"Everything is as it should be."

                                                                                  - Benjamin Purcell Morris

 

 

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Dispatches from the Shitshow: What to Expect When You're Expecting

Cleaning out my notebook of a few random thoughts before the “most important election of our lifetime”® tomorrow.

Ground and Pound

I’ve read a great deal about the Harris campaign’s money advantage and the power of their “ground game” recently…and have come to see it firsthand.

I currently reside in a ruby red republican county in the Commonwealth of Pennsylvania. I live in a very rural part of this very rural county. In addition, I live way off a main road and my home is only accessible by a half mile dirt lane…and is entirely surrounded by corn crops rendering it not only invisible from any road but also very spooky.

Well, despite my extremely remote location, I’ve had four canvassers come to my home in the last three weeks, all of them from the Harris campaign. I’ve had none from the Trump campaign come around.

One canvasser was a twenty-something woman and she was riding a bicycle and I was legitimately worried for her because the road nearest me is not bike friendly and bears have been known to roam these parts…I know because I’ve come face to face with one.

The point of all this is that the Harris campaign is definitely trying to get out the vote. From the ratio of Trump to Harris signs in this county, which overwhelmingly favors Trump by a margin of 20 to 1, it is an uphill battle to beat Trump here, but as they always tell us, “every vote counts”.

As an aside, I’m always tempted when a canvasser is here to tell them I’m not down with Kamala because genocide isn’t my thing, but I never do because I feel bad for these folks. From what I understand they are getting paid but I still have no interest in arguing with someone or making them feel bad. If they love Kamala Harris – good for them. Same with Trump fans. Me…I’ll pass on both but feel no need to burst anyone else’s bubble.

Two Voters

Here’s a minor sample of a discussion I had with two different voters.

The first voter, a centrist independent man from a swing state. He told me he is voting Trump because “Trump pisses off all the right people”.

I totally understand the sentiment.

The other voter, a woman, from a different swing state. She told me she would vote for Kamala if it meant “that would be the end of it”, meaning all of the victimhood stuff and identity politics being front and center in American culture. She acknowledged that her hope that voting for a black woman would stifle the woke impulses so prevalent in our current culture, is foolish, as she cited that same hope after she voted twice for Obama, and in her words, “things got much worse” in regards to that subject.

Ultimately, this female voter, who felt exhausted and dejected, told me she will either refrain from voting or vote third party.

Once again, I totally understand her situation and the sentiments she expressed.

Media Malpractice

Even to someone like me, who has spent a lifetime monitoring and commenting on the media’s mendacity and propensity for misinformation and disinformation, the last weeks of this campaign have been jaw-dropping.

For example, the media’s complete disregard for facts about Trump’s statement where he eviscerated Liz Cheney for being a war mongering chicken hawk, was disgusting.

Trump made the same point most liberals made back during the Bush administration (I know because I was one of them), namely that the neo-cons wanted everyone else to go fight in their wars but they themselves, and their offspring, would never go to war.

Liz Cheney is a perfect example of this as she and her truly vile father, Dick Cheney, are chicken hawk royalty.

That the media turned it into Trump calling for Liz Cheney to be put in front of a firing squad, is shameless and shameful. As for me personally, I do hope that Liz Cheney and her scumbag father Dick are put in frotn of firing squads, along with the rest of the neo-con cabal…but I’m not running for president.

I get that the establishment media hates Trump, but they’ve insured that they’re already greatly diminished credibility will only further drop.

The reality is that anyone who watches/reads the mainstream media…and believes it…is an irredeemable dupe and unconscionable dope.

On the bright side, if Trump wins then maybe we will get a return to actual journalism from actual journalists….you know the kind where journalists are adversarial to power and yearn to expose the truth.

After four years of the mainstream media playing patty cake with the Biden administration, and the previous four years of manufactured misinformation and disinformation regarding Trump, a return to reasoned and professional journalism would be a miracle…but a man can dream.

FDR, Revisited

You sir, are correct!!

After Trump’s shocking victory in 2016 (it wasn’t shocking to me – but most everyone else), liberals absolutely lost their fucking minds. People went insane…white liberal women most of all. And from their mental and emotional breakdown the egregiously inane identity politics, DEI (diversity, equity and inclusion), Black Lives Matter and #MeToo all flourished.

The pussy hat brigade drove liberalism into a ditch that is quickly turning into a grave. These fools, who stamped their feet and went on a seek and destroy mission against anyone who dare call them out for their vapid emotionalism and their political and intellectual vacuity in the wake of their loss to Trump, have set back leftist and liberal politics forty years at least. Ultimately, they have accomplished nothing but to align democrats with the malignant forces of big business, Israel, and the intelligence community, all while obliterating any meaningful class politics in their coalition. Well done, dipshits.

The same Clinton clowns who have ruined leftism and liberalism, make up the deplorable Kamala Harris supporters known as the KHive. So, if Kamala Harris loses in this election, expect more of the same from these unhinged hysterics, who in response will only double and triple down on identity politics and taking the corporate side in the class war.

My advice to all liberals is to not believe your own bullshit about this being “the most important election of our lifetime” and about “democracy being on the ballot” and how this might be our “last election”.

Stop with the existential nonsense. This election is just like any other. If Trump wins it will suck for you, there is no doubt, but…this too shall pass.

I had the same feelings you had back when Bush “beat” Gore in 2000…and all my fears were correct as Bush was the worst president of my lifetime (including Trump), and anybody else’s lifetime. But the truth is I survived…and so did the farce/charade of a democracy that I live in.  

Liberals need to understand this…Trump is an annoyance, not an existential threat. He is hated by the establishment because he lays bare the hypocrisy, corruption and shamelessness among the ruling elite.

Liberals loathing of him is based almost entirely on style over substance. Trump’s style will no doubt grate, but his substance will be only slightly different from the business-as-usual American politics. Israel and big business will rule.

There’ll be lots of bluster and bullshit…but little else that matters will change in any meaningful way.

Just know this…the truth is that it is liberal’s reaction to Trump that makes him so dangerous. Aligning with the malignant and mendacious intelligence community, big business, Ukraine and Israel, in reaction to Trump is how you not only lose elections, but more importantly, your soul.

Liberals need to understand that the only thing they need to fear, is fear itself. Trump feeds off of fear and loathing, and if you do neither, he withers and dies.

As the saying goes, when you find yourself going through hell…keep going. Well, liberals, four more years of Trump will be hell but you gotta keep going…and maybe, just maybe, look in the mirror and ask yourself some meaningful questions like…what have I done and what policies have I supported, that brought this vile man to power? If the answer you receive makes you question your entire ideology and approach to politics…then you’re on the right track.

My advice…return to class politics and completely disregard identity politics and the cult of woke. I doubt you will (or even are capable of doing so)…but that’s what you should do.

All that said…the only thing worse for liberalism and leftism than Trump winning, is Trump losing, because then liberals will think that mid-wit mediocrities like Kamala Harris, who are slaves to corporations, the intel community and Israel, are the path to power.

They may be the path to electoral victory on occasion, but they aren’t the path to progress, and they sure as hell aren’t the path to lower class and working-class prosperity, and morality and ethics in American governance.

MAGA Mania

I’ve seen a lot of media pontification about how if Trump loses there will be violence from his supporters. Consider me unconvinced.

The MAGA maniacs are not going to start a civil war in defeat. They will bitch and moan and rant and rave, but do it all from their couches. There won’t be riots or violence or marches or meltdowns because MAGA at heart is, for the most part, fat and old…just like its leader.

There will just be impotent anger that never spreads further than their own living room because MAGA is a movement for the isolated, and with Trump no longer politically relevant, it will dissipate and disappear.

Now, if Trump wins…liberals may very well march and riot, and in response to that MAGA in its various forms will come out and there may very well be violence and in the most extreme case, civil unrest/skirmishes in a civil war.

But that will only happen because Trump is still relevant and that’s what gives his movement life. Trump out of power and out of options, saps MAGA of its mojo.

Middle-Fingers

Speaking of MAGA, I was considering the whole MAGA movement the other day and came to the conclusion once again that Trump is little more than a gigantic middle-finger to the establishment and a boorish response to the feminization of America and American culture.

At this point Trump is a caricature and a parody of himself. He is all bluster and bullshit, but his real value is in telling the establishment, which has actively destroyed the foundational working-class of this country and actively despises the majority of Americans it has displaced and dispossessed, to go fuck themselves.

That establishment includes Reagan, Bush I, Clinton, Bush II and Obama. These guys, along with Biden, are the ones who sold out the manufacturing base of America, and gutted the working and middle class of America.

They bailed out Wall Street and sold-out Main Street. They’ve flooded poor inner-city communities will drugs, and sold Americans, most notably black men, as slaves to the prison industrial complex.

These presidents, of both parties, hate you. They not only want to see you fail they want to see you suffer. They thrive off of your misery.

To MAGA, Trump is the white knight come to slay the establishment dragon and right all the wrongs from decades past, up to the present day.

What MAGA fails to understand is that Trump is just more of the same. He talks a big game but plays a small one. He gives a middle finger to the establishment but then does almost exactly what they want him to do.

Trump is a showman, a shaman and a charlatan. He’s an archetype come to life. A clown in all its manifestations…happy, sad, angry. He’ll put on a show and you’ll either love him or hate him, but you’ll find it impossible to ignore him.

Harris, on the other hand, is not a showman or a shaman, she’s just a charlatan. She will try to pass through her presidency like a ghost through a fog – unseen and unheard. She is a bad actress miscast on a dismal daytime drama. She likes that she was cast in the role but will be entirely forgettable in it. She enjoys the perks and prestige of being on the show but doesn’t want the pressure of any big scenes.

This election at its core is a question of who will haunt our collective consciousness for the next four years…and obviously, no matter who wins, we will all lose.

On that bright note…that’s all I got for now folks. I’m sure I’ll have a few thoughts on the election once we know who won, but until then, stay safe and stay cool.

©2024

Dispatches from the Shitshow: Weird Scenes Inside the Gold Mine

Weird Scenes Inside the Gold Mine

The phrase “weird scenes inside the gold mine” is a cryptic lyric from The Doors epic song The End off of their iconic eponymous first album. This seemed like an apropos title for an article about the merciful end of the insane and inane 2024 election, which is now, thank the good Lord, in its final week.

The weird scenes of late have included the Trump rally in Madison Square Garden which the mainstream media and democrats universally claimed was a “Nazi rally” because Nazi’s rallied there in 1939…or something like that. Which has me wondering if the New York Knicks are Nazis too since they attempt to rally there forty-one times a season. I KNOW, without a shadow of a doubt, that the New York Rangers are Nazis…but they’re good kind!!

As for Trump being a modern-day Hitler…let’s get real. Democrats tout the fact that Dick Cheney is endorsing Kamala Harris and they have the nerve to call Trump Hitler? Cheney is the most malignant and malicious force in American politics in at least the last quarter century…this prick was behind the War on Terror, the surveillance state and the torture program and is responsible for the murder of millions…so spare the Trump – Hitler comparisons as Trump has done nothing even remotely close to the evil that Cheney has done.

In addition, a man of style and panache like Hitler wouldn’t be caught dead dancing to The Village People’s YMCA. Would not happen. Wagner maybe. But not The Village People.

At this Trump/Nazi rally over the weekend, which was a who’s who of Trumpian sycophants and miscreants, famed closeted homosexual and roast comedian Tony Hinchcliffe made a joke calling Puerto Rico a floating island of garbage and you’ll never guess what happened…the media freaked out and wept and wailed over “hate speech” and “racism”. Yawn.

I admit I too was offended by Hinchcliffe’s joke not because he called Puerto Rico a floating island of garbage, which is inaccurate, but because he didn’t call it a floating piece of shit, which is a scientific fact.

Trump also went on the Joe Rogan Experience and talked for three hours. I haven’t listened to the show only because I’m allergic to fucking retards, and that would be a double dose which could potentially be fatal to a delicate genius like me.

In truth, I like that Joe Rogan has a podcast but I only listen to it when there’s a guest on who interests me, which isn’t all that often. That said, I’m glad the option of Rogan is available especially when the mainstream media is so obviously mendacious and manipulated. (Full disclosure – Joe Rogan once talked at length and quite glowingly on his podcast about an article I wrote – which increased the traffic to this website literally by millions.)

Trump going on Rogan is a big deal for no other reason that it proves he can do it…something of which Kamala Harris is simply incapable. The idea of Kamala sitting down and talking with Rogan, or anyone, for three hours is ridiculous. Harris is an intellectual midget devoid of even a smidgeon of charisma, and she couldn’t hide that fact during a three-hour chat with Rogan.

The reality is that Kamala Harris is such a horrendous candidate it is actually stunning to behold. She seems entirely inauthentic and out of her depth every single time she opens her mouth. It is not surprising that in the final weeks of this god forsaken campaign that Harris has gone out of her way to seem as unappealing and incompetent as ever. It almost feels like she doesn’t want to win.

And as for the MAGA morons calling Kamala Harris a socialist or communist…she’s a socialist without the socialism and a communist without the communism. She, like Biden, Obama, Bush, Reagan and the Clintons before her, and just like Trump, is a corporate whore who will voraciously fellate corporate interests and not just ignore the working class, but viciously and violently destroy it with a shameless vim and vigor.

Now don’t get me wrong, my criticism of Kamala Harris is not an endorsement of Donald Trump, or vice versa.

Trump is Trump…a narcissistic carnival barker and con man. But for all his faults, and there are a bazillion of them, the one thing you can’t say about him is that he lacks charisma and confidence – two things Kamala Harris has exactly none of.

The truth is that Kamala Harris is what’s wrong with American Politics, and Donald Trump is what’s wrong with America.

Speaking of Nazis (Ironically Enough)

A vote for Trump or Harris is a vote for continued Israeli control over the American government.

A vote for Trump or Harris is a vote for more genocide and ethnic cleansing from the apartheid state you’re not allowed to call an apartheid state – Israel.

A vote for Trump or Harris is a vote for corporate America, the oligarchs and the aristocracy.

A vote for Trump or Harris is a vote against the truth.

No thank you. I will vote for neither.

Promises, Promises

The one thing you can count on is that whatever Trump or Harris are promising on the campaign trail won’t become a reality.

Trump says he’ll release the JFK files…he won’t release the JFK files. You know how I know that? Because he didn’t do it the last time he was in office.

Trump says he’ll drain the swamp and has learned from his first administration, and yet he talks openly about putting the swamp dragon himself, Mike Pompeo, into his cabinet. Mike Pompeo, by the way, was the Director of the CIA who convinced Trump not to release the JFK files during Trump’s first term.

Kamala talks about controlling illegal immigration and blah blah blah…she’s not gonna do it. You know how I Know she’s not gonna do it…because she hasn’t done it while in office. In fact, she’s not gonna do a god damn thing in office but maintain the very worst of the status quo. She is the DEI candidate who will further infect the government and this country with the DEI nonsense that diminished everyone and everything it touches.

She will also bend over backwards to stifle free speech by banning hate speech – and making sure the sycophants and psychopaths that love her are the ones who determine what is and isn’t hate speech.

No thanks to all of it and to both of them. Neither of these shitbags will make my life any better and both of them will keep the world at its worst. He was a shitty president the last time around and she is a shitty vice president now…so the choice is between something shitty and something shitty. I’ll pass and vote third party instead.

Oh, and anyone talking about this election being about saving our democracy…just shut the fuck up. Our democracy died a long time ago, the exact moment being maybe when the intelligence community pulled off a coup and killed a sitting president by blowing his brains out all over his nice Ivy league suit in Dallas, Texas.

Speaking of Assassinations

Two days before the assassination attempt on Trump in Pennsylvania back in July, I wrote an article saying that my sense of things was that the establishment was going to do anything and everything to make sure Trump didn’t become president…up to and including having some “lone nut” taking a shot at him.

I still get the sense that Trump will not be allowed to become president. The establishment, by hook or by crook, will keep him out of power.

Here’s the weird thing…this is not based on reading of polling data or anything like that, just on my sense of the moment and of the narrative…but 2024 feels a lot like 2016 except in reverse.

Everybody was talking about Hillary winning in a landslide in the final weeks of the campaign of 2016 (except me who predicted a Trump victory)…democrats were ruthlessly arrogant and cocky and republicans oppressively depressed and horrified.

Fast forward to 2024 and everyone is talking about Trump winning and the MAGA maniacs and morons are arrogant and cocky and democrat dupes and dopes are depressed and horrified.

The polls still say it’s very close but have Kamala slightly ahead overall and in a small majority of the battleground states. The assumption is that the polls are tilted in her favor and under-estimating Trump’s support, so a close race for Harris in the polls is considered a winning race for Trump on election day. I am not so sure assumption is accurate.

Anecdotally, I can tell you here in flyover country in a deep red county in the pivotal swing state of Pennsylvania, Trump seems like a shoe-in.

BUT…the vibes feel to me like 2016 but in reverse. I think Kamala Harris…who is awful, will “win” this election. I still think the establishment, for reasons I cannot quite figure out, simply cannot tolerate Trump in power and therefore are going to pull the rug out from under him on election day or in the days and weeks following.

If the establishment/intelligence community don’t “beat” Trump or “steal” the election fair and square, then Trump is going to face all sorts of obstacles before taking the oath of office. He might have a “heart attack” or “brain aneurysm” or get a deadly case of Covid or have his plane malfunction or another “lone nut” will blow his brains out or some other calamity will befall him and that will be that. And if the establishment/intelligence community don’t remove him from the power equation in the electoral way or the covert action way, then they’ll use false flags, lawfare and the media to once again to neutralize his presidency – maybe even before it starts.

The bottom line is that I still think Trump will not be president come January 2025. Maybe I’m wrong. Who knows? But we’re about to find out.

©2024

Random Thoughts from the Shitshow - Cheney, RFK Jr., Gambling and More!

RANDOM THOUGHTS

From the ‘random thoughts’ bin in my Dispatches from the Shitshow notebook.

A few people asked me if I was going to watch the big presidential debate on Tuesday night. The answer of course is…HELL NO!

I didn’t watch the Trump-Biden debate back when Biden tripped over his own dementia addled dick and I ain’t gonna watch this idiotic horseshit either. Why would anyone in their right mind watch these two raging sub-mediocrities and dim-to-mid-wits babble their inane bullshit back and forth?

I felt the same way about the conventions. How could anyone watch that shit by choice? It’s like tuning in to television just to watch a three-hour block of infomercials. You can’t help but be dumber for having watched.

**********

If you needed another reason to not vote – both Dick Cheney and George W. Bush are endorsing Kamala Harris.

Cheney and Bush are war criminals who stole the 2000 election, were either responsible due to negligence for, or complicit in, the 9-11 attacks, lied to start two illegal wars that killed millions, started a torture and massive surveillance program, ran the U.S. economy into the ground, and decimated working families while bailing out Wall Street bankers.

These two men are, frankly, evil to the point of being demonic. To be clear, they should not be in prison for their crimes, they should be at the end of a fucking rope.

That their endorsement of the Democratic nominee is not seen as a giant red flag to the vast majority of liberals in the U.S., is disconcerting, disheartening and should be disqualifying.

Liberals tell me that Trump is Hitler…but they fail to remember that Cheney and Bush actually were as Hitlerian as any president in history.

If you are one of those delusional folks who think Kamala Harris is the one to right the good ship U.S. of A…consider the utterly contemptible and loathsome swamp creatures that are backing her.

I’m not saying you should vote for Trump…I’m just saying that voting for Kamala isn’t the lesser of two evils, it is, at the barest of minimums, the equal of evils.

********

True story - I know a guy who got crabs on his birthday.

*********

I know it is en vogue to think that RFK Jr. is a clown…and I get it…he talks like Katherine Hepburn with a head cold and hiccups. But even with the liability of his addled speech, he still speaks more sense than both Trump and Harris combined.

The fact that he is out there brazenly berating and beating the righteous drum against big pharma and big agriculture, says a lot about him and his integrity, and even more about Trump and Harris’ lack thereof.

