"Everything is as it should be."

                                                                                  - Benjamin Purcell Morris

 

 

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Follow me on Twitter: Michael McCaffrey @MPMActingCo

Propaganda Watch - Ireland Edition

This past Thursday, a man stabbed and seriously injured five people, two women and three young children, at a school in Dublin, Ireland.

Anti-immigration protests broke out in response to the attack, which many believed to have been committed by an Algerian immigrant (a claim which has not been officially confirmed), and escalated into a riot, with police being assaulted, buildings and vehicles being burned, and stores looted.

The preceding two paragraphs are my simple attempt to describe in as journalistically neutral a way the calamitous events of November 24, 2023 in Dublin, Ireland. It could certainly use a few more drafts and an editor, but it is professional enough to be passable.

It wasn’t that hard to write those two paragraphs, and yet, perusing the coverage of the terrible events in Dublin on Thursday in the leading newspapers here in the U.S., one finds some egregious journalism, insipid bias, and blatant propaganda on display. When compared to these newspaper’s coverage of similar incidents, it reveals an ingrained bias and insidious level of propaganda that is alarming but not shocking.

Let’s start with the “paper of record” The New York Times.

The New York Times headline on its original article about the Dublin incident reads, “Rioters Clash With Police in Dublin After Children are Hurt in Knife Attack”.

At first glance this seems to be accurate, but when you read between the lines you realize the headline, and the story beneath, are a minefield of managed propaganda.

Let’s start with the phrase “children are hurt in knife attack”. This phraseology is intentionally meant to diminish the horror of the attack. Notice, the children are “hurt”, which is a passive descriptor, and the term “attack” is not a verb here, and is also passive.

Another way to write the headline would be to describe the incident as “children wounded in knife attack” or “children attacked by knife-wielding man”. Those descriptions create a much more visceral response regarding the attack, as opposed to the Times headline which tries to create the visceral reaction in regard to the riot which followed.

It's similar to how establishment media describe death in the conflict between Israel and Palestine. Israelis are “killed” (viscerally charged language – killing is ugly and brutal and the people who kill – the Palestinians – are to be regarded as actively evil) while the Palestinians “die” (passive – as if it’s a quiet and sterile act of God). There’s also the phrasing of Hamas releasing Israeli “hostages” while Israel releases Palestinian “prisoners”. How the establishment media wants you to react to a story is signaled in the semantics of the story.

Speaking of semantics, the term “rioters” is also a very distinct choice that intentionally carries with it a stigma and negative connotation meant to convey judgement and condemnation, placing the reader in opposition to the “rioters” and their cause. But is the term “rioter” the accurate choice?

A riot certainly broke out in Dublin on Thursday, so describing the people doing the fighting with police and burning and looting as rioters would seem accurate…except it didn’t start as a riot, it started as a protest and then escalated/spiraled out of control into a riot. An accurate description would be to say that “protests devolved into riots”.

The New York Times was not alone in their use of the term “rioters” and “riot” as both the Washington Post and Wall Street Journal did the same.

The Washington Post headline ignored the attack on women and children altogether and simply declared, “Far-Right Protestors Burn and Loot in Dublin in Worst Violence in Decades”. You’d be hard pressed to find a more biased headline than that to describe the events of November 24, 2023 in Dublin.

The Post article then goes on to describe how “…rioters, some wielding metal bars, smashed windows and looted shops in the city center.”

The Wall Street Journal opened with, “Ireland witnessed its worst civil disorder in decades after rioters marauded through Dublin city center looting shops and setting buses and police cars on fire in a spate of violence…”.

“Rioters marauding” is quite the creative flourish, and would make for a great band name or album title.

The picture painted by the Times, Post and Journal is pretty clear, that the “riot” and the “rioters” are much worse than the “incident” where five people were stabbed. Hell, The Washington Post ignored the attack in favor of the riots in their headline. These corporate media outlets make it even more clear of their intention by only quoting police and government authorities in their stories.

There are quotes from Irish Prime Minister Leo Varadkar, who deemed the “rioters” to be “thugs”. And from Irish Justice Minister, Helen McEntee, who stated, “a thuggish and manipulative element must not be allowed use an appalling tragedy to wreak havoc…”.

There are numerous quotes from police officials, who blamed the riots on a “lunatic, hooligan faction driven by a far-right ideology”.

What was missing from every single article I read, and not just in the big three newspapers mentioned above, was a quote from someone who was actually attending the “riot” and/or participating in it.

As someone interested in journalism, it seems to me that finding out why these people are crazed enough to riot would be a pivotal piece to the story…but apparently not.

That’s not to say that the “rioters” motivations are ignored, they aren’t, as every article claims, without evidence, that the “rioters” are “far-right”, “anti-immigrant” hooligans. The only source for those claims are police and government officials.

You may be thinking, what is wrong with any of the preceding examples of journalism I have presented? Well, when seen in context with the establishment media’s coverage of other similar incidents, it tells quite a story.

Back in May of 2020, George Floyd died while being forcefully detained on a street by multiple Minneapolis Police officers. Floyd’s desperate pleas for his life and subsequent death were captured on video and quickly spread through social media, igniting outrage and protests, which descended into a riot which involved violence, burning and looting.

The previous paragraph is a passable paragraph describing the killing of George Floyd and the subsequent civil unrest with a minimal amount of bias injected. The term “killing” could replace the word “death” in the second sentence, but at the time it was not entirely clear what killed him…and frankly it’s still pretty murky to this day. That said, it is relatively accurate.

The New York Times, Washington Post and Wall Street Journal, were all very clear in describing the “rioters” in Dublin the other day. Interestingly enough, they never used the term “riot” or “rioter” to describe what happened in the wake of George Floyd’s death (now deemed a murder).

The headline of the Times’ article on Dublin blared, “Rioters Clash with Police”, but the Times’ headline regarding the unrest following Floyd’s death reads, “Fiery Clashes Erupt Between Police and Protestors”.

Notice how the story in Dublin is framed? “Rioters Clash with Police” makes it clear who is instigating – the “rioters”…not to mention the term rioters makes clear they and their cause are to be perceived negatively and with disdain.

In contrast, the violence between police and “protestors” in Minneapolis appears to simply be an act of nature, like a volcano, as “fiery clashes erupt”.

And of course, the rioters in Minneapolis are described as “protestors” throughout the reporting and never as rioters, thus giving them and their cause nobility and not tainting it with criminality, like the term “rioters” implies.

The Washington Post did the same, with their headline stating, “Protests Continue to Rage”.

The Post article features this astonishing paragraph, “Protesters broke windows and charged over fences to breach a police precinct station in Minneapolis and set it on fire late Thursday as officers retreated from violent confrontations that boiled over days after George Floyd died in police custody.”

The actions described, breaking windows, charging over fences and setting a police station on fire, are all very clearly acts that occur in a riot, and not at a protest…and yet the Post, as well as the Times and the Journal, never, not once, refer to the people who commit these acts as “rioters”. The “rioters” in Dublin all broke windows and lit things on fire, and were called “rioters” for it.

The Post article also quotes one of the “protestors” inside in the police station who is actively lighting it on fire. The quote reads, ““We’re starting fires in here so be careful,” one man shouted as sprinklers doused protesters who had burst inside. Flames began to rise from the front of the building as hundreds of protesters looked on, and soon smoke was billowing from the roof.”

Quoting this man, and the particular quote they use, is an obvious attempt to humanize the man, the “protesters” and the “protest” movement. You see, this “protestor” is concerned for human life and wants to make sure everyone is safe as he burns the police station to the ground. (I actually believe that this quote is manufactured by the reporter as it is just too perfect…but I cannot prove that) Why did the reporter use only that quote and not another? Curious.

Of course, the Post didn’t get any quotes from the protestors/rioters in Dublin, because that would illuminate their motivations and maybe even humanize them, something which apparently is anathema since it is so dangerous to hear their point of view.

The Wall Street Journal, which is owned by Rupert Murdoch and is right-wing, was no different in its coverage of the Floyd “protests”. The Journal’s original article says, “…protesters walked for 2½ miles to a Minneapolis police precinct. Some damaged windows, a squad car and sprayed graffiti. Police in riot gear formed into a line to confront the protesters and fired tear gas…”

The Journal never labels the “protestors” as “rioters”, despite the fact that the police were wearing “riot” gear….which is pretty funny. Why didn’t the police put on “protest” gear?

Another interesting comparison between the Dublin “riots” and the George Floyd “protests” is that these big three establishment media outlets all use police and government officials as sources and for quotes regarding Dublin, but not with regard to the Floyd “protests”.

These police and Irish government official’s claims are taken at face value and never questioned. When these officials call for “law and order” and declaring the “rioters” “thugs” and “hooligans”, it is seen as a positive and their actions noble in a fight against rampant hate and criminality.

In contrast, none of these three mainstream newspapers got quotes from police officials in their articles on the “protests” in the wake of George Floyd’s death. The only government official quoted was Trump who was painted as a tyrannical demagogue for calling the “protestors”, “thugs”.

Regardless of what you think or feel regarding the “riots” in Dublin or the “protests” about George Floyd’s death, the important thing to understand, and why I am writing this article, is that you are being relentlessly manipulated. How you think and feel is not a function of you rationally examining and weighing evidence. It is a result of you being emotionally manipulated through the use of subtle, and sometimes not-so-subtle, propaganda techniques.

The news you read or hear or watch, is manufactured and is a tool to manipulate you to into feeling how the ruling elite want you to feel.

In the case of Dublin, the globalists want you to decry anti-immigration sentiments and to see anyone who resists unfettered immigration as a “far-right”, racist villain, even though these Irish “rioters” may, in the case of Ireland (which has never been a colonizer – only colonized), be in an existential war to save the country and culture their ancestors fought for, and died for, for centuries.

The same manipulation is true regarding the George Floyd “protests”. The ruling elite want you to believe, and polls show an overwhelming majority of liberals do believe, that police are slaughtering unarmed blacks by the thousands every year. That is demonstrably false even though it “feels” correct according to media coverage.

Hyper-racialization and mass immigration are among the most valuable weapons used by the ruling elite to divide, conquer and pillage…and most of the people fall for it most of the time.

The bottom line is that, to quote the great George Orwell, “To see what is in front of one’s nose needs a constant struggle.”

Unfortunately, with attention spans and I.Q. dropping like flies in our insatiably emotionalist, social media saturated culture, fewer and fewer have the ability, or the will, to see what is in front of their nose and to sniff out the insidious and insipid establishment propaganda that is hiding in plain sight.

So, if you open your eyes and engage in the struggle, you’ll clearly see the mountains of bullshit in which they are currently rubbing your nose.

Follow me on Twitter: @MPMActingCo

©2023

Armageddon Time: A Review - Portrait of the Artist as a Stupid and Boring Child

****THIS IS A SPOILER FREE REVIEW!!! THIS REVIEW CONTAINS ZERO SPOILERS!!****

My Rating: 2 out of 5 stars

My Recommendation: SKIP IT.  A sanctimonious, self-pitying and tedious tale of childhood turmoil in 1980’s New York. Move along, absolutely nothing worthwhile to see here.

There has been a spate of semi-autobiographical films this year where filmmakers navel-gaze and examine not only their childhood and how they ended up behind the camera, but also the “magic of cinema”.

There’s Alejandro Gonzalez Inarritu’s Bardo, Spielberg’s The Fabelmans, to a lesser degree Sam Mendes’ Empire of Light, and finally James Gray’s Armageddon Time.

Of these four I’ve only seen Bardo (I’ve yet to publish my review) and now Armageddon Time, but I can report that thus far this genre of film is proving itself to be a calamitous cavalcade of cinematic crap.

Armageddon Time, which was released in October to dismal box office returns, is not only directed but also written by James Gray. While I respect James Gray as a visual artist, his movies have always been more miss than hit for me. I find his films, which include Little Odessa, The Yard, We Own the Night, Two Lovers, The Immigrant, and Lost City of Z, to be beautiful and tantalizing but mostly noble failures that never quite coalesce. The notable exception being 2019’s Ad Astra, which I thought was a truly stunning and insightful piece of work. Unfortunately, Armageddon Time is anything but stunning and insightful. I would in fact, put Armageddon Time at the very bottom of the list when judging Gray’s filmography.  

The autobiographical movie tells the story of Paul Graff (a stand in for Gray) and his tumultuous Autumn of 1980 when he attends sixth grade in a public school in Queens, New York. Paul’s family is working-class Jewish with plumber father Irving (Jeremy Strong), PTA mother Esther (Anne Hathaway), and annoying older brother, Ted, who attends a tawny private school. Paul also has his maternal grandparents, most notably his immigrant grandfather Aaron (Anthony Hopkins), with whom he is particularly close.

Paul befriends a black student in his class, Johnny (Jaylin Webb), when they are both punished by their obnoxious teacher Mr. Turkeltaub. Johnny is being raised in poverty by his dementia-addled grandmother, and is doing sixth-grade for the second time. Mr. Turkeltaub has a particular dislike for Johnny and is harsher on him than on Paul.

The story goes from there as Paul and Johnny get into all sorts of trouble at school, and Paul navigates the consequences back home.

Armageddon Time, which is currently available on Video-on-Demand (I paid $5.99), is an interminably slow, sluggish, self-indulgent and self-pitying exercise in virtue signaling that rings hollow, phony and false on nearly every level.

The acting, with the notable exception of the magnificent Anthony Hopkins, is abysmal. Anne Hathaway and Jeremy Strong give cringe-worthy, Borscht Belt level performances as Paul’s parents.

The child actors, Banks Repeta as Paul and Jaylin Webb as Johnny, are tough to take, and certainly make the hour and fifty-five-minute runtime feel at least twice that long. Repeta’s Paul is completely unlikable and being in his presence for the length of the film is a struggle. To be fair to Repeta and Webb, their characters are so poorly written that asking them to fill them out seems unfair. Webb in particular is given short-shrift, as Johnny is reduced to the sort of one-dimensional, sad-sack, black martyr/messiah stereotype that is both dreadfully dull and diabolically dehumanizing.

Hopkins is the only actor who gives a grounded performance and generates a character that seems like a real person. His Aaron is like a supernova shining brilliantly as it enters its final stage of life. Hopkins ability to elevate material, and to give poorly written characters a deep and compelling inner-life, is remarkable.

One of the biggest problems with Armageddon Time is that its politics, which are decidedly neo-liberal and Manichean, are relentlessly heavy-handed, trite and vacuous, not to mention omnipresent.

For example, there’s a whole secondary story line involving…God help us… the Trump family, with the loathsome Fred Trump (the Donald’s father) front and center, that is so ridiculously ham-fisted that every time it rears its ugly head it feels like the Evel Knievel over Snake Canyon of shark jumps.

The film’s racial politics are equally bromidic, as they’re so paternalistic and condescending as to be offensive. Ultimately the film and its racial politics ends up being little more than a testament to the fact that an artist’s white guilt is an insidious, narcissistic cancer that generates egregiously insipid and vapid art.

The movie is so patronizing and supercilious it’s like a multi-million-dollar colonial style home in a tawny, minority-free neighborhood that has a “Black Lives Matter” sign in its impeccably-landscaped-by-underpaid-Mexican-illegal-immigrants front lawn.

Gray is Jewish, which is why it’s so confusing that he makes viewers feel like a bored parish priest listening to his confession about other people’s impure racial thoughts.

James Gray went to USC’s School of Cinematic Arts, one of the most prestigious and elitist film schools in the world, made his first feature at age 25, and has had a stellar career working with great actors despite rarely having a hit, it seems that he got everything he ever wanted…so the question becomes…why all the masturbatorial bitching?

The reality is that the artist is never as interesting as his art, or as interesting as he thinks he is…which is why Armageddon Time feels more like a misguided tantrum from a spoiled child grown old than a piece of introspective cinematic art from an artist trying to understand himself.

The bottom line is that Armageddon Time is so sanctimonious and self-pitying, not to mention boring, banal and bland, that it will make you yearn for an actual Armageddon to put you out of your misery. Save your time and your money and skip this tedious tale.

©2023

Fauci: Documentary Review

My Rating: 1.5 out of 5 stars

My Recommendation: SKIP IT. This sycophantic cinematic venture and unabashed ode to Anthony Fauci, Narcissist-in-Chief at the NIH, is self-serving agitprop meant to feed the Fauci fetish of fools.

Fauci, the creatively titled new National Geographic documentary airing on Disney +, sets out under a decidedly deceptive guise of impartiality to tell the truth about America’s favorite foremost scientist, Dr. Anthony Fauci.

Over the last year and a half as the coronavirus has ravaged the U.S. and marched across the globe, Dr. Fauci, whom the film describes as “a world-renowned infectious disease specialist and longest serving public health leader in Washington, D.C.”, has become a beatified cultural icon to some and a lightning rod of controversy to others.

I consider myself agnostic on Dr. Fauci, but admit that I’ve never understood the media and public veneration of him. I don’t loathe the guy, but he also just always struck me as a blowhard bureaucrat with an ego inversely proportionate to his intellect. But what the hell do I know?

Now, if you worship at the altar of St. Fauci – Patron Saint of “Science”, then Fauci will certainly satiate your Fauci fetish, but if you even mildly question the actions or intentions of the Brooklyn-born scientist/sage then this documentary is definitely not for you.

The film seems like a slick, hour and forty-five-minute campaign commercial meant to solidify the base rather than reach the indecisive. It boasts a plethora of personal interest anecdotes, as well as montages of family time and even shots of a sexy Fauci in the family pool in a Speedo (no, I’m not kidding). Then there’s the requisite conjured tears to indicate Fauci’s heartfelt humanity, and moments of him cursing to reveal how down-to-earth he is, and a healthy serving of pious-filled Fauci faux humility. Oh, and there’s also the cavalcade of establishment endorsements from the likes of Bill Gates, George W. Bush and Bono.

But if you were hoping for an actual investigation into Dr. Fauci, you’ve come to the wrong documentary, as filmmakers John Hoffman and Janet Tobias seem deathly allergic to actual journalism.

Looking for questions regarding gain of function research or a feet-to-the-fire moment over the venerated Fauci’s falsities and flip-flops regarding Covid and masks? Or answers to questions like…if the disease is so deadly, why is the southern border still so porous, potentially allowing in infected illegal immigrants? Or if the lockdown was instituted in order to avoid overwhelming ICU units and hospitals, why weren’t more ICU units built and hospital capabilities expanded over the last year and half? Or if the vaccine doesn’t stop transmission of the disease but only reduces the severity of the illness, then why should anyone care about the unvaccinated since they are only putting themselves at risk?

You’ll have to look elsewhere because Fauci doesn’t only not have answers to those questions, it never even considers asking them.

The whole documentary feels like a bad job interview, where the interviewer asks “what are your biggest weaknesses?” and the candidate replies, “I work too hard, care too much, and am too dedicated to helping people.”

Of course, this is a sentimental, softball cinematic venture so there’s no pushback amongst the prodigious amount of pattycake.

Even when the film does go through the motions of pretending to be impartial, it lets its bias overwhelm it.

For instance, Fauci’s arrogant bungling of the AIDS crisis in the 80’s is transformed into the narrative of a noble public health worker bridging divides, bringing people together and bravely standing up against homophobia.

Fauci’s mishandling of the AIDS epidemic in Africa is also shown in a similar light, but instead of Fauci fighting homophobia, he’s fighting racism.

The filmmakers use of Fauci’s alleged fight against homophobia and racism in these cases is meant to suffocate any liberal questions of Fauci’s record and solidify support among the movie’s ideological base.

The filmmakers and their saintly subject also use Trump as a convenient foil, once again to signal their and Fauci’s liberal bona fides. A red-faced Trump comes in for some very heavy criticism in the documentary, for example, when asked what his first impressions of Trump were, Fauci derisively responds “Yikes!”.

Fauci paints himself as a paragon of truth and Trump as an arrogant buffoon, but the good doctor’s own, sometimes fatal flaws never make a blip on the radar screen of Fauci.

For example, from the very beginning of his career all those decades ago, Fauci’s narcissism is readily apparent as he adores being in front of cameras and at the center of attention. This narcissism directly feeds his blind spot - arrogance, most notably in regards to the AIDS crisis and his failure to tell the truth regarding Covid to the American people. This arrogance has cost countless people their lives.

It’s Fauci’s lack of humility and inability to admit mistake that has done so much damage to the credibility of the medical establishment in the U.S.

If Fauci were consistent and truthful about what he’s done and hasn’t done, and where he’s been wrong, it would go a long way to healing what ails the medical establishment, but self-reflection isn’t Dr. Fauci’s strong suit, self-promotion is, and Fauci is proof of that.

Ultimately, Fauci is a painfully pandering paean to its subject, and an unintentional ode to the relentless narcissism that drives him. If, like Fauci, you love Fauci, then you’ll love Fauci. If you loathe him or are ambivalent, this piece of shameless and brazen agitprop isn’t going to convince you otherwise.

 A version of this article was originally published at RT.

©2021

Cry Macho: A Review and Commentary

****THIS IS A SPOILER FREE REVIEW!! THIS REVIEW CONTAINS ZERO SPOILERS!!****

My Rating: 1.75 out of 5 stars

My Recommendation: SKIP IT. A dismal and disappointing directing effort from Clint Eastwood that features some utterly embarrasing performances and a painfully thin script.

Hollywood icon Clint Eastwood has long been an avatar for America. From the phenomenal spaghetti westerns of Sergio Leone to Dirty Harry to his genre closing masterpiece Unforgiven, Clint Eastwood has been an archetypal figure embodying America’s sense of itself and its masculinity.

Eastwood’s new movie Cry Macho, which he directs and stars in, isn’t in the same cinematic ballpark as Unforgiven or Dirty Harry, in fact, it’s a pretty dreadful movie, but that doesn’t mean it lacks archetypal insight.

Cry Macho features Eastwood once again mirroring America, but this time he unintentionally reveals a deeply delusional nation in steep decline.

The film tells the story of Mike Milo (Eastwood), a very old ranch hand hired by wealthy Texan Howard Polk to get his wayward teenage son, Rafo and pet rooster named Macho, from Mexico out of the clutches of Rafo’s drug dealing, abusive mother.

It is important at this juncture to unequivocally salute Clint Eastwood for making Cry Macho. Directing a movie requires a Herculean effort. Starring in a movie takes a super-human amount of energy. Clint Eastwood not only directing but starring in a movie at the age of 91 is a stunning and miraculous achievement.

While I have been highly critical of many of Eastwood’s late-stage films, and rightfully so, that does not diminish in my eyes his singular position in the history of American cinema and the breadth of his acting and directing career.

I respect Eastwood’s continued ambition and work ethic (but certainly question his work style) but I refuse to let sentimentality cloud my judgement of his work.

Eastwood has been starring in movies for 57 years, and while he’s never been a great actor, he’s always been a formidable and compelling screen presence. But Clint Eastwood is 91-years-old, and while he’s robust for a 91-year-old, that doesn’t make it any less delusional that he cast himself as a character that is 40 in the book upon which the movie is based. Hell, Eastwood even turned down this same role back in the 80’s when he was a much more age appropriate.

At 91, Eastwood doesn’t just seem old, but elderly and fragile, as he moves like an extra on Night of the Living Dead. The sight of him breaking horses, dancing the night away and punching thugs, beggars belief.

When a woman less than half his age is so overcome with sexual-attraction she tries to seduce him, and another about half his age falls madly in love with him, it’s utterly absurd.

This aggressive self-delusion is the perfect embodiment of the current state of the American empire, which is in a sorry state but sees the ruggedly handsome Clint Eastwood of 1965 in the mirror instead of the more accurate reflection of the feeble, infirm and geriatric Clint Eastwood of today.

This level of delusion is equivalent to those American voters who convinced themselves that Joe Biden wasn’t a dementia-addled, establishment whore or that Donald Trump was anything but a bloated, bloviating reality tv buffoon.

Like so much of America and American culture, Cry Macho is a cheap, sloppy, dramatically and narratively incoherent venture that features some of the worst acting you’ll ever see. When the best actor in your movie is a rooster, you’ve got serious problems.

