UFO Week - The Program; A Documentary Review

UFO WEEK - THE PROGRAM

My Rating: 4 out of 5 stars

My Recommendation: SEE IT. An informative and worthy effort from James Fox, one of the very best ufo documentarians in the business.

Day five of UFO Week is here and today we review the highly anticipated new James Fox documentary, The Program, which was released on December 16th and is available on video on demand.

James Fox is unquestionably one of the very best ufo documentarians working today. He has made five UFO related documentaries in the last twenty-seven years, with The Program being his sixth.

Not all of Fox’s UFO documentaries have worked, but the ones that have, like Out of the Blue (2003), I Know What I Saw (2009) and The Phenomenon (2020), are among the very best ever made.

Fox’s most recent film, Moment of Contact, was a major disappointment as it never fully came together as a noteworthy cinematic venture, and so I was very apprehensive about his newest film.

I am glad to say that The Program, while not nearly as good as the masterpiece that is Out of the Blue, is certainly a top-notch document and important piece of the UFO puzzle for any interested in a serious examination of the topic.

The film, which runs a brisk one hour and forty-two-minutes, opens with a discussion of the “Wilson Memo”, a 2002 memo allegedly sent between Admiral Wilson and astrophysicist Eric Davis regarding the secret UFO programs run by various black budget government agencies in conjunction with aerospace and military contracting companies.

The story goes from there and includes discussions with such serious luminaries as Dr. Gary Nolan of Stanford University and Hal Puthoff, as well as lesser-known insiders like former intelligence agency analyst Lenval Logan, DOD research scientist Sarah Gamm, and former Asst Deputy Secretary of Defense Christopher Mellon.

Logan and Gamm in particular make for compelling subjects as they seem like smart people trying to tell the truth while trying to avoid saying anything that would violate any oaths or NDA’s they have signed.

Mellon has become a mainstay in UFO discussions and documentaries and he gives a good interview as he comes across as serious as can be without being a fanatic. That said, I’m a bit wary of the guy with his intelligence background and his insanely rich family background (he comes from the Mellon banking dynasty).

One of Fox’s real strong points as a filmmaker is his ability to properly pace a documentary. His good films flow with an effortlessness that is compelling, and The Program is no exception.

While Fox does appear in many of his films, he is most successful when he is not the protagonist, but just an observer/interviewer.

To his great credit, Fox is masterful with his direct yet easy-going interview style, and he gets the most out of his subjects as is possible.

Another subject examined in the film is the case of Gary McKinnon, a British hacker who broke into U.S. government computer systems searching for secret UFO stuff…and found it. And for his trouble he was arrested and faced extradition and life in prison in the U.S.

What McKinnon discovered hidden away in the government vaults, besides a crystal-clear photo of a UFO, was a list of “non-terrestrial officers” which included names. Quite the unnerving find.

The film then stays in the UK and transitions to a case in Calvine, Scotland where in August of 1990, two Scotsmen photographed a UFO. The British government confiscated their pictures…but one savvy officer held one for himself and kept for thirty years, finally releasing it in recent years.

The photo is extraordinarily good, the story of the two men who took it as told by one of their co-workers, is not. The co-worker sounds like a drunk making up a story as he goes along…and it would’ve been better leaving him on the cutting room floor entirely.

Another issue with the film is the story of Jason Sands, a former-USAF airmen who worked at infamous Area 51. Sands, who was vetted and recently gave private testimony to congress, has footage of a UFO at a firing range, and tells a strange story of an interaction with an alien.

Sands’ story of his alien interaction is definitely outlandish, but that doesn’t mean it isn’t true. Unfortunately, after having watched the film, I’ve since seen Sands interviewed elsewhere where he tells even more outrageous tales about having to execute an alien at the behest of his superiors in order to guarantee his silence about the program in which he worked. This story is just a bridge too far and makes Sands sound like a committed fabulist or a fabulist who should be committed. I wonder if he told that same tale to Fox and Fox wisely kept it out of his film or if it is a new revelation? Either way, I think in terms of credibility it probably would’ve been better for Fox to keep Sands out of his documentary entirely.

