Causeway: A Review - New Apple TV movie another wrong turn in Jennifer Lawrence's once-stellar career
/****THIS REVIEW CONTAINS MINOR SPOILERS!! THIS IS NOT A SPOILER FREE REVIEW…BUT IT DOESN’T MATTER BECAUSE THIS MOVIE IS AWFUL AND YOU SHOULD NEVER WATCH IT!!****
My Rating: 1 out of 5 stars
My Recommendation: SKIP IT. Abysmally amateurish movie that is entirely and utterly forgettable in every single way.
I’m old enough to remember when Jennifer Lawrence was a solid and sometimes spectacular actress who also happened to be the most captivating and compelling movie star in Hollywood.
In 2010, at the tender young age of 20, she had proven her acting bona fides by giving an absolutely scintillating, Oscar-nominated performance in the uncompromising arthouse gem Winter’s Bone.
She then made some extremely savvy career moves. First, she joined an existing popular film franchise, X-Men, as Mystique, and then originated a franchise as Katniss Evergreen in The Hunger Games. These moves, which made not only Lawrence but a lot of other people a lot of money, solidified her standing in the industry and with younger audiences, and set her up to consistently have high profile work with a built-in fan-base for the foreseeable future. Very smart.
She also made a savvy move to continue to reinforce her status in terms of prestige by following up her artistic success in Winter’s Bone by teaming with Hollywood auteur and Oscar darling David O. Russell for three films. The result of this collaboration was a Best Actress Oscar for Silver Linings Playbook (2012), which she won at 22 years old, followed by a Best Supporting Actress nomination for American Hustle (2013). Pretty impressive.
Back then Lawrence was a charming presence and a luminous beauty, with impressive acting chops and artistic bravado. She was also sexy yet approachable because she was goofy, grounded and genuine. She was the woman other women wanted to be and the woman guys didn’t just want to have sex with but hang out with.
But then things started, slowly but surely, to fall apart.
The Hunger Games franchise lost steam after the first two movies as budgets expanded and box office diminished. The final two movies of the four-film franchise continued to make money, but they failed to capture the cultural imagination of the earlier films.
The collaboration with Russell hit a snag as well with the 2015’s Joy, which saw Lawrence miscast and resulted in the movie being a misfire. Lawrence and Russell have not worked together since.
The X-Men franchise found new life with Lawrence in the cast for her first two movies, X-Men: First Class (2011) and Days of Future Past (2014), but then immolated with the abominable X-Men: Apocalypse (2016) and the catastrophic to the point of ending the franchise, Dark Phoenix (2019).
Between Apocalypse and Dark Phoenix another auteur tried to use Lawrence to elevate an arthouse film. That auteur was Darren Aronofsky and the movie was Mother! (2017), a mindbogglingly ambitious cinematic enterprise that ended up being an epic disaster despite Lawrence’s noble efforts in it.
She also tried to start another franchise with Red Sparrow (2018), a spy thriller about a Russian woman trained in the art of sex and seduction. The movie garnered some headlines because Lawrence was naked in it, but unfortunately her nudity was the only good thing to be found in this dreadful dud.
This stretch of bad movies resulted in Lawrence stepping back from the industry for a bit. In 2019 she got married and in 2022 she gave birth to her first child.
This brief pause in her career could have been a reset, and Lawrence could’ve come back and reclaimed her title as the biggest star, or the best actress, or both. But that’s not what happened.
In 2021 she co-starred in Adam McKay’s apocalypse comedy Don’t Look Up. What was remarkable about Don’t Look Up is that it’s easy to forget that Jennifer Lawrence is in it. She isn’t bad in it, she just isn’t very memorable, which is not something you’d ever expect to say about Jennifer Lawrence.
The film is remembered, if it’s remembered at all, as a Leonardo DiCaprio movie first, and an Adam McKay movie second. Lawrence never comes into the equation.
Which brings us to Causeway, Jennifer Lawrence’s new film which is streaming on Apple TV +.
The movie is almost instantaneously forgettable for a variety of reasons, such as the meandering script and the amateurish direction. But what makes Causeway so alarmingly bland is that Jennifer Lawrence seems utterly lifeless and charisma-free in every scene she inhabits.
Yes, her character, Lynsey – who was wounded in Afghanistan and is now back home in New Orleans and trying to get back to Afghanistan, isn’t supposed to be some dynamic presence, but what is striking about Lawrence ‘s performance is that she is so dead behind her eyes. There is no internal life, no fire in her eyes, or belly or anywhere else. It was unimaginable to me that I would ever feel like Jennifer Lawrence was just going through the motions of a role, but here we are.
This dead-eyed performance is accentuated by the moribund script which gives Lynsey essentially zero character arc, but still, Lawrence used to be the type of actress that could fill this character with something…extraordinary. And now she’s unable to bring the most minimal bit of life to her.
A great actress would’ve created something out of the nothing that is Lynsey. A movie star would have brought a boatload of charisma and magnetism to the Lynsey and made audiences root for her. As much as it pains me to say, Lawrence is no longer a great actress or a movie star, as she is incapable of doing either.
Another actor considered top-notch by some people in the know is Brian Tyree Henry, who plays James in Causeway, a local mechanic who fixes Lynsey’s truck and strikes up a friendship with her.
I’ve never thought Henry was as great as everybody else says he is…and his trite work in Causeway reinforces my skepticism.
To be fair to Lawrence and Henry, the acting is the least of the problems of Causeway.
The script is atrocious as the story goes nowhere, the characters have no arc and the drama is non-existent.
The biggest problem of all though is director Lila Neugebauer. Neugebauer is a theatre director and this is her first feature film…and it shows. The most rudimentary aspects of moviemaking go awry in Causeway. For example, a freshman film student knows to never put somebody smack dab in the center of the frame and yet this happens so consistently in Causeway as to be maddening.
In another scene, Henry’s James reveals an important piece of information about his body, that he has a prosthetic leg. In the scene James tells Lynsey about his leg and then lifts his pant leg up and shows it to her…but the director never shows this to the audience either in the wide shot or in a close-up. It’s as if they couldn’t afford to just get a prosthetic leg and shoot it in a cutaway or something. What makes this all the more bizarre is that later in the film there’s an entire sequence showing that James has no leg. This is just the most rank amateur filmmaking possible.
In another scene, Lynsey visits her brother in prison and we find out her brother is deaf. Of course he’s deaf because everyone in this movie has to be either handicapped, gay, or gay and handicapped. Anyway, Lynsey and her brother have a long and seemingly important conversation through sign language at the prison, but for some inexplicable reason halfway through the scene the sub-titles disappear. I assume this is some artistic choice on the part of Neugebauer, and it’s a laughably bad one.
The bottom-line regarding Causeway is that it’s not just a dull, languid, listless misfire of a movie, it’s that it feels like the end of the line for Jennifer Lawrence being a relevant actress and movie star.
Lawrence could’ve gotten away with playing this type of role back when she was the life of the Hollywood party in 2013 or 2014. She could’ve been Lynsey and brought her vivacity and vibrant inner life to the work and screen and it would’ve been accepted by the audience and notable to critics, with the caveat that a different, much better, director were at the helm.
But now, with Lawrence having lost her movie star mojo and also apparently her acting chops, this role and this movie come across as nothing but an artistically anemic, dramatically lethargic, narratively meandering exercise of which there is no meaning or purpose.
I personally think the world is better when Jennifer Lawrence is a relevant movie star and actress, and I sincerely hope that happens again someday. But if I’m being honest, after watching Causeway and ruminating on the downward trend of her movies over the last decade, I’m not optimistic.
©2022