Eastwood is famous, or infamous, for shooting minimal takes on his films in order to stay on time and on budget. When his cast consists of all-time greats like Morgan Freeman, Gene Hackman and Richard Harris, as it did on Unforgiven, this approach can work incredibly well. When, in an attempt to cut corners and save money, the cast is loaded with unknowns, as it is on Cry Macho, then the results can be frighteningly amateurish, which is painfully similar to the cast of characters currently starring in the stale drama of American politics. Who among us doesn’t think a rooster would be a significant upgrade from Mitch McConnell, Ted Cruz, Marco Rubio, Chuck Schumer, Nancy Pelosi, Alexandria Ocasio-Cortez or any of the other vacuous and vapid villains inhabiting Washington?

Cry Macho, much like Unforgiven thirty years ago, highlights Eastwood wrestling with the darker side of his uniquely American archetype.

In Unforgiven he grappled with the ramifications of the violence he portrayed on-screen and that the American ethos unleashed upon the world. In Cry Macho the meditation is not nearly as profound, but it’s certainly there.

The teenage Rafo, one of the countless two-dimensional, third-world characters in the film that can either be a sinner or a saint and nothing in-between, is uncomfortably desperate to prove his masculinity, as Mike points out when he tells him how odd it is for “a man to name his cock Macho”.

Eastwood saying the lines “the macho thing is overrated” and “they don’t like that macho stuff in America” to Rafo feels like a frank admission that America has become so hyper-feminized that even Clint Eastwood, the archetype of American masculinity, is now admitting defeat.

But the most insightful dialogue comes from Rafo, who confronts Eastwood’s Mike and rips into him, and by extension, eviscerates the notion of American exceptionalism, when he says, “you used to be tough, now you’re weak…you used to be strong, and now you’re nothing.”

That’s uncomfortably insightful as the decrepit Clint Eastwood of today perfectly reflects the current state of America, as he’s delusional, infirm and feeble. The reality is that America pretending it’s anything but a decadent nation in a death spiral doesn’t change that fact, it just maintains the facade for those too frightened to admit the truth.

This is reminiscent of when Rafo continuously defends his pet rooster by telling Mike, “he’s not a chicken, he’s Macho!” Calling a chicken ‘Macho”, doesn’t change the fact that it’s a chicken, and sooner or later it will end up sliced and diced on the dinner table.

I wish Cry Macho was a better movie because it has something to say and didn’t say it very well, but the one obvious take away is that if the once-great but now over-the-hill Clint Eastwood is the embodiment of modern American masculinity, now is definitely the time to cry macho.

 A version of this article was originally published at RT.

©2021

Borat Subsequent Moviefilm: A Review

****THIS IS A SPOILER FREE REVIEW!! THIS REVIEW CONTAINS ZERO SPOILERS!!****

My Rating: 2.75 out of 5 stars

My Recommendation: SEE IT/SKIP IT. Not a great film by any stretch, and not as good as the original Borat, but it has some cringe-induced laughs and a gloriously balls to the wall performance from Maria Bakalova.

Borat Subsequent MovieFilm, directed by Jason Woliner and written by Sacha Baron Cohen and a cavalcade of others, is the sequel to the 2006 mockumentary Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakstan. The new film once again documents intrepid foreign tv personality Borat as he journeys through America. The film stars Sacha Baron Cohen as Borat with a supporting turn from Maria Bakalova as Borat’s daughter.

Sacha Baron Cohen came to prominence in 2002 with Da Ali G Show , which showcased his distinct brand of cringe comedy . Cohen’s dim-witted Ali G convinced regular and famous people alike into taking his buffoonery seriously and it made for some hysterical moments.

Da Ali G Show also featured two other Cohen characters, Bruno, a gay Austrian fashionista, and the aforementioned Borat.

Cohen brought Borat to the big screen and reaped a box office bonanza in 2006 with Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakstan, instantly becoming a cultural icon and meme generator. Cohen followed up that success with Bruno in 2009, which wasn’t as big a hit as Borat but still was a massive box office success.

Since 2009 Cohen has gone away from his signature mockumentary style cringe comedy and has tried to find success in more orthodox movies, both comedy and drama. That success has been somewhat elusive, in part because Cohen is so identified as being Borat. For instance, it is difficult to watch him star in the serious Netflix drama The Spy because you keep expecting him to do something inappropriate and say “niiiice!” Although things might be changing for Cohen as he was just nominated for a Best Supporting Actor Academy Award for his work, which I thought was atrociously bad, in The Trial of the Chicago 7.

Regardless of all that, I was surprised that Cohen came out with a new Borat movie now. It seemed like both the Borat cultural moment had passed and that dredging it up would only further hamper Cohen’s attempt at becoming a “legitimate” actor.

So when Borat Subsequent MovieFilm premiered on Amazon Prime in October of 2020, I made no effort to watch it. After months of putting it off I have finally taken the plunge.

Borat Subsequent MovieFilm is not as good as the original Borat…but it will certainly satisfy those who have a taste for Sacha Baron Cohen’s particular brand of comedy.

The movie is a shameless piece of anti-Trump propaganda (which is probably why it is nominated for a Best Original Screenplay Oscar - which is absurd), but just because it is propaganda doesn’t mean it isn’t funny. The movie is, at times, uproariously funny. The most remarkable thing about it though is that Sacha Baron Cohen is totally outshined in lunacy by his fearless co-star Maria Bakalova. Bakalova, who plays Borat’s maligned daughter Tutar Sagdiyev, is ferociously funny as she sheds all inhibitions and even leaves her famous co-star looking a bit shell-shocked.

Bakalova is nominated for a Best Supporting Actress Oscar for her performance, which is unbelievable not because she is undeserving but because the subject matter of the film is so outrageous. What sets Bakalova apart is her unabashed courage at diving into the most absurd and often repulsive scenes. The father-daughter dance at the Dallas debutante ball is so horrifying as to be gloriously amazing, and if she wins the Oscar I hope she recreates that dance when receiving her statuette.

In terms of the propaganda power of the movie, it seems more cathartic than persuasive. I mean, if you loved Trump and watched the movie it wouldn’t change your mind. Liberals will adore the movie’s political perspective and will no doubt only have their beliefs further reinforced, which isn’t necessarily a healthy thing, but this is life in 21st Century America. With all that said, I must admit that the movie felt very dated me just five months post-election.

Oddly, some of the things that Cohen uses to attempt to show Trumpists as morons and monsters actually does the reverse but he and his target audience are probably too enraptured by their own self-righteousness to be aware enough to recognize it. For instance, Borat stays with two Trumper/MAGA hat wearing men during the pandemic and uses that opportunity to show how bigoted, close-minded and hateful they are…but all that is undermined by the fact that these supposed bigots actually took a foreigner in during a pandemic and are patient and respectful towards him and go to great lengths to help him out.

Of course it should be stated that it is doubtful any of the stuff filmed in the movie is actually real. Cohen’s mockumentary style is easily manipulated and “real” moments are few and far between. But with that said, the biggest scene in the movie, and the one that got the most attention, involves Rudy Giuliani in a hotel room with a young woman. As a former New Yorker who lived there under his reign and absolutely hates Giuliani with the fury of a thousand suns, I have to say that the “gotcha” moment in this scene feels contrived and cheap. Giuliani is certainly a liar, creep and scumbag, but to imply he was playing with himself or whipping his miniscule, aggressively impotent tiny pecker out is pretty hyperbolic.

The bottom line is that Sacha Baron Cohen’s outrageous comedic style is an acquired taste, and to be frank, I have acquired it. I didn’t love Borat Subsequent MovieFilm, but it did make me laugh out loud a bunch of times, and that ain’t nothing. The film is worth watching for the laughs and to enjoy watching Maria Bakalova devour every scene she inhabits.

If you like Da Ali G Show, Borat and Bruno, you’ll like Borat Subsequent MovieFilm…but if Cohen’s style is not your cup of tea, I recommend you don’t even attempt to take a sip of this raunchy, rancid and ridiculous brew.

©2021

The Musical Performances at the Biden Inauguration Highlight America's Bankrupt Culture

Estimated Reading Time: 3 minutes 38 seconds

Big music stars performed to ring in Joe Biden’s presidency, but they were just as unoriginal and underwhelming as he is.

In a grand ceremony worthy of a dementia-addled aristocrat, geriatric Joe Biden was sworn in as the 46th president of the United States yesterday.

America has had an inauguration for the president every four years since 1789, making yesterday’s event the 59th in U.S. history. I believe Joe Biden is the only man to have attended every single one of them.

Four years ago, Trump’s low rent inauguration celebration featured Toby Keith, Three Doors Down and Lee Greenwood, which wasn’t a murderer’s row of talent so much as a ‘makes-you-want-to-kill-yourself’ lack of it.

I think we can all agree the last thing this country ever needs to see again is Lee Greenwood serenading the masses with his flag fornicating hit from the Paleolithic era, “God Bless the U.S.A.”, a heinously malignant earworm that makes me not just ashamed to be an American, but a sentient human being.

Not surprisingly, the stars came out in full this year to salute Joe Biden, who had considerably more star power on-hand to ring him into office than Trump in 2017.

Case in point, Lady Gaga sang the national anthem at the swearing-in ceremony. The glorious Gaga, who has the voice of an angel and a face made for radio, arrived looking like she just came off The Hunger Games set. Her dress appeared to be a tribute to a venereal disease polyp designed by Oscar de la Herpes.

Gaga gave her all…but the problem was that it was just way too much. Her heartfelt performance quickly devolved into an overwrought vocal spectacle that looked and sounded like a drag queen Brunhilde wrestling an amusement park Bugs Bunny.

A short while later Jennifer Lopez strutted out to sing “This Land is Your Land” and “America the Beautiful”. If you needed any more proof that America was a vast cultural wasteland, just consider that Jennifer Lopez is now the Woody Guthrie of our era.

J-Lo also gave her all but unfortunately it wasn’t nearly enough. Unable to utilize her most valuable ‘asset’, Ms. Lopez’s lack of vocal prowess was left as exposed as her backside was covered.

Biden loved the performance though and as J-Lo walked past he quickly smelled her hair and declared, “I Love you, Charo!”

The final performer at the ceremony was Garth Brooks, who kept it country…Walmart country, by wearing jeans that were two sizes too small, a belt buckle the size of a Ford F-150 pick-up truck, a black blazer and a shirt with no tie.

Good old boy Garth sang “Amazing Grace” in his usual banal country twang and proceeded to remind viewers that only in America can a minimally gifted, chubby, cowboy poseur become a chart-topping music mega-star.

Biden was deeply moved by Garth’s song and proclaimed he was “so proud that Gene Autry could be here today at my First Communion.”

Later that night the heavy hitters came out for a made-for-tv inaugural celebration titled ”Celebrating America”.

The show opened with Bruce Springsteen doing an acoustic version of his song “Land of Hopes and Dreams” at the Lincoln Memorial. For nearly fifty years Springsteen has been the genuine voice of working class America and is such a national treasure he should be named poet laureate emeritus. His performance was solemn, soulful and stirring and perfectly encapsulated this dire yet determined moment in American history.

The show went precipitously downhill from there.

Tom Hanks, America’s everyman if everyman were a sanctimonious, self-satisfied, holier-than-thou billionaire, was the master of ceremonies.

Hanks was the perfect choice since his filmography looks like a greatest hits of Pentagon and Intelligence community propaganda, as his film’s routinely sell flag-waving revisionist history and muscular American militarism, imperialism and corporate colonialism all under the guise of honor and duty-bound niceness…just like Joe Biden.

Hanks turned the smug all the way up to 11, maybe in an attempt to stay warm, and did his best to reassure his “friends and neighbors” that all was well and life is now back to normal thanks to Biden.

The highlights of Celebrating America were easily the aforementioned Springsteen as well as the Foo Fighters – who played a striking rendition of “Times Like These”.

The lowest of lowlights was Jon Bon Jovi lip-syncing to his cover of The Beatles “Here Comes the Sun”. Bon Jovi’s performance was as odious as the rancid air in Elizabeth, NJ along the turnpike. Jovi’s nasally vocals were so abysmally, egregiously, hellaciously awful it was utterly astonishing. The fact that he was lip-syncing only made it all the more embarrassing.

Lip-syncing dominated the festivities, with Ant Clemons and Justin Timberlake, Tyler Hubbard and Tim McGraw, Demi Lovato, Katy Perry and maybe even John Legend, who Biden thought was his old friend Corn Pop from the mean streets of Wilmington, all lip-syncing or being greatly electronically aided in their vocal efforts.

Lip-syncing does make sense in this context though since the contrived performances perfectly encapsulate the charade that is our corporate-controlled democracy.

Speaking of charlatans, presidents Clinton, Bush and Obama appeared on the show, apparently from The Hall of War Criminals. They each said that despite their political differences that they were able to come together and kill people across the globe and crush the working class…and we should do the same now in the name of unity. Yay unity!!

If the inauguration ceremony and ‘Celebrating America’ - with all its insipid, manufactured performances and star-spangled sappiness honoring our elderly president who’s only capable of muttering or shouting incoherent inanities - are any indication, we are an artistically, intellectually and politically bankrupt nation…and we are truly doomed.

My solution….Springsteen/Grohl 2024!!

A version of this article was originally published at RT.

©2021

Joe Biden Has Defeated Trump - Meet the New Boss...Same as the Old Boss

Estimated Reading Time: 3 minutes 07 seconds

Biden’s electoral victory has been met with cheers, proving that gullible Americans are eager to get fooled once again.

A few hours ago I was startled by a collective shout that went out across my neighborhood here in Los Angeles. I had no idea what all the noise was about, but people were making quite an exuberant ruckus. After checking the news I quickly realized the cheers were due to the fact that all the networks were officially calling the presidential race for Joe Biden.

I haven’t heard that much happy screaming since a few weeks ago when the Dodgers won the World Series, and before that when the Lakers won the NBA championship.  It is apropos that Angelinos would cheer Biden’s victory the same way they celebrated their sports team’s titles…as all of these events are nothing but a function of empty tribalism and vacuous emotionalism that in the long run don’t actually mean a damn thing.

For the fools here in the City of Angels celebrating Biden’s victory, nothing will fundamentally change in their lives, for good or for ill. They will still have to step over hordes of homeless people and used needles and human excrement as they navigate this sick, venal, miserable third world shithole trying, and usually failing, to scratch out a living and to make ends meet.

Biden’s rapturously received electoral victory is a vacant win for nothing but a stylistic change. The hysterically happy masses around me are overjoyed because Biden isn’t as much of a boor as Trump, not exactly a high bar. That said, Biden will certainly be more of a bore than Trump. 

On substance, Biden is, like the Orange Man liberals love to loathe, a shameless corporatist who will bend over backwards to fill the coffers of the fat cats in board rooms and on Wall Street, all while screwing over poor, working and middle-class people.

Biden’s ascension to the American throne is akin to the dreadful sitcom Two and a Half Men replacing Charlie Sheen with Ashton Kutcher. The obnoxious Sheen and his “tiger blood” were gone, but the show still really sucked…and Kutcher was annoying jerk in his own right.

As far as Biden replacing Trump goes, for people like me, things will only change on the surface and the sitcom that is American politics will still suck.

For instance, those who think public college should be tuition free for the working class and student debt cancelled, meet Joe Biden, the man who was instrumental in getting a bankruptcy bill passed that made it impossible to discharge student debt, thus damning generations to indentured servitude to pay back school loans over-inflated through government interference.

For people who think we should have universal health care, meet Joe Biden, an architect of Obamacare, that insidious bill written by insurance companies that fleeces Americans by forcing people to buy their abysmal product at exorbitant prices under force of law. Biden, similar to Trump, has even promised to veto any universal health care bill that would ever come to his desk.

For those opposed to Wall Street socializing losses while privatizing gains, meet Joe Biden, who will, like Clinton, Bush, Obama and Trump before him, populate his administration with nefarious Wall Street shills and despicable devotees of the Goldman Sachs cult who will hungrily devour any taxpayer bailouts that they can get their hands on. 

For peace loving people who think America should be less militaristic, belligerent and bellicose abroad, meet Joe Biden, the man who voted for the Iraq War that killed millions, and is a poodle to the Pentagon with an itchy trigger finger to get tough with America’s adversaries, be they real or imagined, across the globe.

For those who think the drug war and criminal justice system are an abject failure, meet Joe Biden, the man who wrote the 1994 Crime Bill that has given America the dubious distinction of having the highest prison population rate in the entire world.

For working class folks that have repeatedly gotten screwed by Washington’s corporate friendly free trade policies that decimated the manufacturing base in America and eventually led to the rise of Donald Trump, meet Joe Biden, the NAFTA-loving narcissist who pretends to be a man of the people but is really the lap dog of big money interests.

For those who despised Trump for his war on the press, meet Joe Biden, who was vice president for Obama, the man who waged more than a Trumpian rhetorical war on the press, but an actual war on the press by using the Espionage Act to prosecute whistleblowers more times than every other president in U.S. history combined.

For people outraged by Trump putting “kids in cages” as part of his crackdown on illegal immigration, meet Joe Biden, who was vice president during the Obama administration which aggressively deported more immigrants than Trump and who also put “kids in cages”.

For every emotionally triggered simpleton so gloriously giddy over Trump’s demise and Biden’s rise…meet the new boss….same as the old boss. You are all being fooled. Me…I won’t get fooled again.

 A version of this article was originally published at RT.

©2020

2020 Election: The Horror Show Meets the Decadent Death Spiral

Estimated Reading Time: 5 minutes 27 seconds

Here are some random dispatches from the shitshow that is 2020 and the turd sandwich that is the election…

SPOOKY SEASON

Halloween, my favorite holiday, has sadly come and gone with barely a whimper due to coronavirus restrictions here in the City of Angels, where Mayor Nepotism furiously banned trick or treating but shrugs when it comes to “protesting”…i.e. rioting and looting. Unfortunately, spooky season isn’t in the rear view mirror just yet though because the real horror show is on Tuesday - Election Day.

THE MONSTER MASH

This election is between two creatures. First there is Biden - Frankenstein’s monster, built in a lab in Washington over the course of a dismal forty-plus year career. Like Frankenstein’s monster, Biden hides in a basement, can’t really speak, has a malfunctioning brain and touches little girls inappropriately. Unlike Frankenstein’s monster, Biden won’t turn on his creator - Washington and Wall St., because he is as corrupt as the day is long.

I DON’T DRINK WHINE

The other creature is Trump, who is a vampire of the highest degree. Like a vampire, Trump is all about satiating his immediate desires and impulses. Like Dracula, Trump acts like low-class royalty with a crumbling real-estate empire (Carfax Abbey was a shithole - and so was Dracula’s dilapidated Castle!) and has an army of Renfieldian sycophantic minions who slavishly do his bidding. And also like Dracula, he feeds on humans…except in Trump’s case it is on human attention. Trump gorges himself on attention and has transformed the public, friend and foe alike, into slaves who react to his every act or utterance - no matter how absurd, thus injecting attention - his lifeblood, into his veins.

What is so striking to me about our current time is how thoroughly the populace has been inducted into this Vampyric Cult of Trump….and it isn’t his supporters I am talking about. The anti-Trump people…be they butt-hurt establishment Republicans or absolutely anyone on the left, are the ones who are totally under the sway of the monster they love to loathe.

It is utterly astonishing how obsessed Trump’s foes are with him. Every liberal and moderate Republican I know hates him with the fury of a thousand suns…but they never stop thinking or talking about him. Trump dominates American consciousness like no other person, president or otherwise, before him.

I know scores of liberals who are literally physically repulsed by the sight and sound of Trump but still religiously and masochistically watch every one of his speeches, debates or rallies. It is the strangest sort of masturbatorial self-harming imaginable. And accompanying this Trump addiction is TDS - Trump Derangement Syndrome, which is the most fervent pandemic ravaging the country today. Trump Derangement Syndrome has real world consequences as it turns once rational people into emotionally unstable and logic impaired lunatics. If I had a nickle for every time Trump made some statement that liberal friends of mine actually agreed with, but because Trump said it they actually change their minds to embrace the polar opposite belief, I’d be a millionaire.

UNDEAD VS RE-ANIMATED

I have stayed as far away from this election and its media coverage as I could. I have not watched a single second of any of the conventions, debates, speeches or rallies. I have not watched a second of cable news, or any other news, since coronavirus broke in the Spring. I have basically stopped reading op-eds in all of the major newspapers I peruse everyday because they are so dreadfully predictable.

The only thing I have watched is political entertainment (although all politics is entertainment, but that is a discussion for another day) like the abysmal Saturday Night Live, Bill Maher and John Oliver - and I’ve only done that because I have to for my work.

Having been in this election coverage quarantine has given me a unique perspective that is devoid of Trump triggering and fueled not by animosity but genuine curiosity. This curiosity has led me to the most basic of questions…can the nefarious Nosferatu of Trump be destroyed by the Biden Frankenstein’s monster? In other words, can the undead be defeated by the re-animated?

THE GOOD, THE BAD AND THE JOKER

As long time readers know, I have a wave theory…the Isaiah-McCaffrey Wave Theory (IMWT) that uses social, cultural, economic and historical data points to measure trends in order to predict public behavior.

The IMWT accurately predicted the 2016 election. In trying to use it to predict the 2020 Democratic nomination, it was wrong - or more accurately…I was wrong in interpreting the timeline. The data in 2019 and early in 2020 clearly indicated two things…that there would be tremendous civil unrest and upheaval ahead, and that an outsider candidate would be successful in 2020.

The unrest certainly happened…the outsider candidate did not…at least not in the Democratic primary.

As for the unrest….in my October 7, 2019 review of Joker, I wrote, “Joker is unnerving to mainstream media critics because it shines the spotlight on the disaffected and dissatisfied in America, who are legion, growing in numbers and getting angrier by the hour. As I have witnessed in my own life, the rage, resentment and violent mental instability among the populace in America is like a hurricane out in the Atlantic, gaining more power and force as every day passes, and inevitably heading right toward landfall and a collision with highly populated urban centers that will inevitably result in a conflagration of epic proportions.”

I ended that review by writing “Joker is a mirror, and it reflects the degeneracy, depravity and sheer madness that is engulfing America. Joker is an extremely dark film, but that is because America is an extremely dark place at the moment.”

In the light of what has happened thus far in 2020, those observations from the Fall of 2019 seem prescient.

According to the IMWT, Joker was the most important film of 2019, as it was the only film to be in the top ten in domestic box office and nominated for Best Picture at the Oscars. Joker was despised by establishment critics, but that was because they hated the uncomfortable truth about what was brewing just beneath the surface of America.

Now of course, being victims of their own sub-conscious and the collective unconscious, these same elites cheer the rioting, looting and violence in the streets because they think it is righteous. The angry clowns burning down Gotham in Joker, which elite critics despised, felt the same way.

The second most important film from 2019 was Parasite. Parasite won a remarkable four Oscars, Best Picture, Best Foreign Language Film, Best Director and Best Original Screenplay. Parasite was the ultimate outsider. It is a Korean film, and, like Joker, directly addressed class dissatisfaction and violence as a result of that class divide.

On October 14, 2019, I wrote in my review of Parasite, “Parasite is a brilliant examination of the frustration and fury that accompanies being at the bottom of the social rung in a corrupt and rigged capitalist system. The only way to get ahead and get out of the prison of debt, and it is a prison, is to lie, scheme and cheat. If that means throwing other poor people under the bus, then so be it.”

I concluded my review by writing, “My recommendation is to go as quickly as you can to the art house and see Parasite…it is that good. And after that, head to the cineplex to see Joker…again, and then when you get home watch Shoplifters (I see it is now available on the streaming service HULU)…because they are that good too. If you want to know what is coming for America and the world, and why, go watch those three movies.”

I stand by that review…and the one of Joker. It is worth noting that the titles of those two films, Joker and Parasite, would be a perfect starter set for a collage of buzzwords to describe Trump.