Liberals, of course, loathe RFK Jr. for speaking out against the Covid vaccine…as well as many other vaccines…but the reality is that RFK Jr. was right – about the Covid vaccine and much else, and the vast majority of liberals were dead wrong, especially regarding Covid, even though they are loathe to admit it.

I certainly don’t agree with RFK Jr. on everything…most particularly his nauseating subservience to Israel – but both Trump and Harris are equally spineless and mindless when it comes to Israel too (gee…I wonder why?).

That said, the fact that Trump is now surrounding himself with the likes of RFK Jr. and Tulsi Gabbard, both of whom have endorsed him, and saying he will put them in his administration, is a very big deal considering the villainous scum who populated the first swamp creature-infested Trump term. John Fucking Bolton was his National Security Advisor for crissakes!

When I look at Bush and Cheney endorsing Kamala, and RFK Jr. and Gabbard endorsing Trump, it seems very obvious to me that Trump wins the endorsement battle by a landslide.

Having RFK Jr. fighting big pharma and big agriculture in the public eye for the next four years would be good for the country. Of course, the question becomes could Trump tolerate someone stealing the spotlight from him for four years? My guess is no…and that the relationship would sour pretty quick.

*******

I know I am an old man yelling for the kids to get off of my lawn, but I really, really hate the proliferation of sports gambling in our culture, and think it is insidious, diabolical and dangerous.

I am not a gambler. I don’t even play fantasy sports – another endeavor that I find to be idiotic and detrimental to sport and sports fandom.

The bottom line is that I think that gambling is so toxic and such a cancer that it will eventually aggressively degrade not only individuals, families, communities and the country, but sports itself, as everything that touches gambling is tainted by it and ultimately greatly diminished.

Nowadays it’s simply impossible to watch television without seeing some stupid DraftKings or FanDuel commercial, and all of the networks covering sports have fully embraced gambling as THE focal point of their coverage of sport. ESPN has entire shows dedicated to gambling and has started their own sportsbook, and during actual games they spotlight bets to make.

Kids growing up today will have no idea about sports without gambling being such an integral part of it. Sports and gambling will be inextricably linked for this generation, and it will have dire consequences for those kids when they become adults, and for sports in the future.

The proliferation of sports betting comes nearly forty years after the Reagan administration took the guard rails off of Wall Street, and twenty-five years after Clinton essentially allowed Wall Street to become a massive casino.

We’ve all seen how well those changes to Wall Street have worked out for regular, working-class Americans…it’s been one calamity after another. We’ve had Savings and Loan scandals, Tech bubbles, accounting scandals (Enron), the housing bubble, the housing crash and on and on and on. No matter who was responsible for those crimes and calamities, it was always regular people who were left holding the bag and footing the bill.

In 2008 the entire façade of Wall Street was exposed as being fraudulent and entirely felonious. The banks, the ratings agencies, the insurance companies, the mortgage companies, the federal oversight agencies, the local, city, state and federal law enforcement and attorney’s general, all of them were exposed for the world to see…and yet…nothing changed. In fact, Wall Street only got bigger and more corrupt and now is even more untouchable, and regular people were robbed blind and left poorer and more vulnerable than ever.

The same thing will happen over time with gambling in regards to professional sports leagues, college sports, television networks, tech companies and credit card companies/banks – as they will all make gobs of money…until they don’t, and then they’ll simply use their massive money machine to pay off corrupt politicians and get bailed out with tax payers dollars. And once again it will be regular people who will be fucked over.

You can bet on it.

********

Speaking of getting fucked over….I know people are freaking out about the election. The MAGA maniacs thinks Kamala is a commie and the K-Hive Clowns think Trump is Hitler…but know this…no matter who wins the U.S. will get heinous neo-liberal domestic policies and hellacious neo-con foreign policy.

Trump or Harris…it don’t matter…we are fucked four ways to Sunday. The U.S. empire is in steep decline and will be lashing out at enemies foreign and domestic…and if you think you’re safe because you’re on the “right side of history” or are a “patriot”…guess again.

The bullseye will eventually be on all of our backs because the corrupt oligarchs and aristocrats running this country don’t just hate regular Americans, they actually want to see us suffer because they delight and live off of our misery. These ghouls will do absolutely anything to maintain their power, up to and including putting a bullet in the back of your head after having forced you to buy your own shovel and dig your own grave.

On that joyous note…I’ll sign off.

©2024

Dispatches from the Shitshow: Vices and a Stunning Lack of Virtues

DISPATCHES FROM THE SHITSHOW: VOLUME III - VICES AND A STUNNING LACK OF VIRTUES

 Oh boy…silly season is in full swing now.

So, two weeks ago there’s an assassination attempt on Trump, and then a week later Biden is kicked to the curb (as a side note – am I the only one who noticed that when Biden gave his speech about dropping out of the election, he never said WHY he was dropping out…hmmmm). And we still have more than three long months until election day.

Trump getting shot in the ear and Biden getting tossed on his rear may be the biggest events of this election, or they may be forgotten amongst the hurricane of insanity yet to ensue. Considering the assassination attempt on Trump became old news in about 48 hours, and Biden’s presidential bid was, like Biden’s mind, turned into a distant faded memory in less than a day, one can expect a perfect storm of chaos lies ahead.

Vice President Kamala Harris now takes the reins as the presumptive Democratic nominee, which should make this an even sillier silly season.

Kamala is an extraordinarily vacuous, vapid and venal woman. She is the liberal version of Sarah Palin with a generous serving of George W. Bush thrown in. She is a climber, a hack, a charisma-less dullard and dumb-ass and is not even remotely ready for prime time. She is also as unlikable as unlikable can be, mostly because she is such a transparent phony.

All that said…make no mistake…she most definitely could win.

What I assume will happen is that the media will go all out to protect her and celebrate her. We are already seeing them sticking to the “she was never the border czar” propaganda point, which is painfully absurd. No doubt her poll numbers will climb and she’ll be carried by her good press.

But if things start to go bad, if the bloom comes off the rose and she bumbles and stumbles for the next month and into September, then the deep state will need to make some moves to ensure their girl Friday gets the big gig. Which means we could see more palace intrigue…up to and including Biden resigning (or being forced to resign) as President and Kamala getting to sit in the big seat.

This would do a multitude of things for her, especially if she’s struggling on the campaign trail. First it would make her seem presidential…because she’d actually be president.

Secondly, it would get her off the campaign trail – which has never been her strong suit. She could be “so busy” as President, and take the job so seriously that she couldn’t reduce herself to campaigning, and could leave that to liberal heavyweights like the Obamas, who are very good at it.

This gets us into another uncomfortable topic, which is how can we make Kamala seem presidential when she’s not remotely presidential, and in a short period of time? Well, you have Biden resign, then a major event happens, or have a major event happen and then Biden resigns. So, what I’m talking about is a massive terror attack – in the U.S. or at the Olympics or something like that, or a major military operation (in other words a war) against the villain du jour…be it Yemen, Iran, Russia or some other mustache twisting “evil-doer” from some axis of nefariousness conjured in the back rooms of Langley and/or Tel Aviv. So buckle up…things could get even bumpier.

Speaking of which, I found Benjamin Netanyahu’s speech to Congress to be utterly repulsive. Netanyahu, who of course banged the drum for war with Iran, is a repugnant pig and grotesque excuse for a human being. That the sycophants and sociopaths in Congress all bowed down to their genocidal master lays bare the fact that our nation is bought and paid for by their zionist paymasters. How many of these groveling cowards do the Israelis have blackmail information on? My guess is the vast majority – thank you Jeffrey Epstein!!

The most disgusting display was by Pennsylvania’s own meathead Senator John Fetterman. Fetterman had a stroke during his campaign in 2022, and that was on top of being a retard to begin with, so now he’s got nothing but month-old brisket between his ears.

Fetterman’s favorite game is to dress like a homeless guy and go to work at the Senate in shorts and a hoodie in order to represent his constituents – none of whom would disrespect the Senate by dressing so disgracefully. It’s part of Fetterman’s “I’m a working man” shtick, which, if you know his life story, is complete bullshit.

Fetterman showed the world who the boss of the USA is when he showed up to Netanyahu’s speech wearing…you guessed it…a suit…because you wear a suit when the boss is in the office. Fetterman is everything that is wrong with Congress…he’s a ridiculously unserious man and his slavish adoration of the war criminal Netanyahu, and apartheid Israel only speaks to his deep moral and ethical rot.

Speaking of rot…how about that JD Vance? Vance is the Republican nominee for Vice President. Vance is the least interesting person to ever have a remotely interesting life story. He looks like a douchebag and when he speaks, he sounds like a douchebag…which may be a strong indicator that he is, in fact, a douchebag.

Vance wrote a book about his life, “Hillbilly Elegy”, which was made into a movie which was directed by Ron Howard and starred Glenn Close and Amy Adams.

Hillbilly Elegy is one of the very worst films of the 21st Century, which maybe speaks to the future if we get JD as VP. On the bright side there’s a very funny false story going around about how he fucked a couch when he was a kid…which makes me laugh whenever it’s mentioned. So there’s that.

Hillbilly Elegy is available to stream on Netflix, but unfortunately there’s no couch fucking scene in it, if there were I’d recommend it. I have recommended the film in recent days but only so people can watch it to see how atrocious it really is. As bad a candidate as JD Vance is…he’s a better candidate than Ron Howard is a filmmaker.

The reason Trump picked Vance is obvious, Vance is such a small presence, a beta male to the extreme, with all the magnetism of a tumbleweed, that Trump seems bigger and more dynamic next to him.

Vance could also be a sacrificial lamb. Vance has no constituency and no one gives a shit about him one way or the other, so if Trump is failing and flailing he could simply cut Vance loose and replace him in order to inject some action into his campaign and garner his favorite fuels – chaos and attention.

And finally, this past week the director of the Secret Service, Kimberly Cheatle, testified in front of Congress regarding the assassination attempt on Trump.

Ms. Cheatle’s testimony was, to be kind, an absolute train wreck. Cheatle is one of those aggressively incompetent bureaucrats that has no idea what she is doing or even what she should be doing. A day or so after her disastrous testimony, she resigned as head of the Secret Service.

What interested me about the Cheatle hearing though was not how atrocious she was…but how unanimous the opposition to her was. Red flags go up all over the place for me when both sides of the political aisle are so in-sync on any topic, and the blistering attacks on Cheatle signified less a unity on the topic than an organized distraction from the real topic.

Ms. Cheatle is a convenient, and frankly well-deserving, scapegoat, but she got off essentially scot-free (yes, she lost her job but she’ll get another one – somewhere), and won’t have her feet held to the fire any more.

Cheatle’s incompetence was so staggering, and the opposition to her so unified, that one can’t help but read between the lines and see that this whole fiasco will be quickly forgotten, and any real investigation into the assassination attempt on Trump will be scuttled…all of which is standard operating procedure for the intelligence community. There’s lots of subterfuge, lots of conspiracy theories, lots of official paper pushing and hollering, and then poof…it’s all over and no one is any wiser, and we are all left further from the truth than when we began.

Regardless of all my rambling in the previous paragraphs, the bottom line for me is still this…I simply don’t see Trump being allowed to be president come January 2025. I still don’t know who will be president, I just don’t think it will be Trump. Take that information for what it’s worth…and I’ll see you next time on Dispatches from the Shitshow!!

©2024

The Boys - Season 4: TV Review - Oh, How the Mighty Have Fallen

****THIS IS A SPOILER FREE REVIEW!!! THIS REVIEW CONTAINS ZERO SPOILERS!!****

My Rating: 2.5 out of 5 stars

My Recommendation: SKIP IT/SEE IT. This is the worst of The Boys’ seasons thus far. It is a sprawling and unfocused disappointment.

When The Boys hit tv screens in 2019 via Amazon Prime it was a glorious jolt of savage energy into the superhero genre that gave a sharp and satirical middle-finger to Marvel, the cultural behemoth of cultural behemoths at the time.

With Marvel on the mountaintop in the wake of its astonishing MCU run which culminated in 2019 with Avengers: Endgame, the superhero genre was prime for a slap in the face and The Boys delivered it exquisitely, with a solid kick in the nuts to boot.

The Boys’ evisceration of the superhero genre and corporate cultural power as well as its clear-eyed, cynical take on corrupt American politics, made it must-see tv for its first three seasons (Here is my review from season three).

But a funny thing happened while The Boys became the go-to satirical superhero tv series over the last five years, namely the superhero genre declined in popularity and relevance, and that decline was steep and rapid. Since the dizzying heights of 2019 with Avengers: Endgame and Joker, superhero films have fallen off a cliff in terms of quality and cultural relevance.

The creative energy propelling The Boys has, in conjunction with the precipitous fall of its once-lofty satirical target, lost considerable steam (and with it, relevance) in its fourth season, and the show has started to resemble the politically-correct corporate IP it so expertly lambasted in its first three seasons.

Season four once again features ‘The Boys’, a group of misfits and miscreants like Butcher, Huey, Mother’s Milk, Starlight, Frenchie and Kimiko as they try to bring down the villain Homelander and the whole corporate superhero monster Vought (a wondrous stand-in for Disney and its awful ilk)…and save the world in the process.  

Butcher is trying to save his “son” while dealing with a terminal illness. Mother’s Milk is trying to save his family. Starlight and Huey are trying to save each other and the world. And Frenchie and Kimiko are trying to save their souls.

None of this is new and frankly, none of it is very interesting anymore. Season four is less vivid and vital than the previous three seasons, and the drama, and comedy, tends to fall flat, and the characters tend to grate.

For the most part the performances all feel tired and cliched as well. Karl Urban as Butcher has been great up until now, but his work in season four seems a bit banal and predictable. The same is true of Jack Quaid and Erin Moriarty as Huey and Starlight respectively. The actors no longer seem to be embodying characters but just going through the motions.

The one exception to this is Karen Fukuhara as Kimiko. Fukuhara consistently brings a vibrancy and verve to her work as the mute superhero, and she fills her every moment on-screen with a vitality lacking in the rest of the cast.

There have been much complaints online about The Boys’ left-wing politics, but I don’t think that is the reason for season four’s failure. The reality is that The Boys has always been overtly leftist in its politics, been even in doing that it, maybe inadvertently, made fun of its own ideology.

While it’s true that the liberal politics are much more overt in season four than in previous seasons, that’s not a big deal, the real problem is that they’re so painfully vapid and trite. I mean, in season one the show savagely yet surreptitiously made the argument that 9/11 was an inside job and now in season four its reduced itself to scenes which feature torturing rich right-wing superheroes by donating their money to Black Lives Matter. That is so on-the-nose as to be embarrassing. Yikes.

The other issue is that the plot has gotten so convoluted and unwieldy as to be tiresome. The main objective of stopping Homelander and Vought has now gotten lost in a maze of odd personal tales that generate neither heat nor light.

For example, out of nowhere season four features a gay love story for the character Frenchie. That Frenchie wasn’t gay before is beside the point, but what is the point is that this storyline is superfluous at best, and egregiously tedious at worst….like when Disney added a gay character to The Eternals – they did it to check boxes, not drive drama.

Other storylines feel just as vacuous, vapid and venal. For instance, all of the stories surrounding Mother’s Milk, Starlight, Huey and even Butcher, feel redundant and devoid of the dramatic and comedic edge of earlier seasons.

I get it, things lose momentum the longer they go, but season four of the The Boys feels like a series trying to stretch things out by adding garbage filler rather than a genuine attempt to drive a story forward with energy, electricity, attitude and aplomb.

Season four ends by setting up season five, which will be the series’ finale. Unfortunately, season five is not set to arrive until 2026 and considering how much creative momentum and cultural relevance The Boys have lost between season three and four, one can only shudder to think how far season five will drop in quality and dramatic dynamism.

The bottom line is that The Boys was brilliant…until it wasn’t. And unfortunately, the bloom is off the rose and the series is now just playing out the string. Hopefully, and I really do hope this, it can right the ship and go out on top in season five with a furious finale. Considering the maddening missteps and malaise of season four, I’m not optimistic.

©2024

Dispatches from the Shitshow: The Assassination Chronicles

DISPATCHES FROM THE SHITSHOW – VOLUME TWO: ASSASSINATION CHRONICLES

So…that was weird.

A week ago, I wrote an article where I described what I thought was going to happen in this year’s election. The big point was that Trump wasn’t going to be allowed to be President…and that the intelligence community would try and assassinate him.

And then…two days later…they tried to assassinate him.

As everyone knows, “a prophet is not without honor, but in his own country, and among his own kin, and in his own house.” Unfortunately for me I am a prophet without honor everywhere! I’m the Rodney Dangerfield of prophets….I don’t get no honor…NOWHERE! Also unfortunately I am a prophet without profit….but that’s a story for another day.

As insane as the Trump assassination attempt was, and it was insane, I think things only get crazier from here on out.

I don’t know what exactly happened on Saturday, but what I am absolutely certain of is that whatever the “official story” is, is not to be believed even in the slightest.

It is endlessly amusing to me that the conspiracy scolds seem to have lost whatever grip they had left on our society with this batshit event. Right-wingers, even the ones who are reflexively establishment sycophants, are convinced that a deeper plot was involved than just a disgruntled, lone nut and left-wingers are convinced Trump staged the whole thing for a photo-op and sympathy. For example, I had multiple people text me within minutes of the assassination attempt to tell me they thought it was staged.

My spot on the political spectrum is impossible to discern – people on the right hate me and people on the left hate me (shrug), but I’ll say this, I don’t think this was an event staged by Trump. I think there are forces trying to destroy Trump…and they will keep trying to do it – although to be honest I’m not exactly sure why they want to destroy him. I have hunches, but I am not sure….maybe they just want to give the appearance that they’re trying to destroy him….who knows?

That said, I am most definitely open to the possibility that the powers that be are trying to destroy Trump but if they fail to do so they will still use him for all sorts of ungodly schemes and such…but that is only if they can’t pin the tail on his donkey and put him in the morgue instead of the White House.

As for the rest of the election, it is hysterical to me that Trump got shot and yet Biden is the one who looks like he’s being measured for a body bag.

Biden is a dead man walking, and I’m not just talking about in the polls.

With Schumer and Pelosi having now leaked stories about how they each spoke with the President and urged him to step aside, it would seem that Biden should not be asking for whom the bell tolls…although in his demented state he will probably keep asking even after being told it most definitely tolls for him. (And the Washington Post is now reporting that Obama told allies and associates that Biden needs to seriously consider his “viability” as his path to reelection has “greatly diminished”.)

Schumer and Pelosi leaking those stories is a Brutus level of political brutality and is a more politically bloody event than Trump getting shot in the ear. That Biden came down with Covid mere hours later may give him the impetus and cover to close up shop and hand the keys off to the rest of the party. But who knows if crotchety narcissist Joe and the rest of the Biden clan will walk away.

If Biden does step aside, then the carnage really begins.

As I said in my last article, I don’t know who will be president but I’m confident that Trump won’t be allowed to be president again.

It could be any one of the lollipop-guild of intellectual midgets which include Kamala Harris, Gavin Newsome, Gretchen Whitmer or Josh Shapiro or someone else…hell…even the decaying, decrepit, demented dipshit Joe Biden might be Weekend at Bernie’s-ed into the big chair again if he doesn’t back out or drop dead.

Kamala Harris is, in the eyes of many democrats, the next in line but she is an extraordinarily unimpressive politician and person. Kamala Harris has been California’s Attorney General, a U.S. Senator and a Vice President, not despite being a black/Asian woman but because she’s a black/Asian woman. If Democrats simply declare her the nominee it will be an open declaration that identity politics is the be all and end all of their ideology and that Diversity, Equity and Inclusion their unquestioned dogma.

In recent months DEI has somewhat taken a back seat amongst the corporate set as it has become a decadent luxury they have decided they simply can’t afford, and the same may be true among the democratic party – which is, as always, hostage to its corporate donors.

I don’t know how it will play out, I just know that the “deep state” is going to do everything and anything to keep Trump out of the White House…up to and including more assassination attempts during and after the campaign and election.

