"Everything is as it should be."

                                                                                  - Benjamin Purcell Morris

 

 

© all material on this website is written by Michael McCaffrey, is copyrighted, and may not be republished without consent

Follow me on Twitter: Michael McCaffrey @MPMActingCo

Marliyn Manson Gets Nailed to the #MeToo Cross

Estimated Reading Time: 3 minutes 12 seconds

The swift cancellation of Marilyn Manson proves that #MeToo is a more powerful cultural force than conservative Christianity ever was.

Only the rocker’s most ardent fans are keeping him in their demonic thoughts and Satanic prayers in the wake of serious abuse allegations.

Marilyn Manson, who rose to stardom as a self-proclaimed shock rock anti-Christ in the 1990’s, has long had a target on his back.

Ever since the minimally talented Manson hit it big with his cover of the Eurythmics “Sweet Dreams (Are Made of This)” off his EP Smells Like Children in 1995, fundamentalist Christians have tried to cancel him for his devoutly anti-Christian attitudes and occult antics.

In a brilliant piece of cultural jiu-jitsu, Manson masterfully used his position as a public foil to puritanical Christians to promote himself to great wealth and fame with his smash hit follow up albums Antichrist Superstar (1996) and Mechanical Animals (1998).

It seemed back then that the more outrageously anti-Christian Manson got the more MTV and Rolling Stone and the rest of the pop culture establishment embraced him, and it drove conservative Christians absolutely crazy.

For his rather derivative Satanic rock star pose, Manson inflamed a Christian hysteria that led to him being blamed for everything from teen suicide to the Columbine Massacre. But none of those charges ever actually harmed Manson’s career, only enhanced it.

Manson’s success in the 90’s and conservative Christian’s impotence in the face of it, was a clear indicator of the religion’s waning social power and a forewarning of its precipitous demise and near disappearance from American culture.

But where conservative Christians miserably failed to bring down Manson in the 90’s, the new dominant puritanical moral force in our culture, wokeness, with its powerful feminist denomination #MeToo, has succeeded spectacularly.

This week, numerous women, including Manson’s former fiancé, actress Evan Rachel Wood, have come forward with allegations of “sexual assault, psychological abuse and/or various forms of coercion, violence and intimidation.”

Wood, who was 18 when she met the then 36 year-old Manson, said of the relationship, “He started grooming me when I was a teenager and horrifically abused me for years. I was brainwashed and manipulated into submission.”

Another former fiancé of Manson’s, actress Rose McGowan, released a statement in support of Wood and the other accusers. “I stand with Evan Rachel Wood and the other brave women who have come forward…Let the truth be revealed. Let the healing begin.”

In response to the cavalcade of allegations, Loma Vista Recordings, which distribute Manson’s albums, said they would cease promoting his current album and refused to work with him again in the future, and the powerhouse Creative Artists Agency quickly dropped him as a client.

In response, Manson released a statement.

“Obviously, my art and my life have long been magnets for controversy, but these recent claims about me are horrible distortions of reality. My intimate relationships have always been entirely consensual with like-minded partners. Regardless of how – and why – others are now choosing to misrepresent the past, that is the truth.”

Manson is right, his rather pedestrian art and performative life have been magnets for controversy, but that is because they were built upon being intentionally provocative, particularly against Christianity.

He repeatedly stuck his thumb in the eye of Christians in order to draw attention to himself, with “shocking” yet predictable actions like proclaiming himself to be a minister in the Church of Satan (inducted by none other than Anton LaVey), and quoting famed occultist Aleister Crowley’s dictum, “Do what thou wilt shall be the whole of the Law”.

It would seem according to his accusers that Manson actually lived that morally grotesque motto to the fullest, but the women on the unpleasant receiving end of it are now publicly exacting their revenge and ending his career.

It’s a testament to the enormous cultural power of wokeness, with its two dominant denominations, #MeToo and Black Lives Matter, that its ability to cancel heretics and blasphemers far exceeds anything conservative Christians were able to accomplish over the last forty years.

That Manson thrived for so long in opposition to the old religion of Christianity, but has been utterly obliterated in no time at all by the new religion of wokeness, is revealing of the tectonic shift that has taken place in just the last four years in American culture.

Further proof of this is that the pop culture establishment, which so dutifully defended Manson when he was offending Christians back in the 90’s, will not even contemplate tolerating his alleged sins against women now.

It is also striking that puritanical Christianity has been so soundly defeated in the culture wars by the entertainment industry, but that the puritanical impulse is still alive and well and thriving…in Hollywood of all places, in the form of #MeToo feminism and Black Lives Matter.

Unfortunately for Manson, the only difference between the old irrational, hypocritical and sex-obsessed religion of Christianity that he so brazenly defined himself in opposition to, and the new irrational, hypocritical and sex-obsessed religion of #MeToo wokeness that is currently crucifying him, is that Christianity at least offers the opportunity for redemption.

The truth is that Marilyn Manson danced with the devil to great success, but, as always, the bill comes due. It’s the height of irony that it wasn’t the puritans of conservative Christianity that took him down, but rather the witches of wokeness who’ve succeeded in burning him at the pop culture stake.

 A version of this article was originally published at RT.