THE OUTSIDER WITH THE INSIDE TRACK

As for the 2020 election, what troubles me…and has troubled me since Biden’s selection as the Democratic nominee, is that, as the success of these two films, Parasite and Joker, clearly represent, the fundamentals of the IMWT haven’t changed much, if at all. They still point, very clearly, to an outsider winning the election. But while Biden is certainly out of office, he is the consummate Washington insider, and is selling himself as such

On the other hand, Trump’s greatest political accomplishment is that he has been president for four years and has still managed to maintain his status as an outsider. The political and Washington establishment hate him. The media hate him. The elites across the board hate him. Trump, despite his residence at the White House, is the archetypal outsider…and that should be disconcerting to those who want to see him lose.

I should disclose at this point that I will not be voting for either Biden or Trump. I have never voted for any Republican or Democratic candidate, and considering the shit show on the ballot, I am not going to start this year.

With that said…the signs in the IMWT do currently point to Trump winning re-election. I know this is aggressively contrary to conventional wisdom and the polls and the media coverage. But the theory says what it says even if it isn’t saying it nearly as strongly as it did in 2016.

Maybe the theory is wrong, that is certainly a possibility as this year has been an odd one in which there is a paucity of cultural data due to the film industry essentially being shut down due to the coronavirus. It is very difficult to measure movements in public sentiment through box office receipts when people can’t go to the movies.

That said, what little data we do have for 2020 does lean towards Trump. Without getting into the weeds on all of it, just consider that the number one film at the U.S. box office this year is Bad Boys for Life. That is such a pro-Trump title it could be his campaign slogan.

I won’t get into the nitty-gritty of the IMWT just because it can be pretty tedious, but if Trump does win I will write a separate article detailing all of it. If Biden wins, I will eat my crow and go back to the drawing board.

ANECDOTAL

In early August I thought it was impossible for Trump to win. The pandemic was raging, the economy collapsing, the country awash in civil unrest. In addition, I knew absolutely no one who was voting for Trump, and like famed film critic Pauline Kael, I thought, how can Trump win if no one I know is voting for him?

Then I started making some calls and reaching out to people from across the country and most specifically in swing states. The anecdotal information I got from these discussions was eye-opening.

The word on the street…again entirely anecdotal…was that Trump had a large groundswell of support in swing states like Ohio, Pennsylvania, Florida, Minnesota and Wisconsin.

Surprisingly, I was also hearing a lot of anecdotes about Latinos being strong Trump supporters.

Of course, anecdotal evidence is not worth a damn, but I found it striking how vociferous the pro-Trump sentiment seemed to be. I definitely heard from people who were voting for Biden too, but none of them were voting FOR Biden, only against Trump - once again highlighting how Trump dominates the collective consciousness.

UNIMAGINABLE TRUMP

Trump currently being the center of the cultural universe has created a situation where it is impossible to imagine him winning while simultaneously impossible to imagine him off of center stage. This is Trump’s power and his greatest asset…he forces you to feel forcefully about him…be it love or hate. And by doing so, makes himself psychologically indispensable.

Everything that is said or done nowadays is said or done in response to Trump. He is the straw that stirs the drink, as well as the glass that contains it and the concoction within it.

Trump is like coronavirus…he is everywhere, so much so that it is impossible to remember a time before the disease descended upon us. Everyone yearns for the time before but few can remember it. The myopia brought about by both coronavirus and Trumpism (and TDS) brings with it a suffocating paranoia and ever increasing delirium.

This is another reason why I think Trump will win…and that is because the entirety of our media suffer from this Trump/coronavirus myopia, paranoia and delirium, and therefore have a totally distorted perspective on reality here in America.

The media hate Trump so much but they desperately need him. Trump is their lifeblood just like they are his.

NAME THAT COUP TUNE

I have noticed something very disconcerting in the months leading up to election day, and that is that the media have been amplifying voices and narratives that seem eerily familiar to me. The voices and narratives highlighted talk incessantly about Trump stealing the election, not leaving office if he loses, and doing all sorts of nefarious authoritarian things.

One of the most repeated claims I hear is that even if Trump wins on election night, he isn’t really the winner. That it will take weeks and maybe a month to figure out who won. This is accompanied by claims that Trump will declare himself the winner on election night as part of his plan to steal the election.

Why I find all this unnerving is because this is so blatantly taken from the CIA’s playbook when they run a coup in Latin America, South America or Eastern Europe. A brief perusal of the recent coup in Bolivia where Evo Morales was ousted is a prime example.

The intelligence community is gunning for Trump no less than they went after Kennedy, and I think they aim to steal the election from him. I know most readers, particularly the liberal ones, think the exact opposite, that Trump is going to steal the election, but that is also part of the CIA’s mind game.

The intelligence community’s fingerprints are all over multiple anti-Trump operations from the get-go…be it the farcical Russia-gate or Ukraine-gate or the multitude of other scandals plaguing this inept administration. This is not to say that Trump is some squeaky clean scapegoat, it is to say that the intelligence community is actively working to undermine and, in a 21st century way…politically assassinate/eliminate him.

I don’t like Trump…and in fact have despised him from way back in the 80’s when he first started selling his bullshit in public. But that doesn’t mean I will turn a blind eye when the intelligence community is running disinformation and destabilizing operations within its own country.

When stories driven by anonymous sources come to the forefront declaring that USPS mailboxes are being removed, and Russians are penetrating voter rolls and the winner on election night isn’t the winner, understand that this is CIA manipulation through and through.

Keep your eyes and ears open on election night and in the days and weeks following…the game is on and will be hiding in plain sight.

RIOT TIME

If Trump wins…this country will lose its mind and you can expect an unprecedented and massive amount of rioting, looting and violence in the streets of American cities both big and small. These riots will be epic and make the George Floyd riots seem like a church picnic.

If Biden wins, there will be only sporadic rioting…like after a team wins a championship. People will celebrate, it will get out of hand and shit will get looted. Whereas if Trump wins…expect volcanic and violent chaos for weeks and months on end. And expect the media and elites to endorse and support this violence and chaos just like they did over the summer.

As for Trump supporters rioting in the wake of an electoral defeat…I don’t think that will happen. Trump supporters are not in urban areas, for the most part, which makes it difficult to gather en masse to riot.

CONCLUSION

Biden is selling an image of America (and himself)…gentle, neighborly, soft-spoken…that is a lie. And ironically, Trump is selling the truth. Trump is the manifestation of the madness that has descended upon America. This is a narcissistic nation of bullies and blowhards, cowards and con-men. Trump is not what America hopes to be, or what it deludes itself into thinking it is…he is simply the embodiment of America’s reality. This is why he will win. And even if he loses, that won’t change the reality of America, only the power of its delusions.

And understand, Biden is not a “return to normal” as there is no “return to normal”…only getting used to the new normal. A Biden presidency will be America’s dementia made manifest. This election…even if Biden wins…will change absolutely nothing. The dye is cast…the worm has turned…the American experiment, the American Empire, and with it its house of cards economy…are disintegrating. This country is in a decadent death spiral and no election, and particularly not one between two elderly, mental defectives who even in their primes were sub-mediocrities, like Trump and Biden, will alter that trajectory.

This election - which like every election of my lifetime has been dubbed the most important election of all time, is nothing but a vacuous pissing contest between oblivious elites eager to see who gets to captain the Titanic.

©2020

Spitting Image: The Satirical British Puppet Show is Back - Here's a Review

Estimated Reading Time: 3 minutes 38 seconds

After a 24-year absence the show doesn’t always hit the mark, but thankfully it also never pulls any punches.

The first two episodes of Spitting Image, which were aired on BritBox in the U.K. on October 3rd and October 10th, were funny but at times uneven as the creative’s fought to find their sea legs in the stormy waters of modern day comedy. 

Thankfully the born again show, despite its flaws, is just as relentless and ruthless in its comedy takedowns as the original. The humor isn’t always uproarious but it’s certainly biting and interesting because it’s simultaneously heady and gratuitously base.

The first episode, which featured some scathing mocking of Prince Harry, Trump, Boris Johnson and his advisor Dominic Cummings, is the better of the two, but the second episode had some notable highlights as well.

Trump and Boris Johnson are the main targets of the resurrected Spitting Image’s comedic fire, not surprisingly since they are in power and are grotesque caricatures all on their own even before ever being made into puppets.

In the first episode Trump is ridiculed for being the blowhard that he is, with a recurring theme being his arsehole, which looks like a repulsive creature out of Ridley Scott’s Alien, does all his late night tweeting for him.

The first episode also has Prince Harry literally cutting off his nose – maybe to spite his face, and lamenting his failure to succeed on his own in Los Angeles as he utters the spectacularly funny line, “I’ve tried every career there is – prince and Hitler!”

Other targets are Disney’s woke preening in the form of a black baby Yoda, Lewis Hamilton’s social justice hypocrisy and Greta Thurnburg’s shrieking and shrill environmentalism.

The second episode rakes Trump and BoJo over the comedy coals as well, the best instances being when Trump is fine after catching a case of coronavirus but coronavirus suffers greatly when it catches a case of Trump, and when Boris’s scatterbrained satellite navigation system drives a confused couple off of a cliff.

The very best scene in the second episode though is when Greta Thurnburg reluctantly goes to an English soccer match and surprises herself by getting really into it. Afterwards she becomes very Greta about it as she laments, “The referee has stolen my childhood with his reckless decisions. I must save West Ham!”

A reliably funny recurring bit in both episodes is the struggle of the distinguished Sir David Attenborough to navigate social media and technology, something that always ends in failure and a flurry of expletives.

The less successful scenes on the show are the songs, one has New Zealand Prime Minister Jacinda Ardearn as a coronavirus defeating Mary Poppins, the other has a time-traveling Elon Musk singing David Bowie’s song “Starman” except with the word “Conman”.

Remarkably, Spitting Image has yet to find a broadcast home in the U.S. According to some reports that is due to networks and streaming services being afraid of offending the Trump administration, which seems far-fetched since nearly every major news organization does the journalistic equivalent of Spitting Image to the Trump administration every day.

It is unfathomable that the show is not in America, even on Britbox. Americans can catch new episodes on Facebook for 24 hours after they originally air in the UK…but that just seems a silly, arbitrary and self-defeating approach.

The U.S. is currently saturated with political comedy, with the tiresome, predictable, relentlessly propagandic bitching and moaning from flaccid clowns like John Oliver, Bill Maher, Stephen Colbert and Trevor Noah, but the nation is starving for top-notch political satire – which Spitting Image, despite its flaws, does deliver.

Saturday Night Live is the only notable political satire in America right now and it is disastrously dreadful. The biggest problem with SNL is that its humor is based on advocacy rather than comedy. The show shamelessly embraced Hillary in 2016…who could forget the cringe worthy sight of Kate McKinnon as Hillary singing an embarrassingly maudlin and melancholy version of Leonard Cohen’s “Hallejulah” in the immediate aftermath of her election defeat, and this year touted Kamala Harris (played by Maya Rudolph) by having her declare to cheers the need for a WAP – Woman as President. Yikes.

Thankfully, unlike SNL and the rest of the emotionalist establishment late night court jesters like Oliver, Maher and the rest, Spitting Image doesn’t aim to advocate, only eviscerate. And while the first two episodes were somewhat hit or miss, the show at its best still comedically slices and dices with the very best of them and never chooses sides.

An example of the bi-partisan belittling is a hilarious recurring theme in episode two is Nancy Pelosi suffering from Panderititis, a disease that makes her cravenly pander to identity groups for votes. She switches between African garb, a hard hat with rainbow dildo attached, and Orthodox Jewish clothing, in order to appeal to black, LGBTQ and Jewish voters.

Another example is Biden being a dementia-addled fool, and the charisma deficient Keir Starmer getting a much-needed makeover by Elton John…excuse me…Sir Elton John.

Spitting Image‘s sense of humor is not for everyone and the show isn’t life changing, but it is at times extremely funny. There are certainly worse ways to spend half an hour…like watching the insipid John Oliver for example.

The bottom line regarding the show is this - the world needs more comedy, not less, so some courageous executive at NBC, Hulu, Netflix or Amazon should quickly grab Spitting Image and give Americans a glimpse of some solid political satire at the height of the election silly season, we sure as hell could use it. 

 A version of this article was originally published at RT.

©2020

A Not-So-Very "Expert" Opinion on our Future with the Coronavirus

Estimated Reading Time: 3 minutes 48 seconds

Even though I am currently a student at the Hollywood Upstairs Medical College School of Epidemiology, I have, despite the status and privilege conferred upon me by my incomplete (and entirely inadequate) education, refused to indulge the urge to make pronouncements regarding the COVID-19 pandemic.

That ends today.

In the last few months I have noticed a major shift in the public’s psychology and attitude regarding coronavirus. This shift began in May, about two months into the lockdown, when I perceived that people were pretty much done with all this bullshit.

At first the shift was subtle and took the form of whispered doubts and frustrations, but then as time progressed this sentiment became much more pronounced and went from talk to action.

For instance, there are a plethora of people I know who were all in on being lockdown good citizens in April, who then questioned the validity of it all in May, and by June were throwing caution to the wind and going out to restaurants and traveling for vacation.

These folks, who all happen to be liberals of varying stripes, still “believed” in coronavirus and would say that it was happening and was serious, but that “belief” was almost entirely more politically driven rather than driven by sober, rational thought, and was most definitely betrayed by their actions.

I totally empathize with these folks as the desolation of our current cultural Manichean paradigm of good v evil forces us into binary labels and thus encourages and enables cognitive dissonance to thrive in the absence of nuance. For instance, the media has repeated over and over again that only “bad people” don’t believe in coronaviruas or the lockdown, so right thinking “good people” couldn’t say that too even if they had doubts about the efficacy of the lock down or the dangers of the disease. This results in many “good people” (liberals) acting, mask wearing aside, almost identically oblivious to the danger of coronavirus as the “bad people” (Trumpers), but just labeling their actions and intentions differently.

The thing that stood out to me about this shift of thinking and behavior among these “good people” was that it was almost entirely a function of emotional and mental fatigue as opposed to the animating principle of the “bad people”, defiance. The “good people” who dutifully obeyed the lock down in April grew fed up, sick and tired and wanted coronavirus to be over in May, and by the time June rolled around they simply acted as if coronavirus was over, even though it wasn’t. Yes, these “good people” were certainly conscious and conscientious enough, to wear masks out in public…but also unconscious enough to consistently go out in public when it wasn’t even remotely necessary.

I understand the feeling, as the mental and emotional pressure of living in lockdown is something that most people, regardless of the supposed comfort of their gilded cage, simply cannot handle.

Luckily for me, despite my decidedly ungilded cage, I am a monk at heart and in practice, so isolation is less of a burden. That said, even I have felt the sting of lockdown and the pang of yearning for normal to return. I can only imagine the intensity of that feeling for normal people who want to get out and interact and socialize and “live”…of course the irony of that is that getting out and “living” in the age of Covid 19 can lead to dying.

This blatantly obvious spike in cognitive dissonance regarding the coronavirus by the general public over the last two months was mirrored by health officials. The greatest example of this was the collection of “health officials” that signed an open letter stating that coronavirus is a deadly serious pandemic but that people should ignore lockdown protocols and get out and protest against racism, but that going out or protesting for any other reason was a function of white supremacy.

This is, of course, absurdly insane, as the virus does not recognize the righteousness of whatever cause someone is protesting for or against…it just wants to propagate itself.

The fact that these "health officials” would so quickly and willingly sell their professional integrity for politically correct social status is a stunning thing, and glaring evidence of a powerful cognitive dissonance and confirmation bias at work.

The New York Times did an article on these “health officials” a month after their letter was released and it is simply remarkable to behold, not just for the “health officials” abject denial of reality and lack of any self-reflection, but also for the Times utter dishonesty and blatant bias.

The result of these “health officials” selling their integrity will only result in the public not believing what health officials tell them…not a good thing during a pandemic. This distrust is only accentuated by the fact that both Dr. Fauci and Dr. Birx lied to Americans at the beginning of the pandemic when they told them that they didn’t need facemasks. This lie was told in order to avoid a run on facemasks…which is not a reason that will bolster confidence in the pronouncements of Dr. Fauci and Birx. At this point, why would anyone believe anything any health professional ever said?

The media is equally to blame in all of this as they have long hyped the dangers of coronavirus but totally ignored the health danger of mass protests in the wake of the George Floyd killing because that didn’t fit their narrative. Just another of many reasons to distrust the long ago discredited news media.

This recent spate of decadent madness among the establishment and the hoi pollloi, where social justice trumps science and where emotionalism trumps logic and reason, is a symptom of an empire in very steep decline….and it is only going to get much, much worse at an accelerated pace.

Which brings us to where we are today.

In the coming days, weeks and months and years coronavirus cases are going to spike…then fall off…then spike again. Deaths are going to spike…then fall off…then spike again.

People are going to lose their minds because the normal they so crave is not coming back anytime soon, if ever.

And as people lose their minds, their will be more and more civil unrest…which in turn will lead to more and more spreading of the disease. Eventually there will be a very strident, dare I say, tyrannical lockdown to try and stop the spread…but that is a bit farther in the future.

As for the here and now…this is what I think is on our doorstep.

It bums me out to say this but…sports is not coming back. The NBA, NHL and MLB are trying to re-start and start their seasons but this won’t last very long. The coronavirus situation will become too untenable and all three leagues will have to shut down their seasons for good.

The NFL and college football will suffer the same exact fate. They may try and start things up in the fall but that attempt will pretty quickly fail.

You may think that sports don’t matter…but I beg to differ. I think the lack of sports was a major contributing factor in the intensity of the civil unrest in the wake of George Floyd’s killing. Sports are a psychologically and culturally necessary vehicle for catharsis. Sport is contained and controlled tribal violence…and without it and its cathartic effects on the population, that violent instinct gets released through uncontained and uncontrolled violence…hence the rioting and looting and large spikes in crime in the last few months.

Of course, if the sports leagues would listen to my expert advice and simply fill every arena and stadium with fans holding Black Lives Matter signs, which according to “health officials” and the mainstream media apparently confer immunity to coronavirus onto the sign holder and anyone in their vicinity, then sports could flourish once again and I could get my well-deserved Nobel Prize in Medicinery.

Another big problem in the coming weeks and months is that, as much as parents want it to happen, schools are not going to open in the fall, or if they do open, they wont stay open for long. Kids may not get very sick with coronavirus, but they spread it, and parents and teachers can and will get sick as a result.

Kids not going to school is a major issue as this puts an enormous amount of stress on parents, who are already stressed out. The pressures of trying to either work, or being unemployed, while not just raising but teaching a child full time, is a really bad combination that will only further increase the emotional and mental pressure cooker.

As stated, that pressure will not be released through watching sports…it also won’t be released through going to the movies, or concerts or to bars or out to restaurants. None of those businesses will re-open, and if they do it won’t be for long.

The economic situation will also continue to spiral out of control too as businesses will be unable to open. The cascading effects of this will be a tidal wave of bankruptcies and commercial and residential real estate evictions followed by foreclosures. It will be like 2008…only much worse because it will be happening across the country and with no end in sight.

Here in Los Angeles…things will be really bad, as film and tv production will not be coming back any time soon. This means that large swaths of the city will be unemployed for great periods of time, leading to evictions and foreclosures and a general economic and personal depression.

The lack of new movies and tv shows will also contribute to the general anger and fury growing in America, as a population used to being distracted by sports and entertainment, will have little or none of either.

This means that the election in November, whether it happens or not, is going to be extremely volatile…and no matter who wins…there will be either spasms or volcanic eruptions of violence as a result. I actually think there will be less violence if Biden wins, but there won’t be no violence, as Trump supporters, denied their choice for president and their football, will be extremely on edge.

On the other hand if Trump wins (by vote count or by other means)…God help us all. This country…or at least large swaths of it…will explode and will make the George Floyd protests, riots and looting look like a church picnic. There will be massive amounts of civil unrest in the wake of a Trump victory…probably followed by strong arm totalitarian tactics to quell it.

Maybe I am wrong. Hopefully I am wrong. But I can’t help but notice a less than subtle shift taking place now where the wishful thinking of those who were “done” with coronavirus back in May and June is running head first into the brick wall that is the coronavirus reality…and that is causing a tremendous amount agitation and anxiety that is building up to dangerous levels.

Look, I get it, people are tired, emotionally spent…but the virus doesn’t care about your feelings. It doesn’t care about anything but spreading, and all we need to care about is surviving.

Sadly, we as a people have no leadership…anywhere. Not in our federal, state or local government. And when we need each other the most, when we need community…we have none. We are all on our own and that isolation will break a lot of people and will cause others to try and break what is left of our civilization.

The bottom line is this…that the normal so many are yearning for is not coming back anytime soon….and we all need to get used to the new normal of no normal at all.

©2020

The Super Bowl Halftime Shitstravaganza

Estimated Reading Time: 3 minutes 52 seconds

Last night Patrick Mahomes led the Kansas City Chiefs on a furious fourth quarter comeback to beat the San Francisco 49ers in an electrifying Super Bowl. Much to my surprise, after scanning the headlines regarding the game, it wasn’t Mahomes’ heroics that were garnering the most praise, but rather it was halftime performer Jennifer Lopez who was declared the real “winner” of the Super Bowl for her astonishing halftime performance.

The reality is that these contrived articles celebrating J-Lo’s astoundingly genius halftime performance were essentially written before her performance ever happened as part of the press tidal wave created by the PR machine that handles all publicity around these type of events and this level of celebrity. One need look no farther than the comments section below these gushing articles to find the unvarnished truth…J-Lo’s halftime show was not universally praised…in fact it was pretty harshly panned by an overwhelming majority of people. This opinion was in line with my own and with that of every single person I spoke with about the performance.

My thoughts on the Super Bowl halftime show with Jennifer Lopez and Shakira are thus…it was a perfect representation of the depraved inanity of modern America. The show was a mix of tawdry titillation and woke posturing combined with a complete and total lack of any and all integrity. It wasn’t so much cheap entertainment as an insipid imitation of cheap entertainment.

The two extremely thirsty, scantily clad, middle-aged stars, J-Lo and Shakira, did nothing but pose and preen like cheap tarts at a red light street for the entirety of the show because they had no other options. Since their catalogue of songs are not well-known or remembered, and their singing voices are not of high quality (or are technologically enhanced in the studio), the only way they could muster any attention was by pole dancing and gyrating like they are substitute “dancers” working the graveyard shift at a third rate strip club.

Shakira is certainly a beautiful women, and J-Lo, no slouch in the looks department either, looked like an absolute cow next to her, but the attractiveness of the participants did not distract from the vacuity of the contrived performance. No one on the stage actually sang or played an instrument, just lip-synced to a soundtrack…even the dipshit rappers were faking it. Poor Shakira was even reduced to miming the playing of a guitar at one point (even though she can actually play!). There were also a bevy of background dancers who held instruments but didn’t have the foggiest notion of how to play them only how to badly pretend to play them. It was all cringe-worthy for its blatant charlatanry and stylized mendacity.

The requisite genuflecting to woke ideology, this time in the form of a “Born in the U.S.A.” snippet to celebrate immigration, was just as much a piece of duplicitous and disingenuous corporate bullshittery as the lip-syncing and faux instrument playing. The NFL, the same league that has black balled Colin Kaepernick, and does the equivalent of J-Lo’s lip-sync when it comes to concussions and player safety, and says it doesn’t want to be political and yet acts as a flagrant propagandist for American empire and militarism, does not care about people…be they immigrants or natives…they only care about money.

The media fawning over Jennifer Lopez has been going on a lot recently and is utterly baffling. Jennifer Lopez has never been particularly good at anything she has ever done…she certainly isn’t a great actress and has never been a great singer. J-Lo has recently become a sort of Cher type of character, someone who dresses and behaves overtly sexual in a way that feels entirely and uncomfortably inappropriate, especially considering her age. That is not to say that middle-aged women can’t be sexy, they most certainly can and many I know personally (very personally - *wink-wink*) most definitely are, but J-Lo’s expression of her sexuality is self-delusional and classless to the point of discomfort, most notably because it is devoid of even the least bit of dignity.

