"Everything is as it should be."

                                                                                  - Benjamin Purcell Morris

 

 

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Avatar: The Way of Water - A Review - Blue is the Dullest Color

****THIS IS A SPOILER FREE REVIEW!! THIS REVIEW CONTAINS ZERO SPOILERS!!****

My Rating: 2 out of 5 stars

My Recommendation: SKIP IT. An underwhelming, unneeded sequel that is just as forgettable as the original. It’s time to close Pandora’s box.

One need to look no further than the box office and Oscar ballot to understand why we are doomed as a nation, a civilization, and a species.

In the last year, two movies dominated that speak volumes about the monumental moronity of the masses. First there was Top Gun: Maverick, a hellaciously stupid, completely unnecessary, thirty-five years too late, second-rate sequel to the gay-themed, feature film Pentagon commercial that was the original Top Gun (1986). Maverick has made over a billion dollars since it premiered in May of 2022 and just got nominated for Best Picture at the Academy Awards.  

And there’s also Avatar: The Way of Water, a ten-years too late sequel to a movie everyone saw but nobody remembers – Avatar (2011). The Way of Water is a three-hour and fifteen-minute middling monstrosity that has made over two billion dollars at the box office and also been nominated for Best Picture at the Oscars.

After going to the movie theatre to see Maverick like a sucker, I promised myself I wouldn’t do the same for The Way of Water. I figured if writer/director James Cameron wanted to vomit out retreads of his immensely uninteresting Avatar world onto to audiences for the rest of his career, he could do it without my twenty bucks.

But since I am a tremendous big shot in Hollywood, I recently got a screener of The Way of Water and in service to you dear reader, I decided to watch it and review it.

To give context to my thoughts on The Way of Water, let me just briefly recap my feelings on the original Avatar. Basically, I thought it was an instantly forgettable, painfully dull venture that was dreadfully written and looked like a high-end videogame. I never watched it again after seeing it in the theatre, and never thought about it and never had any interest in a sequel.

Which brings us to…the sequel.

Avatar: The Way of Water is even more dreadfully written, even more forgettable and an even more dull movie than the original. It is a putrid and puerile piece of pissant moviemaking that serves no purpose whatsoever.

Unlike say the money printing machines that are the Star Wars or Marvel movies, Avatar has no compelling underlying mythology that can enrich and elevate its pedestrian story. Instead the film franchise attempts to satiate the viewer’s need for psychologically rich archetypes and mythology with vapid, vacuous, trite and insipid American cultural politics.

Speaking of the story, the plot of The Way of Water is as flaccid as the one in the original Avatar. On the planet Pandora (not to be confused with the music streaming service), Jake Sully, a former disabled human Marine and current Na’vi leader, husband and father, must protect his Na’vi family from the evil of human militarism and colonialism.

Sully’s old Marine unit was wiped out in the original Avatar – don’t worry I didn’t remember that either, but all are back now with their consciousness implanted into newly lab-grown Na’vi. So all those old, completely forgettable characters you didn’t remember from the original are back!!

In order to protect his family, which consists of his wife, two teenage boys, one teenage girl, and a younger kid whose gender I cannot for the life of me remember, Sully takes them away from the Omatikaya - forest Na’vi, and to the Metkayina - water Na’vi.

The movie is mostly a teen angst drama revolving around the struggles of the Sully kids to fit in with the water Na’vi, surrounded by predictable battle scenes between good guys and bad guys.

Here’s the thing, The Way of Water is like every bad teenage angst movie ever made, but cliched characters speaking bad dialogue don’t magically become interesting just because their skin is blue. And make no mistake, teenagers are no less annoying when they’re blue either.

The movie at one point feels like Blue Rebel Without a Cause, with Sully’s middle son Lo’ak as bargain basement James Dean and a four eyed whale as Sal Mineo’s Plato.

The movie has lots of scenes of laughing at people trying to learn new skills, like when the Metkayina teens mock the Sully kids for struggling to learn how-to-live in water, and when Spider – a human child raised by the Na’vi, laughs at the reincarnated Marine Colonel now trying to live in his new Na’vi body. Everybody laughs except for those watching.

