Rebel Ridge: A Review - Where's Rambo When You Need Him?
/****THIS IS A SPOILER FREE REVIEW !! THIS REVIEW CONTAINS ZERO SPOILERS!!****
My Rating: 2 out of 5 stars
My Recommendation: SKIP IT. An action thriller with little action and no thrills.
Rebel Ridge, written and directed by Jeremy Saulnier, is a Netflix original action thriller that tells the story of Terry Richmond, a former Marine who is wronged by a small-town police force in the deep south, and seeks justice.
At first glance Rebel Ridge looks like a First Blood rip-off/homage with Aaron Pierre’s Terry the stand-in for Sly Stallone’s John Rambo. But that impression is the wrong one.
Rebel Ridge is not First Blood, not by a long shot. The movie is an action thriller that is short on action and devoid of thrills. Its biggest problem is that it simply refuses to satiate the audience’s bloodlust, which ultimately makes the film deeply unsatisfying.
The premise is simple enough - a guy gets mistreated by police in a small southern town and fights back (sounds just like First Blood). In this case the cops use civil asset forfeiture laws to confiscate Terry’s life savings which he planned to use to start a new life with his troubled cousin. The local cops are, of course, both corrupt and racist, and their criminality leads to deeply dire consequences for the people Terry cares about.
But as simple as this premise is, writer/director Jeremy Saulnier makes the unfortunate choice to make the plot a long and winding tale that is much more complicated and convoluted than it needs to be, and ultimately less gripping than it should be.
The issue of civil asset forfeiture is a compelling one to spotlight, but Rebel Ridge fails to stay focused on that issue and instead gets lost with sidetracks into other topics, among them structural racism, the confederacy, the patriarchy, and the opioid epidemic, not to mention the budget crises of rural governments in America. All of these side issues end up burying the lede, which is the innate injustice of civil asset forfeiture laws, and that is disappointing.
Adding to the problems is the fact that for an alleged action movie there is a paucity of action, and what action there is, is quite mundane and poorly executed.
Rebel Ridge is no First Blood mostly because there is so little blood on display. The actual first blood in the film isn’t spilled until very late in the festivities and even then, it’s pretty tepid.
The reason for this is that the most distinct character trait of Terry, a martial arts expert, is that he refuses to use a weapon or kill anyone, which neuters Rebel Ridge from the get go, and this impotence only makes the film more flaccid as time goes by.
This lack of a killer instinct from Terry is not only boring to watch, it is taken to such extremes that it removes any sense of reality from the movie, thus making it all seem silly. I mean, I get not wanting to kill anyone, but when you are surrounded by bloodthirsty racist cops who are all shooting at you and you disarm every gun you touch and refuse to actually shoot back, then the suspension of disbelief goes right out the window along with Terry’s instinct for self-preservation.
The fact of the matter is that violence should’ve been the centerpiece of the film, but Rebel Ridge uses only the threat of violence as its centerpiece, which isn’t exactly cinematically compelling.
On the bright side, Aaron Pierre, who stars as Terry Richmond, proves himself a very worthy lead. Pierre’s performance is minimalist and isn’t so much dynamic as it is magnetic.
Pierre has a fine mastery of stillness – a skill lacking in so many of our current crop of actors, and exudes an undeniable power through minimal movement. Pierre never reverts to histrionics or hysteria, but instead is a picture of control while maintaining a vivid and vibrant inner life.
Action stars are hard to come by and Hollywood is desperate for them, so I hope Pierre gets more opportunities based upon his intriguing and often impressive performance in Rebel Ridge.
The rest of the cast, for the most part, fall short of Pierre’s work.
Don Johnson plays the local police chief Sandy Burnne, and he restrains himself from going full caricature but only barely. Johnson gives a paint by numbers performance that underwhelms.
AnnaSophia Robb plays Summer, a court clerk sympathetic to Terry’s plight. Robb acquits herself well in the poorly written role by bringing a nervous energy and palpable fragility to the character.
Emory Cohen’s Steve, a local bad guy cop, is a mindless caricature and dull as doornails, as is James Cromwell’s local judge character.
To top it all off the film lacks a distinct visual style that is most notable in the poorly choreographed and executed fight scenes. The whole movie looks like a second-rate television show…which is not a compliment.
Rebel Ridge has gotten good reviews and is doing robust streaming numbers, so it seems I am in the minority with my mostly negative feelings about the movie. I simply cannot understand why anyone would be exhilarated by this film. I understand the excitement over Pierre, who seems like a good find, but the rest of the film really flounders.
The bottom line is that Rebel Ridge feels like an action movie for people who don’t like action movies and but who want to say they like action movies. Therefore, I cannot recommend Rebel Ridge, but I’m hoping that Aaron Pierre’s next movie is a better one, since he shows great promise as a lead actor.
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