At this point the only thing that is truly notable about J-Lo at this point in her shameless career is her unadulterated and ever expanding narcissism. For this reason, she and that repulsively fraudulent poseur fiance of hers, A-Rod, are a match made in heaven or hell, depending on your perspective.

The bottom line is that the Super Bowl halftime show, like America, has devolved to become nothing more than an absurdist parody of itself. The entire performance was nothing but empty spectacle for empty spectacle’s sake. That shit show of halftime yesterday would have been right at home at Trump’s gaudy Taj Mahal casino in Atlantic City, or his gauche White House in Washington D.C. The media celebration of J-Lo over her allegedly “transcendent” harlot, trollop and strumpet-esque lip-syncing performance, is just as fawning, phony and deluded as Fox News’ delirious coverage of their God-emperor Trump.

J-Lo’s insipid halftime show, and the Super Bowl itself - along with its accompanying endless array of advertisements that idiots lap up like they are dung beetles at a feces festival, are a perfect encapsulation of the bread and circuses stage of decay American empire currently finds itself in. We have a Nero on the throne, eunuchs and whores in the Senate, traitors, liars and fools in the press, and a public that is ever more insatiable for mindless distractions while their corporate overlords exploit and fleece them for everything they’ve got.

But on the bright side…at least it was a good game.

©2020

A Hidden Life is the Story of a Farmer Who Resisted Hitler - NOT a Metaphor for Anti-Trump #Resistance

Estimated Reading Time: 3 minutes 47 seconds

A Hidden Life by iconic filmmaker Terence Malick celebrates an Austrian farmer’s Christian principled opposition to Hitler, and any attempts to draw a parallel between the movie and anti-Trump resistance are myopic at best.

The new film is the true story of Franz Jagerstatter, a Catholic farmer in Austria who is conscripted into the German army during World War II and must choose between his conscience and pledging allegiance to Hitler and the Third Reich.

Jagerstatter’s conscientious objections to Nazism come with dire legal consequences that put his life in peril and leave his mother, wife, and three young daughters pariahs in their small village community.

The movie, which stars a who’s who of European actors, including August Diehl, Bruno Ganz, Michael Nyqvist, Franz Rogowski and Mathias Shoenaerts, may be difficult for non-cinephiles to absorb as Malick, who has made such classics as Badlands, The Thin Red Line and The Tree of Life, has a storytelling style that is more meditative and impressionistic than general audiences may be conditioned to accept. That said, the film is as dramatically profound and insightful as anything I have seen all year.

Although A Hidden Life was in development before Trump ever became president, some out here in Hollywood have interpreted the film as a metaphor for the moral imperative to resist Trump. I think that interpretation is myopic at best, and believe that the movie is unintentionally a scathing indictment of the moral vacuity and hypocrisy at the heart of the anti-Trump resistance.

The main point that I took away from the film is that moral authority is essential if opposition to evil is to endure. Franz Jagerstatter had an abundance of moral authority because his loyalty was not to country, village, leader, party, policy or even church, but to Truth.

The opposition to Trump, which calls itself the #Resistance, loathes Trump because he is a boor and a bully, its opposition to him is based solely on personality and political party rather than on the moral principle to which Jagerstatter adhered. This lack of a commitment to Truth and principle is what exposes the #Resistance as being completely vapid and devoid of moral standing.

For instance, the #Resistance are rightfully furious over Trump’s immigration policies, and like to wail about “babies in cages” to prove their point, but that outrage rings entirely hollow since they never spoke up in opposition when Obama put “babies in cages” and deported so many immigrants that he was known as the “Deporter-in-Chief”.

Equally disingenuous is the #Resistance outrage over Trump’s supposed war on the free press. Obama prosecuted more whistleblowers during his two terms than every other president combined and yet none of these resistors said a word in opposition back then.

Even more damning is the #Resistance deification of morally and ethically dubious intelligence agency apparatchiks. John Brennan, Michael Hayden and James Clapper are all criminals and moral abominations for being integral parts of America’s heinous torture, rendition, surveillance and drone war programs, and yet the #Resistance now hail them as patriots and heroes.

The FBI has long infiltrated civil rights, anti-war and environmental groups in order to destroy them, but that hasn’t stopped the #Resistance from celebrating the FBI’s “professionalism” and genuflecting before loathsome establishment creatures like FBI alums Robert Mueller and James Comey, out of pure anti-Trump animus.

Political darlings of the #Resistance, such as Democrats Nancy Pelosi, Adam Schiff and Eric Swalwell, call Trump a traitor but then pass expansive military and intelligence bills that further empower the executive branch and the Washington war machine.

The #Resistance has further proven their hypocrisy by embracing the establishment talking points to a shocking degree. These allegedly liberal anti-Trumpers are shameless anti-progressive shills for empire who cheer the prosecution and persecution of truth-tellers such as Julian Assange, Edward Snowden and Chelsea Manning and decry the failure of Trump to go to war in Syria and Iran and to be more belligerent towards Russia.

Franz Jagerstatter lived a quiet, seemingly inconsequential, “hidden life”, until he was forced by his conscience to oppose the Nazis and carry the cross of Truth from his Eden in the Austrian Alps to his Golgotha in Berlin. Pope Benedict XVI beatified Franz Jagerstater in 2007 for his unwavering commitment to Christian moral principles in the face of a formidable evil that was aided in by a complicit Catholic Church. In contrast, the fraudulent #Resistance in America only play at opposition to evil, as is proven by their craven sychophancy toward the depraved neo-liberal, imperial establishment and its military-intelligence industrial complex.

The neo-liberal, imperial establishment in America is a malignant, brutish and bloodthirsty beast that has killed and exploited millions of innocent people from Asia to the Middle East to Latin America and everywhere in between over the last 70 years and the self-righteous and self-aggrandizing anti-Trump #Resistance poseurs will never have the moral authority of a great man like Franz Jagerstatter until they recognize that simple fact. For the #Resistance to squabble over which mask the slouching imperial beast will wear, be it the folksy mask of George W. Bush, or the good ol’ boy mask of Bill Clinton, or the hope and change mask of Barrack Obama, or the brash and brazen mask of Donald Trump, is a fool’s errand and the devil’s handiwork.

A Hidden Life is a deeply moving and worthwhile cinematic venture because it shows the poignant struggles of a man who, unlike the current crop of “resistors”, was willing to sacrifice everything in the service of Truth. The #Resistance must learn the crucial lesson of Franz Jagerstatter, that loyalty to Truth must be the priority, if it ever hopes to attain any moral authority. The first, most basic and most important truth that the #Resistance needs to understand is this…that Donald Trump is not the cause of the evil of neo-liberalism and American empire…he is a consequence of it.

A version of this article was originally published at RT.

©2019

Joker: A Review

****THIS IS A SPOILER FREE REVIEW!! THIS REVIEW CONTAINS ZERO SPOILERS!!****

My Rating: 4.75 out of 5 stars

My Recommendation: SEE. IT. NOW.

Joker, directed by Todd Phillips and written by Phillips and Scott Silver, is the story of Arthur Fleck, a mentally-ill, down on his luck clown-for-hire and stand up comedian, who transforms into Batman’s arch-nemesis, the super-villain Joker. The film stars Joaquin Phoenix as Fleck, with supporting turns from Robert DeNiro, Frances Conroy and Zazie Beetz.

Early Thursday night I put my life in my hands and made the dangerous trek to the local art house to see Joker in 70mm. Thankfully, no angry white incels were laying in wait for me, so I lived to tell the tale of my Joker cinematic experience…here it is.

I went to Joker with very high hopes, but paradoxically, because I had such high hopes, I assumed I’d be disappointed by the film. My bottom line regarding Joker is this…it is a brilliant film of remarkable depth and insight, a gritty masterpiece that is a total game-changer for the comic book genre, and a staggering cinematic achievement for director Todd Phillips and star Joaquin Phoenix.

Joker is the cinematic bastard son of Martin Scorsese’s masterpiece of 1970’s New Hollywood, Taxi Driver. Beyond being an homage, it is more an updated bookend to that classic, engineered for the corporatized Hollywood of the 21st century.

The film’s Taxi Driver lineage is hiding in plain sight, as it has similar music, shots, camera angles and even re-purposes the famed finger gun to the head move. Joker’s Gotham, is eerily reminiscent of Taxi Driver’s New York City of the 1970’s, which Travis Bickle aptly describes as “sick and venal”. I couldn’t help but think of my Los Angeles neighborhood when seeing Joker’s dilapidated Gotham, with its garbage piled high on every sidewalk and a layer of filth covering the city. In “sick and venal” Los Angeles, we are much too evolved to have garbage piled high on our sidewalks, no, out here in La La Land, even in million dollar neighborhoods, people are disposable and so we we have them piled high on the sidewalks instead, as homelessness is epidemic. Joker’s Gotham, Bickle’s New York and my Los Angeles also share a deep coating of grime as well as a thriving rat population that is disease-ridden and increasingly bold, both in and out of public office.

Joker’s depiction of Gotham as a Bickle-esque New York is fascinating bit of sub-text, as it is a throwback to a time before Manhattan was Disney-fied and Times Square turned from degenerate porn hub to hub of capitalism porn. Joker is also a throwback to a time before cinema was corporatized/Disney-fied, a pre-Heaven’s Gate age, when filmmakers like Scorsese could flourish and make movies like Taxi Driver, unhindered by suits blind to everything but the bottom line.

Joker ‘s genius is also because it is a “real movie”, a Taxi Driver/The King of Comedy covertly wrapped in the corporate cloak of superhero intellectual property. Unlike the sterile Marvel movie behemoths, which Scorsese himself recently described as “not cinema" and which are more akin to amusement park rides than movies, Joker is, at its heart, a down and dirty 1970’s dramatic character study, for this reason alone the film is brilliantly subversive and a stake into the heart of the Disney Goliath.

It is astonishing that Todd Phillips, whose previous films are the comedies Old School and The Hangover trilogies, was able to conceive of, and execute, Joker with such artistic precision and commitment. Phillip’s success with Joker is reminiscent of Adam McKay’s astounding direction of The Big Short (2015). Previous to The Big Short, McKay had basically been Will Ferrell’s caddie, making silly movies well, but they were still silly movies. McKay’s long term film making prowess is still in question, as is Phillip’s, but that does not diminish their mastery on The Big Short and Joker.

Phillip’s direction really is fantastic, but he is also greatly benefited by having the greatest actor working in cinema as his leading man. Joaquin Phoenix’s performance as Arthur Fleck/Joker is an astonishing feat. Phoenix famously (or infamously depending on your perspective) lost a great deal of weight to play the role, and his wiry, sinewy frame at times seems like a marionette possessed by a demon outcast from American bandstand or Soul Train. Fleck/Joker’s madness is seemingly chaotic, but Phoenix gives it an internal logic and order, that makes it emotionally coherent.

Phoenix is a master at connecting to a volatile emotionality within his characters, and of giving his character’s a distinct and very specific physicality. What is often overlooked with Phoenix is his level of meticulousness and superior craftsmanship in his work. Joker is no exception as his exquisite skill is on full display right alongside his compellingly volcanic unpredictability. Phoenix’s subtle use of breath, his hands, as well as his attention and focus are miraculous.

Phoenix is a revolutionary actor. He is so good, so skilled, so talented, that he is reinventing the art form. His work as Freddie Quell in Paul Thomas Anderson’s The Master (2012) was a landmark in the art form, and his performance in Joker is equally earth shattering. If he does not win an Best Actor Oscar for Joker, whoever does win the award should be ashamed of themselves for stealing the statuette from its rightful recipient.

Contrary to establishment media critical opinion, Phoenix does not make Arthur a sympathetic character, but he does make him an empathetic one, and one with which we empathize. We don’t feel sorry for Arthur, we feel kinship with him as he struggles to maintain some semblance of dignity in a society allergic to compassion.

Joker was described by its detractors as being “dangerous”, and I can attest that the film is indeed dangerous, but not for the reasons laid out by its critics. Joker is dangerous because it dares to do something that corporate controlled art has long since deemed anathema…it tells the very ugly truth.

Joker has the artistic audacity to peel back the scab of modern America and reveal the maggot infested, infected wound pulsating in agony just beneath our civilized veneer. Joker’s chaotic madness is a perfect reflection of the sickness of our time. Think Joker is too “nihilistic” or “negative”? Turn on a television, read a newspaper or take a cross-country flight, and you’ll see that the nihilism and negativity of Joker are nothing compared to the madhouse in which we currently live.

Arthur Fleck is America, as the country, populated by narcissists, neanderthals and ne’er do wells, has devolved and self-destructed, rotting from the inside out after decades of decadence, delusion and depravity. America is rapidly degrading and devolving, and that devolution is mirrored by Arthur Fleck has he transforms into Joker.

Joker is unnerving to mainstream media critics because it shines the spotlight on the disaffected and dissatisfied in America, who are legion, growing in numbers and getting angrier by the hour. As I have witnessed in my own life, the rage, resentment and violent mental instability among the populace in America is like a hurricane out in the Atlantic, gaining more power and force as every day passes, and inevitably heading right toward landfall and a collision with highly populated urban centers that will inevitably result in a conflagration of epic proportions.

Joker, the consummate trickster, is devoid of politics and ideology and exists only to feed and satiate his own voracious madness. Fleck is an empty vessel and the Joker archetype co-opts and animates him. Fleck, born again as Joker, is adopted as a symbol for the struggles of the angry and the desperate, in other words, Joker is the archetype of our times, a Trumpian figure, who unintentionally inspires others, friend and foe alike, to release their inhibitions and unleash their inner demons. Joker is dangerous because he is an avatar for the rage, resentment and desperation of millions upon millions of Americans who have been forgotten and left behind and are utterly despised by the elite. Joker is both apolitical and all political. The populist Joker is both Antifa and the Alt-Right. Joker is everything and nothing to everyone and nobody all at once. The media in the movie, and in real life, make Joker into a monster, an icon and an iconic monster for the dispossessed, elevating him in the eyes of those desperately seeking a savior.

In a perverted and brilliant way, Phillips and Phoenix make Fleck into a Jesus figure, who as he transforms into Joker, becomes an unwitting Christ/anti-Christ. The line between messiah and madman is a thin one, and depends almost entirely on projection and perspective.

Arthur Fleck, like Jesus, is literally someone who is repeatedly kicked when he is down. Like Jesus, society ignores and despises him. Like Jesus he is berated, belittled and beaten…and yet all he wants to do is make people smile. Like Jesus, Fleck’s birth story is convoluted and lacks coherence.

What makes Phoenix’s portrayal so chilling is that his Fleck earnestly desires to bring joy to the world just like Jesus…and just as Jesus is actually a good magician/miracle worker, Fleck is actually a good clown, filled with energy and purpose. But Arthur soon realizes that there are two jokes at play in the universe…the one where he is the punchline, and the one in his head, of which he is self-aware enough to realize regular people “won’t get it”. Jesus makes the same sort of discovery during his temptations, he hears a “joke” in his head too, but it is the voice of God, and he comes to realize no one else will “get it” either. Fleck and Jesus are presented the same two paths, Jesus takes the one of self-sacrifice and becomes the Christ, and Fleck takes the road of human sacrifice, and becomes The Joker/Satan.

At its core Joker is a character study, and so there is not a lot of heavy lifting among the cast besides Joaquin Phoenix. That said, Frances Conroy, Robert DeNiro and Zazie Beets all do solid work with the material they have.

The film is shot with an exquisite grittiness by Lawrence Sher. Sher pays adoring homage to Taxi Driver by using certain specific camera shots and angles throughout the film. Sher also uses shadow and light really well to convey Fleck’s/Joker’s perspective and his tenuous grasp on reality. Sher, like Phillips, does not have a resume that would make you think he was capable of doing such substantial work, but in the case of these two men past was not prologue.

Joker is one of those movies that reminds you why cinema matters, as it uses the tired and worn comic book genre to draw viewers in, and then sticks the knife of brutal cultural commentary deep into their chests.

Joker has been at the center of of a cultural storm ever since it premiered to a raucous ovation at the Venice Film Festival in September. The film won the Golden Lion (Best Picture) at Venice and was quickly catapulted into the Oscar discussion, which created a fierce backlash against the film from certain American critics and woke twitter. The common refrain from those critics who saw it at Venice, and those who hadn’t, was that the film was “dangerous” because it would incite disaffected white men to become violent. In researching an article I recently wrote about the controversy, I came across a stunning number of articles with the imploring and weak-kneed headline, “Joker is Not the Movie We Need Right Now”. Of course, the converse is true because Joker is exactly the movie we need right now.

The critical opinion of Joker, especially among the critics at influential media outlets such as The New York Times, The Washington Post, The Boston Globe, The Guardian, The New Yorker and Time, is aggressively negative and dismissive, riddled with a belittling and condescending commentary. The criticisms leveled at the film from these effete establishment critics are obviously contrived, petty, personal, political and entirely predetermined. The amount of intentional obtuseness on display about Joker, its cinematic sophistication and its artistic merits, by these supposed important critics is stunning and revealing.

The critical malevolence toward Joker is undoubtedly fueled by a need to virtue signal and pander to woke culture, and is born out of personal contempt for the filmmaker (who dared defend himself against “woke culture”) and manufactured anger at the subject matter. The poor reviews of Joker by these American critics says considerably more about those critics, their dishonesty and lack of integrity, than it does about Joker. Make no mistake, Joker is a masterpiece in its own depraved way, and the critics who succumb to the myopic social pressure and cultural politics of the moment by reflexively trashing the movie as immoral and artistically and cinematically unworthy, will be judged extremely harshly by history.

In looking at the review aggregator website Rotten Tomatoes, Joker currently has a critical score of 69 and an audience score of 91. The disconnect between critics and audience on Joker is similar to the disconnect on display regarding Dave Chappelle’s recent Netflix stand up special Sticks and Stones. Chappelle’s show was pilloried by critics who were horrified by the comedian’s “unwoke” and decidedly politically incorrect take on the world, as the critical score is currently at 35, while the audience score is a resounding 99. It would seem that in our current age, bubble-dwelling, group-thinking critics in the mainstream media, are no longer interested in artistic merit, cinematic worthiness, skill, craftsmanship or talent, but rather in personal politics, woke ideology, political correctness and conformity, and are dishonest brokers when it comes to judging art and entertainment.

Joker is a watershed for the comic book genre. In the future film historians will look back on this time and say that there comic book films pre-Joker and comic book films post-Joker. There is no going back for the genre. That does not mean that Marvel will immediately crumble and fall into the sea, but it does mean that the genie is out of the bottle, and there is no getting it back in. Jason Concepcion and Sean Fennessy at The Ringer recently pondered if Joker is to the superhero genre what The Wild Bunch was to westerns back in 1969. They are not so sure, but I certainly think is as genre redefining or killing as The Wild Bunch. The Disney/Marvel model, post-Endgame and post-Joker, will only see diminishing cultural resonance and relevance, as well as financial returns, from this point forward. The superhero genre will not disappear overnight, but it has begun its long retreat from its apex, and God only knows what will eventually replace it.

In conclusion, Joker is a mirror, and it reflects the degeneracy, depravity and sheer madness that is engulfing America. Joker is an extremely dark film, but that is because America is an extremely dark place at the moment. Joker is unquestionably one of the very best films of the year and should be, but probably won’t be, an Oscar front-runner for Best Picture, Best Director, Best Actor and Best Screenplay. I highly recommend you go see Joker in theatres as soon as you possibly can, as it is must-see viewing for anyone interested in cinema, art or in understanding what is rapidly coming for America.

©2019

Angry Americans, Shark Attacks and Synchronicity II

Estimated Reading Time: 5 minutes 29 seconds

I took a little vacation last week and headed out for some sun and fun on Cape Cod. The beach was great, and except for my one close call where I barely escaped/survived a harrowing shark attack*, my time on the Cape was thoroughly enjoyable.

What was not so enjoyable was getting to the Cape. Air travel has devolved from being a modern marvel of man’s ingenuity to being a crucible bordering on a crucifixion. The Passion of My Flight began at 4 am when I had to get up to get to LAX to run the gauntlet of both airport traffic and TSA security. My flight to Boston was delayed leaving LAX for 45 minutes because of traffic on the runway, but at least we were right on time to run into a “microburst” at Logan airport which forced us to divert to Bangor, Maine, of all God forsaken places. For three interminable hours my flight was held, Dog Day Afternoon/hijack-style, on the tarmac at Bangor while we waited to refuel and for Logan to recover from its “microbursting”.

To be fair, my stay in Bangor was not nearly as bad as it could have been. Part of what made it tolerable was that the passengers in my section all bonded over the misbehavior of two passengers who were kicked off in Bangor. I didn’t see what happened, but was informed by a gaggle of gossipy flight attendants, or as I condescendingly call them “stewardesses”, that once we landed in Bangor a guy in his 30’s or so, declared he was going to exit the plane to have a smoke. The stewardesses informed him that, no, he was not allowed to leave the plane and was not allowed to smoke. Joe Camel was having none of it and since the stewardesses had opened the cabin door in order to ventilate our plane, he forced his way off the craft and onto the tarmac to light up. The funniest part of this story, and a strong indicator of this guy’s extraordinary genius, is that he was trying to smoke right next to the fuel truck that was refueling our jet….what could possibly go wrong? To the flight crew’s credit, they put up with none of the Marlboro Man’s nonsense and called the police who quickly escorted this gentlemen to his barred Bangor accommodations for the evening (I can attest that I did actually see the Maine State troopers drive up to our plane).

To the further delight of our section of passengers, the stewardesses also informed us that Smoking Man was traveling with his mom, who was also kicked off the plane for her bad behavior, as she had berated the flight crew as they had her son arrested. The crew shared with us that this woman, who sounds lovely, had also cursed at them throughout the flight because they failed to point out the Grand Canyon to her when we flew over it. While I did not enjoy my brief time in Bangor, I can only imagine that this mother and son combo REALLY disliked their extended stay in Bangor.

My return flight was no walk in the park either, as it was delayed at Logan for 3 excruciating hours before we ever boarded, and this was after I got to the airport two hours early in order to once again, run the gauntlet of traffic and security. Frustrations were running high at the gate as passengers tried to gather information on when exactly we would be leaving. Not surprisingly, airline staff on the ground were not fountains of abundant knowledge.

As far as I know, there were no arrests on this flight but there was a very tense confrontation between a middle aged father and a younger mother sitting behind him. What started it all I have no idea, as I had earplugs in…but by the time I removed them the confrontation was close to becoming a conflagration.

The younger woman, who was maybe in her thirties, had a smaller child with her, around 5 or so, and she was cursing up a storm at the guy in front of her who was with his teenage son. The guy told her to watch her mouth and not curse out his son, and she continued to “motherfuck” the both of them. The middle aged guy raised his voice threateningly in response, and then the woman played shocked and appalled that a man would raise his voice to her, and then the stewardesses arrived and did nothing but watch the argument escalate. Like the “microburst” at Logan on my earlier flight, this storm revealed flashes of shocking intensity but then dissipated into an uneasy quiet.

From my very brief observations of these two people before, during and after their confrontation, I can say with some level of certitude that both of them seemed like pretty shitty, self-absorbed human beings. The guy struck me as a total douchebag, as I had a brief interaction with him before we boarded and sensed he rated high on the asshole scale. The woman was no ray of sunshine either, as she struck me as just as entitled and obnoxious as her male opponent. If a fist fight had broken out between the two I am certain that I would have intervened, but only to punch them both in the face and lock them in the aft lavatory.

So why do I share these stories with you? Am I morphing into a travelogue writer or something? No…I share them because I think these anecdotes reveal a great deal about the current state of America and the American psyche.