Speaking of Spider, he’s like every dreadlock wearing white kid who thinks he’s black, as well as every skateboarding douchebag who thinks he’s interesting and tough. To say that Spider is the most annoying and embarrassing character to hit the big screen in ages would be a massive understatement.

As for the women in The Way of Water…they are all Na’vi and they are all repellant, hyper-emotionalist shrews of the highest order. If I wanted to spend hours on end with grating hags, I would’ve stayed married to my first, second or fourth wife (FYI…my third wife, Barbarella, was an angel…who unfortunately died from injuries sustained in a freak pole dancing accident - RIP).

The cast of The Way of Water, which include Sam Worthington, Zoe Saldana, Sigourney Weaver, Kate Winslet and Stephen Lang are tough to judge because they’re basically animated blue beings. No one sounds very believable or anything, but acting in CGI isn’t exactly easy.

Edie Falco, plays General Ardmore, one of the few actual human characters, and as much as I love Edie Falco and respect her as an actress, she is actively awful in this movie.

Jack Champion, who plays Spider, is just atrocious as well.

As for the most important part of The Way of Water…how it looks…I have to say that it looks…fine. Granted, I didn’t see it on the big screen and watched a digital screener on my rather big tv, so my opinion on the visuals is to be taken with a gigantic grain of salt. I will say this though, a movie having nothing going for it except that it looks like a fantastically high-end video game, is not a very strong argument that it’s a good movie.

The bottom line is that Avatar: The Way of Water is a very long, very boring and banal, very derivative and dull cinematic venture. James Cameron has made some great, and I mean great, movies. Both Terminator films are absolutely fantastic, and Aliens (1986), True Lies and even The Abyss, are flawed but exceedingly well-made, entertaining films. That said, Cameron will no doubt make a bazillion dollars with his Avatar franchise, but he won’t make anything artistically or cinematically worthwhile, which is a shame and feels like a waste of his talents.

Which brings me to my final point. Top Gun: Maverick and Avatar: The Way of Water, are two movies that aren’t original and aren’t good, and yet they’ve dominated the culture for the last year. The fact that there are people out there who think these movies are awesome is a strong indicator that America is a country and empire is steep and steady decline.

Culture is the canary in the coalmine, and with Maverick and The Way of Water, that poor son of a bitch of a bird is down in the darkness, flat on his back in the muck and the mire, wheezing his last bitter breath.

Don’t say I didn’t warn you.

©2023

Looking California and Feeling Minnesota: Episode 80 - Black Adam

On this episode, Barry and I head to Kahndaq to go toe-to-toe with Black Adam, the new DC superhero movie starring Dwayne "The Rock" Johnson. Questions debated include to Rock or not to Rock? Will aliens murder us to put us out of our cinematic misery? And who ya got...The Rock or John Cena?

Looking California and Feeling Minnesota: Episode 80 - Black Adam

Thanks for listening!

©2022

Thanks to the Courage of HBO Max, Racism is Now Gone With the Wind...and Frankly My Dear, I DO Give a Damn

Estimated Reading Time: 3 minutes 29 seconds

 HBO Max has deemed Gone With the Wind racist and has pulled it from its service because viewers are apparently too fragile and too stupid to be allowed to watch it.

In recent weeks, as protestors carrying Black Lives Matter signs filled the streets, I have often heard it said that, “racism is a virus”. If that is true, then the new streaming service HBO Max just found the cure.

HBO Max’s simple and brutally effective treatment to eradicate racism from the world is to pull the 1939 classic Gone With the Wind from its service…for now…at least until it can bring the film back “with a discussion of its historical context”. Take that racism!!

Gone With the Wind, which is based on the novel of the same name by Margaret Mitchell, won 10 Academy Awards, including, ironically enough, the first ever for an African American – Hattie McDaniel for Best Supporting Actress. The movie is also the highest grossing film of all-time (adjusted for inflation) and is widely considered to be one of the greatest films of all-time.