There is also a very distinct possibility of terror attacks here in the U.S.(or at the Olympics), and false flag attacks overseas that will force America into a war with Russia, China, Iran, Yemen, North Korea or somebody else….whatever it takes to keep Trump out of office and the American war machine running on all cylinders.

We live in very dangerous times and that danger is only going to increase with every passing day. My advice is to believe half of what you see and nothing of what you hear, and to keep your head on a swivel, because there is much more shit about to be thrown at our fan….so hold your nose and be ready to stop, drop and roll at a moment’s notice.

 Follow me on Twitter: @MPMActingCo

©2024

Dispatches from the Shitshow - Biden, Trump and Election 2024

DISPATCHES FROM THE SHITSHOW – VOLUME ONE

So, it’s that time again where everybody loses their minds over the possibility that some craven asshole they don’t want to win a sham election beats the craven asshole they do want to win a sham election.

I’ve often said that our democracy is a joke because it’s an oligarchy and aristocracy that gives us the illusion of choice as to who will be the face of our diabolical, decadent and decaying empire, but no choice in its behavior or how it is actually run.

Voting for president is simply choosing who you want to host the reality tv/game show that is American politics for the next four years. Choose wisely because you’ll have the winner on your tv screens and in the center of conversation for the next four years.

Will you choose the demented, despicable, deplorable, disgustingly corrupt Donald Trump? Or will it be the demented, despicable, deplorable, disgustingly corrupt Joe Biden? Biden is everything wrong with American politics, and Trump is everything wrong with America.

Whoever you choose you’ll get lots of corporate-friendly decision-making, heaps of Zionist-controlled foreign policy, and a consistent assault upon your rights and liberties. Yay!!

The rancid choice foisted upon us this year is indicative of how far along in the American Empire’s decline we’ve come. That out of 350 million people we are stuck with an election between these two guys…again…is so lazy that it’s just a clear sign of a late-stage empire in a near free-fall collapse.

I’ve spoken to very few people about this election mostly because there are very few people left who will actually speak to me anymore.

Having not beaten the bushes in an attempt to get the sense of voter sentiment, I am left to my own devices - God help us all, and my sense of things pieced together by my usual media watchdogging.

Here are a few of my thoughts…take them for what they’re worth.

BIDEN

There is something very amusing about the fact that the mendacious mainstream media has been in a furious tizzy about the revelation that Biden is mentally compromised, which became blindingly obvious during the recent debate.

CNN and even MSNBC have the knives out because they feel “betrayed” by the Biden White House and staff who lied about his cognitive abilities.

Look, I’m an idiot and even I knew Biden was dementia-addled all the way back in 2019 and wrote about it…quite a bit. In fact, at one point I wrote a comedic article in which I described Biden exactly as “dementia-addled”, and after much hemming and hawing and decision making pushed up the chain of command, I was informed by the head of editorial at the publication that the term “dementia-addled” could not be used because I was not a doctor and therefore could not diagnose Biden with dementia. My only argument back was that I was “not a doctor…yet!” and that eliminating the term “dementia-addled” would neuter the joke I was trying to make (which I don’t even remember now). I was politely told that the joke must be sacrificed on the altar of journalistic integrity. Shrug.

Anyway, the point being that it was very apparent to anyone with two eyes and half a brain in their head that Biden wasn’t right in his head four years ago.

And don’t get me started on this “Biden has a stutter” bullshit. Biden doesn’t have a stutter…he has never had a stutter. He’s been a politician and public figure the entirety of his adult life and he has never shown signs of a stutter. The stutter story was made up as a marketing tool to deflect from his mental decrepitude and generate sympathy.

Here's another thing. Since the debate debacle there have been endless op-eds and talking heads pontificating on Biden’s status and his future and they all start out say the same thing, “Biden is a good, decent man…”. Ok, let’s be clear…Biden isn’t a “good man and decent man”…he is an incorrigible, power-hungry scumbag. Always has been and always will be.

And he’s also a compulsive, pathological liar. He lies so much he doesn’t even know when he’s lying anymore. Our historically illiterate populace doesn’t remember, or chooses not to remember, that in 1988 he had to drop out of the presidential race because he was caught plagiarizing speeches and making up fantastical stories about himself and his accomplishments.

Of course, the biggest lie that Biden is now telling is to himself in deluding himself into thinking he can actually live, nevermind govern, for another four years.

Here’s another thing that a lot of talking heads and dipshits on social media keep spouting, that Biden is “the greatest president of my lifetime!” What the actual fuck? I mean, I suppose this could be true if you were born in the last three to maybe eight years, but good lord what sort of depraved, delusional nonsense is this?

To be fair to these people, I literally cannot choose the “best president of my lifetime” because they have all been uniquely awful. I’ve lived through Nixon, Carter, Ford, Reagan, Bush I, Clinton, Bush II, Obama, Trump and Biden. That is a murderer’s row of douchebaggery, tomfoolery and incontinent incompetence that rivals any stretch of in-bred royalty in any country in the entirety of history.

Back to Biden…I have no idea if he voluntarily will step down or be forced from the ticket or the presidency or if he’ll still be breathing in November, but what I do know is that this guy is not all there. I have said this many, many times, and I’m not being facetious, but if Biden were your parent or grandparent or uncle, you’d be having very serious, in-depth discussions about finding a safe place for him to live because he obviously can’t take care of himself. You’d be conspiring on how to take his car keys away and figuring out what nursing home he can afford.

Does all this mean that Biden can’t win the election come November. No. He can still win this thing but only because people – and more importantly, people in power, hate Trump so much they’ll do anything, and I mean ANYTHING, to stop him. But more on that later.

TRUMP

I’ve never liked Donald Trump. From the first when he came to prominence in the 1980s, I thought he was a clown and phony flim-flam man who was play-acting at being somebody. This is a common malady among the silver-spoon set…but it must be said he isn’t alone among nepo-baby presidents who have suffered from this disease…see George W. Bush.

I loathe Trump as much as I loathe Biden, and for many of the same reasons. He’s a charlatan, con-man, carnival barking bullshit artist and fabulist who doesn’t have a fucking clue. Like Biden he has an inflated ego that knows no bounds and like Biden he is a corrupt and narcissistic creature who genuinely loathes the hoi polloi.

I’ve written about this before but it’s worth mentioning again that the thing that I find so darkly funny about Trump and the MAGA crowd is that they claim he is an outsider who is going to kick the deep state’s ass.

Apparently, a lot of people, both republican and democrat, don’t remember this but Trump was already president. He didn’t kick the deep state’s ass, he kissed it. And when he didn’t kiss it, they kicked his.

Trump isn’t so much an outsider to the establishment as he is an establishment figure who is hated by the establishment to such a degree they want him on the outside.

Remember Trump’s first term when he promised to “drain the swamp” and then filled his administration with the swampiest of swamp creatures? I do. Satan’s spawn John fucking Bolton was his national security advisor for chrissakes…I mean that’s as swamp creaturey as you can get.

And Trump will do the same thing if he wins this November. Hell, look at the cavalcade of cunts and clowns he’s considering for his VP pick. Nikki Haley? Marco Rubio? Jesus titty fucking Christ! These are the absolute worst of the worst swamp creatures!

Trump has also promised this time around to release all the files on the JFK assassination and UFOs that are currently classified. He promised the same thing regarding the JFK files during his first term and guess what happened? On the day before he was going to release the files the head of the CIA paid him a visit in the Oval Office and low and behold Trump reversed course and refused to release the documents. He isn’t going to release anything this time around either.

He's also reluctant to release the Epstein files…hmmm…I wonder why?

The one thing going for Trump is that, unlike Biden – who is only three years his elder, Trump actually looks vigorous. Of course, the down side of that is that his vitality only accentuates what a batshit fucking lunatic and mental and emotional midget he is.

2024 ELECTION

So, what do I think will happen in the election? I don’t know for sure…but I have a sense, and it goes against all conventional wisdom, so maybe it’s completely off, but I’ll share it anyway.

I have long railed against emotionalism in politics and political debate so it is more than ironic that I am basing my thoughts on the election on a vague “sense” rather than some data I’ve stumbled upon. But here we are.

My sense is this…that despite the plethora of polls and the overall sentiment among the intelligentsia in the country…I think Donald Trump will not be the next President of the United States. I simply cannot picture that happening.

Now the obvious counter to that would be to argue that I must be a Trump Derangement Syndrome sufferer and just hate him so much I am wishing he loses. This isn’t the case. Remember, in 2016 when everyone was saying Hillary would win, I said clearly that Trump would win and why he would win.

This time around I just sense that Trump will not be allowed to be president again because he is so hated by the political, media, and most importantly, intelligence community establishment.

The ground work has been done to demonize Trump to such a tremendous degree, with the endless wailing over “democracy being at risk” and this potentially being our “last election”, that the establishment will do anything, and I mean ANYTHING, to make sure Trump is kept out of the White House.

So, what does that mean specifically…well, it means that by hook or by crook he will not be sworn in come next January. Maybe Biden drops out and is replaced and the new candidate energizes the opposition to Trump and the polls reverse and Trump is defeated. Or maybe the same is true with Biden still heading the ticket and somehow he turns things around and wins. Or maybe something else…something less conventional, happens.

The intelligence community and their allies in the rest of government and media have tried to assassinate (in one form or another) Trump since his rise by various means and don’t kid yourself, they won’t stop now.

They tried to assassinate his character and therefore derail his political ambitions from the jump, but Trump is so shameless that no matter how exposed he gets he just shrugs it off and his fans love him all the more.

They’ve tried to assassinate his political ambitions through the legal system, but once again Trump’s shamelessness has made him immune from consequences and even more popular among his minions.

And it must be said that the weaponization of the legal system for political purposes is as anti-democratic as it gets, and that the democrats weeping and wailing over the possibility of Trump weaponizing the legal system against his opponents if he wins while they do exactly that is the height of hypocrisy.

Which leaves us with two other alternatives. The first is one that will be shrugged off but is the most likely…and that is that the election will simply be rigged to keep Trump out of power. I know, I know…this is ridiculous…except that it isn’t.

Elections are relatively easy to steal, and have been stolen throughout American history….be it JFK in 1960 or George W. Bush in 2000 and 2004. These things happen…and the people who are good at making them happen are the people who hate Trump the most….the intelligence community.

The CIA has stolen elections across the globe time and time again, and fomented coups and assassinated people they found inconvenient to their goals. If you think they won’t do it here you’re as out of your mind as Biden and Trump.

Ever since Trump was elected in 2016 the intel community had their knives out. The Russiagate nonsense…which was absolute and utter manufactured bullshit, was a creation of the intel community and used to deeply wound Trump’s presidency.

Another example were the BLM riots…there’s a great deal of evidence that there were federal agents mixed in with the rioters who instigated the most violent and destructive behavior, like looting and burning.

The same is true of January 6th, where the FBI had agents/assets among the masses protesting at the Capitol, who then turned that protest into a riot and overran the building.

And then there’s the mysterious white power groups that march, always masked and anonymous, at various spots to generate media attention. These people seem to me be obvious federals agents/assets meant to drum up turmoil and media attention. What is strange is that even when these people are detained by police they are never unmasked, and the media never dives deep to find out who they actually are.

This is all a long way of saying that the intel community is up to their usual games and they will do anything to eliminate Trump from power – for whatever reason.

The final thing that could happen is that, and let me be one thousand percent clear on this - I’m not calling for this or wishing for it nor do I support it, Trump could be killed.

I know, I know…I’m a conspiracy nut. But this is how the world works. Trump has been made into the ultimate enemy of American democracy, a Hitler in waiting who will never leave office once he gets in despite the fact that he already left office after his first term.

The existential angst coming from all corners of the media and democratic establishment has people in a frenzy, and if you don’t think this is a dangerous thing to do, you don’t know what the intelligence community are capable of.

Some “lone nut”, thinking they’re a patriot, could do something terrible and think it is righteous because they’ve been conditioned to think of Trump as Hitler.

I know democrats who hate Trump so much they want him dead, this is clear, and when things get that hot someone could very well go full Lee Harvey and cast the one vote that matters. Of course, it won’t be a “lone nut”, it’ll be an orchestrated and manipulated event by the people most committed to stopping Trump, but the “lone nut” narrative will be easy to sell.

The other thing is that Trump, a rather unhealthy 78-year-old, could drop dead from “natural causes” that I promise you won’t be natural at all. The intel community is good at this stuff and they will have the support of the media to tell whatever story they want.

Regardless of how it happens, my sense is that Trump will not be president again. This will come as a relief to the democrats in my life who are apoplectic at the thought of four more Trump years.

That said, I don’t know who will be president. I don’t even know if Biden makes it to election day. In fact, I don’t know much, and could be totally and completely wrong about everything I’ve just written, but what I do know for sure is that no matter who gets elected in November and who gets inaugurated in January, we’ll all be entirely fucked…that you can take to the bank.

 

©2024

Hollywood's Self-Inflicted Box Office Problems

Estimated Reading Time: 3 minutes 57 seconds

There’s been a lot of gnashing of teeth in recent weeks because the box office has been so sluggish, most notably the failures of The Fall Guy and Furiosa, which both painfully underperformed in their opening weekends and beyond.

The Fall Guy had such bad box office numbers it actually went to VOD 17 days after premiering in theatres. Not good for a movie boasting two “movie stars” and a gigantic marketing push.

If one were to look at the dismal box office results this Spring and come away thinking the sky is falling, that would be understandable.

Ever the optimist, let me put your mind at ease though regarding the sky is falling pessimism. The sky isn’t falling regarding the movie business…because it’s already fallen. Many will point to last year’s duel strikes as a reason for this year’s box office gully…but that misses the big picture.

The movie business, like American empire, is a dead man walking. That doesn’t mean it’ll vanish off the face of the earth and never be seen again…no, it just means that it will continue its descent into irrelevancy year after year after year until a giant asteroid comes and wipes us off the earth.

The reasons for this are numerous but here are a few of the major ones. 

The corporatization of Hollywood that began in the Reagan years is now complete. The corporate mindset has destroyed the mid-level budgeted movie in favor of blockbuster hunting, and that has led to bloated budgets, and bad movies. The stark decrease in the quality of cinema is pretty dramatic (with notable exceptions).

Another issue is that movie theatres and the theatre-going experience are both abominable. Theatres throughout the country, thanks again to corporate short-sightedness, are equipped with sub-par projectors which result in a greatly diminished viewing experience. Why go to the theatre and pay all that money when you can have a better visual experience at home on your big screen tv in a darkened living room?

As Sartre once taught us…hell is other people…and that is never more apparent than when you go to the movies. Dipshits and dumbasses talking and looking at their phone throughout a screening makes for a very tense and distracting movie going experience….another issue that is resolved by watching a movie at home.

Add to this that very, very few movies are so culturally compelling that people NEED to see them right away in order to stay in the loop. Barbie and Oppenheimer filled that bill last Summer, but those are definitely outliers. For example, would you be “out of the cultural loop” if you didn’t see Dune II in theatres this winter? It’s now streaming on Max just a few short months after premiering in theatres and you can watch it without all the bullshit of theatres, in the comfort of your own home…and go to the bathroom when you want without missing anything and not have to tell people to shut the fuck up or put their phones away. Will a big budget film like Dune II be diminished at a home theatre? One would expect the answer is ‘yes’ as it was made to be seen on a big screen…but considering when I saw it at a movie theatre I felt like I was watching it under three feet of water because the projector sucked so bad, my answer would be no.

The same is true of Furiosa. I like the Mad Max movies, but I’m not itching to go see Furiosa in the theatre because it isn’t mandatory in order to stay current culturally. So, I’ll see it when it comes to Max in a few months…or sooner.

The same is true for the glut of Marvel movies. For the longest time Marvel movies were must-see because everyone was talking about them….and now they’re not. Marvel movies ran its course but Disney keeps cramming them down our throat expecting the same results. I’m sorry but The Marvels isn’t moving the needle. No one cares.

Speaking of Marvel and Disney, another issue is that the massive success of the Marvel movies pre-2020 totally skewed the expectation IN HOLLYWOOD for what constitutes a successful movie.

Marvel movies routinely hit the billion-dollar mark and that became the standard for success. But that was then and this is now and studios and analysts are delusional about the box office potential for most movies. And that delusion gets baked into the cake regarding the budget for films.

Once again Barbie and Oppenheimer were outliers in this regard, and ironically have done more harm than good in regards to setting expectations for studio executives (and the general public).

For example, spending over $300 million to make a new Indiana Jones movie or Mission Impossible movie, is frankly nuts since neither of those creaky franchises are going to generate the kind of interest that will satiate a billion-dollar box office yearning.

The same is true for the new Marvel movies, as the stars of that franchise and the characters they played, are gone. Robert Downey Jr. as Tony Stark is not walking through that door…and I’m sorry but Brie Larson isn’t going to fill that void.

The solution to the Hollywood problem is to change the corporate strategy, and instead of trying to make a billion dollars with a single blockbuster that costs at a minimum $250-300 million to make and another$150-250 million to market, is to make six or seven medium budget films for $50 million or less each with a focus on quality, in the hopes that one of those movies will hit big and fill the coffers.

Examples of what I’m talking about are movies like Parasite, which costs $15 million to make and brought in $262 million at the box office. I understand that Parasite is a remarkable movie from a brilliant filmmaker, but it shows what is possible.

The same is true of movies like Spotlight, which had a $20 million budget and made $98 million. Or even Good Will Hunting, which starred nobodies (Affleck and Damon) and was directed by a non-mainstream guy (Gus Van Sant) on a $10 million budget and raked in $225 million.

The key of course is that the movies have to be good and they have to avoid bloated budgets. The other benefit of making good movies is that more often than not if you make a good movie, it will get Oscar recognition and thus free marketing and a second life at the box office.

It goes without saying that Hollywood will not change its approach if for no other reason than corporations are allergic to actually thinking. And so, the studios will continue to relentlessly bang their heads against the bank vault door in the hopes one of these times it’ll open, even if just for a moment…like it did with Barbie and Oppenheimer, but if Barbie and Oppenheimer type success only comes along every five years or so, that won’t work as a business model.

The bottom line is that Hollywood fucked up their business and fucked up movies in the process…and we are all paying for it and will continue to pay for it for years to come. As a cinephile it gives me no pleasure in saying this but movies, much like popular music, is essentially dying as an artform and is too beholden to corporate interests to be able to save itself.

 Follow me on Twitter: @MPMActingCo

©2024

10th Annual Slip-Me-A-Mickey Awards™®

10th ANNUAL SLIP-ME-A-MICKEY™® AWARDS

The Slip-Me-A-Mickey™® awards are the final award of the interminably long awards season. The Slip-Me-A-Mickey™®, or as some lovingly call them, The Mockeys™®, are a robust tribute to the absolute worst that film and entertainment has to offer for the year.

Again, the qualifying rules are simple, I just had to have seen the film for it to be eligible. This means that at one point I had an interest in the film and put the effort in to see it, which may explain why I am so angry about it being awful. So, any vitriol I may spew during this awards presentation shouldn't be taken personally by the people mentioned, it is really anger at myself for getting duped into watching.

The prizes are also pretty simple. The winners/losers receive nothing but my temporary scorn. If you are a winner/loser don't fret, because this year’s Slip-Me-A-Mickey™® loser/winner could always be next year’s Mickey™® winner!! Remember…you are only as good as your last film!!

Now…onto the awards!

WORST FILM OF THE YEAR

Saltburn – This is a truly atrocious, artistically repugnant film that fails on every single level. The script is horseshit, the direction dogshit and the performances bullshit. A mountain of shit that high makes for a very odious movie.

Rebel Moon – A Zack Snyder Star Wars rip-off…what could go wrong? Well…apparently everything. One of the dullest and dumbest movies in recent cinematic history. But look on the bright side…a sequel is hitting Netflix in just a matter of months. Kill. Me. Now.

Ghosted – Chris Evans has the brains of a Tsetse fly and the charisma of a pencil eraser and Ana de Armas is a beautiful woman but very limited actress who needs to fire her agent immediately. The combination of these two morons matching dim-wits and tossing out flaccid one-liners in an action-rom-com is as lifeless and inert as a crippled eunuch’s loins.