The final portion of the The Program deals with the deep state obstruction of disclosure and features the always reliable Rep. Tim Burchett and Mellon describing the undemocratic government within a government that keeps all the secrets. (As an aside about Burchett, I was recently watching an episode of Finding Bigfoot with my son, an Animal Planet reality tv series from the 2010s – and in one episode the crew goes to Knox County, Tennessee to search for bigfoot and the mayor of Knox County – good old Tim Burchett, is there to help out and discuss his interest in the subject. I wholly endorse him being named director of the Federal Department of the Weird, Wild and Wonderful.)

There’s also a very damning display from the repugnant Bill Nelson, a former Senator from Florida and now head of NASA, who puts on a bullshit display that is so transparently dishonest and full of bureaucratic bluster that it is painful to watch. That Fox himself questions Nelson in an open forum, and then does a split-screen between Nelson blatantly lying about whistleblower David Grusch, and Grusch speaking to congress, is a master stroke.

The reality is that deep state despots like Bill Nelson, Admiral Wilson and their ilk are the tyrants of our age. These unelected bullying bureaucrats run the security and surveillance state that is antithetical to democracy and a republic and keeps us in the dark and in our cage.

The Program is about the UFO programs that men like Nelson and Wilson control, and the knowledge they refuse to share because that knowledge is power and they will never give up their unearned power.

The Program is a solid, well-made documentary that is well-worth watching. Unfortunately, it is only available to purchase and not rent, and the purchase price is $17...pretty steep.

The film will no doubt be available to rent at a much cheaper price in the coming weeks, and as good as I think it is, I think it’s worth waiting to rent it a cheaper price than buy at a steep one.

The bottom line is this, The Program is a very good companion piece to Fox’s earlier films, Out of the Blue, I Know What I Saw and The Phenomenon. As a collection, these films make a great starting point for newbies to the subject, and an excellent library of information for more experienced ufologists.

©2024

UFO Week - Battle for Disclosure : A Documentary Review

UFO WEEK - BATTLE FOR DISCLOSURE

My Rating: 1/2 out of 5 stars

My Recommendation: SKIP IT. Another in a long line of self-serving, money-grab documentaries from the narcissistic to the point of being messianic, Dr. Steven Greer.

Day four of UFO Week is here and today’s topic is the newest documentary from legendary ufologist Steven Greer, Battle for Disclosure.

The film, which runs one hour and forty-one minutes and is directed by Brent and Blake Cousins, was released on December 10th and is available to rent on video on demand. I rented it the day it came out and paid $1.99, but I have since went back to check the price and has been listed at $9.99 one day and $3.99 another.

The hard truth is the film isn’t worth $1.99, nevermind $9.99 or $3.99.

Steven Greer has produced a bevy of documentaries in recent years. The Lost Century: And How to Reclaim It (2023), Contact: The CE-5 Experience (2023), UFO: Endgame to Disclosure (2023), The Cosmic Hoax: An Expose (2021), Close Encounters of the Fifth Kind (2020), Unacknowledged (2017) and Siruis (2013) are among the titles.

These films all share one very prominent feature…namely Steven Greer talking mostly about Steven Greer and how much Steven Greer knows.

If you don’t know who Steven Greer is…here is a primer. Steven Greer, or more accurately Dr. Steven Greer, is a physician turned ufologist who claims to have been an advisor of sorts to numerous presidents and governments officials over the years on the subject of ufos. How he became so close to the halls of power has never adequately been explained, but Greer does have pictures of himself with various big wigs, so there’s that.

Greer claims he saw a ufo as a kid and again as a teen and that he has some deep connection with them. Apparently, it is a very strong connection because he actually claims to be able to summon them.

And thus, we get to the crux of Dr. Greer. Dr. Greer has the distinct whiff of the grift to him, and that stench is quite odious. Greer obviously has a messiah complex as indicated by the fact that he, and he alone, has been bequeathed special powers and the he, and he alone, is the holder of special, secret knowledge. In this way Greer’s school of ufology feels more like a cult than a scientific exploration.

Greer’s ufo thesis is that aliens are a benevolent bunch who want to give humanity free energy technology that will release us from the bondage of our evil overlords and unleash a utopia here on earth. To be clear…I WANT Greer’s thesis to be correct. But Greer is such a shady character and seeming charlatan that I can’t help but dismiss his ideas even when some of them are somewhat believable.

For example, in Battle for Disclosure, Greer talks about how a lot of ufo sightings are actually human made crafts that were reverse engineered from alien craft byu a dep state cabal. Greer’s argument is that these human-made ufos are “illegal”…and he can “prove it in a court of law”, because the government didn’t disclose the technology…or something like that.

