plot point in the film, and is the symbol for the superhero/anti-hero Black Adam. The Illuminati symbol leads to and unleashes Black Adam – a Christ/anti-Christ figure, awakening him from a 5,000-year slumber. Black Adam’s rise brings all the non-white peoples of Khandaq, some exploited shithole in the Middle-East, to join together to repel, of all things, Satan. Yes…Black Adam is basically the second-coming of Christ but this time he’s a ruthless killer who splits Satan in two – again more duality symbolism. You see Black Adam isn’t actually destroying Satan, he’s destroying the Christian archetype of the last 2,000-years. The new ruling archetype will be an even older, more barbaric, more savage, less forgiving one, and it will usher in an equally barbaric, savage and unforgiving age.

In terms of just pure modern-day, mindless American politics, The Rock’s Black Adam is a champion of non-white people, for that is who he represents and rules over. Black Adam even performs the most blatantly false of symbolic acts when he destroys his new throne atop Khandoq to show that he’s not a king, he’s a man of the people. How subtle.

Delicious conspiratorial musings aside…and boy are they delicious, Black Adam is less an actual movie than a series of dull movie trailers strung together with barely the least bit of coherence.

Black Adam is a perfect encapsulation of everything wrong with the DC film universe. When DC goes otherworldly instead of gritty, things get shitty really quick. Gods and spells and ancient dog shit make for bad plots, bad cgi, bad action, and bad movies.

The action sequences in Black Adam are almost as dull as the non-action sequences, which is quite an accomplishment for director Jaume Collet-Serra. The film has all the visual style of month-old roadkill.

The script is, not surprisingly, laborious. The back story of Black Adam is convoluted and stupid, and the modern-day story lacks any and all interest and intrigue.

The characters are, across the board, moronic, annoying, or both.

The non-superhero characters, Adriana and her son Amon, are the types of people you pray get killed in every scene in which they appear. Amon, played by Bodhi Sabongui, is the most irritating character in any movie I’ve seen in recent memory. Amon is basically a Middle-Eastern Eddie Furlong from Terminator 2: Judgement Day, and The Rock’s Black Adam is Arnold’s good guy Terminator who must be taught that killing is bad and what catch-phrases to say. Like Furlong’s teen John Connor, Amon skateboards – and is super fucking annoying. I’ve never wished so much for a character to be murdered in my entire life.

The collection of D minus level superhero characters aren’t any better.

Poor Aldis Hodge, a usually appealing screen-presence, plays a race-washed Hawkman and is given nothing but catch-phrase buffoonery to regurgitate. Noah Centineo is supposed to be the comic relief as Atom Smasher, but isn’t funny. Quintessa Swindell is a nearly invisible Cyclone, who may be the dullest superhero ever created. And finally, Pierce Brosnin plays Dr. Fate…and is actually pretty good. I’d prefer to see a Dr. Fate movie than a Black Adam one.

The Rock has been accused of always playing The Rock in his movies, and that holds true in Black Adam…and reinforces my subliminal and symbolic presidential campaign ad thesis.

The Rock’s biggest flaw as an actor is that he is completely devoid of any genuine charisma and is unconscionably dull. He is, at heart, a meathead wrestler who thinks arching an eyebrow is clever and meaningful.

To his credit, the guy is 50 and looks more like a superhero than any superhero we’ve ever seen, so he obviously works hard in the gym and with his pharmaceutical team, but at some point, you’ve got to bring the goods. Schwarzenegger was a steroid addled meathead too, but he had at least some inner life to him on-screen. Stallone too fits into the steroid/meathead type too, but he imbued his characters with a certain sad-eyed, sad-sack persona. The Rock isn’t Arnold or Sly, he’s a sort of dead-eyed, cheap imitation of them. But that won’t stop him from ruling us all from the White House someday.

But for now, The Rock will have to try and rule the world from the box office. And while fans will no doubt flock to see Black Adam…the movie is not going to break any box office records. Word of mouth will be brutal, and this movie, unlike The Rock’s political ambitions, will quickly fade from the spotlight and public consciousness. But that won’t stop the Sauronic powers that be from acquiring this one Rock to rule them all. You’ve been warned.

 

©2022