One of the first things that stood out on my travels was that our infrastructure is a disaster area. Traffic both to and from LAX and Logan was an utter catastrophe. There are too many cars and too many people and not enough space. And it isn’t just the roads that are too congested…the skies are as well as my plane hit traffic trying to take off from LAX which was just as bad as the traffic on the drive to the airport.

The fragility of our infrastructure was highlighted by my flight being diverted from Boston to Bangor due to a 15 minute storm. Yes, the storm was a very intense one, but it did only last 15 minutes, and yet I had to sit in Bangor for three hours. No doubt other Logan bound flights suffered the same fate in Portland, Hartford, Providence and other mid-major cities across the eastern seaboard. The diverted flights then put strains on their new airports in the form of parking spaces/fuel etc., and then air travel along the east coast would be delayed and backed up because Logan had to land and take off the flights that were diverted/delayed before they let other flights already scheduled leave/arrive.

When you think about our civilization and how tenuous it is…it is pretty chilling. I mean, if there was some sort of solar flare or some other catastrophe that hit the U.S. and knocked out power, we would devolve into Mad Max/Escape From New York/Planet of the Apes territory in a matter of days, if not hours. It would be nice to think that a disastrous event would bring people together and illuminate the angels of our better nature, but as some of the passengers on my flight proved, that is unlikely. Considering that my toddler son behaved markedly better than full blown adults on my flights who could not control themselves or their impulses, is a pretty strong indicator that chaos is just a heartbeat away at any given moment.

In regards to the passenger misbehavior on my flights, the thing that stood out to me is that there is a palpable anger coursing through the blood of Americans. People are just really, really pissed off right now. I cannot recall a time in my life where tensions have been this high in America. People are stressed and scared and completely on edge, and the underlying tension and anxiety creating American’s anger and fury is only gaining in intensity as it expands across the country.

The Smoking Man who refused to listen to the stewardesses and tried to smoke on the tarmac while the plane refueled is a wonderful symbol of the epidemic of narcissistic entitlement spreading across the country. This guy wanted what he wanted, when he wanted it, and was willing to risk potentially blowing up an airliner with 200 people on board just to satiate his desire/addiction.

The funny thing is that everyone stuck on that plane in Bangor was so irritated and aggravated by our situation (our delay/diversion), that I am sure that if Smoking Man had caused a big headache that encompassed all of the passengers in my section, we would have torn him limb from limb like a ravenous mob. I take no pride in saying I know I would have gleefully participated in, if not instigated, that riotous behavior towards any scapegoat stupid enough to present him/her/itself.

It seems to me that America is rapidly losing its mind. We have devolved into a combustible people looking for offense, slights, or excuses to vent the rage that boils just beneath the surface of our seemingly mundane and terrifyingly meaningless lives. This perpetual state of stress, tension and anger blinds us to reality and causes us to see only those things that reinforce our worst instincts and impulses about other people and feeds our sense of dissatisfaction and disenfranchisement.

As to why we are so angry and stressed…well…the causes are legion. As previously stated, our dilapidated infrastructure is a cause of stress as it creates irritants like traffic both on our streets and in the skies. Economic and financial pressure creates stress among millions who have to work longer and harder to make less and pay for more. Politics no doubt is a force multiplier of these stresses and anxieties as absolutely everything in our culture is politicized beyond recognition. Trump, love him or loathe him, is also a major contributor to American anxiety and tension as he is virtually everywhere. It is impossible to escape Trump, or talk of Trump, or opinions of Trump, no matter where you go or what you do. Social media is a toxic vehicle in and of itself, but in the age of Trump it has become a dealer of all things Trump 24/7, that keeps the addicted high on their own supply of Trump love/hate. The media, cable news in particular, are non-stop Trump and have devolved into reality television where Trump is the character they love to hate.

I also think Americans are suffering an existential crisis, where our lives have been stripped of purpose and we are left adrift in a vacuous sea of vapid consumerism devoid of any philosophical, religious or spiritual meaning. This emptiness used to manifest itself as a sort of listless malaise and ennui, but has now morphed into a volcanic rage and fury ready to erupt in order to release the pressure building deep inside its dissatisfied core.

It seems to me that we are on a very dangerous trajectory that is fraught with peril. As the events of the last week have shown, people of all persuasions (political and otherwise) are filled with anger and hatred and are a hair’s breath from snapping and hurting or killing lots of people. As much as I hate to say it, I fear that there is no turning back from the madness that is infecting us all…and when Trump is re-elected, and from my discussions with people on my travels I think he is going to be, this country is going to detonate and we will all be caught up in the conflagration.

America is a tinderbox and tense, anxious and stressed people are going to ignore the warning signs, throw caution to the wind, and try to satiate their selfish desires and addictions by lighting up next to a fuel truck which will cause this whole shithouse to go up in flames. Sadly we are no longer equipped with the personal or national infrastructure to be able to extinguish that inferno.

My observations of Americans during my recent journey made me think of the 1983 song "Synchronicity II” by The Police. The song is off of the band’s fifth, final and best studio album, Synchronicity. Sting’s insightful and prophetic lyrics speak to the meaninglessness of our modern lives and the primal darkness that lurks just beneath the surface of our civilized/middle-class veneer, and are accompanied by an edgy and grating guitar that haunts and pesters like an infectious bug crawling just beneath our skin. This song could be America’s new national anthem.

SYNCHRONICITY II

Another suburban family morning/ Grandmother screaming at the wall/We have to shout above the tin of our rice krispies/We can’t hear anything at all

Mother chants her litany of boredom and frustration/But we know all her suicides are fake/ Daddy only stares in to the distance/ There’s only so much more that he can take

Many miles away/ Something crawls from the slime/ At the bottom of a dark Scottish lake

Another industrial ugly morning/ The factory belches filth into the sky/ He walks unhindered through the picket lines today/ He doesn’t think to wonder why

Secretaries put and preen like cheap tarts at a red light street/ But all he ever thinks to do is watch/ And every single meeting with his so-called superiors/ Is a humiliating kick in the crotch

Many miles away/ Something crawls to the surface/ Of dark Scottish loch

Another working day has ended/ Only the rush hour hell to face/ Packed like lemmings into shiny metal boxes/ Contestants in a suicidal race

Daddy grips the wheel and stares alone into the distance/ He knows that something somewhere has to break/ He sees the family home now, looming in his headlights/ The pain upstairs that makes his eyeballs ache

There’s a shadow on the door/ Of a cottage on the shore/ Of a dark Scottish lake/ Many miles away/ Many miles away

Sting is right…and that primordial beast crawling out of an ancient Scottish loch is no longer slouching towards America…it is here, it is angry and there is no stopping or controlling it.

*Shark Attack - My shark attack story is this…there have been a plethora of shark sightings on the Cape this summer, so much so that the Boston Globe even had a front page story with the headline “Sharks on Cape Cod: Just how scared should we be?”. The Globe answers its own question with a resounding…”VERY SCARED!”. For this reason and because the absolute only thing in the entire world that I am afraid of is sharks, I was not going to go into the Atlantic during my vacation. I was assured by everyone I spoke with that the location of my Cape beach was on the Martha’s Vineyard sound, which would have no seals at all, and since it has no seals there would be no sharks. People were adamant that our beach was safe and that no seals had ever been spotted there and certainly no sharks. I admit I found this story to be at best dubious, but due to peer pressure I relented and trepidatiously ventured into the dark unknown of three feet of Atlantic ocean.

Except for the fact that there were dozens of shark sightings at other Cape locations, the vast majority of my Cape vacation went well…UNTIL…on my second to last day, I narrowly escaped death at the hands of a massive and ravenous Great White shark.

What happened is this…as I exited the water with my toddler son, I glanced east along the beach and saw…something. I stopped and focused my gaze to the spot where there was an anomaly in the water. There was a group of about ten kids playing on flotation devices in that exact spot and my mind raced back to the movie Jaws, where a little kid, Alex Kintner, gets eaten by the shark while riding on a flotation deviced, blood splattering everywhere. I could feel the camera zoom in on my face just like it had on Chief Brody when he saw the shark attack Alex Kintner on the flotation device…my mouth went agape as I saw…something!

Then the lifeguard blew their whistle and frantically yelled for everyone to get out of the water. I threw my son to my wife and ran down the beach towards the commotion. People were standing in my way so I courageously knocked them over and pushed them into the water in order to keep a barrier between me and the hungry shark. Then…the beast poked its massive head above the water, baring its razor sharp teeth…it was as clear as day…it was horrifying…it was a ferocious….SEAL!!!

To be clear…I’ve seen seals before…but this seal was absolutely massive. He deceptively rolled over onto his stomach in a playful manner and dove under and surfaced again, much to the delight of the crowds gathered at the beach but I wasn’t fooled. I knew that I had just come within inches of being mauled by a shark…because as everyone knows…where there are seals…there are sharks!

I was assured by the same liars and deniers who told me that a seal had never been spotted on this beach before that the seal I just saw was just “lost”. “Lost” my ass..that seal knew EXACTLY what it was doing. And regardless of whether this seal is “lost” or not...what is to stop a “lost” Great White from following this seal, coming to this beach and taking a giant bite out of my obviously delectable ass?

In conclusion…when I say I survived a shark attack what I mean is that I saw a seal playing about twenty feet from the shore at a part of the beach where I wasn’t swimming. This was a close call indeed.

©2019

Meathead Beats the Dead Horse of Collusion

Estimated Reading Time: 4 minutes 27 seconds

Hollywood is churning out all-star videos in order to try and convince Americans that Trump is guilty of “collusion”.

For the last three months there has been a bombshell story hiding in plain sight about an obscure government document that has been criminally under-reported by the establishment press. Thankfully Hollywood is here to save the day and shed some much needed light on this ever-elusive information.

The document I am referring to, of course, is The Mueller Report, which according to Academy Award nominated filmmaker and Hillary Clinton fanatic Rob Reiner, is an absolute mystery to ordinary (non-famous) Americans. In a patriotic act the equivalent of storming the beach on D-Day, Reiner has done a truly courageous and heroic thing to bring attention to this long ignored story…he made a five-minute video with his Hollywood friends.

On Thursday, June 20th, a group named Now This put out the video directed by Reiner, that features celebrities such as Robert DeNiro, Laurence Fishburne and even former president-on-tv Martin Sheen, highlighting what they believe to be the criminality of Trump exposed in the report.

Reiner has been in the vanguard of Hollywood’s pro-Hillary contingent and is a vociferous proponent of Trump and Russia’s collusion in the 2016 election. In 2017, he teamed with Bush administration war criminal David Frum to start a group called Committee to Investigate Russia. This group also put out a video, one that starred former president-in-the-movies, Morgan Freeman, and it boldly declared that “We Are At War” with Russia.

With that statement in mind it should come as no surprise that Rob Reiner came to fame in the 1970’s playing a character named Meathead on All in the Family. It is nice to know he is still living up to the moniker. Reiner is Hollywood royalty, being the son of comedy legend Carl Reiner, then a tv star in the aforementioned Meathead years, and then becoming one of Hollywood’s most successful filmmakers, having directed hits like This is Spinal Tap, The Princess Bride, When Harry Met Sally and A Few Good Men.

In his most recent work, the Now This - Mueller Report video, Reiner tries to use his moviemaking prowess to make the argument that Trump is guilty of “collusion” but that no one realizes this because they haven’t actually read the Mueller Report. The video starts off on very shaky logical ground when just 44 seconds in Rosie Perez emphatically declares, “virtually no one has read” the report. It pains me to point out to Meathead and Ms. Perez, which could be the title of a future buddy cop movie, that the Mueller Report has been published by three different publishing companies, and all three of those versions currently sit on the New York Times best seller list at #1,#5 and #12. 

Reiner’s claim also ignores the fact that the press has reported on “virtually” nothing but Mueller’s investigation for the last two and a half years. Considering the plethora of Mueller stories to the point of saturation in the media, the putting out of this video by Reiner is an act of animal cruelty worse than anything seen at Santa Anita racetrack because at least at the track they properly dispose of their dead horses instead of continuing to beat them.

In an amusing bit of irony, Reiner and his Hollywood cohorts who claim no one has read the report, prove themselves to either have not read it or not understood it when they repeatedly claim that Trump is proven guilt of “collusion” within its pages. The numerous references to “collusion” made me think of Reiner’s classic comedy The Princess Bride and the character Inigo Montoya who says in the film, “you keep using that word. I do not think it means what you think it means.”

“Collusion” is a nebulous word in the context of the Trump/Russia story and people who use it only do so to disinform and distract. As the Mueller Report states it did not use “collusion” in their assessment of potential criminality because “collusion is not a specific offense or theory of liability found in the United States code”.

Reiner and company intentionally say “collusion” instead of the more specific colloquial term ‘coordinated’, or the detailed legal term ‘conspiracy’, in order to mislead viewers about the contents of the Mueller Report. This obfuscation is proven by the report when it clearly states, “The investigation did not establish that members of the Trump Campaign conspired or coordinated with the Russian Government in its election interference activities”.

In Reiner’s video Cliff Notes version of the report he also holds up Trump campaign officials Paul Manafort and Rick Gates meeting up with a “Russian agent” in a cigar bar in New York City in order to give him polling information as a sort of smoking gun. The video fails to mention the “Russian agent’s” name, which is Konstantin Kilimnik, maybe because he is also Ukrainian and clearly isn’t a “Russian Agent” because he was actually a “sensitive” intelligence asset for the U.S. State Department who would report to them on Ukrainian and Russian matters.

This insinuation of criminality is as equally obtuse as, and reminiscent of, the dim-witted band members from Reiner’s iconic rock and roll mockumentary, This is Spinal Tap, recalling the numerous deaths of their drummers through the years, such as the one who “died in a bizarre gardening accident” that authorities felt was “best left unsolved”, or the drummer who died when he “choked on vomit” but they didn’t know whose vomit it was because “you can’t really dust for vomit”.

The video also declares that Trump officials met with 200 Russian “operatives” and that this again is proof of “collusion”. In Reiner’s Cold War addled mind, every Russian is an “operative” or agent or asset, such as lawyer Natalia Veselnitskaya, who is described in the video as a “Putin-connected Russian lawyer”, no doubt her “Putin-connection” comes from simply being Russian. 

The sort of Russophobic prejudice displayed by Reiner was best articulated by former Director of National Intelligence James Clapper, when in 2017 he said, “…Russians, who typically, almost genetically driven to co-opt, penetrate, gain favor, whatever, which is a typical Russian technique.”

It is obvious that the gullible Reiner has fallen prey to the insidiously deceptive media narrative of Russiagate which is the equivalent of his film The Princess Bride, where liberals are Princess Buttercup and Robert Mueller is the hero Westley, who will save them from the evil Prince Humperdinck, who is Trump.

This current insipid Reiner video is a symptom of the delusional orgy of ecstatic Trump and Russia hating in which Democrats have indulged in recent years. Like in When Harry Met Sally when an older woman (played by Rob Reiner’s actual mother, Estelle) in a diner, who witnesses Sally demonstrate to Harry how she fakes an orgasm, masterfully deadpans the line “I’ll have what she’s having”, liberals watch Rachel Maddow’s orgasmic Russiagate coverage and declare, “I’ll have what she’s having”. The Democrat hysteria over Trump and Russia results in a dangerously distorted perception of reality, a perfect example is the perilous Reiner statement “We are at War” with Russia.

The reality is that because of the intensity of Reiner’s slavish, sycophantic worship of Hillary Clinton, no matter how many political videos he makes, he will convince no one of anything except the fact that he is a rabid political dog chasing his own tail who is close to collapsing onto the floor in a dizzied state of exhaustion and madness. That is the truth, and to quote Colonel Jessup from A Few Good Men, Rob Reiner simply “can’t handle the truth!

 A version of this article was originally published on June 27, 2019 at RT.com.

©2019

United Sheep of America: Assange, Fascism and Liberal Hypocrisy

Estimated reading Time: 3 minutes 48 seconds

LIBERALS BETRAYING ASSANGE EMPOWER FASCISM

 Establishment liberal’s loathing of Julian Assange has emboldened fascists across the globe.

Fascism, which the Oxford dictionary defines as “extreme authoritarian, oppressive, or intolerant views or practices”, is a relentless force that, whether it be out in the world or in our own hearts, is always on the march. The world is, as they say, full of little men (and women) in search of a balcony, and we are all iron-fisted, tiny tyrants-in-waiting.

Proof of that was easily observable this past Thursday, April 11th, 2019, which is a date that will live in infamy, as it is the one where any pretense of liberal resistance to fascism finally crumbled and chose to live on its knees rather than die on its feet.

On that date, the founder of Wikileaks, Julian Assange, was dragged out of the Ecuadorian embassy in London by British police after the U.S. unsealed an indictment for “conspiracy to commit computer intrusion” against him in the Eastern District of Virginia and sent an extradition request to the British government.

The vindictive actions of the authoritarian U.S., British and Ecuadorian governments are not what will taint this date in history though, as their behavior is entirely predictable in terms of its immoral and despotic nature, instead what will echo throughout history regarding Assange’s arrest will be the gleeful reaction by my fellow liberals to the thuggish behavior from their government.

The liberal cries of delight at the sight of Assange being manhandled by British police are a turning point in the war for America’s soul, just as symbolically significant and crucial as Winston Smith’s spirit being broken when he finally relented and declared that “2 + 2 = 5” in Orwell’s 1984.

The acquiescence of many liberals to the establishment narrative regarding Assange, that he is a rogue, narcissistic hacker, rapist and cyber-terrorist, is the death knell for any serious intellectual or political resistance to the powerful and brutish beast of American fascism, corporatism, oligarchy, plutocracy, aristocracy and the totalitarianism of the military and intelligence industrial complex.

You would think that the mainstream media, usually so adversarial toward Trump, would furiously condemn him for arresting Assange, but that is not the case. The majority of the corporate media are in lockstep agreement with Trump regarding the Assange indictment.

The New York Times stated, “The administration has begun well by charging Mr. Assange with an indisputable crime”.

The Grey Lady aided and abetted the Bush administration’s Iraq War lies as well as their surveillance and torture programs, so their support of Trump’s assault on the First Amendment via Assange is in keeping with their boot-licking character.

The Washington Post claimed, “Julian Assange is not a free-press hero. And he is long overdue for personal accountability.”

The Washington Post’s current position on Assange’s is curious since the underlying evidence in the case has not changed since Bradley Manning was court-martialed for espionage in 2013 and sentenced to 35 years in prison. In 2013, The Post reported the Obama administration considered indicting Assange for the Manning leak, but decided against it because,

“If the Justice Department indicted Assange, it would also have to prosecute the New York Times and other news organizations and writers who publish classified material, including the Washington Post…”

As former Bush Assistant Attorney General Jack Goldsmith opined in 2011 in The Post, “A conviction would also cause collateral damage to American media freedoms. It is difficult to distinguish Assange or Wikileaks from The Washington Post.”

It seems that time has not healed the corporate media’s old Assange wound but rather has made it fester, so much so that they would prefer to cut off their nose to spite their face.

The media and liberal reaction to Assange arrest proves that American fascism’s ruthless march to total victory won’t just be televised, it will be greeted with approval by those who claim to be fearless and tenacious opponents of it.

The liberals who responded to Assange’s arrest with the most craven and ignorant cheers are the same ones who decry Trump at every turn, frantically raising the alarm over press freedoms when he attacks the media and labels journalists the “enemy of the people”. These supposedly devout anti-fascists and anti-Trumpists love to compare Trump to Hitler and vociferously decry his assault on the press, yet they shriek with joy when their nemesis arrests Julian Assange, an actual, and extremely effective, journalist.

To further highlight the hypocrisy, the fact that with the Manning leak, Assange and Wikileaks exposed a cavalcade of war crimes committed by the U.S. military in Iraq and Afghanistan, which included the murder to two Reuter’s journalists, apparently holds no water with these charlatans, as it is never mentioned when they boldly assert that Assange “is not a journalist”.

Assange and Wikileaks have routinely pulled back the veil of respectability and revealed the duplicity and depravity of the American government, and yet, the damning truth is that the criminals they exposed walk free and Assange and Manning sit rotting in jail. Liberals who disgustingly celebrate this fact are entirely devoid of any moral authority whatsoever.

These liberal resistance ne’er-do-wells are so intellectually, politically, philosophically, spiritually, morally and ethically emaciated that their only animating principle is an outrage fueled emotionalism born of tribalism that blinds them to the fact that with their subservience regarding Assange’s (and Manning’s) persecution, they have handed Trump and their other enemies a powerful weapon which will certainly be used against them.

Anti-Trump resistance poseurs like to talk about “Russia-gate” and Trumpists being Putin’s “useful idiots”, well, there may be no more useful an idiot than the one who doesn’t sell you the rope with which you intend to hang them, but just gives it to you as a gift, like establishment liberals just did by supporting Trump’s prosecution of Assange.

These supposed stalwarts of liberal values in the anti-Trump resistance have repeatedly revealed their true nature by slavishly sanctifying and deifying insidious intelligence community criminals like John Brennan, James Clapper, Michael Hayden and Robert Mueller. Now, with Assange’s arrest, they once again align with the evil establishment against those who would expose the mendacity, criminality and corruption of those in power.

I would say that Assange’s arrest and the liberal reaction to it is a case of American fascism crossing the Rubicon, but the truth is the Rubicon is so far in the rear view mirror the next river crossed will be the Congo. We are now deep into the heart of darkness and Assange’s incarceration (and the liberal joy over it) is akin to the extinguishing of our last light source as the long, cold night of tyranny descends.

It is clear to see that these Assange-loathing liberals and resistance dilettantes are just as totalitarian and fascist as Trump. The cold, hard reality is that you cannot both cheer Assange’s arrest and also believe in transparency and accountability and you also cannot both advocate for Assange’s prosecution and also for a free press. Silencing Assange is the silencing of any true resistance, but obviously these self-anointed and self-reverential liberal “resistors” are not really interested in actually resisting authoritarianism, only in posing and preening.

Liberals who believe and propagate the establishment’s narrative about Assange are nothing but shills, dupes and dopes complicit in empowering fascism. Those that cheer Assange’s detainment are enemies of freedom and liberty and they will get the fascist, tyrannical, authoritarian government they have earned. And when that totalitarian beast comes for them like it did for Julian Assange, they will have no one to blame but themselves.

©2019

Russiagate: Puzzlements and Lost Causes

Estimated Reading Time: 9 minutes 11 seconds

On Sunday, March 24, 2019, Attorney General William Barr released a brief summary of Special Prosecutor Robert Mueller’s findings regarding the Russiagate matter. According to Barr’s summary, while Mueller makes no determination regarding obstruction of justice, the special prosecutor does declare that there was no collusion or conspiracy between Trump, his campaign, and the Russian government during the 2016 election.

This finding came as a great shock to the mainstream media and many Democrats who had been touting Russiagate as a weapon to bring down Trump’s presidency. It would seem, at least according to Barr’s summary, that these folks were wrong.

The reality appears to be that Russiagate was a ruse, a hoax perpetuated by the establishment media over the last two and half years and swallowed whole by the vast majority of liberals. This Russiagate fraud came about through the perfect combination of mendacity and greed on the part of the media and Democratic elites and confirmation bias, cognitive dissonance, denial and delusion on the part of the #Resistance, liberals and anti-Trumpists.

Not everyone was wrong about Russiagate though, as people like Glenn Greenwald, Aaron Mate, Michael Tracey, Matt Taibbi, Caitlyn Johnstone, Jimmy Dore and others maintained a healthy and accurate skepticism regarding the Russiagate claims being made by the establishment press and Democrats. You know who else didn’t buy into the Russiagate hype? Me.

My first comments on the Russiagate story came in December of 2016 after Donald Trump’s upset win in the presidential election, when I wrote an article about how Democrats, liberals and progressives should proceed in the age of Trump. This article, the contents of which led to me being ex-communicated from the Church of the Woke and expelled from the Society of the Right Thinking, was titled “A Practical Handbook to Survive and Thrive in the Age of Trump”. Here is an excerpt from that piece.