The film’s unforgivable sin though is that it is set in the American South during the Civil War and Reconstruction and depicts black slaves as a happy, content and well-treated bunch that adored their benevolent white masters.

Thankfully, HBO Max’s swift action will put an end to that highly popular theory, that seems to be everywhere nowadays, which states that African-Americans were much better off during the happy-go-lucky slavery era than today.

My fervent hope is that the geniuses at HBO Max and across Hollywood will now set their sights on other famous films from the past that cross the line of wokeness and offend the delicate sensibilities of us all.

For instance, all of the Star Wars films need to be tossed onto the woke bonfire immediately for their disgusting homophobia, which manifests itself in the C3PO character, an offensive stereotype of all closeted gay robots.

And how do you think members of the Sasquatch community feel when they see Chewbacca denying his obvious Sasquatch heritage and calling himself a “Wookie”, all while speaking some guttural, primitive language and carrying a laser-shooting crossbow? Won’t someone think of the Sasquatch?

Steven Spielberg’s Schindler’s List has got to go too, as while it may be historically accurate that doesn’t matter because you just know that anti-Semites watch that thing like its Nazi porn, which is just gross, and I simply cannot abide anybody enjoying anything for the wrong reasons…or the right reasons for that matter.

While we are on the subject of Nazis, The Sound of Music feels really Nazi friendly to me too, especially since its filled with all those smiling singing white people…so into the delete bin it goes.

As a student of history I can tell you that Dr. Zhivago is about Russia…I think… and the mainstream media and Hollywood have made it clear to me that Russians and Nazis are the same thing…so torch that damn movie!

Speaking of my vast knowledge of history, the 1956 classic, The Ten Commandments, needs to be exorcised from American screens immediately. Have you seen how negatively it portrays Egyptians? That seems really Islamophobic to me!

Titanic needs to be erased, not just because it has only white people in it, but because it sheds a bad light on the cruise ship industry and come on guys, corporations are people too.

Same thing goes for the Terminator franchise, which really slanders the tech industry with its negative portrayal of SkyNet. How do you think the folks in Silicon Valley feel when tech is seen as a malevolent force?

Speaking of the tech industry…in order to spare the feelings of Facebook founder Mark Zuckerberg, if he is even capable of feeling, The Social Network needs to be banned forever and ever.

Boogie Nights really offended me personally because of its negative depiction of people with extremely large appendages, so it has got to go too!

And what about Citizen Kane? Yes, it does highlight the unconventional love between a boy and his sled, but on the other hand it really belittles the media-owning billionaire class (of which HBO Max is a member) and I just can’t abide by that…onto the bonfire it goes!

In fact, I think every film that makes anyone, anywhere, even slightly uncomfortable for any reason at all, needs to be not only banned, but all copies destroyed and the ashes then scattered to the winds. That way all hatred and prejudice of any kind will be permanently eradicated from the universe forever and ever…amen.

As for HBO Max, I think we should all take a knee in honor of their brave decision to save us from our own fragility and stupidity, and from the burden of freedom of choice, by not allowing us to watch Gone With the Wind without “context”.

The bottom line is this: where Martin Luther King Jr., Malcolm X and Nelson Mandela all failed, HBO Max has gloriously succeeded. Racism is now definitively and irreversibly Gone With the Wind!

 A version of this article was originally published at RT.

©2020

You're Welcome World! Academy Awards Courageously Save Earth From Global Warming

Estimated Reading Time: 3 minutes 31 seconds

Hollywood has been averting doomsday scenarios in movies for decades - but now the Oscars are serious about it, brandishing a ‘sustainable’ plant-based menu for the cream of the virtue-signaling celebrity crowd.

Hollywood has an extended and rich history of depicting mankind in peril from various existential threats.

If you recall, it was Hollywood that showed us the nefarious nature of robots, like HAL in 2001: A Space Odyssey, Skynet and their T-1000 killer robot minions (that speak with a strange Austrian accent for no apparent reason) in the Terminator franchise, and the dead-eyed evil of Mark Zuckerberg in The Social Network.

