Stranger Things (Netflix) Season Four: A TV Review

My Rating: 3.5 out of 5 stars

My Recommendation: SEE IT. It’s a piece of empty pop culture calories and shameless nostalgia delivery system but to its credit it is exceedingly well made.

When I sat down to watch the newly released season four of Stranger Things, Netflix’s hit sci-fi horror series, a ‘strange’ thing occurred.

Episode one began with a recap of what happened in season three as a reminder of what’s going on in the story…and I didn’t remember any of it…not a goddamn thing. I know I watched all of season three when it came out back in 2019, but for some reason I couldn’t recall a lick of it. So, I went back and actually watched all of season three again before diving into season four, and while it was vaguely familiar, it didn’t really ring any bells. I would’ve gone back and watched season one and two to jog my memory too but I just couldn’t commit that kind of time to something I’d completely forget anyway.

My Stranger Things amnesia could be a result of season three having premiered three long years ago, and goodness knows a lot has happened in those three years, in fact my failing memory could be a result of numerous head traumas inflicted over those three years as I banged my skull against the wall in a fruitless attempt to make the madness and moronity of our times disappear. Who knows?

Or maybe the reality is that I didn’t remember the details of Stranger Things because the details of Stranger Things are not worth remembering.

Which brings me to the one of the stranger things about Stranger Things, which is that while I have no idea what is going on in the convoluted plot, and while the four lead male actors, Finn Wolfhard, Gaten Matarazzo, Noah Schnapp and Caleb McLaughlin, are among the very worst and most annoying actors currently working in entertainment, I still find myself thoroughly enjoying the show.

The reason for that is because it’s exceedingly well made by creator/writer/directors the Duffer brothers. While “the Upside Down” and various monsters and nefarious government agencies and all of that are all a blur, what isn’t a blur is the show’s commitment to its aesthetic and how beautifully designed, structured and photographed this whole series is.

The Duffer brothers are a couple of gloriously old school storytellers paying homage to their directorial forefathers through their skilled use of shadow and light, color, sound and music to convey an entire mood, and that is what makes Stranger Things so enjoyable an experience and so seductive, if not addictive, a series.

The brilliance of the Duffer brothers is also obvious in the basic premise of the Stranger Things pitch, namely that it’s a glorious nostalgia delivery system for Gen Xers filled with a Gen Z cast in order to interest younger viewers that skillfully exploits the archetypes and storytelling tropes of both the sci-fi and horror genres in familiar but original ways.

To its credit, Stranger Things was one of the first series in the recent wave to use 80’s music as a siren song to attract Gen Xers to a show geared toward Millennial and Gen Z viewers. The success of that approach is seen in season four’s use of Kate Bush’s song “Running Up That Hill” as a plot point, which has led to a rousing resurgence of Ms. Bush back into the spotlight and her introduction to a whole new generation.

Another plus for the show is that despite the truly atrocious performances from the four lead male actors (who it seems get worse with every passing day), as well as poor Winona Ryder – who is just awful and is an astonishingly hollowed out shell of her former self, the cast are actually very good.

Millie Bobby Brown is sort of the break out star of the show because of her impeccable bone structure, and while she is certainly a beauty and is decent as Eleven, the psychic warrior/screwed up kid, it’s Sadie Sink that is the major talent on the show. Sink’s Max is a complex and conflicted character and her portrayal is never anything but utterly compelling. One can’t help but hope that Sink stays the course and we get to see what she can do as she gets older.

David Harbour is also great as the charmingly rough and tumble sheriff, as are Joe Keery, Maya Hawke and Natalia Dyer as Steve Harrington, Robin Buckley, and Nancy Wheeler respectively. Keery in particular is outstanding as a comical leading man, and his repartee with Hawke is a poor man’s version of a 1980’s Indiana-set, vacuous teenage Cary Grant and Katharine Hepburn.

Season four was split into two parts, with the first seven episodes premiering on May 27th and the final two episodes premiering on July 1st. What was odd about this structure is that while the first part of season four was “normal” in that the episodes were roughly an hour long, the two episodes (episodes 8 and 9) of part two were an hour and a half and two and a half hours respectively. So, basically part two of season four is two feature films….which is kind of weird especially considering that it isn’t the series’ finale as season five is coming down the pike.

All that said, I had no problem with the length of those two episodes, and found them to be enjoyable enough that I kept watching them, so that says something. And the same is true of the entire series….it isn’t great or life changingly good, it is just an extremely well-made piece of pop entertainment.

If you like 80’s nostalgia, good music, horror and sci-fi movies and can tolerate a very uneven cast that is both brilliant and boorish, then Stranger Things is a very pleasant distraction from our often times infinitely stranger and more frightening reality.