The final point I will make to you is this...I know this story circulating lately about Russia interfering with the election in Trump's favor is tantalizing, but please do not embrace it. I am telling you, the more you want a story to be true the more skeptical you should be of it. This "Russia hacked our election" story…is fools gold. These stories being breathlessly reported by the establishment media are all based on unnamed official sources. Please just wait until there is actual, tangible evidence put forth, and even then be very, very skeptical. This whole Russia hacking episode reeks of the wishful thinking that was going around (especially in establishment media circles) in the build up to the Iraq war. There was no evidence then either, but people wanted those stories to be true so they gave them the benefit of the doubt. This Russia story is even less credible at the moment and even more dangerous…Do not fall for this Russia story trap. Don't do it, one way or another you will live to regret it. I promise you that.

That was published in December of 2016. For nearly two and a half years now I have consistently preached skepticism regarding the Russiagate story, and for nearly two and a half years I and other Russiagate skeptics like Greenwald, Mate, Taibbi et al, have been persistently attacked for that position and have had such slurs as Putin shill, traitor and the worst of all…Trump supporter, thrown at us.

Yul Brenner sums up my feelings toward Russiagate best with a song…and yes…I am aware that Yul Brenner was Russian.

It would seem, at least on the surface, that in regards to Russiagate I was right and my numerous detractors were wrong. Of course the possibility certainly exists that Barr’s summary is directly at odds with Mueller’s findings, and I have no doubt that Mueller’s report contains much more damage to Trump than Barr lets on. But with that said, it seems highly unlikely that Mueller would quietly sit by and let Barr distort his work without speaking up*. Proof of this is that this past January Mueller broke his silence to shoot down a Buzzfeed story claiming that Trump ordered Michael Cohen to lie to Congress, so he is obviously comfortable pushing back against falsehoods being disseminated in the public sphere. (*Please see Addendum at the bottom of this article)

Even though Mueller has found “no collusion or conspiracy” regarding Russiagate, it is also worth noting that from day one I have never trusted Robert Mueller and have repeatedly warned Democrats about embracing him (it should also be noted that I don’t trust Barr either, as both Barr and Mueller are creatures of the deep state who are right at home in the swamp) . I have often reminded liberals of Mueller’s long list of “problematic” behavior, such as his pushing the Iraq/WMD lie, his abuse of civil liberties and rounding up of Muslims after 9-11 and his botching of the post 9-11 Anthrax investigation. But instead of being wary of Mueller, the #Resistance deified and sainted him, putting him on a pedestal like some golden calf they could worship. St. Mueller was, to mix various horror story metaphors, the noble Van Helsing who had the silver bullet that would bring down the Trumpenstein monster. The #Resistance believed in him faithfully and fully…and since he hasn’t given them Trump’s head on a platter as they expected, they are left with egg on their faces.

Obviously, I was not shocked by Mueller’s alleged findings as I have been saying all along that it was clear there has not been any evidence brought forth that would substantiate the “collusion” claim. Sure there have been a lot of news stories and pundits claiming to know for a fact that Trump did “collude” with Russia, but there was never any solid evidence to back up this speculation. I was certainly always open to the possibility of collusion and open to any evidence brought forth, but none ever was.

CONSPIRACY THEORY

One big indicator that the media was more interested in conjuring Russian boogey men in order to knee-cap Trump and less interested in the Truth, was the language they used regarding Russiagate. The term “collusion” is a non-legal word that was continuously bandied about but is so amorphous that it could mean just about anything. The proper term for what was alleged in Russiagate is Conspiracy. Conspiracy is not only an accurate descriptive term but also a clearly defined legal term.

When the media refused to call Russiagate a conspiracy, it was a strong hint that there wasn’t much evidence underlying their conjecture. The reason for this is that you can twist “facts” to fit a nebulous charge like “collusion”, but it is much harder to do the same thing to a specific legal charge like conspiracy.

The other, and maybe more telling, reason that the word conspiracy was never used is that the media has spent the last sixty years or so denigrating the term and turning it into a cudgel to be used against enemies of the establishment. From the JFK assassination to 9-11 and beyond, anyone who deviates from the establishment narrative is labelled a “conspiracy theorist” in order to destroy their credibility without ever engaging their actual arguments. The problem for the media now though, is that Russiagate was an alleged conspiracy, and media speculation on Russiagate is the definition of a CONSPIRACY THEORY…because it theorizes a conspiracy.

As I wrote in September of 2017 in an article titled “The Media Hates Conspiracy Theories…Except When They Don’t”,

If the Russians did collude with Trump and interfere in the election, than that is most definitely a...conspiracy, but interestingly enough, the news media are very careful to not ever call the Russia story a "conspiracy". The establishment has so systematically and thoroughly degraded the word conspiracy that they cannot even use it when they are alleging an honest to goodness conspiracy in which they themselves actually believe. 

The failure of the corporate media to call Russigate what it is/was…a conspiracy theory…was a giant red flag that the story was at best being manipulated and at worst manufactured. The semantics used by the corporate media around certain stories, like Russiagate, is extremely enlightening as the choice of words they use, and don’t use, reveals a great deal about motive and intent. For instance, since Attorney General William Barr’s letter regarding the Mueller report came out declaring “no collusion”, the establishment press has referred to Barr as Trump’s “hand-picked” Attorney General. This indicates an intent to deceive the viewer/reader as anyone who has a rudimentary understanding of civics knows that ALL ATTORNEY GENERALS ARE HAND-PICKED…that is how you get the job. By adding the qualifier that Barr is “hand-picked” you can quickly deduce that the person saying that phrase is not an honest broker and is twisting facts to fit an agenda.

In terms of the “conspiracy theory” idea, another blurb from my September 2017 article,

As a result of the distinction between official and alternative conspiracies, we get Rachel Maddow whole-heartedly embracing the Russian election conspiracy theory to the point that she makes Glenn Beck look like Walter Cronkite and Sean Hannity look like Edward R. Murrow. Maddow sees Russians behind every single thing that happens and furiously reports it as though she's found the Lindberg baby in the arms of Jimmy Hoffa. This should not be surprising though, as when it comes to the "officially" sanctioned Russian conspiracy theory, anything goes. Even the most stodgy of old school media entities have embraced the most batshit conspiracy peddlers in regards to the Russian story, one need look no further than the New York Times op-ed page where the certifiably insane Louise Mensch was allowed to write a pieceas proof of that.

Maddow may end up being totally right about Russia, and everything she is reporting true, but there has not been any solid, tangible evidence put forward to date to corroborate the claims of Russian interference she embraces. None.

What is ironic is that the same media that refused to describe Russiagate as a conspiracy theory, were quick to equate it with two events that attract quite a bit of conspiracy theories. Many in the establishment pundit class described the alleged Russian election interference as the modern day equivalent of “Pearl Harbor” or “9-11” and as an “act of war”. Of course, thousands of Americans died heinous deaths at Pearl Harbor and on 9-11, so the analogy was always painfully hyperbolic as well as very extremely dangerous since if it were an “act of war” that would mean we would be obligated TO GO TO WAR WITH RUSSIA. Once again, these sorts of semantic flourishes such as relating Russiagate to 9-11 or Pearl Harbor and calling the alleged interference an act of war, reveal a stark dishonesty and lack of credibility.

Regarding Russiagate and 9-11 comparisons, it is interesting that in terms of evidence, there is considerably more evidence in the public domain that 9-11 was an “inside job”, which is another amorphous term like “collusion”, than there is that Trump conspired with Russia or even that Russia ever hacked the DNC or interfered in the election at all.

Even though that is the case, the media would never in a million years allow people to come on cable networks and espouse the belief that 9-11 was an “inside job”, and they sure as hell would never make that the official position of their networks and dedicate years of coverage to it like they did with the conspiracy theory of Russiagate. The New York Times would never grant a “conspiracy theorist” like Alex Jones the prestigious position of space on their op-ed page to speculate on Bush being involved with the 9-11 hijackers through his family’s connection with the House of Saud…but they did basically the same thing when they let certifiable conspiracy loon and fantasist Louise Mensch write an op-ed about Russiagate.

RUSSOPHOBIA, MICROWAVE WEAPONS AND CRICKETS

The truth is that the establishment media loathes all “conspiracy theories” except for the ones they love. And when they love a conspiracy theory they don’t call it a conspiracy theory…they simply call it news. Russiagate is obviously one example of that, but there are a plethora of other Russia related stories that fit the bill as well.

Remember the story that broke this past September where both the New York Times and NBC News breathlessly reported that the reason that a group of U.S. “diplomats” in Cuba had fallen ill was because the Russians had attacked them with a mysterious microwave weapon? I wrote an article for CounterPunch in September titled “A Curious Case of Mystery Attacks, Microwaves and Media Manipulation”, shredding those “microwave attack” stories as being obvious nonsense and anti-Russian propaganda.

After meticulously dismantling the outrageous claims made in these news reports about a “Russian mystery microwave attack”, I ended my piece with this,

These incidents may very well be proven to be attacks, and Russia may ultimately be responsible for them, but we should wait for actual evidence and not accept whispered innuendo wrapped in a slavish deference to intelligence agency authority as proof…

Similar to the delirious fever for war in the lead up to Iraq, the media are currently suffering from a virulent hysteria, this time of the anti-Russian variety. Now more than ever it is imperative to maintain a healthy and vigilant skepticism whenever Russia is blamed for misdeeds but there is a dearth or absence of concrete evidence. If we succumb to the corporate media’s Siren’s call of compulsive Russia blaming, our new Cold war may just turn very hot, and that will be a catastrophe for all of us.

Months later it was reported that scientists studying the incidents and illnesses that sparked the
”microwave weapon” speculation, now conclude that they are not the result of a “microwave attack”, but rather a reaction to the noise made by a particular type of cricket during mating season.

The “collusion” claims made by the media seemed to me to be very similar to the “microwave weapon attack” story in that they fell flat on their face upon closer inspection. There is a long list of similarly dubious anti-Russian stories in recent years and they all crumble upon even the most rudimentary examination. There was “Russia hacked the Vermont electrical grid”, “Russia hacked C-Span”, “DNC emails were altered”, “Russian spy-harlot used sex to infiltrate America”, “Russia could turn off the heat in the U.S.”, “Michael Cohen went to Prague”, “Manafort visited Assange” and on and on and on. These stories all garnered lots of attention and lots of headlines and then a few days or weeks later had to be retracted or amended because they were at best misleading and at worst outright fabrications.

ASSESSING THE ASSESSMENT

Just like these other fabulist anti-Russia stories, Russiagate was bound to collapse because it was built on an unstable foundation that was devoid of facts and evidence and rife with innuendo and assumption. The founding document of Russiagate is the aptly titled “Assessing Russian Activities and Intentions in Recent U.S. Elections”. This assessment, which was published on January 6, 2016, was such a flimsy, tenuous and superficial document that it was utterly startling, and frankly alarming, to witness it being taken so seriously.

The document contains not a single shred of hard evidence of Russian interference in the election, and only uses outdated and specious claims against the Russian news channel RT as proof of Russia’s nefarious actions and intents during the 2016 election. For example, here is a quote from an article I wrote in January of 2017 titled “Through the Looking Glass” where I describe the case made in the assessment for Russia’s guilt regarding election interference. (FULL DISCLOSURE - While I was not a contributing writer for RT at the time I wrote “Through the Looking Glass”, I am now.)

Another section…will come as quite a shock to liberals and Democrats…in the lead up to the 2012, again, to be clear, this is not the 2016 election but the 2012 election, RT aired a documentary on Occupy Wall Street that the report described like this…"RT framed the movement (Occupy Wall Street) as a fight against the ruling class and described the current US political system as corrupt and dominated by corporations". Is there any rational and uncompromised human being on the planet who would describe the US political system any other way?

…other parts…of the report say that RT "alleges widespread infringements of civil liberties, police brutality and drone use" in America. Another part says that RT is attacking the US by criticizing "alleged Wall street greed." Let that one sink in for a minute. I hope liberals and Democrats are starting to understand how this report, and the intelligence community that prepared it, are not your friends, not by a long shot. Neither are they friends of Truth. 

Every single liberal I spoke with about the assessment agreed with it fully…but not surprisingly none of them had ever laid eyes on it. I encouraged everyone to read it but most never did. I would ask these liberals if they were against fracking and police brutality and supportive of Occupy Wall Street and to a person they all said they were…and when I informed them that the assessment asserted that RT covering those subjects was evidence of a nefarious Russian plot to undermine American democracy, they were left befuddled. To me it was obvious that the intelligence community was using anti-Trump hatred and fervor among the #Resistance as a way to surreptitiously criminalize left wing political beliefs through this assessment. Of course people thought I was crazy and ignored my warnings and instead put their faith in the intel community and eventually in St. Mueller.

Without fail, the media and Democrat talking point regarding the assessment was that it was “all 17 intelligence agencies” that declared that Russia interfered in the election. This establishment media talking point of “all 17 intelligence agencies” quickly became the chorus of the hit song “Intel Assessment”, the first single off of the album Russiagate, and was meant to stifle dissent, debate or questioning of the assessment and its findings. Everybody sang this tune…from establishment court jesters on Late Night TV to the journalists at tony institutions like the New York Times to the blathering buffoons of cable news and cocktail party goers who wanted to sound informed. Of course, the problem was that the talking point was patently false. It wasn’t “all 17 intel agencies”, it was parts of four intel agencies…the Office of the Director of National Intelligence with specifically selected analysts from the NSA, CIA and FBI. This is just one of many false narratives that were implanted into the public consciousness by the media and that became ingrained in individual’s minds and solidified as “fact”.

CONFIRMATION BIAS

Speaking of people’s minds, this might be a good time to examine why it was that so many people, in the media and out, fell for the Russiagate hoax hook, line and sinker. I believe that the main reason for this is our old nemesis confirmation bias.

The reason the #Resistance embraced the assessment (even when they never read it) is because the assessment told them what they wanted to hear, and since the assessment made them feel better they didn’t want to dig deeper into it out of the fear they may find out it wasn’t the truth. This is how confirmation bias works.

The intel assessment in particular, and Russiagate in general, confirmed all of the biases of the #Resistance and the establishment. It allowed these folks to believe that Trump didn’t legitimately win, Hillary didn’t lose and more importantly, that they weren’t so spectacularly wrong.

Russiagate had a convenient scapegoat for all that ailed the #Resistance and the establishment…namely Russia. Russia had put Trump in office and Russia had denied Hillary her rightful place on the throne, because of this belief any and all stories and speculation about Russia (and Trump) were immediately assumed to be true. All Russia related claims weren’t taken as truth because after a reasoned weighing of the evidence conclusions were drawn, but rather because those claims on their face simply made people feel better.

Declaring that Russia hacked the election, the DNC, C-Span, Vermont, American diplomat’s brains and all the rest, made people feel good…or at least gave them a brief reprieve from their Trump induced anxiety, fury or depression from which they suffered. That is what confirmation bias does, it excludes negative information that challenges your bias and heightens positive information that confirms it in order to buttress your belief system.

Confirmation bias is radioactive to the critical thinking function. This is why it is so dangerous for the #Resistance. Immediately after Trump’s victory there was a tsunami of “unfriending” in liberal circles where anyone who disagreed with Clinton supporters was exiled, I know this because it happened to me and some of my compatriots. Instead of self-examination in the wake of Hillary’s loss, Clinton supporters doubled down on their confirmation bias and tightened the lock on their echo chamber…which is part of the reason why they lost in the first place. It was in this echo chamber that Russiagate was born and prospered, like a fungus thriving in the darkness of intentional ignorance.

It is in these hermetically sealed echo chambers where “conspiracy theories” and “conspiracy thinking” flourish because ideas are never challenged and sharpened but rather are coddled and grow flaccid. The echo chamber insidiously replaces critical thinking with a proud and defiant emotionalism.

The lesson of all this is quite clear…allegedly ”serious” people love to denigrate conspiracy theories…except when those conspiracy theories confirm their biases. If a conspiracy theory tells people what they want to hear then it will gain traction in whatever community needs for it to be believed regardless of how tenuous the supporting evidence for it may be. In the case of the Russiagate conspiracy theory, it told millions of Democrats and establishmentarians exactly what they wanted to hear….that Trump was the lowest of the low, a traitor who only won by cheating…which made them feel good and allowed them to ignore their responsibility in his victory.

MEDIA MALPRACTICE

Media con artists and grifters, like the vacuous and repugnant frauds Luke Harding, Malcolm Nance, Jonathon Chait and David Corn or the coterie of professional liars from the intelligence community like John Brennan, James Clapper and Jeremy Bash or the journalistic poseurs at CNN or MSNBC, like the ridiculous Rachel Maddow. Nicolle Wallace, Chris Hayes and Chris Matthews, and at The New York Times and the Washington Post, pushed a plethora of Russiagate bullshit stories and narratives for all they were worth and made millions and billions by doing nothing more than making anti-Trumpists feel good by confirming their biases.

Harding, Nance and Corn all wrote books about the Russiagate story that alleged to show the “truth” but were little more than shallow and shameless attempts to pad their bank account at the expense of their #Resistance marks. The Mueller report has decimated the credibility of these men and their books, but that has only forced them to double down on their extravagant claims. And of course, no one in the media is being held accountable for their journalistic malpractice and malfeasance.

Speaking of malfeasance, former head of the CIA John Brennan was lionized by the corporate press as a paragon of truth and honor when he declared Trump a traitor. When Trump revoked Brennan’s security clearance last year, the media reacted as if Trump had sodomized Brennan on national television and excoriated the president for being so petty to a “true American hero”.

As I wrote in regards to the media and the #Resistance (in this case at a taping of Bill Maher’s HBO show) fawning over Brennan in an article last August titled “In a Fit of Anti-Trump Pique, Liberals Shamelessly Embrace Deep State Criminals”,

The nadir for the #Resistance occurred shortly thereafter as Brennan rumbled on stage and was greeted by the eruption of a raucous standing ovation by the liberal audience, with Little Bill calling it a "well-deserved standing ovation". Only in the bizarre universe where a silver-spooned, multi-bankrupted, reality television star is president does a former CIA director who has committed crimes and war crimes such as implementing and covering up Bush's rendition and torture regime, spying on the U.S. Senate and masterminding Obama's deadly drone program, get a delirious ovation from those on the left.

Brennan was deeply involved in Russiagate, as he was Director of the CIA when the alleged election meddling occurred. Brennan then used his “intel insider status” to get a job at MSNBC as a talking head and then spent his time on air making outrageous claims about Trump and the devious Russians. Now that Mueller has cleared Trump of collusion, Brennan says he must’ve gotten “bad information”…or as I have been warning for years now, maybe he is just a bad guy who is prone to lying…his history seems to back my assertion. Of course, liberals ignored my warnings on Brennan (and Mueller) because what Brennan told them confirmed their bias and made them feel better.

MSNBC’s Rachel Maddow was the ringmaster of the cable news circus that was Russiagate. Maddow peddled any and all Russophobic conspiracy theory she could get her hands on and her audience ate it up. Maddow’s ratings shot to the penthouse as her integrity went to the bottom of the septic tank. Maddow exploited her audience’s desire for denial by going full Glenn Beck…and you never want to go full Glenn Beck. It is obvious that Maddow made the business decision to tell people what they wanted to hear (confirm their bias) as opposed to the journalistic decision to tell people the Truth.

What is so repugnant to me is that Maddow, Nance, Corn, Harding, Brennan and the rest of the corporate media lap dogs all preyed upon the grief of hurt Democrats in the wake of Trump’s election and sold them a bill of goods regarding Russiagate. MSNBC, CNN, NY Times, Washington Post and the rest of the corporate media exploited vulnerable people who were in pain for their own aggrandizement and monetary gain. These media con-artists did what all con-artists do, they told their marks exactly what they wanted to hear in order to bilk them and enrich themselves.

RUSSIAGATE AUTOPSY - HOW AND WHY

The foundation from which this perfect storm of fraud called Russiagate took root, grew and raged among the elite as well as the rank and file Democrats and liberals was the deep, profound and disorienting grief that staunch supporters of Hillary Clinton fell into after Trump’s 2016 election victory.

Some liberals (women in particular), with a large assist from the media, projected a great deal of cultural, political, psychological and personal meaning onto Hillary Clinton and her 2016 candidacy, understandably so considering she was the first woman to be a presidential candidate from a major party. These supporters projected themselves onto Hillary and she became an avatar and an archetypal symbol for their hopes, dreams, struggles and lives.

These projections fostered a deeply personal and powerful emotional attachment to Hillary among some voters (most particularly, but not exclusively, female Democrats). The problem with this type of projection and archetypal emotional connection is that it often breeds an emotionalism that leads to a crippling of the critical thinking function…and so it was with these particular type of Clinton supporters. The simple idea that Hillary could lose to, in their eyes, such a repugnant, sexist pig as Trump, was entirely inconceivable to these type of Hillary supporters (in the media and the public) because their projections and emotional attachment, and its accompanying emotionalism, caused a myopia and historical amnesia that led them to be blinded to reality on the ground.

TRAUMA

Due to this emotionally induced blindness, when Clinton lost the electoral college to Trump it wasn’t just a defeat or disappointment or shock to these Clinton projectors/supporters…it was a trauma….and I do not use that term lightly. Trauma is derived from the Greek word trauma, which means “ a wound, a hurt; a defeat”, and Clinton projectors/supporters suffered a trauma in every sense of the word as they were “wounded”, “hurt” and “defeated”.

In psychological terms, Hillary’s defeat to Trump felt like an actual physical or sexual assault upon these Clinton projectors/supporters. I know that sounds crazy, but it is true, and proof of it is that Clinton projectors/supporters have been suffering from post traumatic stress for the past two and a half years.

If you look at the symptoms of PTSD they read like a perfect descriptor of Clinton projectors/supporters behavior since Trump defeated Hillary.

1. IRRITABLE OR AGGRESSIVE BEHAVIOR - Since Trump’s victory and Hillary’s defeat, Clinton projector/supporters have ranted and raved incessantly, called all Trump voters racist and misogynyst, advocated the punching of alt-right members and cheered when it happened, and also shouted at and banned right wing public figures from restaurants and certain spaces. Russiagate was also a form of this symptom of PTSD as evidenced by the wildly aggressive charges and conspiracies being bandied about by supposedly serious journalists.

2. RECKLESS AND SELF-DESTRUCTIVE BEHAVIOR - This is Russiagate in a nutshell. Instead of being rational and logical, Clinton projectors/supporters in the media and the general public threw ever more wild accusations at Trump thinking that Mueller would be the tool by which to remove him from office. The story was a nothing burger from day one…a total farce…but Clinton projectors/supporters were blind to it…and now they have handed Trump a powerful weapon for his reelection. Russiagate is a wonderful example of reckless and self-destructive behavior and cutting one’s nose off to spite one’s face.

3. HYPERVIGILANCE - This again took the form of Russiagate, as the media and Clinton true believers saw Russian boogey men and women around every corner. Rachel Maddow and her fans are the poster children for this form of nonsensical and hysterical hypervigilance.

4. EXAGGERATED STARTLE RESPONSE - Again…this is Russiagate in a nutshell as it is an entirely exaggerated startle response. See Rachel Maddow and her co-”conspirators” in the establishment press who are so quick to turn everything Trump does into a Russian conspiracy and the apocalypse. Clinton supporters also pretend like everything was fine before Trump and have an exaggerated startle response when he acts just like every other asshole president we’ve had.

ON DEATH AND DYING

Besides suffering from Trump related PTSD, Clinton projectors/supporters are also suffering from grief. All losses are accompanied by grief of one form or another, and political losses are no different. When reality does not conform to your dreams, then there is a grieving that occurs…but in the case of Hillary projectors/supporters, that grief was much, much more intense than usual. A female candidate didn’t just lose, which would be bad enough as it would signal or reinforce feelings of personal unworthiness among Hillary’s projectors/supporters, but she lost to a man deemed to be not just a misogynist but an abhorrent sexual predator and racist monster. Hillary’s loss seen through this lens, which is the lens that the Hillary projectors/supporters used, was a catastrophic political, moral and ethical defeat, a personal repudiation and a trauma.

