The Northman: A Review

****THIS IS A SPOILER FREE REVIEW!! THIS REVIEW CONTAINS ZERO SPOILERS!!****

My Rating: 3.5 out of 5 stars

Popcorn Rating: 3 out of 5 stars

 My Recommendation: SEE IT. This weird, arthouse action movie is flawed but also unique, interesting and gorgeously photographed, so best to see it in the theatre.

The Northman, directed and co-written by arthouse darling Robert Eggers, may be the most brazenly bizarre big budget action movie in cinema history.

The best way I can describe the film is to say that it’s like if Conan the Barbarian and Hamlet had a baby and Norse mythology was its wet nurse.

Writer/Director Eggers is one of the more intriguing talents to come along in recent years, and he made a name for himself with his distinctly stylized, visually impeccable, first two films, The Witch (2015) and The Lighthouse (2019). Those movies were arthouse ventures through and through, and while I liked The Witch much more than The Lighthouse, I respected what Eggers was up to in both films.

With The Northman, Eggers is stepping out of his comfort zone and stepping up in budget to an estimated $90 million, in an attempt to expand his audience with a more action-oriented movie. With more money comes, well, less responsibility, as Eggers lost the power of final cut of his movie, leaving him no doubt unhappy to have his film be left at the mercy of soulless suits from the studio.

The plot of The Northman is as old-school as it gets, as it’s a revenge story, one which has no doubt been told and retold since the dawn of history.

The film follows the trials and tribulations of Amleth (Alexander Skarsgard), a Viking prince who sets out on a journey to avenge the murder of his father and capture of his mother.  

Amleth’s odyssey is epic in concept but Eggers makes it feel intimate in execution, whether that is a plus or minus is entirely a matter of taste, with arthouse aficionados probably liking it and action fans being disappointed by it.  

What makes The Northman so fascinating as an action movie, and it is an action movie as there are some gorgeously shot battle sequences that are as good as it gets in the genre, is that scattered among the usual revenge story twists and turns are scenes that explore the esoteric spirituality of the Vikings. To put it mildly, these scenes are weird, and viewers who signed up to just watch the spectacle of a Viking kicking some ass will no doubt be irritated and annoyed by such artsy distractions.

I found these forays into the Norse netherworlds to be fascinating, but I am admittedly a strange person and that sort of stuff is right up my alley, so take that for what it is worth.

The biggest problem for me about The Northman was not the winding story or the esoteric detours, but rather something much more basic…namely that the film’s star, Alexander Skarsgard, isn’t up to the job.

To be clear, Skarsgard isn’t a bad actor and he doesn’t embarrass himself as Amleth, the Berserker on a mission. No, the trouble with Skarsgard is that he simply lacks that “it” factor which all movie stars need. Yes, he’s is impossibly handsome and he is in incredible shape for the role of a Viking – for example, his traps are absurd, but Skarsgard just doesn’t have the requisite supply of charisma, magnetism and blind ambition to make a compelling enough screen presence.

Skarsgard is in nearly every frame of this film and yet he never jumps off the screen. Unlike his co-star Anya Taylor Joy, who obviously loves the camera and the camera loves her back, Skarsgard often times seems to be trying to hide from the camera and by default, audiences. In contrast, Taylor Joy’s ambition oozes out of her every pore, and you see her seek out the camera at every opportunity, but Skarsgard feels like a reluctant leading man.

That said he does pull off the action scenes with aplomb, but it’s when things slow down, that Skarsgard recedes into his shell.

As for Anya Taylor Joy, who plays Olga – a Slavic Sorceress, she makes the most of her supporting role. Taylor Joy was fantastic in Eggers’ first film The Witch, and her career is in steep ascendance, and you can see why in The Northman. She steals nearly every scene in which she appears, and her magnetism and dynamism are absolutely undeniable. She is a star who is in the early stages of going supernova.

Other actors in supporting roles, like Ethan Hawke as Amleth’s father-king, and Willem Dafoe as a court jester, do solid work in smaller roles.

Nicole Kidman plays Amleth’s mother Queen Gudrun, and while I admire the attempt, she seems to be out of sync with the acting style of the rest of the film.

Unfortunately, Claes Bang, who plays Amleth’s nemesis Fjolnir, is not up to his task and makes for an underwhelming villain.

The real star of The Northman is director Robert Eggers and his cinematographer Jarin Blaschke. There are sequences in this movie, most notably the climactic battle scene and an earlier scene of a raid on a village by Vikings, that are stunning to behold. Gloriously and gorgeously photographed, The Northman is elevated from a run of the mill blood, beards and brutality Viking tale into a piece of semi-populist cinematic art.

The screening of The Northman I attended was the first screening on the Sunday of opening weekend, and it was sold out. I saw the film in a mall in a rural part of upstate New York, and the audience reactions were very muted. No doubt audience expectations of a blood and guts action movie were thwarted by Eggers’ unique arthouse style and narrative decisions.

Due to my experience of seeing the film in “rural America”, I can’t help but feel that The Northman will under-perform at the box office because it’s arthouse weirdness will alienate regular viewers and negative word of mouth will be the kiss of death.

That would be a shame, as The Northman isn’t a great movie, but it is a good and interesting one. Despite its weak leading man, The Northman is a captivating cinematic experience that is worth the effort to see in theatres…but you should hurry as I don’t think it’ll be in theatres long, and its stunning cinematography will seem less so on a smaller screen.

In conclusion, if all action movies boasted the masterful artistry and depth of understanding of The Northman, then cinema would be a much more interesting and relevant artform than it is now. We need more movies like The Northman, not less. I pray to Odin that he makes it so.

©2022