The 12th Annual Slip-Me-A-Mickey Awards (2025)

THE 12th ANNUAL SLIP-ME-A-MICKEY AWARDS

The Slip-Me-A-Mickey™® awards are the final award of the interminably long awards season. The Slip-Me-A-Mickey™®, or as some lovingly call them, The Mockeys™®, are a robust tribute to the absolute worst that film and entertainment has to offer for the year.

Again, the qualifying rules are simple, I just had to have seen the film for it to be eligible. This means that at one point I had an interest in the film and put the effort in to see it, which may explain why I am so angry about it being awful. So, any vitriol I may spew during this awards presentation shouldn't be taken personally by the people mentioned, it is really anger at myself for getting duped into watching.

The prizes are also pretty simple. The winners/losers receive nothing but my temporary scorn. If you are a winner/loser don't fret, because this year’s Slip-Me-A-Mickey™® loser/winner could always be next year’s Mickey™® winner!! Remember…you are only as good as your last film!!

Now…onto the awards!

WORST FILM OF THE YEAR –

Caught Stealing – I’m old enough to remember when Darren Aronofsky was the cool kid on the cinephile block…oh how the mighty have fallen. Caught Stealing is the most idiotic, moronic, and laziest film imaginable. So stupid as to be offensive. Darren Aronofsky should be banned from making any more movies after this criminally dreadful film.

Alto Knights – I’m also old enough to remember when Barry Levinson was an important filmmaker. I’m very old. Levinson’s attempt at a mob epic is a staggeringly incoherent exercise that is shocking in its ineptitude.

Jay Kelly – Director Noah Baumbach and stars George Clooney and Adam Sandler are a Murderer’s Row of putrid and pedestrian performers…and for proof of that you need look no further than the saccharine shitbag of a movie that is Jay Kelly.

After the Hunt – Luca Guadagnino is a critical darling addicted to all things queer…in After the Hunt he once again shows himself to be a philosophically trite and painfully limited filmmaker. A tremendously putrid waste of time.

Song Sung Blue – The most batshit, tone-deaf, bizarro movie experience I had in 2025. An alarmingly awful movie that features some of the cheesiest supporting turns in recent memory.

And the Slip-Me-A-Mickey award goes to…

CAUGHT STEALING: As much as all these movies suck…most of them have at least one little thing about them that is a tiny bit redeeming. For example, Alto-Knights is awful but DeNiro is ok playing dual roles (and does it considerably better than Best Actor Oscar winner Michael B. Jordan). After the Hunt is atrocious but Julia Roberts does a pretty good job in it. Song Sung Blue is so bad it is amusing. Jay Kelly is terrible but ultimately it is a harmless little George Clooney attempt (and fail) at being charming and relevant again. But Caught Stealing? Caught Stealing has absolutely nothing redeeming about it. All of it is absolutely awful…which is a great asset when it comes to this category. So..congrats Caught Stealing!!

WORST PERFORMANCE OF THE YEAR –

Michael B. Jordan – Sinners: Mr. Jordan just won a Best Actor Oscar for a performance that is so amateurish and underwhelming it would make not just Sly Stallone, but Frank Stallone, blush. Jordan plays twins but is completely incapable of differentiating between the two of them – so much so that he has to wear different color hats so that we…and he…can know which one is which. Add in Jordan’s acting style – nothing but posing and preening, and his vocal style – mush mouth akin to talking with two Snickers bars in his mouth…and you’re left with a truly terrible, two-bit performance.

Adam Sandler – Jay Kelly: Adam Sandler’s career strategy is to be awful in as many shitty movies as he can and then give the most minimal of effort in an allegedly less shitty movie and have critics slobber all over him for his dramatic abilities. Don’t be fooled. Adam Sandler sucks. He is a shitty actor….and his soft talking, “aww shucks”, acting technique in Jay Kelly is an embarrassment to anyone who has the slightest bit of knowledge about the craft of acting. Dear Adam – please go away forever. Dear Adam Sandler apologists – you will burn in hell forever.

Ayo Edebiri – After the Hunt: Ayo Edebiri is so abysmal in After the Hunt it felt like she had never acted before and was thrown before the cameras with no preparation or notice – like a Make-A-Wish kid having their dying wish to be in a movie come true. As wooden and dead-eyed a performance as you will ever see. Truly remarkable for how awful it was.

Idris Elba – A House of Dynamite: Idris Elba is great…but he was definitely not great in A House of Dynamite as the President of the U.S.A. Elba was like a fish out of water…literally. He could barely walk like a human being…and his speaking wasn’t much better either. I would be relieved if I read that Elba was strung out on heroin and LSD while he shot this movie…but unfortunately that wasn’t the case.