Meg 2 – It’s tough to fuck up a giant shark movie, but the Meg 2 was able to pull it off…the key to their success? Removing the giant shark from the majority of the movie. Way to go you fucking numbnuts!

And the loser is…SALTBURN! I hated this movie. It is stupid and awful and putrid and pathetic. Anyone who liked Saltburn for any reason should be beaten to death with a sock full of month-old, frozen, elephant turds.

WORST PERFORMANCE OF THE YEAR

Adam Driver – Ferrari – Adam Driver is a favorite of many big-time filmmakers and has a cult-like following among fans. But the reality is that Adam Driver is a consistently shitty actor. This doughy, dork-faced doofus talks like Kermit and has the screen-presence of a tumbleweed wrapped a sheet of Saran-Wrap. In Ferrari Driver went full Father Guido Sarducci and managed to turn Enzo Ferrari into the Chef Boyardee of auto racing. He did the same to Maurizio Gucci in The House of Gucci a few years ago. Driver doesn’t just need to stop acting in Italian roles, he needs to stop acting.

Phoebe Waller-Bridge – Indiana Jones and the Dial of Destiny – Remember how charming and funny Phoebe Waller-Bridge was on Fleabag? I do…but barely. It is tough to remember after watching her suck all the life out of the most recent Indiana Jones movie. That Waller-Bridge has all the athletic grace of a baby giraffe with rickets doesn’t help her thrive in this action role.

Bradley Cooper – Maestro – Poor Bradley Cooper. Dude just wants an Oscar so he keeps making shitty movies about musical guys – first A Star is Born and now Maestro. This time in order to woo Oscar voters he wears “Jew-face” and turns the gay histrionics up to eleven. Yikes. Still doesn’t work. He so wants to be a great actor that he does nothing but ACT in these movies. He ACTS so much that he forgets to actually…you know…act. There’s not a single moment in Maestro where Bradley Cooper (or his co-star Carey Mulligan) seem like actual human beings…not good…not good at all.

And the loser is…ADAM DRIVER – FERRARI – Adam Driver is the 21st Century’s version of Elliot Gould…in case you’re wondering…that is not a compliment in any way, shape or form. On the bright side, in twenty years he can play one of the main character’s dads on a reboot of Friends.

WORST SCENE OF THE YEAR

Barry Keoghan fucking a grave – Saltburn – Yawn.

Barry Keoghan slurping jizz-soiled bath water – Saltburn – Cringe.

Barry Keoghan having oral sex with a menstruating woman – Saltburn – Eye-roll.

And the loser is…IT’S A TIE between all the try-hard, faux-edgy, god-awful scenes with Barry Keoghan doing vile shit in Saltburn. And the real loser in all of this is us – the poor bastards who watched this flaming fucking garbage pile.

MOST OVERRATED FILM OF THE YEAR

BARBIE– Barbie was a phenomenon. Barbie was a blockbuster. Barbie was a critical darling. Barbie was also a fucking atrociously awful movie. A two-hour corporate toy commercial infused with a toxic strain of toddler level feminism that left any person with half a brain in their head wanting to light themselves on fire, and any man with two-balls in their bag wanting to cleanse their palate by killing a Sabre-Toothed Tiger and then dragging some whiny plastic shrew by her hair back to his cave.

It is a testament to how mind-numbingly stupid our culture and populace has become that the insipid and insidiously imbecilic Barbie was so unabashedly celebrated and exalted as a great movie and a work of genius.

SPECIAL ACHIEVEMENT IN CINEMATIC MALPRACTICE

EMERALD FENNELL– Emerald Fennel won an Oscar for writing her first film Promising Young Woman. Upon further review that movie is garbage. Upon first view of Saltburn, it is an abysmal pile of amateur-hour excrement. Considering her track record, Fennel shouldn’t even be allowed to direct traffic, never mind a movie. She is an out and out cinematic charlatan who has only gotten a shot because of Hollywood’s post #MeToo addiction to elevating talentless female directors. She has earned this Slip-Me-A-Mickey™® award the hard way…by being devoid of any and all talent.

P.O.S. ALL-STARS

JONATHAN MAJORS– I really liked Jonathan Majors when I first saw him the in the film The Last Black Man in San Francisco. But he is the type of actor that the more you see him the more you see how hollow his work truly is. A perfect example of this is his most recent performance in the Marvel series Loki.

Majors is “acting” so much in this series it made my head hurt and my colon twinge. He is just so obviously desperate to show himself acting so that everyone can say, “wow…look at that guy’s acting!”

The result of all this is that Majors is a major disappointment as an artist.

He’s also a major disappointment as a human being as he got charged with some abusive shenanigans with a former girlfriend and then other former girlfriends came forward and said he was an aggressive asshole and on and on and on.

Then there were the tapes of him comparing himself to Martin Luther King Jr. and Malcolm X. Good lord.

The bottom line is that Jonathan Majors’ career is, at best, comatose…at worst, dead on arrival. Marvel cut him loose and an arthouse film of his which had garnered some Oscar buzz was completely shelved and if it is ever released will be done so under cover of darkness.

On top of all that Majors gave an interview on Good Morning America that was so catastrophic as to be astonishing as he came across as a completely disingenuous and delusional sack of shit.

Good riddance Jonathan Majors…you will not be missed…but congrats on being a Piece of Shit All-Star.

LIZZO – This rotund retard was the point elephant for the media’s relentless “body positivity” movement. Everywhere you turned Lizzo was there front and center playing a flute or singing and dancing, all while wearing next to nothing with her gargantuan ass hanging out.

The reason Lizzo was shoved in our faces was because our culture and civilization is actively being subverted and our intelligence being assaulted. Up is now down, left is now right, and bad is now good.

The fact that Lizzo is so gratuitously grotesque is the point of it all. The truth is, and everyone knows this, that if you saw Lizzo in your bathroom at 3 in the morning, you’d think your house was haunted. Speaking of bathrooms, Lizzo is so fat she has to shit in the bathtub.

Now, despite the relentless comedic vitriol I am currently spewing at Lizzo, the truth is she should not be shamed for being fat, but she shouldn’t be celebrated for it either. The chances she will die young of a heart attack, diabetes, or choking on a ham sandwich, are astronomical, and we should not encourage her gluttony any more than we’d encourage someone else’s alcoholism or drug addiction.

Speaking of shaming, the reason Lizzo is one of this year’s Piece of Shit All-Stars is because she is being sued by her background dancers for…wait for it…“weight shaming” them. The dancers also alleged that Lizzo harassed them sexually, religiously, and racially. She’s also accused of disability discrimination, assault, false imprisonment, and creating a hostile work environment.

Lizzo sounds like her insides are as repulsive as her outsides…which is quite an accomplishment.

The good thing about all of these charges against Lizzo is that the media is no longer shoving her fat ass in our face and we no longer have to pretend this pig is a beauty queen. A win-win scenario for everyone.

JADA SMITH – Jada is a multi-time POS All-Star and she and her family are lifetime members of the POS Hall of Fame. So why is she on the POS All-Stars again? Well…because SHE IS A GIANT PIECE OF SHIT!

After all the hoopla and horseshit around Will Smith and the Oscars slap and all of that…Jada thought this year was a good time to put out a book and overshare with America about her entire sordid and supremely narcissistic life. I mean…who gives a fuck what she or her fruitcake husband or her truly repugnant children think or feel?

This irrelevant whore was out there shouting from the rooftops about how the love of her life was Tupac, and she basically publicly cuckolded and castrated her husband, and in doing so essentially ended his career…for that at least I’m grateful.

Jada’s addiction to the spotlight, despite her complete allergy to hard work and total lack of talent or skill, is a toxic mix, and the poor public who have her obnoxious, self-righteous posturing imposed upon us by a celebrity adoring media, are the ones who truly suffer.

The reality is that Jada is an absolutely awful person in every single way. My hope is that Will Smith grows a pair of balls and goes semi-O.J. on her by drowning her in a septic tank…at least then they’d become ever-so-slightly interesting.

P.O.S. HALL OF FAME

This year’s sole inductee is the grouping of…

BIDEN, TRUMP, AMERICA’S CORRUPT POLITICAL SYSTEM and THE AMERICAN VOTERS

I am certainly not the first person to say this but WHAT THE FUCK!?!?! There are like 350 million people in the United States and the best we can do for the job of President is these two decrepit dipshits?

Joe Biden is a geriatric, dementia-addled creepy-old man and corrupt swamp creature. It is painful watching him walk on television, never mind try and talk.

This ass-hat is such a limp-dick douchebag as to be astonishing. No one, and I mean no one, with whom I’ve spoken in the last four years has anything but contempt (and occasionally pity) for this incessant failure.

Speaking of contempt, on the other side of the aisle is Trump, who is a carnival barker, rodeo clown, reality television blow-hard and corrupt charlatan.

I don’t know anyone who is excited about this election or either of these candidates. It is a testament to how far along the fall of the American Empire truly is that the populace is simply resigned to the ruling class installing either of these shitheels in the presidential chair.

It’s important to remember that no matter who “wins” the election, nothing will truly change.

Trump is running as an outsider candidate who will drain the swamp, but the last time he was president he filled his cabinet and administration with the swampiest of swamp creatures.

Biden, of course, IS the swampiest of swamp creatures. This twat has never actually held a real job in his entire life. He’s been a politician his entire adult life, and is Trump’s equal, if not superior, when it comes to corruption.  

What you’re really voting for in this election, and all elections, is who will be cast as the lead in the role of President of the United States…a long running, very unpopular reality television show.

In the 21st century we have had a narcissist, silver-spooned, nepo-baby, mental-defective war criminal as president (George W. Bush), and then people elected a smooth-talking, narcissist, CIA created dummy-corp love-child (Obama), followed by a silver-spooned, narcissistic, reality-tv star (Trump), followed by dementia-addled, geriatric, corrupt swamp creature (Biden). This is a murderer’s row of dipshittedness…all of whom ruled with neo-liberal domestic policy and neo-con foreign policy…or as I call it – the worst of both worlds.

The fact that I found it impossible to even tolerate watching any of these fucksticks on television for more than two seconds is a pretty strong indicator that my bullshit meter is finely attuned and that my taste in humanity is much too sophisticated.

Which brings me to the American voters.

Look, I get it, people are stupid or exhausted or a combination of the two. They are also relentlessly propagandized and conditioned to be allergic to critical thinking. But the fact that we are quietly compliant while these two fucktards are hoisted upon us is a scathing indictment of the state of our union and our populace.

And don’t even get me started on the imbeciles and morons who actually buy into all this shit and are fervent supporters of either candidate. If you go to a rally for either one of these fucksticks, you should be lobotomized. Hell, if you even put a Biden or Trump sign in your front lawn, you should be institutionalized.

The bottom line is that regardless of who wins this year’s election, there is one thing we can count on and it is this…all of us will lose….THAT IS GUARANTEED!

And on that happy note…thus ends the Slip-Me-A-Mickey Awards™®!! I hope everyone enjoys the after-party and that I see none of the losers who these awards next year!!

Thanks for reading and we’ll see you next time…at the Slip-Me-A-Mickeys!!

 Follow me on Twitter: @MPMActingCo

©2024

November 2023 Propaganda Report: 60 Minutes Strikes Again...and Again...and Again!

Now that I’ve begun to dip my toes back into the cesspool of propaganda, I’m once again coming to the grim realization that I don’t have to walk far to find those putrid waters.

A few weeks ago, I wrote about how I stumbled upon an episode of the CBS dinosaur 60 Minutes and was shocked/amused at how shamelessly it peddled propaganda against Russia, China and Iran, no doubt in the hopes of convincing gullible Americans into believing some Manichean ideal about us being the good guys, and them being the bad guys, and how we must righteously annihilate them in a world war.

In the weeks that followed, 60 Minutes has kept up its relentless propaganda pace with astounding consistency. In fact, since 60 Minutes started its 56th season on September 17, 2023, over the course of eleven episodes the show has run an astonishing twelve segments either directly or tangentially accusing Russia, China and/or Iran of various evils and nefariousness. This relentless cavalcade of propaganda pieces has been entirely devoid of nuance or journalistic integrity, filled with false assumptions, decidedly one-sided, egregiously vacuous and transparently contrived.

The 60 Minutes episode from November 12th is a perfect example of the type of vapid-to-the-point-of-inane propaganda now common place in American media. The topic on this episode was…shock of shocks…the evil of those nefarious Iranians and Russians!! How original.

The first segment was about an alleged Iranian government program to kill or kidnap American officials, citizens and Iranian dissidents on U.S. soil, which is a nmcie companion piece to the 60 Minutes segment I previously wrote about which dealt with an Iranian-American arrested for espionage in Iran, who was eventually part of a recent prisoner swap.

Leslie Stahl, sporting her trademark physics-defying hairstyle that is best described as Andy Warhol run through a nuclear Cuisinart and a turbo wind tunnel, started off the festivities by reading a list of U.S. officials allegedly targeted. The list included such world-class asshats as Mike Esper, Mike Pompeo and to top it all off, John fucking Bolton.

Bolton and Stahl sat down for one of the more contrived sequences in 60 Minutes history, which is quite an accomplishment, and Bolton, as is his wont, talked tough while looking like a constipated Seussian character. Bolton is one of the more blood-thirsty and maniacal hawks in recent U.S. history, again…quite an accomplishment, and he is completely devoid of any credibility on issues revolving around Iran, Russia, China, the Middle East, Europe, Asia or anywhere else in the world, but Stahl, of course, lapped up his braggadocio bullshit and never once pushed back against his false bravado or his claims…nor did she…you know…show any actual evidence to back up the FBI’s claims of an Iranian kidnap/assassination program.

Stahl then interviewed Masi Alinejad, an Iranian dissident woman living in Brooklyn whom the FBI claims was targeted by this Iranian kidnapping/assassination plot.

Alinejad came to the U.S. fourteen years ago and has been an outspoken advocate for women in Iran, and routinely confers with women in Iran and posts videos online of them not wearing a headscarf in defiance of Iranian religious law.

To be kind, Alinejad comes across as absolutely batshit crazy. She is hyper emotional and seems like the type of person you’d see wandering the streets of Brooklyn talking to neighborhood squirrels while wearing an ornate Kentucky Derby hat and a vintage wedding dress.

Alinejad shared her story of how Iran hired an Azerbaijani man in New York to buy a gun and track down Alinejad, then kidnap her and take her to Iran for trial.

Stahl’s reaction to this story is as revealing as it is pretty funny, as she says it “sounds implausible”. No shit Leslie…maybe it “sounds implausible” because it is, in fact, implausible.

Apparently, the kidnap plot against Alinejad crumbles and so the Iranians pivoted and told this criminal from Azerbaijan to skip the kidnapping and just kill her. The criminal allegedly stalks her, then goes up to her front door and “tries to get in” her house.

What’s weird about this claim of this guy trying to break in to Alinejad’s house is that 60 Minutes shows door cam footage of him on her porch meant to prove the claim, but the video doesn’t show him actually trying to get in to her house at all…in fact he never touches the door. He wanders back on forth on the porch looking at his phone, like a delivery man wondering if he has the wrong address. If there was footage of him actually trying to break in, which would be pretty damning…60 Minutes would’ve shown it. But apparently, they don’t because they didn’t.

According to the story, the alleged assassin then leaves…apparently because he couldn’t get in the house – no doubt held back by the fact that he never touched the door, and then is pulled over by cops for “running a stop sign”, and the police find a rifle in the trunk of his car.

Let’s unpack this shall we…the guy has a weapon, which the FBI alleges he was going to use to kill Alinejad at the behest of Iran, but for some inexplicable reason he decides not to take the weapon with him when he goes to kill her and ends up just standing around like a dope on her porch. What was he going to do, meet her, introduce himself and then tell her to hold on while he runs to his car and gets his rifle?

Also, never believe coincidences in cases like this. This guy wasn’t pulled over by the cops by happenstance…he was marked and everyone knew what he was doing. A strong indicator of this is that if you or I run a stop sign, the police are not going to search the trunk of our car. They will give you a ticket and that will be that. This is why I assume that this alleged assassin from Azerbaijan was actually either an intelligence agency asset or an informant of some kind, and that the entire plot was manufactured by the feds.

Now why would I assert such a crazy thing? Well because this 60 Minutes story also reveals that the man who allegedly wanted to kidnap or kill John Bolton hired a hitman online (yeah…ok) and that hitman wasn’t really a hitman…he was…you guessed it…an FBI informant.

The FBI has lots of informants and they get up to lots of nefarious stuff for their fed paymasters. For example, that 2020 kidnap plot against Michigan governor Whitmer…the vast majority of people involved were actually working for the FBI. If you look at many big-name cases, particularly in the wake of 9-11, the same is true. Hell, at the very least two of the 9-11 hijackers were living with an FBI informant in San Diego right before the attacks.

So, take all of this nonsense from the FBI and 60 Minutes about a vast Iranian assassination/kidnap plot with a gigantic grain of salt.

That said, governments and their intelligence agencies do kidnap and kill citizens of other countries. You know how I know that? Because 60 Minutes unironically shows a video in this segment where an Iranian citizen confesses to assisting the Iranian Revolutionary Guard with their kidnapping and assassination program. The Iranian man, a smuggler who was allegedly given carte blanch in his illegal business if he cooperated with the Revolutionary Guard, confesses in a video MADE BY ISRAELI INTELLIGENCE AGENTS IN THE BACK OF A CAR AFTER THESE SAME ISRAELI INTELLIGENCE AGENTS KIDNAPPED AND FORCEFULLY INTERROGATED THE GUY. Ms. Stahl fails to recognize the irony of using a confession video obtained through an Israeli kidnapping plot to prove the villainy of Iranians for their kidnapping plots.

Speaking of other governments kidnapping people…that sounds sort of like…I don’t know… the U.S. government rendition program under the Bush regime.

And speaking of assassinations of other country’s government officials…that sounds a lot like the U.S. assassination of Iranian General Qasem Soleimani in 2020. Not to mention the cavalcade of scientists assassinated in Iran by Israeli intelligence in the last decade.

Stahl does bring up the Soleimani assassination but fails to see any similarities as the Iranian General was a “terrorism mastermind”. As always, terrorism is in the eye of the beholder, as U.S. foreign policy over the last 75 years has killed and terrorized infinitely more people, especially Iranian people, than the “terrorist” Soleimani could ever dream of matching. Bolton, Pompeo and the entirety of the George W. Bush administration are at a minimum, equals to Soleimani on the terrorism chart.

Speaking of dead Iranians…does anybody remember the 290 Iranian murdered by the U.S. in 1988 when the U.S.S. Vincennes shot down Iranian Air flight 655 over Iranian airspace? Well…I’m sure Iranians do, and they probably think of it as a terror attack. The George H.W. Bush was president at the time and he refused to apologize to Iran because America never apologizes….typical terrorists behavior.

Stahl goes on to recount the FBI allegations against Iran saying that in order to keep a legal distance, Iran uses “proxies” from the criminal world to do their dirty work.

This sounds quite similar to how the U.S. intelligence community uses criminals to run guns and drugs into the U.S. from Central and South America in order to fund their black budget projects…like, ironically enough, Iran-Contra.

It is also similar to how prior to the war in Afghanistan, poppy production in that country under Taliban rule had fallen to nearly zero…but after we went on the hunt for Bin Laden by starting a war there, poppy production skyrocketed, followed by a flood of heroin into the U.S. and Europe. The same thing happened during Vietnam, when the CIA would run heroin from Thailand through Vietnam and into the U.S. Not surprisingly, Leslie Stahl didn’t bring any of this uncomfortableness up.

Also not surprisingly, when Stahl spoke of Iran using proxies like Hamas and Hezbollah to fight their wars and foment dissent in other countries, she failed to mention how the U.S. has famously used such stand-up good guys as Al Qaeda and ISIS as proxies in the Middle East against various enemies, such as the old Soviet Union and modern-day Syria.