Hollywood also raised the red flag concerning the threat from other worlds. Alien, Signs, War of the Worlds and Independence Day are among the many films that show what will happen when E.T. phones home and his dastardly reinforcements arrive to even the score.

Hollywood’s most accurate depiction of humanity’s inevitable destruction was shown to us in the various Planet of the Apes films. Watch the news long enough and you will surely stumble across some supposedly heart-warming story of an ape learning sign language….but don’t be fooled, that Helen Keller wannabe mini-Kong is a stepping-stone to mankind’s slavery under brutal ape overlords. I guarantee you that if enough of these monkey bastards learn to sign we will all end up wearing leashes and loin cloths and yelling at some descendant of Harambe to “take your stinking paws off me, you damn dirty ape!”

Which brings us to global warming…oops…I mean climate change, that scary storytelling device Hollywood adores. Movies like The Day After Tomorrow, Geostorm and Al Gore’s Oscar winning documentary An Inconvenient Truth have told the all too frighteningly real story of the climate crisis and how it will impact mankind.

Hollywood has taught us that climate change will inescapably lead to a post-apocalyptic, Mad Max type of world where we must wage endless resource wars that include some pretty spectacular car chase battles with Mel Gibson or Tom Hardy, in order to survive.

Thankfully though, the Academy Awards, showcase of Hollywood’s best and brightest, has solved the climate crisis and eradicated it forever as a threat to humanity.

What is the Academy Award’s plan to stop the climate crisis? Well the noble geniuses at the Oscars have declared that instead of serving meat-based foods at their annual luncheon for nominees and in the theatre lobby on the night of the awards, they will instead serve only plant-based foods!!

Take that climate change! Go straight to hell global warming!! Way to kick ass Oscar and you are very welcome Mother Earth!

To be fair, the Oscars weren’t the first to come up with this ingenious plan, as it is the same plan the Golden Globes put into effect at their most recent awards show in early in January. After seeing the tremendous impact the Golden Globes magical vegetarian menu had on the earth over the last month, it is nice to see the Oscars deciding to double down on the effort.

The impact of the vegan Oscar menu is impossible to over estimate. It seems extremely likely to me that by serving Tinseltown’s elite vegetables instead of chicken, not only will the Academy Awards halt global warming but also bring about world peace and maybe even end the scourge of physical ugliness so prevalent in non-famous regular people.

Just imagine how much better earth and all of its inhabitants will feel when self-satisfied movie stars fly to Los Angeles from across the globe in their private jets and then cruise in their first world limousines past the hordes of homeless that literally litter every nook and cranny of third world La La Land, and then go to an Oscars ceremony with its plant based menu which these stars won’t eat anyway because they’re fasting so they look thin for photographs in their glamorous outfits. A complex problem like climate change doesn’t stand a chance in the face of that kind of total sacrifice and complete commitment.

I personally think serving a mostly vegan menu at an awards show is so much better for the environment than say, living a simple and sustainable life, or refusing to do any business with carbon based energy companies, or better yet, divesting from one of the worst degraders of the environment, The Pentagon, and deciding to stop being the propaganda wing for American Empire.

How about this Hollywood… instead of self-congratulatory awards nonsense why don’t the Academy Awards have a full and healthy menu, but as an alternative to serving it to narcissistic actors who won’t eat it because they don’t want to look bloated in photos, take it into the streets of Los Angeles where 60,000 poor, tired and ill homeless people struggle to find access to clean water, food and sanitation as they scratch out an existence in tent cities beneath nearly every underpass and in every open space in the city. Maybe then the Oscar’s plant-based menu would make an actual difference in the real world instead of just in the delusional minds of self-centered eco-poseurs.

I’m just kidding…let them eat cake!! Just as long as it is an environmentally sustainable and 100% vegan cake!

Speaking of the Academy Awards, “and the Oscar for Best Faux Eco-Friendly Virtue Signaling goes to…”

 A version of this article was originally published at RT.

©2020