Anthony Ramos – A House of Dynamite: This dude starred in Hamilton on Broadway and has been so fucking terrible in every single thing he’s done since then it is actually shocking to behold. In A House of Dynamite, he puts on a masterclass in awful acting…so much so that if it were a stage play I wouldn’t throw tomatoes at him, I’d throw rocks…sharp rocks.

And the Slip-Me-A-Mickey award goes to…

AYO EDEBIRI – AFTER THE HUNT: Ms. Edebiri is a big tv star on the show The Bear…but I simply can’t bear to watch her be such a shitty actor in After the Hunt. She’s such a bad actress she should not only stay away from doing movies…she should stay away from even watching them.

Worst Scene of the Year –

JAY KELLY - A CHRISTMAS CAROL-STYLE FLASHBACKS: When the character Jay Kelly starts walking through his past and is watching his young self (played by a different actor) go through critical moments in his life, I wanted to kill myself…but not before killing Noah Baumbach who wrote this shit and George Clooney who’s terrible acting in it. An all-time embarrassing piece of cinematic detritus.

MOST OVERRATED FILM OF THE YEAR –

Sinners – Ah yes…Sinners…a second-rate vampire movie that dipshits and dopes adore but that is so amateurish it pains to even recount. This film was slathered over by every numbnuts know-nothing ignorant of cinema…it is like every online asshole’s favorite movie ever. As I so astutely observed in my review of this nothing burger – this is the type of movie that dumb people think is deep and stupid people think is smart. Critics and many “fans” loved it because they were afraid to tell the truth about its artistic mundanity out of fear of being called “racist”. Yawn.

One Battle After Another – As a “film bros” and a PT Anderson fan, it pained me to see other film bros and PTA fans get a giant boner over this middling mess of a movie. This movie was so over-hyped and underwhelming it gave me the bends. Stop with the slurping already – this ain’t no masterpiece…it is bottom-tier PTA, plain and simple. Deal with it.

Marty Supreme – I diverge from the Film Bros community when it comes to the Safdie Brothers…they love them, I can do without them. Josh Safdie wrote and directed this grating and annoying and seemingly endless film…and he did it very, very poorly. A toxic and odious odyssey of Jewish arrogance and self-loathing that goes down like a matzo ball of shit and makes you want to retch….but critics loved it! Yuck.

And the Slip-Me-A-Mickey award goes to…

SINNERS – Sinners is such a second-rate piece of moviemaking it makes my colon twinge just at the thought of rewatching it. Pedestrian and puerile through and through…it is embarrassing that this movie was both a big hit and shameful that it received more Oscar nominations than any other film in Academy Award history. It is unquestionably the most overrated film of the year.

SPECIAL ACHIEVEMENT IN CINEMATIC MALPRACTICE –

James Gunn, Spike Lee, Guillermo del Toro, Steven Soderberg: These are the Four Horsemen of the Shit-pocalypse who have taken a shit all over either their careers, their films or their audiences.

James Gunn got handed the reigns of the DC universe and promptly took a shit all over it with the truly awful Superman. The fact that we have at least a whole decade of Gunn taking shits all over the already shat upon DC universe does not fill me with any semblance of joy.

Spike Lee is such a spent creative force he did a remake of Akira Kurosawa’s masterpiece High and Low – and to show how creative Spike is he titled it Highest 2 Lowest…yawn. To top it all off Highest 2 Lowest isn’t just an embarrassment of a title, it is an embarrassment of a movie.

The great Guillermo del Toro got to make his dream film – Frankenstein…and promptly made one of his very worst movies…and absolute muddled mess. Now he will never get to make his dream project again.

And finally, Steven Soderberg had all the pieces in place to finally return to form and actually make a great and meaningful movie once again…and dropped the ball entirely. Black Bag, starring the great Cate Blanchet and Michael Fassbender, was so forgettable you forget it exists even while you’re watching it.

These four heavy hitters should be ashamed of themselves for their shoddy work on these shitty movies.

POS ALL-STARS –

BLAKE LIVELY AND JUSTIN BALDONI AND ANYONE WHO CARES OR HAS AN OPINION ABOUT BLAKE LIVELY AND JUSTIN BALDONI – I have no idea what this entire story is about, but the fact that anyone gives a shit about these two twats irritates the living shit out of me. I want Blake Lively and Justin Baldoni to be locked in a septic tank together for the rest of their lives. I want anyone who cares about the Blake Lively – Justin Baldoni story to be boiled alive in a vat of elephant excrement.