©2022

The woke left are demonizing parents and want to abolish the family. It’s the intellectual equivalent of a toddler’s tantrum

Estimated Reading Time: 3 minutes 49 seconds

Children raised in a nuclear family are safer, healthier, happier, and more successful. So, of course, woke jackasses want to abolish it and raise kids in communes, because “parents are tyrants.”

2020 has been a year of pandemics.

The most prominent of these is coronavirus, which has killed over a million people worldwide and wreaked havoc on the global economy. 

But coronavirus isn’t the only pandemic to ravage the globe in 2020 as the pandemic of woke idiocy continues to rage unabated. 

One particularly imbecilic strain of this vicious virus is the anti-family agenda that espouses eliminating the nuclear family.

As a parent and leftist, I find this assault on parents and nuclear families to be the height of self-serving and self-defeating intellectual masturbation.

A perfect example of this mindless mania is a tweet from Noah Berlatsky, a pissant provocateur and philosophical poseur who writes for The Guardian and The Atlantic magazine. Berlatsky whined “parents are tyrants. “parent” is an oppressive class, like rich people or white people. “

He followed that belch into the woke echo chamber with this equally odious one, “There are things you can try to do to minimize the abuse that’s endemic to the parent/child relationship, but it’s always there”.

Apparently someone didn’t change baby Berlatsky’s dirty diaper fast enough and now we all have to deal with the stink.

Sadly, Berlatsky’s buffoonery is not an outlier, as this anti-family mindset is rampant among the woke left. Examples of this absurd agenda being aggressively pushed abound.

Black Lives Matter, the standard bearer for woke, fact-free, emotion-fueled idiocy in 2020, has garnered establishment support and millions in corporate donations not only declaring they want to “abolish police” but also “abolish the family”.

Flagship left-wing publications like The Nation, Vice and Jacobin have all in recent months and years dedicated time and energy to the malignant anti-family cause.

In addition, Sophie Lewis, a self-described “feminist thinker”, which she proves is an oxymoron, has made a name for herself attacking the nuclear family in her book Full Surrogacy Now: Feminism Against the Family.

Lewis, an Oxford educated bullshit artist, uses pretentious language and provocative statements to camouflage her laughably pubescent arguments.

An example of Lewis’ utopianist jackassery is found in her article “The Coronavirus Crisis Shows It’s Time to Abolish the Family”, where her “logical” approach to combat coronavirus is revealed as, “Free all prisoners and detainees now…and dismiss all the workers with full pay so they can…pursue laziness for at least the next decade.”

Lewis likes tilting at windmills as evidenced by her desire to, “denaturalize the mother-child bond…the idea that babies belong to anyone – the idea that the product of gestational labor gets transferred as property to a set of people.”

Lewis further reveals her intellectual obtuseness and foolish anti-family fanaticism by declaring, “…even when the private nuclear household poses no direct physical or mental threat to one’s person – no spouse-battering, no child rape, and no queer-bashing – the private family qua mode of social reproduction still, frankly, sucks. It genders, nationalizes and races us…It makes us believe we are ‘individuals’”.

Individuals? Perish the thought!

Of course, according to the anti-family left, the answer to the parent problem is that, like Hillary Clinton long ago taught us…it takes a village to raise a child.

While it may very well take a village to satiate Hillary’s husband’s gargantuan sexual appetite, history shows us that communes and communal parenting are never a healthy option for children or society.

For instance, a bevy of high-profile Hollywood stars have grown up in communes and cults where the nuclear family was replaced with a communal approach and it was more ordeal than ideal.

The famed Arquette family, which includes Roseanne, Patricia and David, grew up in a commune, as did Winona Ryder. None of them speak highly of the experience, which included lack of electricity and running water and rampant drug use.

Rose McGowan, as well as Joaquin and River Phoenix, grew up in the communal, ‘free love’ Children of God sect that was rife with child sexual abuse.

McGowan said of the experience, “There’s a trail of some very damaged children that were in this group….I got out by the skin of my teeth.”

Studies show that stepparents or non-biological guardians of children are astronomically more likely to harm children than biological parents.

Yes, there are certainly awful parents in the world who abuse and neglect their own biological children, but Berlatsky bemoaning parental power dynamics and Lewis lamenting gestational labor are, ironically, the intellectual equivalent of a toddler’s tantrum.

Wanting to eliminate the nuclear family because some people have had traumatic experiences is infinitely asinine and embarrassingly infantile as it is akin to demanding that the sun stop rising in the east because you got sunburn.

As any parent will tell you, raising a child is a Sisyphean task requiring a Herculean effort, but it is worth it as study after study shows, growing up in a nuclear family is, contrary to the anti-family left, not an albatross but an advantage in terms of mental, emotional, physical and social health, as well as education achievement and income level.

What all children need are parents who love, comfort, protect and guide them. What these delusional anti-family advocates need is a reality check…and a swift kick in the ass. I’d be happy to deliver both.

A version of this article was originally published at RT.

©2020