©2021

The Monty Python Classic 'The Life of Brian' Relentlessly Mocked Christianity Forty Years Ago, Comedy Needs to Do the Same Thing to the Church of Wokeness Today

Estimated Reading Time: 3 Minutes 33 seconds

The woke are winning the culture war and comedy needs to step up and expose these ludicrous fools for their fanaticism before it’s too late.

The Life of Brian, Monty Python’s classic cinematic mocking of Christianity, was so scandalous for its blasphemy back when it was released in 1979, that it was actually banned by some British theatre owners, while others gave it the scarlet letter of an X-rating.

An X-rating in those days was the movie rating equivalent of being stoned to death for saying “Jehovah!”

As a sign of how dramatically the culture has shifted in the last forty years, the BBFC now rates The Life of Brian a very warm and fuzzy 12A – suitable for viewers 12 and up.

The film isn’t considered dangerous for its blasphemy anymore because Christianity doesn’t much matter anymore…and I say that as a practicing Catholic.

Christianity with its endemic corruption, devout fanatics and exuberant magical thinking has been usurped in our culture by a newly ascendant religious force even more severe in nature.

That force is wokeness, which is accompanied by its own inquisition and enforcement wing – cancel culture.

If you doubt that wokeness is the new dominant cultural religion, consider this…in most places in the U.S. you aren’t allowed to go to church because of coronavirus but are wholly encouraged to attend Black Lives Matter protests - which apparently confer some magical and mystical powers of immunity upon attendees.

Meet the new religion…same as the old religion.

Monty Python were such a brilliant comedic force they not only obliterated the old religion in The Life of Brian, but also ridiculed the new one too, forty years before it rose to power.

In the film there is a scene - which would never get made in today’s stultifying p.c. environment - that deals with transgenderism.

Set in the Coliseum of Jerusalem, the scene shows the People’s Front of Judea…not to be confused with the Judean People’s Front…comprised of Stan (Eric Idle), Reg (John Cleese), Francis (Michael Palin) and Judith (Sue Jones-Davies), meeting to discuss their goals.

When Stan keeps interjecting feminine pronouns into the proposed language…he is asked by Francis why he keeps bringing up women?

Stan -  “I want to be one….I want to be a woman….from now on I want you all to call me Loretta…It’s my right as a man.”

Judith – “Why would you want to be Loretta, Stan?

Stan – “I want to have babies…It’s every man’s right to have babies if he wants.”

Reg - “You can’t have babies!”

Stan - “Don’t oppress me!”

Reg - “I’m not oppressing you Stan, you haven’t got a womb! Where’s the fetus gonna gestate? You gonna keep it in a box?”

After some hemming and hawing, Francis chimes in with a solution.

Francis (to Stan) - “We shall fight our oppressors for your right to have a baby, brother…ooops…sister, sorry.”

Reg - “What’s the point of fighting for his right to have babies if he can’t have babies?”

Francis – “It’s symbolic of our struggle against oppression!”

Reg – “It’s symbolic of his struggle against reality.”

It is impossible to imagine any comedy of today having the testicular fortitude to do a scene as brutally honest and savagely insightful as that.

“Symbolic struggle against reality” is the perfect definition of wokeness and this is why we need a new Monty Python-esque group to make a film eviscerating wokeness as exquisitely and relentlessly as the The Life of Brian did Christianity…maybe call it The Life of Karen.

Wokeness, with its incessant self-righteousness, aggressive illogic, absurd preferred pronouns and ridiculously insufferable p.c. jargon, is a gloriously target rich comedy environment.

Sadly, there’s no Monty Python equivalent in our times comically capable of dismantling the new Church of Wokeness. The most prominent sketch comedy show today is Saturday Night Live, and they’re shameless, politically correct lap dogs.

In stark contrast to the ballsy comedy bravado displayed by Monty Python forty years ago, watching SNL’s impotent, flaccid, woke-approved humor is like getting a scolding from a Methodist temperance movement a hundred years ago.

SNL is so neutered by wokeness, in 2019 they actually fired comedian Shane Gillis before he ever appeared on the show because he offended the Cancel Culture Centurions and Tiny Torquemadas of Twitter…the horror!

Besides suffocating the comedy of today, the woke are actively scouring tv and film history searching for retroactive blasphemers to silence.

The Office, Community, 30 Rock, It’s Always Sunny in Philadelphia, Scrubs and Fawlty Towers, among others, have all had episodes scrubbed from streaming services for their past politically incorrect sins.

Let us pray to our Lord and Savior Brian and his Sacred Shoe and Holy Gourd, that Monty Python’s glorious canon is not next on the cancel culture crucifixion list.

By today’s woke standards they’d certainly deserve it for their insightful dismantling of transgenderism, their mockery of speech impediments in the form of ‘pwonouncements’ by Pilate and his ‘fwiend’ Biggus Dickus, and for the crime of having men play female roles!!

On the bright side”…if Monty Python does get crucified at least they’ll go out singing!

The bottom line is this…wokeness must be stopped and I believe the best way to stop it is to mock it. Sadly though, the Church of Wokeness is winning the culture war because unlike Monty Python forty years ago, today’s comedy hasn’t found the courage to tell the unvarnished, hysterical truth…and we are all worse off because of it.

 A version of this article was originally published at RT.

©2020