BILL MAHER – Little Bill loves to fellate all things Israel and Military/Intelligence Industrial Complex. He is such a Zio-whore and so blind to his own hypocrisy and ignorance he has devolved from being hate-watchable to simply unwatchable. On the bright side…he has never been less relevant!!

JAKE PAUL/LOGAN PAUL – I don’t give two shits about who or what these two shitsticks are. I just want them to go away. If you want to be some asshole influencer who makes a trillion dollars off of dumbass Youtube viewers…go ahead. But once you cross over into my life…and things I am interested in…like boxing…then we have a problem. I’m glad Jake Paul got his jaw broken in two places by Anthony Joshua…I only wish I was the one doing the jaw-breaking. Fingers crossed someone cracks Logan Paul’s skull open soon.

POS HALL OF FAME –

PRINCE ANDREW – Imagine being born into endless wealth and privilege and never having to work a single day in your life and instead of being grateful and living a life of charity and good will…you decide to be a sexual predator who fucks young girls simply because you can.

Prince Andrew is the worst in a family full of worsts…quite an accomplishment.

Jeffrey Epstein’s dear friend Andrew, is like the rest of his in-bred, arrogant, parasitic, useless family, a predator to the core who loves to prey upon the poor and the weak. He despises those beneath him, both literally and figuratively.

He preyed upon the girls provided by Epstein not because he couldn’t get laid in the real world, but because he wanted to force a young girl to suffer for his pleasure. He wanted her to be uncomfortable…to be subservient to him…because that is how he is wired.

Truth is his whole filthy fucking family is wired like that. These royal vermin should be stripped on their titles, their lands, their wealth and their limbs…like William Wallace…drawn and quartered in the public square. That won’t happen, of course, because the rules don’t apply to people like Prince Andrew or the rest of his cohorts in the elite Epstein Class. They get to dance between the raindrops while we drown in the deluge of their depravity and destruction.

The best-case scenario for the Epstein class regarding Prince Andrew is what happened to his friend Jeffery Epstein…happens to him too. He is “suicided” and quickly thrown in the bin of forgotten history so that his story goes away as quickly as possible.

Worst case scenario for Andrew is that they lock him in a room with me for fifteen minutes. Now that would be entertaining!

And thus ends the 12th Annual Slip-Me-A-Mickey™® Awards!!! To the winners/losers…don't take it personally…and God knows I hope I don't see you again next year!! To you dear reader…thanks for tuning in and we'll see you again next year!!

©2026

Highest 2 Lowest: A Review - Lots of Lows and Too Few Highs

****THIS IS A SPOILER FREE REVIEW!! THIS REVIEW CONTAINS ZERO SPOILERS!!****

My Rating: 2 out of 5 stars

My Recommendation: SKIP IT. A misfire across the board that reveals Spike Lee as a spent creative force and Denzel Washington as firmly entrenched in the laissez-faire late stage of his career.

Highest 2 Lowest, directed by Spike Lee and starring Denzel Washington, is a remake/re-imagining of the 1963 Akira Kurosawa classic High and Low, and tells the story of David King, a music mogul facing moral, financial and familial pressures when his teenage son is kidnapped.

Highest 2 Lowest, which is produced by A24 and distributed by Apple Original Films, was briefly in theatres and is now available to stream on Apple TV +, which is where I watched it.

The film is the fifth collaboration between Lee and Washington, and the first since 2006’s Inside Man. Previous Spike Lee films with Denzel Washington include the sterling Mo’ Better Blues, the masterful Malcolm X, and He Got Game.

The Kurosawa film High and Low is nothing short of a masterpiece and features the filmmaker’s cinematic mastery as well as a powerful and deft performance by Toshiro Mifune. Spike Lee’s decision to remake, or as he claims “re-imagine” Kurosawa’s classic, is both a sign of Lee’s respect and of his hubris.

Having watched Highest 2 Lowest I can confidently declare that Spike Lee is no Akira Kurosawa and Denzel Washington is no Toshiro Mifune.

The truth is that Lee and Washington are the equivalent of hall of fame pitchers who once upon a time threw fastballs in the high 90’s, but are now reduced to grooving mid-80’s meatballs that do nothing but stir nostalgia for the good old days.