60 Minutes’ allergy to the truth and addiction to establishment propaganda didn’t stop with the inane Iranian kidnapping story. Up next on the same episode was even more WWIII drum banging in the form of a story about Russia’s “cultural genocide” in Ukraine.

In a previous episode, 60 Minutes did a segment about Russia’s “quiet invasion” in Georgia and now they’re doing a segment on Russia’s “cultural genocide”…how sneaky of those Russians to do “quiet” invasions and “cultural” genocides, instead of those noisy invasions and actual genocides like Israel is doing in Gaza.

The main thrust of this segment was that Russia is targeting Ukrainian churches, libraries and museums in order to wipe out Ukrainian culture and identity.

The specifics of the charges against Russia in this case are…well…almost irrelevant considering the dubious sources with incentive to manufacture any story they want with no journalistic resistance to it. That said, I don't doubt in the least that churches, libraries and museums have been destroyed in Ukraine.

What I find fascinating though is that as this story aired another war is raging…this time in Gaza, and lots of churches, including the third oldest Christian church in the world, St. Porphyrius, and hospitals too, have been deliberately targeted, as have civilians.

You can bet your ass that 60 Minutes will not run a story on the cultural genocide of Christians by Israel…and that’s because when Israel commits cultural genocide, or any other kind of genocide, it’s good, but when Russia does it, it’s bad.

To be fair, it isn’t just Israel that gets a free pass…we give a free pass to ourselves as well. Remember when the Iraqi museum under U.S. military control was looted during the Iraq War, and Donald Rumsfeld’s response was to scoff at the charges and then to declare that “stuff happens”?

I certainly do not condone Russia’s military destroying Ukrainian churches, museums and libraries, nor do I condone their alleged looting. But I must say that these charges would be more impactful if western media outlets hadn’t already run with vacuous accusations of Russian rape camps and massacres, both of which have been shown to be scurrilous charges and empty propaganda talking points.

What I find so deplorable about establishment media’s modern war coverage is, whether it be in Ukraine, Syria, or Israel, the manufacturing and hyping of false atrocity stories.

War is bad enough as it is that you don’t need to gin up phony furor over fake rape camps or beheaded babies and the like. War is an atrocity all its own, it doesn’t need any help. And frankly, these stories only further to coarsen and dehumanize the public…which is already pretty coarse and inhumane.

The following Sunday, November 19th, 60 Minutes kept the propaganda train rolling with a segment titled “The Disappeared”, which was a shameless appeal to emotion that was so devoid of journalistic integrity as to be egregious.

The segment told the story of how Russia is “abducting” Ukrainian children from Ukraine and taking them into Russia. 60 Minutes reports that according to the Ukrainian government, the “official” number of children “abducted” by Russia is 19,000 but that they think the “real” number is 300,000…that’s quite a range…one might even say it is “highly improbable”. Just so everyone knows, 60 Minutes makes abundantly clear throughout the segment that all of this “abducting” is a “war crime”.

The story follows a “brave” Ukrainian grandmother, named Paulina, as she “rescues” her nine-year-old grandson Nikita who was “abducted” by the Russians. This story is…ummm…complicated to say the least.

So, Paulina’s grandson Nikita has special needs and was attending a boarding school for disabled students in Ukraine. His parents are completely out of the picture, but why that is, is never revealed in the story, we only learn that the grandmother is “in the process of filing for guardianship of her grandson”. Curious considering that Nikita was “abducted” nearly 8 months ago…which indicates he had no family member as his guardian prior to the “abduction”.  

Also curious is that Paulina lives far away (in Poland) from Nikita, as she works and has to pay for the boarding school….or so 60 Minutes tells us. The reality is that Paulina hasn’t seen Nikita in a long time and it has nothing to do with the Russians. In fact, she is in such close contact with Nikita that she only finds out he has been “abducted” by the Russians, when his picture is posted on social media by a Ukrainian activist group.

The host of the segment, Cecilia Vega, then informs us that over the seven months Nikita was “held captive”, the Russians played a “cruel game of hide and seek”, moving the child three times in eight months.

In an attempt to expose the villainy of the Russians, a digital map is used to show the long journey Nikita was taken on “post-abduction”. First, he is taken out of Ukraine to Crimea, then to Russia proper – but still close to the border, and then…astonishingly…he is taken back to Ukraine not all that far from where he was originally “abducted”. Cecilia Vega’s voice-over sums up this journey by simply declaring that the child was taken “deep into Russian-held territory”.

Paulina then works with an activist group in Ukraine dedicated to “rescuing” the children “abducted” by Russia, and they hatch a plot to get Paulina to Nikita.

We are told by a former Ukrainian politician who now runs the non-profit activist organization that “rescues” these children, that each child who returns to Ukraine is :a witness to a war crime”…which is a strange thing to say since it will just signal to Russia not to release any more children…right? Ms. Vega never asks that question because it would complicate the shallow sound-bite she is so eager to get and the Manichean narrative she has pledged to uphold and propagate.

Then we hear about Vlad, a 16-year-old Ukrainian boy, who recounts his tale of being taken from his home in Ukraine by Russian soldiers and put in a “camp”, which sounds an awful lot like a school. Among the tortures he endures are that he has to say the Russian national anthem every morning (the horror!!).

Vlad also tells us that speaking Ukrainian was forbidden in the “camp”, which means he got to experience exactly what every ethnic Russian Ukrainian citizen experienced after the U.S.-led coup in 2014 in Ukraine. The post-coup government banned the Russian language, Russian media outlets, opposition political parties and even Russian Orthodox Churches…and some Ukrainian ones too.

Vlad, being a teenager, lashes out at these ridiculous restrictions and tears down a Russian flag in anger. He is then put in the detention facility part of the “camp” and is held in “isolation”. 60 Minutes acts like this is the most barbaric thing to have ever occurred, and I concur, that children, even 16-year-olds, should not be put in isolation. Unfortunately, in the U.S. 35% of all prisoners held in youth detention facility are held in isolation at one point during their incarceration. Celia Vega never mentions that fact.

Vega did mention that the Russians were “indoctrinating” children in these “camps” by telling them “repeated lies” like “Ukraine lost the war”. By all observable metrics, Ukraine has lost the war though, and the indoctrination charge is pretty rich coming from 60 Minutes – which does nothing more than indoctrinate its viewers with the most pernicious of propaganda.

As for Vlad, his story is a sad one, but he did get back home, so Russia’s “abduction” campaign seems very, very ineffective. Considering that the Ukrainian military routinely “abducts” teens and old men off the street and uses them as forced conscripts, which they then throw into the meat grinder at the front line to be slaughtered, it’s safe to say that Vlad was lucky to be in a Russian school instead.

And that is really the point of all this. The notion that Russia is moving children out of a war zone for the safety of the children is only absurd and ridiculous if you have a cartoonish and comic book understanding of Russia and Russians. You don’t have to think Russians are the good guys to believe that they don’t want to massacre children.

And considering the fact that Israel has slaughtered more civilians and children in just over a month of war in Gaza, than Russia has in two years in Ukraine, speaks to this reality.

Another piece of evidence backing this notion is that Paulina makes it to the school where Nikita is living under Russian control. Despite the fact that she has no legal guardianship of Nikita, Russian officials, including Maria Mlova-Balova – the woman who is “accused of war crimes” by Ukraine (and 60 Minutes) for her work running Russia’s Child Services, Paulina is allowed to leave with Nikita.

Mlova-Belova, or as 60 Minutes identifies her “the accused war criminal”, tears up with joy at the reunion of Paulina and Nikita. Mlova-Belova – “the accused war criminal”, then gives gifts to Nikita and says to Paulina, “would like you like to stay in the Russian Federation with us maybe? We can give you some money, maybe a car?”

Paulina declines, as Mlova-Belova calls the reunion a “joy” and wishes Paulina and Nikita a “happy life”. Paulina and Nikita then leave for the long journey back to Poland.

Just think about this for a moment…Mlova-Belova –“the accused war criminal”, greets a Ukrainian grandmother with gifts and an offer of citizenship and financial aid, and then allows her to come take her grandson and leave, despite the fact that the Ukrainian government official running the rescue operation says every returned child is a witness to a war crime, and this “war criminal” woman puts the entire interaction on video and shares it with the world.

Does this sound like some nefarious, child-stealing enterprise being run by a “war criminal”? Does Maria Mlova-Belova sound like a monster who wants to harm Ukrainian children? In addition to that, is a nine-year-old boy with special needs some great prized possession or piece of war booty the Russians covet? Or is the more likely scenario that Mlova-Belova is a Russian bureaucrat doing her best to find a safe place or safe home for children in great peril in a very complex and difficult situation? We know what 60 Minutes wants you to think, but the facts of this scenario speak to a much more nuanced and complicated situation.

(This is not to even mention the fact that as this story ran, Israel is waging war in Gaza and making no effort to avoid killing many, many children – according to some reports, over 5,500. It would seem Russia is doing a much more humane thing by removing children from an active war zone. I’ll let you decide.)

On Sunday, November 26th, 60 Minutes ran yet another propaganda segment titled “Rise”, which was about a former American Marine Corps officer who runs a program which brings Ukrainian war widows and their children to the Swiss Alps for a week in order to climb mountains and confront their psychological trauma of having lost a husband/father.

The segment was hosted by a weepy, teary-eyed Scott Pelley, who introduced us to Nathan Schmidt, the former Marine who served three brutal tours in Iraq and has the psychological scars to prove it.

Pelley repeats the terms “Putin’s invasion” and “Putin’s unprovoked invasion” like mindless mantras throughout the segment, just so everyone knows that subtlety and nuance are not welcome on 60 Minutes, despite those declarative condemnations being, at best, disputed. To state aloud that Russia’s invasion of Ukraine was “unprovoked” is to prove yourself uninformed to the point of illiteracy in the recent history of Ukraine and America’s involvement.

There is a certain irony in the fact that Schmidt, who is so obviously torn up about what he witnessed and experienced in Iraq, helping Ukrainians heal from the psychological wounds of war, when the Iraqis, whose country he invaded, are apparently left to fend for themselves when it comes to dealing with the immense trauma, he and his nation inflicted upon them.

When hearing the very sad stories of the Ukrainian war widows and their children, I couldn’t help but wonder…where are the ethnic Russian Ukrainians who lived in the Donbas who were left widowed and orphaned by the Ukrainian government’s bombardment of thei towns and villages post the 2014 coup – a coup which was instigated and sponsored by the U.S.? Ukraine killed 14,000 ethnic Russians in the Donbas…so there are lots of war widows and orphans to choose from for a healing mountain climb. Why weren’t they invited?

And where is the healing mountain climbing for the relatives of the 48 ethnic Russian Ukrainian citizens who were burned alive in the union house in Odessa in 2014 by Ukrainians and backed by the U.S. installed Ukrainian government? I’m sure they’d like to climb a mountain and forget their troubles too.

This 60 Minutes segment is the heartstrings portion of the propaganda program, similar to the previous segment on the “disappeared” children. It is meant to overwhelm you with raw emotion, which will short circuit your brain and your critical thinking ability. Facts? We don‘t need facts! We need feelings!!

The thing that bothers me the most about this wave of 60 Minutes propaganda pieces is not the shamelessness, but the obvious venality, vacuity and malignant intent of it all.

This 60 Minutes anti-Russian/China/Iran propaganda isn’t meant to inform, it is meant to inflame. Its goal is to misinform, disinform and blind the populace to reality and dull their ability to think critically while aggravating their emotions, all in the hopes of ginning up support for a massive war against the new Axis of Evil.

War is undoubtedly a racket, and 60 Minutes is a critical part of that racket’s infrastructure. The dupes and dopes who buy into the bullshit that 60 Minutes and the neo-con American government are peddling, will ride the wave of their incuriosity and righteousness, and flag-wave us into a world war and our own annihilation.

I know Quixotically waving my red warning flags will make no difference in the long run and will do nothing to stop the inevitable, but at least it gives me something to do while the dogs of war howl louder and louder and 60 Minutes keeps the beat by incessantly banging their war drums.

 Follow me on Twitter: @MPMActingCo

©2023

Propaganda Watch - Ireland Edition

This past Thursday, a man stabbed and seriously injured five people, two women and three young children, at a school in Dublin, Ireland.

Anti-immigration protests broke out in response to the attack, which many believed to have been committed by an Algerian immigrant (a claim which has not been officially confirmed), and escalated into a riot, with police being assaulted, buildings and vehicles being burned, and stores looted.

The preceding two paragraphs are my simple attempt to describe in as journalistically neutral a way the calamitous events of November 24, 2023 in Dublin, Ireland. It could certainly use a few more drafts and an editor, but it is professional enough to be passable.

It wasn’t that hard to write those two paragraphs, and yet, perusing the coverage of the terrible events in Dublin on Thursday in the leading newspapers here in the U.S., one finds some egregious journalism, insipid bias, and blatant propaganda on display. When compared to these newspaper’s coverage of similar incidents, it reveals an ingrained bias and insidious level of propaganda that is alarming but not shocking.

Let’s start with the “paper of record” The New York Times.

The New York Times headline on its original article about the Dublin incident reads, “Rioters Clash With Police in Dublin After Children are Hurt in Knife Attack”.

At first glance this seems to be accurate, but when you read between the lines you realize the headline, and the story beneath, are a minefield of managed propaganda.

Let’s start with the phrase “children are hurt in knife attack”. This phraseology is intentionally meant to diminish the horror of the attack. Notice, the children are “hurt”, which is a passive descriptor, and the term “attack” is not a verb here, and is also passive.

Another way to write the headline would be to describe the incident as “children wounded in knife attack” or “children attacked by knife-wielding man”. Those descriptions create a much more visceral response regarding the attack, as opposed to the Times headline which tries to create the visceral reaction in regard to the riot which followed.

It's similar to how establishment media describe death in the conflict between Israel and Palestine. Israelis are “killed” (viscerally charged language – killing is ugly and brutal and the people who kill – the Palestinians – are to be regarded as actively evil) while the Palestinians “die” (passive – as if it’s a quiet and sterile act of God). There’s also the phrasing of Hamas releasing Israeli “hostages” while Israel releases Palestinian “prisoners”. How the establishment media wants you to react to a story is signaled in the semantics of the story.

Speaking of semantics, the term “rioters” is also a very distinct choice that intentionally carries with it a stigma and negative connotation meant to convey judgement and condemnation, placing the reader in opposition to the “rioters” and their cause. But is the term “rioter” the accurate choice?

A riot certainly broke out in Dublin on Thursday, so describing the people doing the fighting with police and burning and looting as rioters would seem accurate…except it didn’t start as a riot, it started as a protest and then escalated/spiraled out of control into a riot. An accurate description would be to say that “protests devolved into riots”.

The New York Times was not alone in their use of the term “rioters” and “riot” as both the Washington Post and Wall Street Journal did the same.

The Washington Post headline ignored the attack on women and children altogether and simply declared, “Far-Right Protestors Burn and Loot in Dublin in Worst Violence in Decades”. You’d be hard pressed to find a more biased headline than that to describe the events of November 24, 2023 in Dublin.

The Post article then goes on to describe how “…rioters, some wielding metal bars, smashed windows and looted shops in the city center.”

The Wall Street Journal opened with, “Ireland witnessed its worst civil disorder in decades after rioters marauded through Dublin city center looting shops and setting buses and police cars on fire in a spate of violence…”.

“Rioters marauding” is quite the creative flourish, and would make for a great band name or album title.

The picture painted by the Times, Post and Journal is pretty clear, that the “riot” and the “rioters” are much worse than the “incident” where five people were stabbed. Hell, The Washington Post ignored the attack in favor of the riots in their headline. These corporate media outlets make it even more clear of their intention by only quoting police and government authorities in their stories.

There are quotes from Irish Prime Minister Leo Varadkar, who deemed the “rioters” to be “thugs”. And from Irish Justice Minister, Helen McEntee, who stated, “a thuggish and manipulative element must not be allowed use an appalling tragedy to wreak havoc…”.

There are numerous quotes from police officials, who blamed the riots on a “lunatic, hooligan faction driven by a far-right ideology”.

What was missing from every single article I read, and not just in the big three newspapers mentioned above, was a quote from someone who was actually attending the “riot” and/or participating in it.

As someone interested in journalism, it seems to me that finding out why these people are crazed enough to riot would be a pivotal piece to the story…but apparently not.

That’s not to say that the “rioters” motivations are ignored, they aren’t, as every article claims, without evidence, that the “rioters” are “far-right”, “anti-immigrant” hooligans. The only source for those claims are police and government officials.

You may be thinking, what is wrong with any of the preceding examples of journalism I have presented? Well, when seen in context with the establishment media’s coverage of other similar incidents, it tells quite a story.

Back in May of 2020, George Floyd died while being forcefully detained on a street by multiple Minneapolis Police officers. Floyd’s desperate pleas for his life and subsequent death were captured on video and quickly spread through social media, igniting outrage and protests, which descended into a riot which involved violence, burning and looting.

The previous paragraph is a passable paragraph describing the killing of George Floyd and the subsequent civil unrest with a minimal amount of bias injected. The term “killing” could replace the word “death” in the second sentence, but at the time it was not entirely clear what killed him…and frankly it’s still pretty murky to this day. That said, it is relatively accurate.

The New York Times, Washington Post and Wall Street Journal, were all very clear in describing the “rioters” in Dublin the other day. Interestingly enough, they never used the term “riot” or “rioter” to describe what happened in the wake of George Floyd’s death (now deemed a murder).

The headline of the Times’ article on Dublin blared, “Rioters Clash with Police”, but the Times’ headline regarding the unrest following Floyd’s death reads, “Fiery Clashes Erupt Between Police and Protestors”.

Notice how the story in Dublin is framed? “Rioters Clash with Police” makes it clear who is instigating – the “rioters”…not to mention the term rioters makes clear they and their cause are to be perceived negatively and with disdain.

In contrast, the violence between police and “protestors” in Minneapolis appears to simply be an act of nature, like a volcano, as “fiery clashes erupt”.

And of course, the rioters in Minneapolis are described as “protestors” throughout the reporting and never as rioters, thus giving them and their cause nobility and not tainting it with criminality, like the term “rioters” implies.

The Washington Post did the same, with their headline stating, “Protests Continue to Rage”.

The Post article features this astonishing paragraph, “Protesters broke windows and charged over fences to breach a police precinct station in Minneapolis and set it on fire late Thursday as officers retreated from violent confrontations that boiled over days after George Floyd died in police custody.”

The actions described, breaking windows, charging over fences and setting a police station on fire, are all very clearly acts that occur in a riot, and not at a protest…and yet the Post, as well as the Times and the Journal, never, not once, refer to the people who commit these acts as “rioters”. The “rioters” in Dublin all broke windows and lit things on fire, and were called “rioters” for it.

The Post article also quotes one of the “protestors” inside in the police station who is actively lighting it on fire. The quote reads, ““We’re starting fires in here so be careful,” one man shouted as sprinklers doused protesters who had burst inside. Flames began to rise from the front of the building as hundreds of protesters looked on, and soon smoke was billowing from the roof.”

Quoting this man, and the particular quote they use, is an obvious attempt to humanize the man, the “protesters” and the “protest” movement. You see, this “protestor” is concerned for human life and wants to make sure everyone is safe as he burns the police station to the ground. (I actually believe that this quote is manufactured by the reporter as it is just too perfect…but I cannot prove that) Why did the reporter use only that quote and not another? Curious.

Of course, the Post didn’t get any quotes from the protestors/rioters in Dublin, because that would illuminate their motivations and maybe even humanize them, something which apparently is anathema since it is so dangerous to hear their point of view.

The Wall Street Journal, which is owned by Rupert Murdoch and is right-wing, was no different in its coverage of the Floyd “protests”. The Journal’s original article says, “…protesters walked for 2½ miles to a Minneapolis police precinct. Some damaged windows, a squad car and sprayed graffiti. Police in riot gear formed into a line to confront the protesters and fired tear gas…”

The Journal never labels the “protestors” as “rioters”, despite the fact that the police were wearing “riot” gear….which is pretty funny. Why didn’t the police put on “protest” gear?

