The Wild Robot: A Review - Domo Arigato Mrs. Roboto

****THIS IS A SPOILER FREE REVIEW!! THIS REVIEW CONTAINS ZERO SPOILERS!!****

My Rating: 3.5 out of 5 stars

My Recommendation: SEE IT. A flawed but emotionally potent film that is deeply moving for parents and children alike. Just be aware of the movie’s less than ideal sub-text.

The Wild Robot is an animated science fiction film that follows the travails of Roz, a utilitarian robot marooned on an island inhabited by a variety of animals.

The film, written and directed by Chris Sanders and based on the wildly popular book series of the same name by Peter Brown, features Lupita Nyong’o, Pedro Pascal, Bill Nighy and Catherine O’Hara among its voice acting cast.

The Wild Robot has a lot going for it. For example, the book series it is based on is enjoyable for both children and adults, and the animation on display in the film is as good as it gets in the genre.

While the film does enough with what it has to be an enjoyable and emotionally moving experience, deep down I couldn’t help but feel that it could have been better. That’s not to say that it’s bad, because it isn’t, in fact I assume this movie will be a front runner for a Best Animated Feature Academy Award, but I still think that it could have been better than it is.

Let’s start with the positive.

The film, which I’ll do my best not to spoil for the uninitiated, centers on the love between a robot and an orphaned gosling. The relationship between Roz (the robot) and Brightbill (the gosling), is sweet and funny and ultimately realistically heartbreaking as Brightbill matures into goose adolescence.

To writer/director Chris Sanders’ credit, The Wild Robot hits all of the proper emotional beats and does so extremely effectively. Both parents and children will be emotionally moved by the film in untroubling and at times exquisite ways.

Any parents in the audience will recognize themselves in Roz and easily relate to Roz’s heartbreak – which is the natural state for any parent. And children will recognize, at a minimum sub-consciously, the yearning Brightbill has to break free of parental control and go make his way in the world, but also the sadness and sense of loss that comes with embarking on that exciting adventure.

The biggest issue I had with The Wild Robot was not the perfection or potency of its emotional journey, but rather with the rhythm and rhyme of the narrative and the morality and ethics of its sub-text.

The story of The Wild Robot works best when it is simple – namely when Roz is trying to raise, protect and teach Brightbill. But when the story expands it loses its dramatic power and becomes, dare I say it, meandering and, at times, tedious.

In addition to losing narrative momentum when the story expands, the film also loses its emotional power amidst a bevy of action sequences that feel flat and derivative.

Another minor issue I had with the film was that the voice cast was just ok. For example, Pedro Pascal, who voices the character Fink, a mischievous fox, lacked a vocal crispness and dexterity that the character required. His vocals were a bit mushy for my taste and felt off for the character.

That said, I thought Lupita Nyong’o was very good as Roz.

I saw the film with my young son and when it ended, I asked him if he liked it, which he did (as did I despite my criticism). I then asked him which he liked better, the movie or the book. Much to my shock, since he had just seen the movie and had read the book many, many months ago – and reading is not his favorite thing to do, he said he liked the book better than the movie.

The movie does change things from the book. For instance, the pivotal character from the book, Chitchat – a motormouthed squirrel, is all but disappeared from the movie and replaced in the narrative by Pinktail, a mother possum (voiced by Catherine O’Hara).

The ending of the movie is different from the book as well, and is another reason why the emotional power of the film gets diminished in its final third.

Other book to movie changes are more subtle but no doubt book readers will notice and be either mildly or majorly disappointed by them.

Ultimately, The Wild Robot tells a story of love between a parent and a child, and that is moving and meaningful no matter how that parent/child relationship begins.

But there’s also a more subtle, and some might say nefarious or malignant sub-text that fuels the final fourth of the film, and that is about acquiescing to fascistic power. The sub-text of this film is the polar opposite of the old adage that “it is better to die on your feet, than to live on your knees”. The Wild Robot sub-textually endorses the notion of living on one’s knees, which is a total subversion of the hero’s journey – which has historically been a masculine tale, replacing it with the feminine instinct to placate and survive rather than to fight and die.  

So instead of teaching children to fight tyranny and authoritarianism, The Wild Robot in its cinematic form teaches them to bend the knee and keep their head down in order to scrape out a meek existence where freedom and love are momentary gifts to be stolen under an ever-watchful tyrannical eye instead of God-given rights worth fighting and dying for.

No doubt most people would roll their eyes at this interpretation of the film and claim I am reading way too much into it…but they’d be wrong. Movies (and tv and all other entertainment) are powerful propaganda tools and are used to manipulate and condition people in general, and children in particular, as to how to see their world and what to find acceptable.

The story of The Wild Robot is a benign and beautiful one…until it turns into a malignant and malicious one. That turn occurs late in the film and effectively uses the overwhelming emotion of the first three quarters as a way to bore into the collective unconscious of audiences and then drops the seed of acquiescence and impotence in the face of power.

Interestingly enough, the book is not structured in the same way as the film and it’s hero’s journey is therefore different, more traditional and therefore mythologically and archetypally more satisfying.

With all of that said, the truth is I “enjoyed” The Wild Robot because it effectively made me feel, and that’s what we want from cinema, even if it involved animated animals and robots living out the drama of life.

That the emotional strings plucked by The Wild Robot are used to promote a nefarious sub-text, is, if you are able to watch it consciously, still dismaying but somewhat less relevant.

The bottom line is that The Wild Robot is an emotionally profound movie that suffers a bit from a narrative that gets a tad meandering, but overall, I think it is still worth seeing.

Just watch it with an open heart and a watchful mind – and teach your kids to do the same thing.

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