To be fair, Denzel Washington had a considerably longer peak than Spike Lee, and the argument could be made that at his best Denzel was better than Spike Lee at his best. In keeping with the baseball metaphor, Denzel at his peak was hitting 100 MPH on the radar gun, and Spike Lee at his shortened peak, was hitting 98 mph…but neither can even dream of hitting such heights now.

Highest 2 Lowest opens with a very captivating sequence which features a sunrise over New York City shot by drones with “Oh What a Beautiful Mornin’” from the musical Oklahoma playing over it. This opening is tantalizing at is shows Spike Lee at his cinematic best.

We are then introduced to Denzel’s character David King and his world, which features Ilfenish Hadera as his wife Pam, Aubrey Joseph as his son Trey, and Jeffrey Wright as his childhood friend and now driver Paul.

King is trying to navigate a big business deal in order to save his record label, and reignite his highly-acclaimed music producing career, which has been steadily slipping in recent years.

Then comes the inciting incident – Trey, King’s only child, is kidnapped at a basketball camp in the city. The way this turn of events is portrayed is so underwhelming and so dramatically impotent as to be amateurish.

Things dramatically, cinematically, artistically and creatively devolve so quickly from there that it actually shocks.

Denzel Washington is a great actor and movie star, of that there is no doubt, but he has entered the phase of his career which is reminiscent of late-stage Jack Nicholson – think of Jack in The Departed, where he does little more than show everyone how much he is “acting”.

Now, Denzel, or Jack, acting in this manner, where they show off for the sake of showing off, is fine, but it also isn’t good. The sheer charisma that Denzel and Jack possess makes their presence worthwhile, even when their acting work feels so forced and/or flimsy.

Denzel did this same thing in Gladiator II, and I found it entertaining, but here it feels like watching an acting class where the talented actor doing the scene didn’t do the prep work so now we have to watch them signal to us how much they are acting. (Anyone who has ever been in an acting class will know exactly of which I speak).

That said, Denzel Washington is definitely not the problem with Highest 2 Lowest…in fact he’s the best thing about it…and the problem isn’t Jeffrey Wright either, who is intriguing as Paul, the ex-con childhood friend who loyally serves his old pal and boss King.

One of the biggest problems with Highest 2 Lowest though is the rest of the cast, who are so atrocious as to be ridiculous.  

Ilfanish Hadera as King’s wife Pam is absolutely dreadful. It is stunning how out of her depth she is in a role that in more talented and steady hands would be pure red meat to be devoured with aplomb. Hadera is so dead-eyed and lifeless that when she’s on-screen it feels like you’re watching an autopsy.

Aubrey Joseph as King’s son Trey is another disaster, as he’s so wooden they could’ve just cast a mannequin in the role and been better served.

Another major issue is the trio of actors playing cops. John Douglas Thompson, Dean Winters, and LaChanze play the NYPD detectives assigned to solve the kidnapping and they feel like cast-offs from a Law and Order episode. It boggles the mind haw bad these three are.

Speaking of Law and Order, all of the police procedural stuff in this movie, and there’s a lot of it, feels like a third-rate Law and Order episode – which is tough because Law and Order episodes already feel third-rate to begin with…which I guess makes the cop stuff in Highest 2 Lowest sixth-rate?

The film tries to become a thriller as the kidnapping drama more deeply unfolds but it fails to muster even the most basic thrills…and it features one of the more contrived, flaccid and farcical chases in recent movie history.

On top of all that, Highest 2 Lowest also features one of the most god-awful, obtrusive and cloying scores in recent memory, thanks to Howard Drossin.

The truth is that at this point Spike Lee is an entirely spent creative force. After two decades of forgettable films, it seemed like Spike Lee might have gotten his mojo back in 2018 with BlacKkKlansman – a film for which he won a Screenplay Oscar. But instead of reinvigorating his work, Lee’s two follow-ups to BlacKkKlansman, the dismal Da 5 Bloods and Highest 2 Lowest, have been rather flimsy, instantly forgettable films.

Of course, there will be a plethora of Spike Lee sycophants who will shout from the rooftops how brilliant Highest 2 Lowest is, just like the fools who proclaimed the greatness of Da 5 Bloods, which is an amateurish mess of a movie.

But be not deceived…Highest 2 Lowest has a scant few highs and a cornucopia of lows. It is a major disappointment and an unfortunate signal that both Spike Lee and Denzel Washington may finally be done as artistic power players.

My recommendation is to skip the forgettable and foolish Highest 2 Lowest and instead go watch the tight and taut High and Low, as Kurosawa and Mifune prove they are infinitely better at telling this tale than late-stage Spike and Denzel.

©2025