Another interesting comparison between the Dublin “riots” and the George Floyd “protests” is that these big three establishment media outlets all use police and government officials as sources and for quotes regarding Dublin, but not with regard to the Floyd “protests”.

These police and Irish government official’s claims are taken at face value and never questioned. When these officials call for “law and order” and declaring the “rioters” “thugs” and “hooligans”, it is seen as a positive and their actions noble in a fight against rampant hate and criminality.

In contrast, none of these three mainstream newspapers got quotes from police officials in their articles on the “protests” in the wake of George Floyd’s death. The only government official quoted was Trump who was painted as a tyrannical demagogue for calling the “protestors”, “thugs”.

Regardless of what you think or feel regarding the “riots” in Dublin or the “protests” about George Floyd’s death, the important thing to understand, and why I am writing this article, is that you are being relentlessly manipulated. How you think and feel is not a function of you rationally examining and weighing evidence. It is a result of you being emotionally manipulated through the use of subtle, and sometimes not-so-subtle, propaganda techniques.

The news you read or hear or watch, is manufactured and is a tool to manipulate you to into feeling how the ruling elite want you to feel.

In the case of Dublin, the globalists want you to decry anti-immigration sentiments and to see anyone who resists unfettered immigration as a “far-right”, racist villain, even though these Irish “rioters” may, in the case of Ireland (which has never been a colonizer – only colonized), be in an existential war to save the country and culture their ancestors fought for, and died for, for centuries.

The same manipulation is true regarding the George Floyd “protests”. The ruling elite want you to believe, and polls show an overwhelming majority of liberals do believe, that police are slaughtering unarmed blacks by the thousands every year. That is demonstrably false even though it “feels” correct according to media coverage.

Hyper-racialization and mass immigration are among the most valuable weapons used by the ruling elite to divide, conquer and pillage…and most of the people fall for it most of the time.

The bottom line is that, to quote the great George Orwell, “To see what is in front of one’s nose needs a constant struggle.”

Unfortunately, with attention spans and I.Q. dropping like flies in our insatiably emotionalist, social media saturated culture, fewer and fewer have the ability, or the will, to see what is in front of their nose and to sniff out the insidious and insipid establishment propaganda that is hiding in plain sight.

So, if you open your eyes and engage in the struggle, you’ll clearly see the mountains of bullshit in which they are currently rubbing your nose.

Follow me on Twitter: @MPMActingCo

©2023

This Week in Propaganda - 60 Minutes Edition

PROPAGANDA WATCH - 60 MINUTES

As the world has rapidly deteriorated over the last few years I have steadfastly stayed away from writing about politics and world affairs for the sole reason that it felt like a Quixotic quest to tackle such toxic topics.

Propaganda has, in this age, become so all-encompassing in our daily lives that my job of dissecting it in my writing became an entirely fruitless exercise, like handing out speeding tickets at the Indy 500.

The reality is that no matter how many articles, news segments or political comedies I could have eviscerated for being obvious propaganda meant to mis or dis-inform the masses, nothing would change. Echo chambers and information silos are too air-tight nowadays, making critical thinking all too uncommon, and when attempted, much maligned. As a result, no one would wake up from their establishment media trance just because little old me was desperately trying to knock the scales from their eyes so that they could see the Truth.

The simple fact is that it is too late. The blood-red dye has been cast in regards to our nation and the world and the best-case scenario for me was simply to keep saying over and over again, “I told you so”, which, despite what Gore Vidal’s insistence that they’re the four most beautiful words in our common language, is incredibly depressing.

Staying away from the noxious environs of corporate news and vapid political comedians like John Oliver, Bill Maher and the excruciatingly awful Late-Night hosts, was a very pleasant experience, as forcing myself to watch all of that vacuous garbage felt exceedingly masochistic.

But now, after roughly two years respite, and as the world stumbles blindly into world war and our nation into well-earned collapse, I find myself, much to my chagrin and frustration, charging headlong into the breach once more.

My reenlistment into the unwinnable propaganda war happened quite by chance as a little over a week ago I had just watched a football game and was distracted…and then the old CBS Sunday night stalwart 60 Minutes started and I got lulled in to watching the first segment. This segment, hosted by Scott Pelley, featured the domestic intelligence chiefs of the “five eyes” countries (US, UK, Canada, New Zealand and Australia). To say that this segment was ridiculous to the point of absurd would be a colossal understatement.

Then I watched the second segment, which was about Emad Shargi, an Iranian-American convicted of being a spy in Iran and imprisoned until he was part of a prisoner and cash swap orchestrated by the Biden administration. This second segment was a laugh out loud piece of unintentional comedy that made the first segment seem tame. I bailed on the final segment of the episode, which was about the pop singer Pink because…well…it was about the pop singer Pink for fuck’s sake.

I did not write about my 60 Minutes experience all week, adhering to my pledge to stay away from such topics…but then the following Sunday I saw one segment of the next 60 Minutes episode, which featured a segment on Georgia (the country, not the state)…and well…here we are.

The first thing to understand is that it is not by coincidence or accident that as the ruling class malignant neocons try to convince Americans to go to war across the globe, that 60 Minutes runs three inane and insane, manufactured propaganda segments in back-to-back weeks vociferously declaring that China, Iran and Russia are evil incarnate and pose existential threats to the US, democracy and the “West”.

Let’s start with the segment on Emad Shargi, the Iranian-American recently released from an Iranian prison. This segment was so obscenely slanted and perversely propagandized as to be the ultimate in anti-journalism.

The “reporter” running the segment was Margaret Brennan who has the uncanny ability to always look like she is about to cry.

Brennan walks us through the tale of Emad Shargi, an Iranian who immigrated to the US as a teen before the Iranian revolution in the late 1970s. Shargi went to school in the US and became a chemical engineer and started his own business. Good for him.

During the Obama presidency, in the wake of the “Iran deal” which Trump would later rescind, Shargi thought it would be ok to go back to Iran…so he did…even though his father warned him not to.

He is then arrested and charged with being a US spy.

This is where things get pretty interesting…or funny…depending on your perspective.

In recounting his story, Shargi, who is such an obvious phony as he is acting from start to finish everytime he’s on camera, tells of armed revolutionary guards coming to his home in Iran in the middle of the night. These police hold him and his wife at gunpoint and refuse to tell him for what crime he is being charged.

Margaret Brennan, with eyes swollen with tears, is shocked and horrified by the tyrannical brutality of these Iranian police behaving in such a manner. I had a different thought…namely that this exact thing happens dozens, if not hundreds, of times every day in another country…the United States of America, where police routinely raid people’s homes with guns drawn and whisk them off in the dead of night with no explanation of the charges. Apparently, Ms. Brennan is blissfully unaware of this reality.

Shargi then goes on to explain that he was taken to the “most feared” prison in Iran, Evin prison, and put in the “intelligence” wing ruled by the fearsome Revolutionary Guard.

Shargi recounts how he was put in a small room to be interrogated and a big man came in and yelled and threatened him and then another man came in…as Shargi called him “the good cop”, who promised to make it all stop if Shargi just confessed. Shargi refused because he said, with a wry smile, that he wasn’t a spy.

Brennan then jumped in and in typical 60 Minutes fashion fed a line to Shargi, by saying “…and then the torture began”. The funny part of it was though that Shargi responded by saying, “yes…threats of torture”. If you were paying attention, you’d notice that “threats of torture” is not exactly torture.

Shargi then went on the explain that he was “tortured” by being threatened with physical violence, waterboarding and a wide array of terrible treatment. How quaint. I know of hundreds, if not thousands, of American prisoners who would have loved to only have been threatened with physical violence and waterboarding.

As for Shargi’s interrogation…he was treated exactly like countless American prisoners interrogated in police houses across the country every night. The good cop-bad cop routine is so well known as to be Hollywood cliché at this point.

As for Shargi’s fear of the notorious Evin prison…you think low level criminals sent to Riker’s Island feel the same way Shargi did going off to Evin prison? Yeah…they do. Is Evin any worse than San Quentin? Holman? Pelican Bay? Angola? Sing Sing? Attica? Folsom? ADX Florence? I think not.

Shargi then tells an incredible part of the story that gets completely ignored by the spectacularly inept Ms. Brennan. Shargi tells of how, while out on bail, he is approached by someone who tells him he should escape from Iran while he has the chance. He is then aided in an escape attempt but is caught 30 miles from the Iranian border.

Let’s unpack this shall we? So, Iran is such a despotic, draconian tyranny that it lets out suspected spies on bail? That would seem to contradict the narrative that Shargi, Brennan and 60 Minutes is trying to push…which is why they never adequately address the issue.

Secondly, who is this mysterious person who counsels Shargi to escape and aids them in doing so? More on that in a bit.

Once Shargi is captured and returned to Evin prison, he is sent to see, as he describes him, “a hanging judge”. 60 Minutes then shows a picture of this judge and it’s like something out of comedy sketch, as it is the worst picture of this man ever taken as he looks menacing and angry…like a “hanging judge”. Nice tabloid touch there for 60 Minutes.

Here's the thing regarding this “hanging judge”. First of all, every judge is considered a “hanging judge” by the people being judged by them. Secondly…and most importantly…this “hanging judge” oddly enough doesn’t sentence Shargi to hanging…which is strange since he’s supposedly a “hanging judge” and Iran does hang people. No Shargi is sentenced to ten years in prison…which is no cake walk but it also isn’t being hanged, nor is it as bad as say twenty years in prison. Go to any prison in America and you’ll find lots of people who’d be thrilled to only get ten years from a “hanging judge”.

Shargi then tells the story of a riot that breaks out at Evin prison, during which prisoners are lighting fires and guards are shooting at them. A frightened Shargi decides to stay in his cell and risk asphyxiation rather than be shot by the brutal Revolutionary Guard.

But then a funny thing happens…the Revolutionary Guard rescue Shargi and take him out of harm’s way. Or as Brennan describes it, the Revolutionary Guard saves Shargi because he was “more valuable to them alive than dead”. What kind of twisted logic is that? People save someone’s life and their only motivation is because he must be worth more to them alive than dead? This is classic dehumanizing propaganda as plain as day, reducing Iranians to heartless, soulless devils who only ever have bad intentions and are incapable of doing something good….and if they do do something good it is for bad reasons.

But here’s the thing…what is so fascinating about the Shargi segment is that it ends with Shargi back home in the US in his very nice home doing regular things with his wife. You’ll never guess where this gorgeous home is located…the Washington D.C. area. Washington is a strange place for a chemical engineer to plant his flag and make his home. It’s also a strange place for a chemical engineer who hasn’t worked in well over five years to have such a nice home, as real estate is extremely expensive.

It's also curious that Shargi when he went to Iran was working for a “Dutch firm” as a consultant. As a chemical engineer working for a mysterious “Dutch company”, Shargi would have been compelled to make contacts with Iranian chemical engineers and scientists...all of which seems like something an intelligence agent or asset would be doing. The “Dutch company” is a standard cover for this type of intelligence operation, and Shargi’s being a “consultant” gives him one more layer of cover.  

Now back to the mysterious person who encouraged and aided Shargi in his escape attempt. It seems more likely than not that that person, who not only whispered in Shargi’s ear that he should escape but also had a support system in place designed to help him do just that, was Shargi’s intelligence handler who was trying to get his asset out of a hostile nation for fear of the whole network being exposed or captured.

In conclusion, it seems to me that Emad Shargi, despite his denials, was an American intelligence agency asset or agent, and may have been working for the US intelligence community for quite some time even before he went to Iran.

You would never even consider such a blatantly obvious idea if you listened to Margaret Brennan and her ilk at 60 Minutes, but if you read between the lines, it becomes pretty clear that Emad Shargi is not what he says he is.

Speaking of frauds, the segment on the “five eyes” intelligence chiefs in that same episode was chock full of them. As Scott Pelley, with propaganda boner fully engorged, was so proud to say in the segment, this was the first time in history that the five eyes intel chiefs had ever appeared together on television….and they did so because we are in so much great danger.

Watching FBI head Christopher Wray and his collection of vile intel whores gathered around a table was like watching a meeting of midwit bureaucrats at the Lollipop Guild.

The main takeaway from this segment was that China is really, really bad. The main reason China is bad is because they don’t play by the rules of international capitalism….the horror!

These morally and ethically obtuse idiots went on and on about how China is the biggest evil in the world because they cheat at capitalism by stealing intellectual property. They also claimed that China interferes in US elections (that familiar claim again!)…funny…they never mentioned Israel’s relentless and obvious interference in US elections though.

One of the main points was made by Wray when he said that China stealing intellectual property from US corporations isn’t “just a Wall Street problem, it’s a Main Street problem” because it costs Americans jobs. How cute…so Wall Street, corporate America and the investor class rape and pillage the working class and obliterating unions for decades by sending their jobs overseas to China on the free trade express…and now we’re supposed to give a shit that American companies are being fucked in the ass by China? Cry me a river asshole. That ship sailed back in the 80s with Reagan, 90s with Clinton, and 00s with Bush, if you cared about the American people you would’ve stopped China back then when it mattered and could be contained. You didn’t. Instead, you took the short end money and gutted the U.S. manufacturing base and working class…so fuck you if the beast you let loose on poor and working people is now devouring you.

And then there was this week’s episode of 60 Minutes, which featured the segment on Georgia and Russia. The main takeaway from this segment was…shock of shocks…Russia is bad!! It even includes an interview with an old lady to prove it!

The segment starts by pointing out that Russia is “occupying” a portion of Georgia after a flare up of hostilities in 2008, and then goes on to make a big deal of Russia’s “quiet invasion” of Georgia through immigration. I wonder if 60 Minutes has ever done an aggressive bit of journalism on how the US is occupying 25% of Syria (the land being occupied is…shock of shocks…resource rich)? I doubt it.

The main thrust of the piece after that is that Georgia, which borders Russia, is angry that so many Russians are coming to their country, many to avoid military service, and are remaking the nation.

The president of Georgia, Salome Zourabichvili, is furious about it and adamant that Georgia, for its protection, be allowed to join the EU. Ummm…Mrs. President Lady…if you’re worried about waves of unwanted immigration changing the face of your nation, you’ve got as big surprise coming to you if you join the EU…just ask Sweden.

If Georgia joins the EU they’ll get the privilege of being swamped by a tsunami of immigrants from a variety of third world shitholes in Africa and the Middle East. You think Russians are bad? Russians are driving up apartment prices and starting businesses in Georgia because they bring money and education to Georgia. Wait ‘til you get unemployable military aged men from Africa and the Middle East demanding free government services and committing crime at astronomical rates coming to your country instead.

Speaking of which, if 60 Minutes wants to do a story on how immigration, in this case illegal immigration, can destroy a culture and turn a first world nation into a third world nation, I have a scoop for them that will require absolutely no overseas travel at all. They won’t even have to travel to Texas to see it…they can just walk outside of 60 Minutes’ New York City offices.

In conclusion, 60 Minutes is, in their own self-righteous, journalistically vapid way, banging the drum for World War III by putting out these rather ridiculous and obviously manufactured segments touting Russia, China and Iran as the new “axis of evil”...and there are plenty of dupes and dopes in this country who will march right along with that tired old beat. Idiots who demand we keep throwing our hard earned money at Ukraine and Israel will demand we send our young men (but never their young men) to fight and die for those insidious countries when our money alone isn’t making enough of a difference. The same will hold true when China takes Taiwan.

As General Smedley Butler once astutely observed, “war is a racket”, and this new world war is going to be no different. 60 Minutes is just a delivery boy for the true villains of this story, the evil neocons and the venal charlatans in our government and their equally vile Zionist paymasters.

World War III isn’t coming…it’s already here and has been since at the very least the charade of the Maidan and U.S. led coup in Ukraine in 2014. If you don’t know that, then that is on you. If you want to stop it, I have bad news….you can’t…it is inevitable. Flailing empires in steep decline do not go quietly into that goodnight, and our empire will be no different, but probably considerably more violent than the ones that preceded it into the scrap heap of history.

Expect to see, in the coming days, weeks and months, some catastrophic event…a major false flag and/or green flag terror attack on US or European soil or an attack on US military installations, ships or troops, or something like that, which will completely silence any anti-war voices and rally the mindless masses to send their young men into the unwinnable meat grinders awaiting them in the Israel/Middle East, Ukraine/Eastern Europe and/or Taiwan/Asia.

In these troubled times the bullshit piles up so fast you need wings to stay above it…so do what I intend to do…keep your head up and start flapping your arms…it’s the only chance you have to try and keep a keen eye on the Truth and maintain your sanity, integrity and soul. Good luck.

 Follow me on Twitter: @MPMActingCo

©2023

Encounters (Netflix): A Documentary Mini-series Review - The Truth is Out There...But Not So Much in Here

****THIS IS A SPOILER FREE REVIEW!! THIS REVIEW CONTAINS ZERO SPOILERS!!****

 My Rating: 2.5 out of 5 stars

My Recommendation: SKIP IT/SEE IT. Newbies to the UFO story might find this a decent if uneven place to dip their toe into the topic. Viewers more informed on the UFO phenomenon won’t find much useful in this tepid and tame mini-series.

Encounters is the new four-episode docu-series on Netflix that explores four different UFO mass sightings at four different locations across the globe. The series, which premiered on the streaming service September 27th, is garnering some attention because it is produced by Steven Spielberg’s production company Amblin.

As someone who has had a longtime interest in the subject of UFOs, and who has read and watched a great deal about the phenomenon, I was excited to see Encounters. With UFOs, or as they’ve now been deemed UAPs (unidentified aerial phenomenon), finally being publicly taken seriously by governments and the media after years of being scoffed at, the opportunity for quality documentaries to inform audiences and initiate further investigation is at an all-time high.

Prior to Spielberg’s Amblin Entertainment producing Encounters, other high profile Hollywood producers/directors have stepped into the UFO breach in recent years in similar fashion. JJ Abrams’ 2021 docu-series titled UFO, is one example.

Encounters is very similar in some ways to Abrams’ UFO as both are four-part docu-series, both cover a lot of familiar ground that UFO afficionados will know well, and both are decent enough starting places for the uninitiated to dip their toe into the UFO subject. Unfortunately, both are also, despite their best intentions, middle-of-the-road, rather forgettable projects.

Unlike Abrams’ UFO series, Encounters for the most part stays away from the UFO hot topics that have made headlines in the last five years or so and instead focuses on four mass sightings in recent and not-so-recent history.

The first episode is about the 2008 sighting by hundreds of people in Stephensville, Texas.

This first episode is, like all the others, very well shot and professionally produced. The witnesses presented aren’t just credible but are interesting, and their stories are compelling. Even more compelling is the radar evidence discovered after a FOIA request that backs up the claims of those who saw UFOs and saw F-16s quickly chase after them.

One minor issue I had with the first episode is that it never mentions that Stephensville, Texas is very close to the home of George W. Bush, who was President of the United States at the time of the UFO incident. This seemed a curious omission in recounting the tale.

Episode two covers the 1994 encounter at the Ariel School in Zimbabwe. This incident is fascinating, but the episode is a bit bumpy. For instance, 60 students claim to have seen a UFO and an alien in broad daylight, but one student, who is now a grown man, claims he made the whole thing up and everyone else just went with it and now believe the delusion. I understand wanting to show both sides of an argument, but this lone student seems, frankly, unhinged, and his testimony about it being a hoax feels, ironically enough, absurd in the face of the counter evidence.

This episode is noteworthy solely because it introduces the remarkable Dr. John Mack, the late Harvard psychiatrist who in the 1990s began to take the alien abduction phenomenon seriously.

John Mack’s story is worthy of an extensive documentary all its own, but Encounters is only able to give a brief background on his astounding career and the impact he had on the subject. One can only hope that a more extensive documentary on Mack is produced, but for the time being this quick review in episode two will hopefully pique newbie’s interest in the man and his work.

Episode three examines the 1977 Broad Haven Triangle incident, in which a bevy of Welsh school boys and townspeople witnessed UFOs and aliens. This episode was the weakest of the bunch as it never streamlines its storytelling or clarifies the bizarre incidents in question.