Greer’s legal grandstanding feels like just another example of his messiah complex…like who gives a shit if Steven Greer can “prove in a court of law” that the dark deep state is up to ufo shenanigans…because you aren’t going to get it into a court of law…that’s how the game works.

Throughout the film Greer, with a peculiar, ever-present and diabolically persistent, booger-free nose hair saluting out of his left nostril, declares that HE could prove his case in court…but then never actually meticulously makes his case for the cameras.

Battle for Disclosure is structured in such a way that it is obviously made for people who have been closely following Greer’s films and philosophy over the years. It hits the ground running from the get go and doesn’t give much context, expecting viewers to know the backstory already.

In another peculiar move, Greer goes out of his way in the first third of the film to berate, diminish and ultimately dismiss journalist Ross Coulthart, and whistleblowers David Grusch and Lue Elizondo as deceptive scions of the deep state. He doesn’t specifically lay out his case against them but just attacks them.

Now, many of my friends in the ufo community (I have a lot of them), think very highly of people like Grusch and Elizondo and Christopher Mellon. They are all in on these guys and hang on their every word. I, on the other hand, am not and do not. I look at these characters with the most jaundiced of eyes. I don’t trust them because to trust members, or former members, of the intelligence community, is a fool’s errand. These people are professional liars and they are very good at manipulation. To be clear, I don’t dismiss everything they say out of hand, I am just skeptical of what they say and more importantly, why they may be saying it.

The problem, of course, is that Greer attacking Elizondo and Grusch and their ilk without making a viable and clear case against them, doesn’t do much to damage their credibility nor does it elevate his…it just makes him seem petty and jealous of all the mainstream attention those guys get.

In the last third of the film the narrative shifts to a collection of men recounting their experiences with ufos of one type or another. These men, all military men at the time of their encounters, tell compelling but often-times preposterous tales – all of which Greer substantiates through his alleged unnamed insider sources in the deep state.

The first story is from former US Marine Michael Herrera, who claims to have stumbled upon a human trafficking operation in Indonesia run by black ops guys that used ufo/alien tech. He said his superiors were pissed at him and his team about their discovery and told him to keep his mouth shut.

Another story was told by DC Long, who while working on a military base saw technology that could use some strange sound wave technology of some sort to lift massive blocks of granite. When Long refused to sign an NDA regarding what he saw, the government destroyed his father’s construction business and confiscated all his equipment. Long’s father never spoke to him again until he was on his deathbed.

The third story is from Steven Digna Jr., who saw a ufo while doing live fire drills on a military base. Digna is in such a diminished physical and mental state at the time of shooting his interview, that it is preceded by a disclaimer of sorts telling the viewer that these guys have been through the ringer and it’s taken a deadly toll on their lives.

Digna’s story is, frankly, the most believable, but he is in such a fragile physical and emotional state it is difficult to watch him or to know if he is telling the truth.

The final story comes from Eric Hecker, who worked for the Navy and Raytheon and went to Antarctica to work security there. Hecker claims he saw a directed energy weapons system there that is capable of creating earthquakes. He claims it is the largest telescope that is also a phased array transmitter – a sort of air traffic control for UFOs – and is capable of faster than light communications. Hecker claims this weapons/communications system is above and beyond nations…it’s a transnational program that answers to no government.

The stories told by these men are pretty fascinating. I found Hecker’s the most chilling, Digna’s the most believable, Long’s the saddest, and Herrera’s the most bizarre and incomprehensible. Your mileage may vary.

As for the Battle for Disclosure as a whole, I found it to be a poorly constructed, muddled and jumbled mess of a cinematic venture. It is less a document designed to inform or convince than it is a money grab from those already converted to the Church of Greer.  

Battle for Disclosure, or any of Greer’s films for that matter, are not really useful for the majority of ufologists, nor are they a good place to start for newbies, as they are too fantastical and Greer is too aggressively grating and dubious a spokesman to be convincing.

The bottom line is, while I am immensely skeptical to the point of devout disbelief, I do hope that Steven Greer is right and that E.T. is coming to save our home and free us from the villains who currently rule our world, but that doesn’t make his documentaries good or worth watching or very informative. They are, for the most part, pretty much a waste of time….and if you’re a dope like me…a waste of money too.  

©2024