In the wake of Hillary’s loss, these projectors/supporters dove into the deep end of the grief pool with the added complication of the burden of PTSD, and the result was that they frothed and flailed and raged about desperately looking for something for which to grasp. The Clinton campaign and the media tossed them a lifebuoy with “Russiagate” written on the side of it and these projector/supporters grabbed on to it with a maniacal fervor.

According to the Kubler-Ross model, there are five stages of grief that in chronological order are denial, anger, bargaining, depression and acceptance. These stages of grief never quite go in as linear a fashion as one might expect. Grief is usually a one step forward, two steps back type of process where the stage you are in can change from moment to moment and day to day, sometimes moving forward, sometimes moving back.

In the case of Clinton projectors/supporters, Russiagate short-circuited the grief cycle and created a grief vortex where they repeatedly vacillate between denial and anger. Russiagate allowed these wounded, confused, traumatized and grieving Clinton projectors/supporters to cling to the hope that none of it had happened, that none of it was real and that they had been “right” all along. The problem is that reality and time inevitably transform an open system of hope into the closed system of denial. Some of these Clinton projectors/supporters became such dead-enders that they still defiantly declare that Hillary should be sworn in because she is the rightfully and duly elected president…which is a very clear indication of denial winning the day.

HELLO, COG DIS MY OLD FRIEND

The bottom line was this, that Clinton projectors/supporters were in such pain in the wake of Trump’s victory that they would do anything to alleviate that pain. One way to alleviate that pain was through confirmation bias, another was through outright denial, and yet another was through our old friend cognitive dissonance.

As I wrote in my article “Truth, Justice and the Curious Case of Chris Kyle” back in 2014,

Cognitive Dissonance is "psychological conflict resulting from incongruous beliefs and attitudes held simultaneously". People will contort in all sorts of ways to avoid seeing the uncomfortable truth that is right in front of their eyes and facing that conflict.

In the case of Chris Kyle, his supporters vociferously attacked me for pointing out the incongruity of his tall tales regarding his shooting of two carjackers, his “discovery” of WMD’s in Iraq and a plethora of other lies. These Kyle supporters were struggling with the discomfort of reading information that was at odds with their previously held belief. In order to alleviate that discomfort, they ignored the new information and attacked the source of it…me.

In the case of the 2016 election, Clinton supporters suffered from a similar malady where they simply could not accept that Hillary lost the election, and maybe even more importantly, that Trump actually won it. They were so emotionally attached to Clinton and their dream of a female President that the new information, Trump’s win, caused tremendous psychological discomfort…and in order to alleviate that discomfort they simply denied the new information with the delusion of Russiagate.

Clinton projectors/supporters simply cannot accept the reality of Trump as president and Hillary as defeated because it is so damaging to their identity and their cosmology. So instead they suspend their disbelief by short circuiting their critical thinking, and embrace the delusion of Russiagate.

When news stories appeared that alleged to show Trump’s guilt regarding collusion, liberals would celebrate like it was Christmas morning and pass the stories around like gifts. Days, or even hours later, when those stories were shot down, liberals simply ignored the new information, preferring to live in the delusion upholding grandeur of the original story.

The most glaring example of this is the infamous Steele Dossier, which alleged all sorts of suspicious activity on the part of Trump…the most embarrassing being the supposed “pee tape”. The Steele Dossier has been thoroughly debunked, so much so that even establishment shills like Michael Isikoff, who wrote an entire book with David Corn based upon the presumption that the Steele Dossier was accurate, have now declared it to be totally false. But liberals still cling to the Steele Dossier as if it is the gospel truth, and most believe that Trump is “compromised” (and in attempts to sound sophisticated use terms like “Kompromat”) by the Russians who have “pee tape” or something much worse on him.

The Steele Dossier claimed that Trump lawyer Michael Cohen went to Prague to collude with Russians and the media and liberals clung to this story as damning evidence of collusion. But when Cohen flipped on Trump he testified under oath before Congress he swore he had never been to Prague. Instead of accepting and integrating this new information, liberals and the corporate media instead posited that Cohen was telling the truth in his testimony about everything except the Prague stuff…this is what cognitive dissonance looks like in action.

More from my Chris Kyle article,

What usually occurs when people are presented with new information that clashes with their strongly held belief, is that they "seek to preserve their current understanding of the world by rejecting, explaining away, or avoiding the new information or by convincing themselves that no conflict really exists."

Russiagate was the magic bullet for Clinton projectors/supporters and the #Resistance because it allowed them to alleviate their cognitive dissonance through confirmation bias, which allowed them to live in a state of denial and delusion.

Russiagate may have felt like a lifesaver at the time for these traumatized and hurting Clinton projectors/supporters, but as I pointed out right after the election, it was not a life jacket but an albatross. Denial is normal and natural when grieving, but if you stay in it too long you never evolve and heal from the wound. In the case of Russiagate, the #Resistance and the Clinton projectors/supporters, denial became an addiction that needed to be fed to be maintained in order to keep the pain of reality at bay. This addiction, like all addictions when they are so acute, was accompanied by hysteria, mania and delusion.

NEO-CONNING

The biggest winners in the Russiagate fiasco are not the Trumps, but the neo-cons, who have long wished for a revived war with Russia, be it cold or hot, and now they have not only their conservative cohorts on board but a plethora of supposed liberals who have been duped by Russiagate.

In a fevered attempt to take down Trump through Russiagate, the #Resistance made the calamitous mistake when they whole-heartedly embraced and rehabilitated the neo-cons from the Bush administration who lied us into Iraq and who were aided and abetted in that crime by the same corporate media that has been pushing Russiagate. The Decider himself, George W. Bush, has even been rehabilitated and transformed from being a war criminal and worst president ever to being hailed as a man of great principle and deep character all because he gave a candy to Michelle Obama at a funeral.

Other neo-cons, such as the reprehensible Bill Kristol and David Frum, are now held in the highest esteem by those who should know better just because they oppose Trump on stylistic grounds. Besides reviving the neo-cons and exorcising their Iraq ghosts, the #Resistance also warmly embraced the neo-liberals and their economics which gave us the 2008 housing collapse and the big bailouts among other notable disasters. Russiagate makes for strange bedfellows…but the #Resistance is going to find out that when you sleep with war criminals and banking fraud pigs, you wake up with blood on your hands and smelling like shit.

CONSEQUENCES

The long-term consequences of going all in on Russiagate for the #Resistance, Clinton projectors/supporters and the media are dire.

In their fever and fervor to bring down Trump, the media have handed him a gift of epic proportions by stripping themselves of any last vestiges of credibility they had left. Trump’s favorite claim is that of “fake news”, and when something comes out that makes him look bad, he labels it “fake news” and the media and #Resistance goes crazy. Now with Russiagate, the media have propagated the motherload of “fake news” and have legitimized Trump’s future claims of “fake news”, thus neutering themselves as a functioning and vital part of our Republic.

The Russiagate fiasco is a weapon that Trump will now use to bludgeon his enemies and to protect himself from any further charges of wrong doing (of which, I am sure, there are a lot), and it is entirely the fault of the fourth estate and the #Resistance for having gotten out ahead of themselves and the evidence.

Sadly, just as with their utter failure regarding the Iraq War and WMD’s, the media will face no consequences for their miscarriage of journalism in the case of Russiagate. The loudest media voices that got it wrong…AGAIN…will simply fail upwards and maintain their standing as guardians of the establishment just as they did after the Iraq/WMD mess. The corporate media in America is so tainted and so toxic that it is a cancer on our culture and simply cannot be trusted at all anymore…and that is dangerous for our Republic.

LOOKING IN THE MIRROR

While the media is certainly to blame for this Russia-Gate fiasco, at some point people need to take responsibility for their own thinking, or lack thereof. How many times does the media have to reveal itself to be a mendacious propaganda machine before people wake up and push back? The media malpractice in their coverage of the Iraq War/WMD lies, the housing collapse, the Chris Kyle fabrications, the cavalcade of anti-Russian misreporting, the Jussie Smollett nonsense, the Russiagate fraud, how many more times does the media have to prove itself to be untrustworthy before people start holding them accountable?

And this is not some frivolous question, this is crucial for the survival of the Republic. If the press cannot function with some semblance of impartiality, journalistic quality and professionalism then an authoritarian will simply use the public’s distrust and disgust with them to his advantage and will further erode our already tenuous civil liberties….oh wait…that is already happening!

That is the most frustrating thing about the Russiagate horseshit…it has aided, abetted and emboldened Trump. This shouldn’t be surprising since the corporate media were already complicit in getting Trump elected the first time, but now with their incessant shrieking about the Russiagate “collusion” hoax they have given Trump a great boost for 2020.

At this point in the Russiagate story It isn’t about people having more knowledge in regards to Russia, or Trump or the media, it is about knowledge of oneself. Why do you believe what you believe…and where does your loyalty lie? If it lies anywhere besides the Truth, you are bound to be suckered by something or someone. Remember…if you desperately want something to be true, you should be particularly wary of those who you tell it is.

Regardless of how things go forward from here and whether the report gets released (which I hope it does) or if it gets buried, I ask the #Resistance to listen to me now. I warned you two years ago and you ignored me. Don’t make that same mistake again. My advice to you now is to stop being so God-damn emotional and weak. Get tough. Get rational. Get logical. Get strategic. And most importantly pledge your loyalty not to your party, ideology, country or identity but rather to the Truth. It will serve you and America much better in the long run.

ADDENDUM

As I was writing this piece this week a story titled “Some on Mueller’s Team Say Report Was More Damaging Than Barr Revealed” broke in the New York Times that claimed that people from the Mueller team were frustrated over Attorney General Bill Barr’s summary of their findings, and claimed that Mueller’s report is much more damaging to Trump that Barr makes it seem.

Well…that isn’t really what the New York Times article says…but that is how it is being “reported” in its headline and by cable news outlets like MSNBC. In fact, in an odd confluence of events, I was watching MSNBC when the story broke and got to see in real time how dubious their journalism really is as Chris Matthews “paraphrased” the Times article by saying that Mueller’s team is finally speaking up after two years of silence.

Here is the first paragraph of the Times article which caused such a stir.

Some of Robert S. Mueller III’s investigators have told associates that Attorney general William P. Barr failed to adequately portray the findings of their inquiry and that they were more troubling for President Trump than Mr. Barr indicated, according to government officials and others familiar with their simmering frustrations.

That is one hell of a paragraph…so let’s break it down.

Cable news and other media have declared that this story is really bad news for Trump because Mueller’s team is finally speaking out and is saying the report will be damning of the President. Of course, upon closer inspection, virtually none of the cable news pontification is even remotely backed up by the facts stated in the article.

For instance…even though the media is claiming this is Mueller’s team breaking their monk like silence…they aren’t. This isn’t Mueller’s team speaking out…these claims are allegedly being made by “associates” of Mueller’s investigators, not the investigators themselves. Beyond that, in that opening paragraph the Times also makes it clear that the sources for the story are “government officials and others familiar with their simmering frustrations”.

So let’s be perfectly clear as to what this story claims…that “government officials and others” have heard from “associates” of members of the Mueller team, that said Mueller team members believe that the Attorney General “failed to adequately portray their findings”.

This is like a bad game of telephone where the esteemed New York Times reports on third and fourth hand information that was allegedly told to “associates” of investigators on Mueller’s team, and then those “associates” told associates of theirs who are “government officials and others” who then told the New York Times who are now telling us.

Not surprisingly, MSNBC, CNN and the Washington Post all followed up the Times story with equally explosive claims but with similarly distant and dubious sourcing.

It is absolutely stunning when you break down the story and its sourcing and then consider the shock waves of glee this report sent through cable news and the #Resistance. Bill Maher, who is the id and village idiot of the center left, just last night was touting on his HBO show that treason is back on the table and so is collusion, all based on this extremely vacuous and flimsy report in the Times…which clearly states that the finding of “no collusion” is not in contention.

Maher is the hackneyed comedy version of cognitive dissonance with bad skin as on his show last week, the first since the Mueller Report was submitted and the Barr synopsis came out, he declared that he doesn’t need Mueller’s report because he KNOWS Trump is a traitor! This is textbook Cognitive Dissonance, where people “seek to preserve their current understanding of the world by rejecting, explaining away, or avoiding the new information or by convincing themselves that no conflict really exists."

This story and the media and the #Resistance’s rapturous response to it proves once again the seriousness of the maladies from which they suffer. This report and the liberal response to it highlights the conformation bias, cognitive dissonance, denial and delusion which I wrote about above. It is also emblematic of the media’s blatant dishonesty and unprofessionalism. This story is just one more piece of evidence for the thesis I laid out in the above article.

It is also a damning indictment that the #Resistance and its media cohorts like Bill Maher and MSNBC are irredeemable and a hopeless lost cause.

MY BEST GUESS

When discussing my skepticism regarding this whole issue, I am often asked what it is that I believe regarding Trump, Russia, collusion and the rest of it. Well, what I think is this…and this is entirely and purely speculation…that Trump is certainly “guilty” of obstruction of justice. I mean, Trump is a walking obstruction of justice…but the problem is that if there is no underlying crime, that makes both the legal and political case for obstruction much more difficult.

In addition, I have yet to see any clear evidence of the underlying claim that Russia hacked the DNC server and the Clinton campaign emails. In fact there has been no evidence released that even shows that the DNC server was hacked at all. Now that doesn’t mean the server wasn’t hacked, it may have been, it just means I haven’t seen any evidence of it. It also doesn’t mean that if it was hacked, that Russia hacked it, it just means I haven’t seen any evidence of those claims. I am not alone in my skepticism regarding the alleged hack, as the Veteran Intelligence Professionals for Sanity (VIPS), a group which includes Ray McGovern, Colleen Rowley, Mike Gravel, Philip Giraldi, Larry Johnson, John Kiriakou and Lawrence Wilkerson among many others, have stated their skepticism as well regarding this claim of a hack that is now assumed to be true despite the paucity of evidence for it.

And finally, in regards to the charge that Russia “interfered” in our election, I would say that the evidence put forth thus far is woefully inadequate to the point of absurdity. The Facebook and Twitter meme operation allegedly run by Russia is an absolute joke and is not proof of Russian interference in anything at all.

If people are serious about identifying and punishing nations for interference and meddling in our electoral and political process, then there are two criminal states that should be the entire focus of attention…Israel and Saudi Arabia, both of which a nefarious actors in our political process with tentacles into the highest echelons of power in America.

As I stated earlier and as I stated throughout the last two and half years in all of my writing…I am open to evidence of Russian interference in the election and any conspiracy with Trump or anyone else…and will gladly scrutinize that evidence if and when it comes forward, and accept it if it is credible. But until it comes forward I maintain the only logical and rational position there is, and that is of maintaining a pronounced skepticism towards these and all evidence-free claims.

For a glance at my previous writings on Russiagate over the last few years, here are some links.

Joe McCarthy Was Right!! Shocking Revelations From a Manchurian Op-Ed Writer

Deconstructing Criticism of Oliver Stone’s The Putin Interviews

The Media Hates Conspiracy Theories…Except When They Don’t

Stephen Colbert Goes to Russia Looking For Laughs

Has the Fear of Putin Seized Hollywood?

Echoes of Totalitarianism in #MeToo and Russia-Gate

Hollywood’s Malicious Propaganda Dehumanizes All Russians

Captain America v Trump in Battle of the Useful idiots

In a Fit of Anti-Trump Pique, Liberals Shamelessly Embrace Deep-State Criminals

A Curious Case of Mystery Attacks, Microwave Weapons and Media Manipulation

©2019

Scrooge Sends Season's Greetings From Syria


Estimated Reading Time: Longer than Rudolph the Red-Nosed Reindeer but shorter than The Little Drummer Boy

Since it is the holiday season, I thought now would be a good time to try a different approach to my writing and actually say something nice for once. I know, I know, it is as big a shock to me as it is to you, but sometimes at Christmas there is a wondrous magic in the air that allows people to have their hearts opened and their perspectives changed…just ask Ebeneezer Scrooge (a role I once played…PHENOMENALLY…on stage!!).

In my case, I thought it would be a good time to give credit where credit is due for people who I usually chastise but who have recently done something good and honorable. The catalyst for my change of heart regarding these folks isn’t Scrooge, but Syria.

First on the list is everybody’s least favorite carnival barker, sideshow clown and general asshat Donald Trump. I loathe Trump with the intensity of a thousand suns and have for decades, but like a toddler, when he does something good, he deserves my encouragement. Trump’s decision to pull U.S. troops out of Syria is an excellent thing…a truly excellent thing.

My fear with Trump has always been that because he is such a needle-dicked, insecure bully and poseur, that he would start a war to bolster his flaccid virility and tenuous manhood. The fact that Trump is actually ending a war, or at least the U.S.’s involvement in one, is…and I can’t believe I am saying this…a courageous act.

Trump is going against the entire political and media establishment in America. The Military Industrial Complex, the Intelligence community and their lackeys and shills in the corporate media, and the Israeli lobby, do not take kindly to American militarism and imperialism in the Middle East being curtailed in any way. This is why I think Trump was brave to do this (we will see if he actually follows through) because he basically signed his death warrant or the death warrant of his presidency. The forces Trump is taking on with this Syria decision are not known for playing patty cake and they do not forgive or forget. When Kennedy reversed course on the war in Vietnam and shifted toward deescalation, he ended up with his brains all over Jackie’s nice Chanel suit, I would not be shocked if a similar fate awaited The Donald in one form or another. Robert Mueller might be laying in wait on his own grassy knoll as we speak with an indictment in his hands instead of a Mannlicher-Carcano. (Or don’t be surprised if one of the CIA’s friends in ISIS kills a bunch of people in America and Trump is blamed because he pulled out of Syria or as evidenced by Mnuchin’s signals to the big banks, that the propped up, phony, smoke and mirrors American economy has the rug pulled out from under it in order to knee cap Trump and Trumpism once and for all)

Of course, Trump could reverse course on his reversing course, or could start a war somewhere else that is bigger in scale, in a place like Iran, in order to appease the rabidly nefarious neo-con class, but for now, leaving Syria is a very good thing, and because of that I am saying…gulp…Thank you Mr. President.

There are a few other people that stand out for sticking to their convictions regarding Syria. Ted Lieu, the congressman from my neck of the woods, has been a vociferous attacker of Trump but he stood up for Trump’s Syria withdrawal. Republican Senator Rand Paul along with Democratic Representatives Ro Khanna and Tulsi Gabbard and Republican Justin Amash have all done the same. These people have shown themselves to be loyal to something higher than political party, they are loyal to their moral and ethical values and beliefs, and it is refreshing and encouraging to see politicians actually have principles and stand by them.

What is not so encouraging are the plethora of politicians on both sides of the aisle who are slavishly addicted to American militarism. Most disheartening are not just the pro-war Democratic politicians, but everyday liberals who are so hypocritically opposed to Trump’s withdrawal from Syria (including the usually reliable Michael Moore).

It is truly astonishing but these supposedly liberal people are angry at Trump for ending U.S. involvement in a war. Of course most of these dopes didn’t even know the U.S. was so heavily involved in Syria in the first place (the U.S. occupies 1/3rd of the country), but that doesn’t matter, all that matters is if Trump is for something that means it must be bad. This is how the game works now, and the establishment has used that emotionalist response to great effect to get people to go against their own interests.

Liberals are currently being played by the establishment class. Liberals hatred of Trump has blinded them to reality, has muddied their mind, soiled their soul and left them with a permanent case of political myopia. Hating Trump is not a belief system, it is not an ideology, it is not a governing philosophy…it is a moral, ethical, political and philosophical cancer…and it is eating at the heart, soul and mind of liberalism and our democracy as it distorts the judgement and reason of both the liberal and conservative populace.

Great examples of this are how liberals now adore the FBI and CIA. War criminals like John Brennan, Michael Hayden and James Clapper are held up as guardians of all that is good and pure. Robert Mueller and James Comey, two of the worst deep state operators, are held up as paragons of virtue. George W. Bush, who lied us into a war that killed millions, tortured thousands and surveilled millions across the globe, is being rehabilitated in the media and held up as a decent man because he gave Michelle Obama a piece of candy at church…what the fuck?. None of the crimes of these people, from their deceptions on Iraq, to their support and involvement in torture and illegal surveillance, are ever mentioned when they are spoken of in such hushed and reverential tones by know-nothing talking heads. (as an aside, the reason for this might be because St. Barrack Obama decided to look forward and not backward, thus becoming an accomplice to war crimes after the fact…thanks Obama!)

Bush cronies and Iraq war demagogues like Max Boot, David Frum, William Kristol and Richard Painter are regulars on America’s liberal network MSNBC, and their complicity in war crimes and their moral and ethical depravity are never mentioned. Nicolle Wallace, a former Bush administration official even has her own show on the “liberal” network.

These national security establishment shills in the media pout and preen like cheap tarts at a red light street when it comes to Trump and his “lawlessness”…but international and domestic laws are nothing but props for these people as evidenced by their embrace of torture, surveillance, the use of depleted uranium and white phosphorus by U.S. forces and their support for the war in Syria, Yemen, Iraq and Afghanistan and their unabashed adoration Israel and its illegal occupation of the Palestine.

The establishment, in an impressive bit of propaganda jiu jitsu, has used the fear of Trump to bolster their grip on the minds of Americans, most especially liberal Americans who should know better, or at least think they know better.

If only liberals would stop claiming to be “woke” and actually wake the fuck up and realize that the #Resistance is being co-opted by insidious and duplicitous neo-cons. Understand this, all of these newly politically active liberal anti-Trumpers out there are being indoctrinated and propagandized to worship the military/intelligence industrial complex, and that will be disastrous for the future of America and the world.

The allegedly liberal NBC and MSNBC have been the worst agents of disinformation and propaganda in this respect. Proven Intelligence Agency asset, NBC’s Ken Dilanian, has been breathlessly reporting how Trump is endangering America by leaving Syria and how the Pentagon is in shock and horror at the news. I wonder if the CIA proof read Dilanian’s work which is his standard operating procedure.

Another example of MSNBC’s madness has been the lather raving Russophobe and liberal charlatan Rachel “Mad Dog” Maddow has been in for days now, particularly when 5 star douchebag and ”confirmed life-long bachelor” (*wink-wink*) General “Mad Dog” Mattis, announced, no doubt with his signature lateral lisp, his resignation as Secretary of Defense over Trump’s Syria withdrawal.

MSNBC has had a cavalcade of “national security experts” on as well to assure liberals that leaving Syria now is the worst decision ever and jeopardizes American lives. It is amazing to me that we are supposed to listen to and believe these “national security experts” as they are the same geniuses who got us into Iraq, which went so well, and Yemen, where that is going so well, and Libya, where that went so well, and Syria, which is again…going so, so well. These are the same moral and ethical stalwarts that have allied us with the deplorable terrorists of the House of Saud in Saudi Arabia, which gave us 9-11, and the Nazi coup in Ukraine….both of which have gone so swimmingly.

These are the same “national security experts” who got us into Somalia in the 90’s, Nicaragua and El Salvador in the 80’s, South America in the 70’s and Vietnam in the 60’s…all of which worked out incredibly well too...right? RIGHT? Sadly, watching MSNBC has now turned into watching Soviet era state-tv or Fox News, where no voices in opposition to the war are ever allowed to be heard.