The incident itself is fascinating, as all of the children who witnessed it were quickly separated by skeptical teachers and asked to draw what they saw, and drew the same thing. The counter point is that at that time the culture was awash in UFOs and so all people, not just children, had a foundational understanding of what UFOs would look like and thus rendered them in unison upon request.

Much of the other witnesses in the Broad Haven case tell interesting stories but they feel less compelling, and frankly less believable, than the three other incidents examined in this series.

The final episode looks at the plethora of UFO sightings in Fukushima, Japan after the horrific earthquake and tsunami of 2011.

This episode features the very best video evidence in the series, but also wanders down some pretty bizarre, and frankly, unhelpful paths when interviewing residents of the area.

For example, one woman, a drama teacher and pseudo-spiritualist, claims she is an alien and is inhabiting a body on earth to witness the great transformation that is happening. This woman, who is like every other new age kook I’ve ever met, and trust me when I tell you I’ve met a hefty number of them, suffers from the shadow disease of new age-ism, namely egregious narcissism. Why the producers would include such an obviously low-credibility nutjob like this woman is beyond me as it demeans the topic and diminishes the mini-series.

The spiritual element of UFOs is a big topic in this episode as the cultural differences between East and West are explored, with the East being more open to UFOs as some sort of spiritual phenomenon rather than a physical one.

The Fukushima UFO case is one of the more evidence-based ones, so it makes the producers decision to focus on more esoteric subjects rather than on the actual evidence very counter-productive and dismaying.

On the whole, Encounters is disappointing for someone like me as I know a lot about these incidents already, and the series doesn’t really bring anything new to the fore.

To someone with any background in UFOs, Encounters is decidedly tame and feels rather out of date. If the series came out a decade ago it would’ve felt much more relevant and interesting.

That said, if you spend the majority of your time in the mainstream and are a newbie to the UFO subject, then Amblin’s Encounters could be a decent enough place to dip your toe into the topic, as would be JJ Abrams’ tepid UFO series.

But if you want to take a serious look at the subject of UFOs, I would recommend starting with the work of documentarian James Fox, whose films Out of the Blue (2003), I Know What I Saw (2009) and Phenomenon (2020), are as good and as informative as it gets in the genre.

With those three films as your foundation, you’ll have a solid understanding of the history of the subject and how we got where we are today, and what might come tomorrow.

As for Encounters, despite covering some truly vital incidents, it never rises to be anything more than a brief overview of a topic worthy of so much more.

 Follow me on Twitter: @MPMActingCo

©2023

Looking California and Feeling Minnesota: Episode 100 Part Two - Popular Streaming Platform Recommendations

On the conclusion of our 100th episode celebration, Barry and I finish up our streaming service  film/tv recommendations. Topics discussed include the wonders of the Criterion Channel, the god-awful shit that is Peacock, and how HBO Max was better before it became Max. Oh...and a flock of geese gets slaughtered on air for no apparent reason. 

Looking California and Feeling Minnesota: Episode 100 Part Two

Thanks for listening!

©2023

Succession (HBO): Final Season Review - All's Well That Ends Well...Enough

****THIS ARTICLE CONTAINS SOME SEASON 4 SPOILERS!!! THIS IS NOT A SPOILER FREE ARTICLE!!****

Season 4 Rating: 4 out of 5 stars

Overall Series Rating: 4.5 out of 5 stars

My Recommendation: WATCH IT. Great acting and great writing make for some great TV.

Succession is dead. Long live Succession.

The HBO prestige drama about the dysfunctional Roy family and its mega-media empire had its season four and series finale last night.

For its four seasons Succession has been a glorious dramatic feast served in an era where both film and television have consistently fed us mostly middling, mind-numbing, middlebrow mush.

Watching patriarch Logan (Brian Cox) and his ne’er-do-well offspring Kendall, Shiv and Roman run roughshod over America and its culture was insidiously entertaining but also bone chilling because of its unnerving similarity to the real-world.

The Roys are part Murdoch (Fox), part Redstone (Viacom/CBS/Paramount), part Cox (Cox Communications) and part Roberts (Comcast), and like them all, entirely awful.

Despite being a toxic brew of capitalism porn and media mogul soap opera, Succession never failed to be a joy to behold and the reason for that is two-fold.

First, the acting was superb across the board. Secondly, the dialogue brought to life by these actors was razor sharp and never failed to be anything but modern-day Shakespeare.

That all said, season four was the weakest of the Succession seasons. It wasn’t terrible at all, in fact, it featured the greatest episode not only of the series (episode 3) but of any series in recent memory. But it felt like season four was less dramatically and narratively crisp as the seasons that preceded it.

Part of the issue with season four was that it didn’t earn much of the drama it tried to use. For example, the political election storyline felt trite and shallow because the stakes of the election were not sufficiently developed, and then when they were upon us felt artificially heightened…much like our own real elections.

The same was true for the climax of the finale. Without giving too much away, there is a confrontation between the siblings at a crucial moment that rang surprisingly hollow and underwhelming because it just seemed forced and manufactured, which is not something that happened throughout the run of the series.

This crucial confrontation needed more lead time in order to be more developed and more believable. Unfortunately, the lack of believability around this confrontation undercut the dramatic momentum of the episode, season and series.

Season four was also hamstrung by killing off its most compelling character, Logan, early in the season. Logan was the center of the Succession universe and while it was amusing watching the Roy children try and fill the gaping void left in his absence, it was never quite as profound as when Logan was sitting atop the throne.

Speaking of King Lear…oops…I mean Logan, Brian Cox was absolutely phenomenal in this series. Cox’s Shakespearean speechifying was as good as it gets and has ever gotten in television. Cox’s Logan was a combustible and curmudgeonly king and we should all bow down to his combativeness.

Kieran Culkin as Roman Roy was also spectacular. Watching Roman go full Fredo…and you never go full Fredo, in the final season was extraordinary. Culkin’s ability to bring Roman’s self-loathing and searing, rapier wit to life with such skill and verve was among the show’s highlights.

Sarah Snook’s oh so human, desperate and transparently wounded Shiv was a consistent pleasure to watch as she was Lady MacBeth, Goneril and Gertrude (Hamlet’s mother) all rolled in to one.

Jeremy Strong was outstanding as Kendall, the broken boy who would be king but can’t get out of his own way. Strong’s unrelenting commitment to the vacuous and vacant Kendall was impressive.

In season four, Alexander Skarsgard was exquisite as Swedish tech guru Lukas Mattson. Skarsgard was so great in season four as the GoJo CEO he basically took over the show with his quirky, nerd guy darkness.

But of all the great actors on Succession, nobody tops Matthew Macfadyen who played Shiv’s pain sponge, sycophant husband Tom Wambsgans. Tom reeked of shameless ambition and sweaty desperation but never succumbed to self-pity, only to self-interest.

Tom’s whipping boy, cousin Greg, played by Nicholas Braun, yearned to be part of the amoral and incompetent Roy sibling “quad” and would do anything to make it happen or to make anything happen for himself. Braun was outstanding as he stole scenes and episodes with his priceless line readings and his character’s insecure maneuvering and backdoor bravado.

I suppose the reason why, despite its faults and despite having watched the finale on the new, annoyingly glitchy, streaming service Max (fuck you, Max!), I liked Succession so much was that it accurately spoke to our current time and current predicament.  

Watching a Shakespearean-esque dramatization of the ruling elite and ownership class of America, filled with an endless supply of second and third-rate fucktard, mid-wit nepo-babies devoid of balls but ravenous for power, who surround themselves with sycophantic psychopaths whose only ambition is to hold onto their own tiny, Mordor adjacent fiefdoms, was as entertaining as it was unnerving because this is exactly how empires, like America, fail and fall.

For instance, anyone who is even remotely aware can see that America’s ruling class are a decidedly spent force. For God’s sake we are on our way to having another election between fourth-rate, incompetent shitstains Joe Biden and Donald Trump. In a country of over 350 million people, it is impossible that we must choose between a compulsively lying, narcissistic, dementia-addled, pedophile politician and a bloated, incoherent, shameless, compulsively lying, nepo-brat, failure.

Of course, the truth is we only have a choice between these two asshats because we don’t actually have any choice…only the illusion of choice. Succession makes it clear that the decision between who rules and who is ruled is not a decision at all…it’s simply theatre, meant to entertain and distract while the Logan Roys and Lukas Mattsons – the ruling elites of the world, sit on high and pull all the strings.

It was great fun while it lasted, but Succession, like America’s global empire and the dollar’s dominance, is over…and frankly…it needed to be over. Succession needed to end because it ran out of runway for its drama and the American empire needed to end because it, like all empires before it, has grown much too decadent and depraved whilst wearing the crown to survive.

America will no doubt deeply miss its empirical power when it’s gone because if Succession has taught us anything it’s that while being in power is a cold, barren, miserable, sterile, lonely, painful existence, life without power is much, much worse.

 Follow me on Twitter: @MPMActingCo

©2023

Adventures in Idiocy - Thoughts on Dylan Mulvaney, Max and Monty Python

PUTRID PANTHER PISS

Yet another front in the never-ending culture war was opened in early April of this year when Bud Light decided to hire “transgender influencer” Dylan Mulvaney to be a “spokesperson” for their shitty beer brand.

To celebrate Mulvaney’s year anniversary of his “days of girlhood” Tik Tok series – which documented the travails of his first year of “girlhood” - which miraculously included the pain of menstrual cramps (or in this case minstrel cramps) despite his not having a uterus, Bud Light put his ridiculous face on beer cans.

The reaction from Bud Light drinkers to having trans Tinkerbell Dylan Mulvaney thrust upon them was entirely predictable to everyone with half a brain in their head, which obviously excludes the decision makers at Bud Light.

The people who drink Bud Light, or used to drink Bud Light, are mostly men, mostly working class and all have bad taste. Like most men, they have no interest in Dylan Mulvaney, trans issues, or the culture war. They just want to be left alone to drink beer, hang out with buddies and watch sports while they wait to for their life to come to an end.

Bud Light used to be the beer they’d consider drinking – I don’t drink but only God knows why anyone would drink that putrid panther piss…but to each his own, but now Bud Light is definitely off the table. The reason for this is simple…men love to bust each other’s balls…and now any guy drinking Bud Light gives his buddies endless ammunition to bust his balls into oblivion.

A guy brings Bud Light to a party or orders one at the bar and he will be serenaded with a cavalcade of humorously vicious insults questioning his sexuality, his gender and the state of his genitals. You may think that is cruel or barbaric or transphobic, but no one gives a flying fuck because it is, above all else, undeniably true.

The sales for Bud Light since Mulvaney became their spokesperson prove that the brand is now toxic among its core customers. For nearly two months since this all began Bud Light sales have plummeted in comparison to last year’s weekly sales averages…consistently down between 25% and 30% a week.

And this drop in sales is not going to just disappear because the stink left on the Bud Light brand from Mulvaney’s odious presence is going to last for a long time. Once a brand becomes a punchline it is nearly impossible to reverse.

What is baffling to me is how could the suits at Bud Light be so ignorant of their target audience and so blind to cultural reality? To say this is corporate malfeasance is a massive understatement.

As for Dylan Mulvaney, he is an adult and should do as he pleases with his own body…his transgenderism is his business (literally and figuratively), I just wish he wouldn’t be so craven as exploit himself or allow himself to be exploited by corporate entities…but unfortunately it seems the mentally ill Mulvaney is more interested in attention than anything else.

Mulvaney was what we call a theatre muffin (musical theatre actor) prior to becoming an “influencer”. Disingenuous, narcissistic, hyper-performative, annoyingly flamboyant gay men like Dylan Mulvaney are a dime a dozen in the theatre world. So Mulvaney seems to have decided to distinguish himself from the glamour boy hoi polloi by dressing up like a woman and saying he was trans. How clever.

His plan has worked remarkably well, as he’s made tons of money, gotten famous and even went to the Oval Office to talk to President Biden about Women’s issues…yes…you read that right….a man went to the White House as an expert on Women’s issues. Ultimately, Mulvaney strikes me as a rather repugnant culture war creature who during his shameless drive for fame has done more to denigrate women in the past year than most any other public figure.

One can only hope that Bud Light, Dylan Mulvaney and the shitheads at Anheuser-Busch all disappear and right quick because the world desperately needs none of them.

As for Bud Light, it has successfully destroyed decades of branding and is now radioactive amongst its core customers. Congratulations…there is no coming back from that.

MAX

Speaking of corporate marketing malfeasance, the geniuses over at the corporate behemoth Warner Bros. Discovery unveiled their new streaming service this week and it stands as a monument to their moronity.

Warner Bros. Discovery owns the streaming services HBO Max and Discovery +. HBO Max is of course known for its prestige TV shows, like The Sopranos, The Wire, Game of Thrones and Succession, and for its deep library of films, which include the Harry Potter, DC Comics I.P. as well as Turner Movie Classics and a bevy of other great films.

Discovery + is known for its reality TV empire which includes all the shows from Discovery Channel, Animal Planet, TLC, HGTV, Food Network, Travel, Investigation Discovery and CNN.

The suits at Warner Bros. Discovery, led by their brainless and toothless shark of a CEO, David Zaslav, decided to combine these two streaming services into one giant streaming service.

When naming the new streaming service, they decided to forego the well-established, prestige brand of HBO which has been arduously built over the lasty forty years. And they also decided to ignore the less prestigious but still very recognizable brand of Discovery.

Instead Zaslov and co. decided to name their big new streaming service…MAX.

The first thing that comes to mind with the name MAX is the low rent cable channel Cinemax, which is derogatorily called Skinemax because of its penchant for showing soft core porn in the wee hours of the night.

The second thing that comes to mind is MAXipad…or maybe MAXimum-security prison…or maybe for those old to remember, MAX Headroom.

HBO has become such a strong brand associated with prestige over the last 40 years that even when its shows aren’t that great, they are treated with great respect by the culture. For example, 2021’s Mare of Easttown starring Kate Winslet was shit, but the media and audiences treated it like some great work of art simply because it was on HBO.

And that’s the thing…HBO signaled prestige to both viewers AND talent…which is why great actors, writers and directors would be willing to make the jump to TV only if it was HBO.

Now with MAX…not so prestigious. Now if you’re a movie star you think twice before doing a series there because it’ll be lumped in with 90 Day Fiance and Dr. Pimple Popper.

That Warner Bros. Discovery could fuck up the naming of their gigantic streaming service this badly should be shocking…but it isn’t. Zaslav and his predecessors have been able to fuck up lots of things – like their DC films, over the years.

It should also come as no surprise that Warner Bros Discovery completely fucked up the actual Max streaming site. HBO Max was the easily best streaming service site to navigate and it wasn’t even close. It had easy to access hubs to all of the valuable sections of their library like Turner Classics, DC and Studio Ghibli which made navigation a breeze. The new Max site has idiotically eliminated that glorious convenience and replaced it with a haphazard, shit-thrown-against-the-wall incoherence that is frustrating, irritating and aggravating.

The Max site is a jumbled, muddled mess. It doesn’t even have a hub solely dedicated to the Discovery material which means, much like every other useless streaming service site, browsing is fruitless and you can’t really find anything unless you specifically type it into the search bar. Moronic. I hate it so much and I hate that the ease and perfection of HBO Max is gone.

The bottom-line is don’t be surprised if Warner Bros Discovery renames MAX (and hopefully does a full reboot and rebuild) in the next 3 years…and don’t be surprised if incompetent jackass Zaslav is out of a job…and don’t’ be surprised if the company sells off major portions of its entertainment business either.

THE LIFE OF BRIAN…AND LORETTA

And finally…three years ago this July I wrote a verbosely titled article “The Monty Python Classic 'The Life of Brian' Relentlessly Mocked Christianity Forty Years Ago, Comedy Needs to Do the Same Thing to the Church of Wokeness Today” in which I celebrated the film The Life of Brian for having transformed from being banned for blasphemy upon its release to being rated as acceptable for kids today.

I also praised the film for having masterfully mocking the old religion, Christianity, and for having the foresight to eviscerate the new religion, transgenderism, too, forty years ahead of time.

The mocking of the new woke religion occurs in a scene set in the coliseum of Jerusalem where the People’s Front of Judea meet to discuss their goals. One of the members, Stan – played by Eric Idle, declares he wants to be a woman and that it is his right as a man to have people call him Loretta.

Here is the scene which is absolutely, astonishingly brilliant from start to finish.

When Stan keeps interjecting feminine pronouns into the proposed language…he is asked by Francis why he keeps bringing up women?

Stan -  “I want to be one….I want to be a woman….from now on I want you all to call me Loretta…It’s my right as a man.”

Judith – “Why would you want to be Loretta, Stan?

Stan – “I want to have babies…It’s every man’s right to have babies if he wants.”

Reg - “You can’t have babies!”

Stan - “Don’t oppress me!”

Reg - “I’m not oppressing you Stan, you haven’t got a womb! Where’s the fetus gonna gestate? You gonna keep it in a box?”

After some hemming and hawing, Francis chimes in with a solution.

Francis (to Stan) - “We shall fight our oppressors for your right to have a baby, brother…ooops…sister, sorry.”

Reg - “What’s the point of fighting for his right to have babies if he can’t have babies?”

Francis – “It’s symbolic of our struggle against oppression!”

Reg – “It’s symbolic of his struggle against reality.”

I wrote of the film and this scene that,

“The Office, Community, 30 Rock, It’s Always Sunny in Philadelphia, Scrubs and Fawlty Towers, among others, have all had episodes scrubbed from streaming services for their past politically incorrect sins. Let us pray to our Lord and Savior Brian and his Sacred Shoe and Holy Gourd, that Monty Python’s glorious canon is not next on the cancel culture crucifixion list.”

Well…just today I saw that John Cleese, one of the founding members of Monty Python, is staging a theatrical production of The Life of Brian, and he is being forced to cut the “Loretta” scene from the show.

Cleese said of the Loretta scene being cut,

So here you have something there's never been a complaint about in 40 years, that I've heard of, and now all of a sudden we can't do it because it'll offend people. What is one supposed to make of that? But I think there were a lot of things that were actually, in some strange way, predictive of what was actually going to happen later."

Yes, Cleese and co. predicted the absurdity of transgenderism forty years before it became a state religion, and I predicted the knives of the Cancel Culture Centurions and Tiny Twitter Torquemadas coming out for the The Life of Brian three years before it happened. Prophets both of us.

As the good book says (Mark 6:4), “no prophet is without honor except in his native place, among his own kindred, relatives and in his own house.”

And that is why my prescient Monty Python article, and most everything else I’ve written, could only be widely published at a Russian media outlet RT.com, and not here in the U.S. of A. where the Truth is anathema and people only want to read things that comfort, rather than confront, their vapid, vacuous and vacant belief systems built on disinformation, misinformation, propaganda and emotionalism. It's also why my wife left me, my dog bit me and my family disowned me.

As for Bud Light, MAX and Monty Python, these stories of misjudgments and massive failures are all just symptoms of a depraved decadence brought about by the broader disease of an empire in rapid decline.

Think this is bad? Trust me…things are going to get much, much worse…just watch and see.

Follow me on Twitter: @MPMActingCo

©2023

TV Round Up - Thoughts on Succession, The Mandalorian, White Lotus, JK Rowling and more!

I was going through my notes and thought I’d share some thoughts on various tv shows that have come and gone that I failed to properly review. If you are looking for something to watch maybe these mini-reviews will be useful.

I also had some not-so-brief thoughts on some current shows…The Mandalorian and Succession, as well as some observations regarding JK Rowling and a potential HBO Max Harry Potter series. Enjoy!!

White Lotus –

HBO Max

Rating: 2 out of 5 stars

Recommendation: SKIP IT. Over-rated garbage.

Season Two of White Lotus was all the rage this past fall. It became that show that critics and fans fawn over and that generates all sorts of cultural buzz. I watched season two when it originally aired but didn’t write a review of it for a variety of reasons…one of which is that I greatly disliked it and the thought of writing about it depressed me.