Watching the media’s hysteria in the wake of Trump’s Syria plan has been extremely enlightening and entirely disheartening. As far as I can tell, there have been no voices in the corporate media that have pointed out the most obvious fact about America’s involvement in Syria…namely that it is entirely illegal. Not only is it illegal under U.S. law, as congress has not approved the war, but it is also illegal under International law, as the U.S. is illegally occupying a third of Syria. The fact that the media instinctively supports any and all military action by the U.S., and only gets up in arms over a proposed withdrawal of troops, tells you all you need to know about who is pulling the strings on the information machine. U.S. military withdrawal from anywhere in the world, be it Japan, Germany, Iraq, Afghanistan or Syria, is entirely inconceivable to the corporate media, who are totally blind to their imperialism and militarism. Somewhere Noam Chomsky is nodding to himself saying, “I told you so, you stupid sons of bitches”

You know what else is never mentioned on NBC or anywhere else in the media? The Richard Engel scam that NBC participated in with anti-Assad forces (aka ISIS) when the reporter claimed he was kidnapped by Assad’s forces and then was saved by anti-Assad groups that killed his kidnappers. NBC hyped the story no end and kept up the charade after Engel was returned safely, even though the network knew that his story was bunk, and that the truth was that it was anti-Assad forces (aka ISIS, no doubt with an assist from the CIA) that kidnapped Engel in a bit of false flag political theater. I wonder why no one mentions that story when Syria is brought up?

Another topic that never gets explored are the alleged chemical weapons attacks that the U.S. blamed on Assad but that were in actuality false flag attacks by anti-Assad forces to dupe the American public into supporting more U.S. military intervention in the region. The media, despite compelling evidence to the contrary, simply regurgitates the dubious official story in regards to these attacks and blames it on Assad. I wonder why the corporate media doesn’t want to look to hard into those stories? I also wonder why liberals are so willing to accept them as proven fact? Maybe because they have stopped thinking rationally and are victims of their own emotionalism.

Speaking of emotionalism, remember when the media used a dead little Syrian boy washed ashore on a beach to try and get the U.S. more militarily involved in the Syrian war? Such naked pleas to emotion are a hallmark of manipulation and propaganda and are used to cover the truth, not reveal it, and in the case of that poor little boy, are a case of American foreign policy making it rain outside and then Americans complaining about the weather.

The truth is this, the U.S. and its intelligence agencies started the civil war in Syria. The intelligence community and their assets and shills in the corporate media have been feeding the American people a truck load of bullshit and blatant propaganda in order to drum up animus toward Assad and Syria (as well as toward Putin and Russia). This entire Syria (and Iraq before it) operation has been done for the benefit of neo-conservatives, Israel and powerful oil and gas interests that are all virulently opposed to Iran and Russia. The civil war in Syria that started in 2011 was, just like the coup in Ukraine in 2014, just another geo-political maneuver by the U.S. in an attempt to isolate, weaken and ultimately destroy Russia economically and eventually militarily by drawing Russia into two quagmires.

The U.S. has also been in a full scale, blatant and shameless propaganda war against Russia and Russians for a long time, but that shifted into overdrive in 2014 with the coverage of both Ukraine and the Sochi Winter Olympics. The saddest part of all this is that since it began under Obama, liberals have fully and whole-heartedly embraced the vicious anti-Russian xenophobia being peddled by the corporate media and our government. Liberals blind hatred of all things Russian went into the stratosphere with the alleged “hacking” of the election, which is such a foolish and vacuous story that it truly boggles the mind that liberals, who pride themselves on being so smart, fall for it. But to be fair, Russia makes an easy scapegoat, and it is much easier for Democrats to blame Russia than blame themselves.

Ok…I am not doing a good job of being filled with the Christmas spirit here, so I am going to end on a positive note. There is one media member in particular who has been the target of my ire and been on the receiving end of many a vicious drubbing from me over the years because he was consistently behaving like a brain-addled buffoon. An example of my distaste for this person is that I once eloquently and accurately described him as a “spittle-flecked, syphilitic baboon”. But since it is the Christmas season, I want to extend my thanks and gratitude and even my momentary respect to my favorite spittle flecked, syphilitic baboon…MSNBC’s Chris Matthews of Hardball fame.

Matthews actually stood up for genuine progressive values and principles when, during his “Let Me Finish” segment on Hardball last week, he fervently and ferociously took to task the neo-con and neo-liberal war mongers and chicken hawks who were so outraged by Trump’s withdrawal from Syria. I was genuinely shocked, and frankly moved, to see Matthews so boldly and brazenly take on the Washington Establishment and their default setting of war, war and more war.

What Matthews understands is that it is easy to get into a war and very difficult to get out of one. Once troops are in place, any attempt to withdraw them will be met with cries from war-mongering armchair tough guys of “appeasement” or “defeatism” or “anti-Americanism”. “Right-minded serious people”, as liberals like to think of themselves, will chastise any attempts at withdrawal by saying “now is not the right time” or that “we need a plan for the aftermath” or “we need to think about the children” or “what about our allies” or my favorite “we need to listen to the generals”, because yes, the people we need to listen to are the ones whose livelihood depends on maintaining war.

Anyone clamoring for the U.S. to stay in Syria, or Iraq or Afghanistan, needs to pick up a history book. As the Pentagon Papers show, the Washington establishment and the Military/Intelligence Industrial Complex knew full well for years that Vietnam could never be won but sacrificed young American boys and men at the altar of American Empire and ego rather than do the right, but difficult thing.

The powers that be knew before any invasions ever took place that Iraq and Afghanistan were ultimately unwinnable wars, but winning those wars was never the point, fighting them was. Those wars in particular and the War on Terror in general, have generated billions if not trillions in profits for the weapons, construction, intelligence, surveillance, energy and technology sectors of the U.S. economy. War is big business and with the militarism of American Empire, business is booming. Pulling out of Syria is bad for the war business and bad for Israel which means it is bad for the business of corruption in Washington, which also booms during wartime. (As an aside, if you want to see real election meddling, turn your gaze from Russia and open your eyes to the real power behind the American throne…Israel)

And this is why I tip my cap to Chris Matthews, Ted Lieu, Ro Khanna, Justin Amash, Tulsi Gabbard, Rand Paul and even Donald Trump. These folks are swimming against the overpowering tide of blood-thirsty, greed-fueled war mongering, the deep-seeded moral and ethical depravity in the form of indifference to other people’s suffering among political elites and the shameless corruption of the Washington/media establishment and the Military Industrial Complex, and they deserve our praise for speaking up when everyone else, most depressingly liberals, are shouting for more war, more empire, more death and more destruction.

In conclusion, I wish all my readers, all my friends, all my enemies and everyone everywhere, even the spittle-flecked, syphilitic baboon Chris Matthews and spittle-flecked, syphilitic orangutan Donald Trump, a very Happy Christmas. May the celebration of the birth of Jesus bring about a birth of conscience in the halls of power and in the hearts and minds of less powerful people across the globe.

©2018

The Favourite: A Review

****THIS IS A SPOILER FREE REVIEW!! THIS REVIEW CONTAINS ZERO SPOILERS!!****

My Rating: 4.35 out of 5 stars

My Recommendation: SEE IT. A very dark, arthouse comedy set in the early 1700’s that speaks to the absurdity of the world in which we live today.

The Favourite, written by Deborah Davis and Tony McNamara and directed by Yorgos Lanthimos, is the story of palace intrigue in early 1700’s England as two cousins, Sarah Churchill and Abigail Hill, conspire to out do one another in an attempt to be the favorite of Queen Anne. The film stars Emma Stone as Abigail, Rachel Weisz and Sarah and Olivia Colman as Queen Anne, with a supporting turn from Nicholas Hoult as Robert Harley.

As I have said repeatedly over the last few weeks, 2018 has been a rather tepid year for cinema, but finally, after the recent ill-exectued visual art house bombast of the highly anticipated At Eternity’s Gate and the messy mainstream misfire of the even more highly anticipated Widows, I have come upon a film worthy of my cinematic attentions and affections. That movie is The Favourite.

Director Yorgos Lanthimos has directed two previous films that I have seen, The Lobster (2015) and The Killing of a Sacred Deer (2017), both of which were exceedingly dark, at times laceratingly funny, uncomfortably insightful and strikingly original. Lanthimos’ ability to make the off-beat and absurd, not just palatable but penetratingly profound, elevated those two movies onto my list of best films of the year.

Thankfully, Lanthimos is up to his old tricks with The Favourite, as he coaxes deliciously powerful performances from his three leading ladies, Stone, Weisz and Colman, all while putting on a master class in verbal sparring, physical comedy and visual storytelling.

The crazy thing about The Favourite is that it made me laugh out loud on occasion due to the absurdity of it all, but it wasn’t until after seeing the movie and reading about the story, that I discovered it is based on a true story…which makes it all the more absurd…and also makes it extraordinarily prescient in regards to our current political moment.

Watching Stone’s Abigail and Weisz’s Sarah jockey for position and using ever more outlandish tactics to get their way in order to have the Queen’s ear, made me think of the pervasive palace intrigue of Trump’s soap opera White House. Sarah and Abigail could be Ivanka and Kellyanne or Jared and John Kelly or Sarah Sanders and The Mooch or any of the myriad of other miscreants who, in an attempt to warm their hands at the hearth of presidential power, have latched themselves onto the mad king currently sitting on the throne.

Speaking of which, Olivia Colman gives a deliriously Trumpian performance as the rabidly insecure, emotionally incontinent, childless and widowed Queen Anne. Queen Anne is blissfully uninformed, ill-informed and disengaged when it comes to politics and governance…sound familiar? Colman’s Queen Anne is, for all intents and purposes, an entitled basket case (again, sound familiar?), so for Sarah and Abigail, manipulating the erratic sovereign takes a deft hand and a decidedly strong stomach.

The Favourite is also relevant not just for political reasons but for cultural ones as well, as Queen Anne’s court and kingdom have a glaring lack, and a desperate need, for traditional masculinity…there are no warriors here, only connivers. The women, such as Sarah and Abigail, are the ones with power, close to power and jockeying for power, while the men, all impotent and effeminate dandies, are little more than pieces on a chess board for the women who rule the roost to manipulate. These “men” are not only emasculated but embrace their emasculation, and are thus reduced to being second rate women as opposed to first rate men, this is evidenced by Nicholas Hoult’s small but truly stellar performance as Robert Harley, 1st Earl of Oxford and Earl Mortimer.

The sex in The Favourite, whether it be in the court of Queen Anne or in a filthy brothel, is, in keeping with the grander theme, entirely transactional. Even when men are involved there is no actual penetration when it comes to consummation, for the fairer sex prefers to keep these perfumed and powdered geldings literally at an arm’s length during carnal interactions. In the female dominated world of The Favourite, the only body part used for penetration is the tongue…and it is very effective.

Lanthimos and cinematographer Robbie Ryan do a masterful job using light and darkness to illuminate the rich sub-text in The Favourite. Ryan’s use of candles is particularly sublime, as he creates a crisp vision of light dancing in a sea of darkness, symbolic of the perils of swimming in the black oceans of power where danger lurks just out of sight and where your humanity, your name and your future can be snuffed out at a moments notice.

Ryan’s framing and Lanthimos’ embrace of animals as sub-text and storytelling devices work hand in hand and are both extremely well done. For instance, Lanthimos’ and Ryan wisely use the symbolically vital seventeen rabbits in Queen Anne’s room as notable backdrops for certain important scenes and although it is very subtle, it is extremely effective.

The performances in The Favourite are stellar across the board. Stone, Weisz and Colman all deserve Oscar nominations for their complex and thoughtful portrayals of what could have been caricatures in lesser hands.

As previously mentioned, Colman is particularly mesmerizing as the petulant Queen who fluctuates between being a tantruming toddler and a vengeful tyrant. Colman gives Queen Anne a remarkable depth, and makes her clownish antics both pained and somehow poignant.

Rachel Weisz is a force to be reckoned with as Sarah, and make no mistake about it, she literally and figuratively wears the pants in Queen Anne’s court. Weisz’s Sarah is the cunning and compelling brains behind the throne. Weisz’s impeccable use of her physicality to convey Sarah’s strength and determination brings a forceful element to the power dynamic of the Anne-Abigail-Sarah narrative.

Where Sarah is vulnerable though, is where Emma Stone’s Abigail strikes. Stone’s Abigail is more feminine than Sarah, but equally vicious when it comes to getting what she wants. Stone’s performance is beguiling as she taps into a darker and more overtly sexual side as Abigail than we have ever seen from her before, and it suits her nicely. Stone’s natural charm makes her Abigail all the more adept at manipulating the Queen and in turn, the audience.

I would argue that The Favourite may be Best Actress Oscar winner Emma Stone’s greatest performance to date. I also think Olivia Colman deserves to be nominated and maybe even win a Best Supporting Actress Oscar, for her remarkable work as Queen Anne. I wouldn’t be surprised if one or both of Stone and Weisz get nominations as well as they are certainly worthy.

Politically The Favourite teaches us that being a slave to your ambitions ultimately leaves you a slave. I think Jared Kushner, Don Jr., Michael Cohen and the rest of the Trump bootlicking groupies will understand this film more than most as it highlights the degradation, humiliation, inherit myopia and associated dangers involved in doing anything and everything to gain favor with power. As the film and the actual real life events that inspired it show, the long game, if you have the strategic mind, testicular fortitude and vigilant patience for it, is a much more complicated, complex and ultimately rewarding venture than just being a sycophantic ass-kissing lackey.

In conclusion, The Favourite is a dark and delightful treat of an art house film. I believe the film is worthy of your time and energy to see in the theatre in order to enjoy not only Colman, Stone and Weisz’s performances but Robbie Ryan’s exquisite cinematography. I also think it is worth seeing for no other reason than to get a glimpse of what is no doubt the absurdist black comedy playing out behind the scenes right now in the epicenter of buffoonery known as the Trump White House.

©2018

2018 Mid-Terms: The Good, The Bad and The Ugly

Estimated Reading Time: 4 minutes 35 seconds

Well, the mid-term elections are in the rear-view mirror and fading fast in the public consciousness as the never ending and frantic news cycle moves on to other topics like Jeff Sessions’ firing and the horrific shooting in Thousand Oaks. Before the election results are permanently lost down the memory hole though, I thought it would be wise to revisit them and see where we are and where we are headed.

GOOD? BAD? UGLY?

I predicted there would be no “blue wave” and depending on with whom you talk I might have been right. That said, the Democrats in the House outperformed my prediction, I thought they would either lose or win the House by a nose, and they exceeded that.

Some in the media are calling this a “blue ripple” as opposed to a blue wave, that may be more accurate but it also strikes me that it might be a desperate attempt to find the bright side. This election was billed as a referendum on Trump, and the cold hard reality is that Trump was not repudiated. Yes, Trump lost the House, but historically speaking, he substantially outperformed his predecessors. For example, Obama lost 66 House seats in 2010 and Clinton lost 54 seats in 1994 in their first mid-terms compared to Trump losing 30 (or so, the final tally isn’t in yet) this year…and they both went on to win reelection. Add to that the fact that Trump expanded his majority in the Senate and it appears that while Trump is certainly more vulnerable with a Democratic House, Trumpism is, to quote The Simple Minds, “Alive and Kicking” here in the good old U.S. of A., which means that while my House prediction may have been too pessimistic, my prediction of very bad things to come in our future is going to be right on the nose.

BAD

The Democrats, with their chests puffed out after winning the House, have seemingly decided to take a gigantic shit all over themselves and keep Nancy Pelosi on as Speaker of the House. What a brilliant strategic move, making an elderly, rich, corporate whore, machine politician as the face of your party when populism pulsates throughout not just the critical rust belt states you so desperately need to flip in order to win back the White House, but the majority of the country as well. Power is there for the taking if only the Democrats would abandon Wall Street in favor of Main Street and tack far to the left economically. But we all know they won’t do that because, just like the Republicans, they are pigs at the trough, and regular folks are left with nothing but the foul stench of their excrement after the establishment hogs have gorged themselves.

GOOD AND BAD

I had a reader email me earlier in the year regarding Beto O’Rourke, this reader is a very smart and engaging guy and always has terrific insights to share. In one email he told me he was excited for Beto in Texas, and thought he could be a game changer. I replied to the reader and told him that I liked Beto a lot as well, but that Texas politics is like the movie Chinatown, and while Democrats keep insisting that it is going to flip blue, at the end of the day Democrats will only be left agog in the middle of the street as their partner tries to console them by saying, “forget it Jake, it’s Chinatown.”

I do admit though, that on election night as I saw the numbers come in I totally got sucked into the Beto magic and started thinking he might pull it off and be the next JFK and become president in 2020 and save the universe. But then the Beto love (played by Faye Dunaway) got shot and killed and the creepy Ted Cruz drove off with the election with incestuous lust in his eyes for his daughter/granddaughter and I was left muttering to myself, “forget it Mick, it’s Chinatown.”

GOOD

With all that said, Beto O’Rourke and Andrew Gillum in Florida are both cases that prove that genuinely economically progressive politicians will outperform the usual centrist drivel put forward by the Democrats. I keep hearing how O’Rourke was fool’s gold, same with Gillum, and that the lesson to be learned from their loss is that the Dems need to move to the center. This is beyond moronic. Both Beto and Gillum were supposed to lose because both Texas and Florida are Republican states, but they did extremely well and exceeded expectations because, one - they are top-notch political talents and two - they were selling a genuine progressive economic agenda that has proven to be extremely popular among the masses regardless of party. Hell…in Idaho, Nebraska and Utah, voters passed initiatives to expand Medicaid and in Arkansas and Missouri they voted to increase the minimum wage.

I believe that the lesson to be learned from Beto and Gillum is the same lesson to be learned from Jeremy Corbyn’s surprise showing in the last British election, which was met with the equally inane analysis of “but he didn’t win!”. In our myopic culture, one must look to the big picture and the long game in order to have a strategic advantage, for Corbyn, his “loss” was a “win” because he gained momentum and was positioned to win at the next election and would not be held accountable for the shit show that is the current Brexit negotiations. For Beto and Gillum, they “lost” but won because they can now spend their time positioning themselves and gearing up for future races which might be more advantageous than this latest one. Beto and Gillum are serious talents, they just have to find a way to maintain the magic and not sell out before the next election.

GOOD

On the bright-side, one of my least favorite politicians of all-time, Wisconsin governor Scott Walker, was defeated. Walker is a Koch brothers sycophant and an anti-Union hound, and I hope his next job is testing the strength of two by fours with his face.

BAD

Steve King of Iowa and Peter King of N.Y. are two more of my least favorite politicians. Being a native New Yorker, I find Peter to be the more deplorable of the two kings but it is close. Sadly, they both won re-election, and seem to be the type of politicians who will probably become Weekend at Bernie’s Congressman who continue in their jobs long after their death.

BAD

Speaking of awful people winning elections…in my home state of California, the repugnant Gavin Newsom won the Governorship and the repulsive and decrepit Dianne Feinstein won her fifth Senate race. Both Newsom and Feinstein are the poster children of Democratic fecklessness and corporate sluttery.

Newsom is one of the more phony and manufactured politicians you will ever come across, he makes Bill Clinton and Mitt Romney look like Robin Williams and Jonathon Winters. Newsom no doubt has his sights set on the White House, but the reality is that he doesn’t stand a chance. Trump would chew up and spit out a canned clown like Newsom and his corporate friendly economics with ease.

Dianne Feinstein, or DiFi as I like to call her, is a prostitute for the military and intelligence industrial complex. She loves the intelligence community and shamelessly kisses and licks their ass on her own volition and upon their request. Why liberal Californians love DiFi is a complete mystery since she is actually a closeted Republican, which makes sense since she is old enough to be Calvin Coolidge’s big sister.

THE WAY FORWARD

As for the next two years…as I stated in my prediction post, things are about to get really interesting. The Democrats seem to want to try and impeach Trump, which strikes me as a bad move strategically.

I am all for hearings and holding his feet to the fire, but I think it should be done in moderation and with surgical precision. Like Bill the Butcher in Gangs of New York the Democrats must stick the knife in where it will be fatal. Random investigations of petty offenses may actually be fruitful in the short term, but long term would only strengthen Trump across the country. Remember, a lot of people hate Trump, but a lot of people also hate grandstanding Democrats (see Cory Booker and his “I am Spartacus” buffoonery) and the media (see Jim Accosta). So the wise move is to do fewer hearings but to have them cut deeper and in fatal areas. My advice for the Democrats…and I have been saying this from the get go…DROP THE RUSSIA BULLSHIT. The Russia investigation is going nowhere…even if Russia is guilty of what everyone says they are (which I still do not believe since I have yet to see one iota of proof), no one but liberal partisans gives a flying fuck.

Want to get under Trump’s skin, forget Russia, forget Stormy, forget emoluments…go after his business. Trump will go nuts, he will flail and freak out because going after his business means going after his family. And going after his family may turn some people off, but unlike the Russia story, Trump’s business is ultimately a political winner for Democrats. Trump can be shown to be just another silver-spooned, Daddy’s little rich girl, corrupt business man who is cheating the little guy and breaking the law. Exposing Trump’s business does two things, it will show him to be criminal and most importantly it will show him to be a failure and that will resonate with regular people who do not care one bit about the Russia nonsense.

The other thing Democrats should do, is use their newfound leverage to actually make deals with Trump. Trump will want the wins, and Dems may not like letting him have them, but big picture, getting Trump, a Republican president, to sign off on Medicare for all, would be a huge win for Democrats and would shatter any Republican coalition. It would also show that Democrats are more than just Anti-Trump, and that they actually have a governing philosophy and want to get things done and that will play in the heartland.

The Democrats would also be wise to move closer to Trump on immigration and make a deal with him on it. Immigration is an issue that the Democrats are going to lose on, and so they must find a reasonably moderate solution to it before 2020. Trust me, open borders and shutting down ICE are not going to work as a position on immigration. The Democrats (as I have been saying for years), should make the immigration debate about economics, which would again, split the Republicans. The Chamber of Commerce Republicans want illegal immigration because it gives them cheap, non-union labor but “Springsteen voters” (working class who voted for Obama twice but switched to Trump) don’t want illegal immigration because it lowers their wages and dilutes the culture. Dems would be wise to placate the Springsteen voters because they are the ones who can give them Michigan, Wisconsin and Ohio…and thus the White House.

As I said in my prediction post, we are in a phase of destruction right now, which is a part of a natural historical cycle. Some readers have asked me what they should do with that information, many wondering if it won’t lead to apathy or depression. My response is simple, use that information to your strategic advantage. The system we have is collapsing, and understand that means you can stop trying to prop the old system up, but instead position yourself to prosper when the systemic collapse becomes glaring.

Trump understood, either consciously or more likely unconsciously, that the system was failing. He ran as someone outside the system who would replace the system. Clinton ran as part of the failing system who would fix that system. The collective unconscious knows the system is dying, and anyone trying to fix it by breathing life back into it will seem absurdly crazy to the collective. It is like performing CPR on a corpse, it is a fruitless and exhausting endeavor and will only end in fatigue and failure.

With this in mind, Jeremy Corbyn’s loss in the UK, or Beto’s loss in Texas or Gillum’s in Florida, seem less devastating, in fact, they seem downright invigorating. Centrist, globalist, neo-liberal economics and neo-conservative foreign policy are of the dying system, and Clinton’s loss in 2016 and the Democrats under-performing in 2018 are a death rattle for that ideology.

What liberals and leftists need to do is to keep their heads down and their nose to the grindstone. They need to be ready for when the system collapses entirely and that void sits at the center of our culture and state. Reaganism, Republicanism, Centrist Liberalism, Neo-Liberalism and Neo-Conservatism have all failed and will be rejected as akin to CPR on a corpse when the system dies. Liberals and leftists need a coherent and cogent substitute in order to step up when the time is right and make the case for what the New America will look like.

Bernie Sanders already planted the seed with his electric run in 2016. He has been followed in 2018 by numerous top-notch candidates as well as the Democratic Socialists of America who have a genuine alternative to the dying system, which gives them an edge going forward. No doubt we will see even more Democratic Socialists and Bernie backed candidates in 2020 and beyond.

Corbyn has done the same in the UK, and is poised to lead New Britain after Brexit…just as American liberals and leftists must themselves prepare to lead the New America after its inevitable collapse. Any liberals and leftists clinging to dreams that a Clinton-esque neo-liberal shift to the center will be the ticket to success in 2020 better disabuse themselves of that delusion because that will guarantee another four years of Trump and God knows what that will bring.



©2018