The first season of White Lotus – set in Hawaii, grew on me as it went along but the second season got worse as it went along. I watched season two – set in Sicily, beginning to end in hopes of it improving…but it never did and ended up being nothing but a grating chore.

The things that irritated about this show are too numerous to list in full but here’s a select few of them.  

Jennifer Coolidge, aka Stifler’s mom, seems like a nice person and I suppose it is all well and good that she’s having a career renaissance, but her clueless Tanya character which returns for season two is no longer quirky and amusing but aggressively annoying. Coolidge’s act, which may not be much of an act, wears incredibly thin the more time you spend with her. We all would’ve been better off if she was left behind in Hawaii.

Also annoying is that apparently every hotel manager in the entire world is gay…and in the case of Valentina in Sicily, gay and incredibly boring.

The elaborate plot of season two is so beyond ridiculous as to be absurd. None of the characters are relatable or even remotely likable. I spent the entire series loathing everyone and praying for everyone, especially Audrey Plaza’s Harper, Haley Lu Richardson’s Portia, Michael Imperioli’s Dominic (Imperioli is exposed as an awful actor in this show to a shocking degree) and Adam DiMarco’s repulsive Albie, to all die heinous deaths.

On the bright side…Meghann Fahy delivers the best moment of the entire series in her scene on the beach with her husband’s supposed best friend. Fahy was the lone bright spot in this massively over-hyped and over-rated show.

I’ll never understand why this show became a thing.

Slow Horses –

Apple TV+

Rating: 2 out of 5 stars

Recommendation: SKIP IT. Series has some charm but never figures out what it wants to be.

Season one of Slow Horses wasn’t much to write home about…Gary Oldman’s hysterical flatulence aside. It was too slow and too fast all at the same time.

Season two starts off with more promise than season one, but it ends up being just as underwhelming.

The show should be a rather small-scale story of bureaucratic intrigue, but it constantly goes for these over-expansive, James Bond-ian scale storylines that just seem rushed, cheap and totally unbelievable.

Oldman is, as usual, great, and the rest of the cast give solid performances, but the writing never lives up to their stellar work.

This is just one of those shows that just can’t figure out what it wants and needs to be…and thus ends up being nothing.

Black Bird –

Apple TV+

Rating: 1 out of 5 stars

Recommendation: SKIP IT. A mess of a mini-series. Incredibly poorly written. Paul Walter Hauser is great as the bad guy and deserved better.

This mini-series, developed by Dennis Lehane based on an alleged true story, is so amateurish as to be astonishing. The writing and casting of this series is so bad it made my stomach hurt.  

Taran Egerton plays a bad guy who agrees to go into prison to get a serial killer to confess. There’s not a single moment where Egerton is believable. Not one.

Sepidah Moafi plays an FBI agent and she is so miscast, and so terrible in the role, I’m surprised my tv didn’t spontaneously explode while watching it.

My old friend Greg Kinnear, one of the nicest guys you’ll ever meet, is saddled with an abysmal role as a small-town cop that is never fleshed out or given any logical narrative.

The best thing about the show is Paul Walter Hauser, who is truly great as the twisted serial killer. Hauser is unquestionably one of the very best actors working on the planet right now. I hope he is given opportunities in much better projects going forward.

Bottom line is that this script is atrocious and this show is beyond ridiculous, as it’s a pyramid of inanities upon inanities.

The Mandalorian –

Disney Plus

No rating yet

Thoughts on the first 5…no wait…6 episodes of the 8-episode third season.

Season one and two of The Mandalorian grew on me as they went along and as the series became the flagship of Disney +. But season three has been a very, very bumpy ride over the first five episodes of the eight-episode season.

The drop off from season two to season three has been considerable. Mando now seems to have gone from searching to wandering…and that has sucked much of the drama out of the show. The season three story feels very scattered and unfocused and the execution of that story feels alarmingly cheap and decidedly second-rate. The writing is, unfortunately, just egregiously bad.

Maybe the series can get its mojo back in the three final episodes of this season…but that seems highly unlikely…and The Mandalorian mojo may very well be lost forever.

****Ok…so I wrote the previous paragraphs BEFORE I watched episode six of The Mandalorian. And now I’ve watched episode 6 and…holy fuck…things have changed…and not for the better.

Season 3 episode 6 of The Mandalorian is arguably the very worst Star Wars related event to have occurred in the history of the franchise…which is saying quite a bit. This is the Jar Jar Binks of episodes. This episode is so bad it makes the absolute shit shows that were Obi Wan Kenobi and The Book of Boba Fett seem like passable Star Wars entertainment.

Episode 3 is the most amateurish and cheap piece of garbage imaginable. The script, written by Jon Favreau, is abysmal and embarrassing. The directing, by famed actress Bryce Dallas Howard, is shameful and humiliating. The ignominious cameos in the episode by the rotund non-actress Lizzo, Jack Black and a decrepit Christopher Lloyd, are undeniably mortifying and resolutely cringe.

You’d be hard pressed to find anything anywhere as awful as the diarrhea of cutesy-ness that was Baby Yoda doing a front flip to be by Lizzo’s side…or watching him use the force to help her cheat and win at some stupid space game. Watching Lizzo knight Baby Yoda may have been the lowest point in American pop culture history.

Equally idiotic and incoherent was the story about Christopher Lloyd’s character who is maybe a bad guy or maybe a good guy. The conclusion of that narrative is so trite and throwaway as to be absurd. It’s like a kid playing with Star Wars figurines got called to dinner so they just gave their play session a generic ending and walked away.

The Mandalorian is apparently not about Din Djarin (Mando) and Grogu (Baby Yoda) anymore and instead has turned its flaccid dramatic focus to Bo-Katan Kryze, played by a gaunt and ghastly Katee Sackhoff. Sackhoff, who once upon a time was so good in Battlestar Galactica, is a dullard on The Mandalorian, and the nonsensical narrative turn of her not wearing her Mandalorian helmet has only made things worse as we are forced to see her lifeless eyes.

The bottom line is that Episode 6 was so bad it wasn’t a jumping of the shark, it was a Kessel Run over a trillion space sharks. This show is done. It simply cannot recover from such an egregious episode.

It’s a shame…at one point it seemed like The Mandalorian was going to save Star Wars. Now it seems that The Mandalorian is the final nail in its coffin.

Succession –

HBO Max

No rating yet

Thoughts on the first 2 episodes of the 10-episode fourth and final season

The final season of Succession is here and as enjoyable as it is to marinate in this capitalism porn, the truth is that the producers were very wise to make this the last season. The show, which is two episodes into its ten-episode finale, is well shot, well written and well-acted, but season four does feel like the series narratively repeating itself.

As glorious as it is to watch a dramatization of the palace intrigue amongst the villainous Murdoch/Redstone/Cox clans who run America’s media empires, the show thus far in season four seems to be rehashing the same battles from previous seasons just with characters taking on different roles in the melo-drama.

That said, watching Succession is a pure joy because the writing is so crisp and the performances so committed that it feels like a modern-day version of Shakespeare.  

Brian Cox, Kieran Culkin, Matthew MacFayden, Allen Ruck, Sarah Snook, Jeremy Strong and Nicholas Braun are fantastic as the Roy extended family, and the supporting actors are equally outstanding.

As sad as it will be to see Succession go, season four is showing signs that the story has run its course, so best to enjoy it while it’s here and be glad it’s not going to sully its reputation by dragging on uselessly for another three seasons.

FUTURE HARRY POTTER SERIES

HBO MAX

So, I saw in the news that HBO is maybe going to make a tv series remake of the Harry Potter books, with each of the seven original books getting its own season.

I don’t really care one way or the other about the Harry Potter franchise, be it the books, movies or anything else. But what struck me as I read the stories about this potential series is something that has struck for many years but which I never took the time to write about (that I remember)….namely that every article about the potential new series mentioned that “transphobic” creator JK Rowling would be involved in the show.

What bothers me about this is that JK Rowling being “transphobic” is an opinion, not a fact, and yet it showed up in every news article I read about this series…and in every article I’ve read about JK Rowling in recent years.

Coincidentally, I was helping my young son with his school work the other day and one of the assignments was to place a series of statements into one of two categories, ”fact” or “opinion”.

The statements were things like “there are 8 planets”, which would be considered a fact, and “apples are better than oranges”, which is an opinion. My son being the precocious lad that he is even pushed back against the 8 planets thing saying “that’s only if you don’t count dwarf planets”. Which is true…but in the spirit of the assignment we labelled it a fact since it said “there are 8 planets” not “there are ONLY 8 planets”.

The most intriguing statement in the assignment was “you shouldn’t eat too much candy”. My son’s instinct was to say it was a fact, because it is true that you shouldn’t eat too much candy. But…as we kicked the idea around, we got very philosophical…pondering how much is “too much” and who is the one to decide what is “too much”? “Too much” for me might be “not enough” for you.

We even got Clintonian as we parsed what is “candy”? We can all agree a chocolate bar is candy…but is a caramel apple candy? Are chocolate covered almonds candy? Is bubblegum candy?

The conclusion we came to was that “you shouldn’t eat too much candy” was not a fact but rather an opinion because it lacked specificity and detail and relied upon the subjective and not the objective.

Which brings us to JK Rowling’s alleged transphobia. What bothers me about these articles stating as fact that JK Rowling is transphobic is that opinions greatly differ in regards to Ms. Rowling’s transphobe status.

A journalist writing about Rowling may believe she is transphobic, but that doesn’t make it a fact. There are many people, myself included, who don’t think Rowling is transphobic at all. And just because trans activists label Rowling a transphobe doesn’t make her one.

Any journalist worth a damn should write of Rowling that “some claim she is transphobic” or “trans activists claim Rowling is transphobic” or that “Rowling has made statements some deem transphobic”. This really isn’t that hard.

Hell, when I was working for RT I wrote the term “dementia-addled” while joking about Joe Biden in an opinion piece and the editors very quickly informed me that I wasn’t a doctor and hadn’t examined Biden so I couldn’t diagnose him as having dementia. It was a valid point, so I took the phrase out of the piece despite my believing Joe Biden has dementia and, worst of all, that removing that statement ruined a good joke.

Anyway…I don’t care about the Harry Potter tv series, but I do care that our culture has completely gone off the rails and that journalists at the most prestigious of media outlets lack the critical thinking skills and basic journalistic integrity of a 7-year-old. I have no doubt that the Ivy League educated know-it-all, know-nothings at The New York Times, LA Times, Washington Post and Boston Globe would not hesitate for a moment to declare that “you shouldn’t eat too much candy” is a fact because “the science is settled”. Sigh.

It should also be obvious that the news media plays the same word games with other topics as well…and treats opinions as fact on a daily basis turning journalism into nothing more than insidious, subtle and not-so-subtle activism which only misinforms its audience and diminishes journalism’s credibility.

Alright, thus concludes both my rant about shitty journalism and JK Rowling as well as my not-so-brief TV Round Up.

 FOLLOW ME ON TWITTER: @MPMActingCo

©2023

She Said: A Review - Agenda is No Subsitute for Drama

****THIS IS A SPOILER FREE REVIEW!! THIS REVIEW CONTAINS ZERO SPOILERS!!****

My Rating: 1 out of 5 stars

My Recommendation: SKIP IT. This absolutely awful, dreadfully dull, banal bore of a film is a muddled misfire.

I missed seeing She Said, the story of how New York Times investigative reporters Jodi Kantor and Meghan Twohey exposed the Harvey Weinstein scandal, when it premiered in theatres this past November. I wasn’t the only one not to see it as the movie was a major flop, bringing in only $12 million on a $32 million budget.

But She Said, which is based on the book of the same name and stars Carey Mulligan and Zoe Kazan, is now available to stream on Peacock and I just had the great displeasure of watching it.

This dreadfully dull movie is directed by a hapless Maria Schrader and written by an even more hapless Rebecca Lenkiewicz, and is a sort of procedural journalism drama minus the drama….and storytelling, and craftsmanship and skill.

She Said is what happens when a movie is all agenda and no drama or cinematic skill. It’s expected in this day and age that people – the “right-thinking people” anyway, will love this type of movie just because it exists and because it holds the correct cultural/political opinion.

Just so viewers know what the correct opinion is, the film gives them a totally ham-fisted scene early on where the two female reporters and their female editor go to a bar in the middle of the day to talk about the story they’re developing. At the bar a drunk thirty-something white frat bro tries to hit on them and Carey Mulligan’s Twohey defiantly stands up to him and shouts him down. You go girl!! The dude then stumbles away muttering about “frigid bitches”. Then Mulligan’s Twohey apologizes to the women she’s with, Kazan’s steely-eyed Kantor retorts, “don’t apologize.” So brave.

This scene is so bizarre, contrived and hackneyed it’s actually unintentionally hysterical. I mean, the scene opens with the waitress bringing over menus and placing them in front of the women and saying, “these are the menus!” That sort of clumsy, amateurish dialogue and blocking is omnipresent throughout She Said.

As for the drunk white thirty something frat bro, that day drinking, horny character is so obscenely absurd as to be ridiculous. But what makes that scene even more funny is that later in the film Twohey and Kantor strut down the street in New York in a long shot and they approach and then walk past two construction workers chatting next to a construction site. I fully expected a cat-calling scene and another Twohey “and then everyone clapped” superhero moment of standing up to predatory men, but then I noticed the construction workers weren’t white guys but minorities and I knew Twohey and Kantor were safe. And sure enough…they walk by unmolested! The lesson, as always, is that only white men are misogynists and sexual predators.

Critics of course are among that desperate-to-be-approved-of group who respond to this sort of vapid virtue signaling (because they do it so much themselves), and so they have written positively about the film because they know they’re supposed to. The paradigm in these situations becomes ‘if you dislike this movie then you love Harvey Weinstein!’, and critics on the whole are much too spineless to actually speak the truth about this movie and risk being seen as ‘bad people’.

She Said isn’t even really a movie, it’s a two-hour and ten-minute #MeToo virtue signal by the New York Times and the female filmmakers meant to extract money from ideologically enthralled fools in the audience and awards from similarly comported morons in Hollywood.

Journalism movies are no easy task. For every All the President’s Men and Spotlight, there’s something abysmal and trite like Spielberg’s The Post, but She Said makes The Post look like Citizen Kane.  

All of those journalism movies had the same obstacle to overcome as She Said, which is that audiences all know how it turns out in the end. We know The Washington Post nails Nixon Watergate, and that the Boston Globe publishes the sex abuse scandal articles, and in this case that The New York Times publishes and Weinstein gets busted.

But nothing is revealed in this movie that we didn’t already know about what the deplorable and disgusting rapist, brute and bully Weinstein was up to, and even the re-telling of known facts is so poorly pieced together as to be laughable. Hell, the biggest obstacle/villain in this movie is Ronan Farrow who might break the story before Twohey and Kantor. And the fact that Weinstein’s Israeli security team” was out committing crimes and intimidating witnesses and journalists is something She Said refuses to ever admit or acknowledge, is a pretty damning decision in terms of credibility.

In Spotlight, director Tom McCarthy, who isn’t exactly Orson Welles, uses some cinematic and dramatic flair when he crafts his story. For example, in one scene, three characters, two reporters and their editor, simply discuss the story they’re trying to crack, but they do it in a dimly lit basement library which smells because of a dead rat. The characters all comment on how dark and stinky it is and that is great sub-text because it informs both the scene and the overarching narrative of the movie. That scene construction is pretty simple, but nothing like that exists in She Said. Instead, She Said is a litany of women walking and talking on phones.

Another huge issue with the film is that it never clearly lays out the puzzle pieces the reporters must put together in order to “win” – which in this case means getting the story published, resulting in a terribly muddled and unsatisfying movie that have no pulse and no dynamism.

The cast of this film is a collection of very good actresses, but none of them do quality work in it.

I think very highly of Carey Mulligan, but her work as Meghan Twohey is embarrassing it’s so awful. Mulligan’s chesty American accent is tinny and her supposed profound girl power glares and glances laughable.

Zoe Kazan too is a terrific actress but she is as dead-eyed and dull in her role as Jodi Kantor as I’ve ever seen. At one point Kazan’s Kantor comes to life, which is when she bursts into tears when she learns a victim will go on the record against Weinstein. How professional!

Weinstein is not shown from the front in the film (although we hear his voice and see him from behind) because the filmmakers didn’t want to “center” him but preferred to “center” his victims, but the victims aren’t “centered” either. We learn next to nothing about anybody in this movie, and we certainly don’t care about anybody.

Actress Ashley Judd, one of Weinstein’s victims, plays herself in the movie and I understand why that happened, but that choice is undermined when other celebrities, like Gwyneth Paltrow, do not appear even though we hear their voices (I don’t know if it’s Gwyneth’s real voice or not).

The structure of the movie is nonsensical as well. We get flashbacks to a young Irish girl stumbling upon a movie set and later running down the street crying, and we get Meghan Twohey’s pregnancy and post-partum depression (spoiler alert - men are the cause of post-partum depression!!), before we ever get into the story, but none of this is cinematically coherent or narratively comprehensible.

Let me be as clear as I can about this…Harvey Weinstein and his ilk…like Matt Lauer, and Charlie Rose and Les Moonves and all the rest of the predatory douchebags who have long populated Hollywood and every other industry, should get the Vlad the Impaler treatment and have their eyes plucked out by ravens as they bleed to death out of their assholes.

Let me also clearly state that She Said is an absolutely awful, dreadfully dull, banal bore of a film that is a total waste of not only two hours and ten-minutes but also of a fascinating and important story.

She Said should’ve done for the Weinstein scandal what All the President’s Men did for Watergate and Spotlight did for the Catholic Church sex scandal. But due to abysmally poor directing, writing and acting, the movie is a gigantic failure. I guess all I can say is better luck next time. Maybe if they ever make a Ronan Farrow biopic – now that’s a compelling story, they’ll get a writer and director who have half a clue. Maybe, just maybe, they won’t fuck that one up. Oh, who am I kidding…they’ll definitely fuck that one up too.

©2023

Amsterdam: A Review – Fascists, Coups and Assassinations...Oh My!

****THIS IS A SPOILER FREE REVIEW!! THIS REVIEW CONTAINS ZERO SPOILERS!!****

My Rating: 1/2 out of 5 stars

My Recommendation: SKIP IT. Awful. Awful. Awful. Just an amateurish, dreadful, no-good piece of moviemaking. Go read Smedley Butler’s “War is a Racket” instead.

Amsterdam, written and directed by five-time Oscar nominee David O. Russell and starring Christian Bale, Margot Robbie and John David Washington, hit theatres with a resounding thud back in October, and is now streaming on HBO Max…and I just had the great displeasure of watching it.

The film, which describes itself as a “period comedy thriller” but feels more like a comedy thriller on its period, follows the travails of three old friends who met in World War I, Burt Berendsen (Christian Bale), Valeria Bandenberg (Margot Robbie) and Harold Woodman (John David Washington), as they uncover a coup plot in America in the 1930’s and try to thwart it.

The coup plot in the film is based on the real-life 1933 Business Plot, where American oligarchs, like JP Morgan, Irenee DuPont, Prescott Bush – banker and future father and grandfather to two U.S. presidents, Robert Singer Clark – heir to the Singer Corporation fortune, and banker Robert Clark among many others, plotted to overthrow President Roosevelt and install a fascist military dictatorship here in America.

The real-life Business Plot was thwarted by General Smedley Butler (in the film the character is named Gil Dillenbeck and is portrayed by Robert DeNiro), one of America’s greatest but least known heroes, but was successfully covered up, disparaged and then memory-holed by the powers that be who control the media.

In real-life the Business Plot’s failure was only temporary though because in the long term it’s been a smashing success. Over the years the “Business Plot” simply morphed into other forms and used other tactics to find success.

The most obvious was when, thirty years after the Business Plot was thwarted, President John F. Kennedy, who had promised to “splinter the CIA in a thousand pieces and scatter it to the wind”, got his brains splintered into a thousand pieces and scattered to the wind in Dealey Plaza by the the oligarch’s intelligence/muscle division - the CIA…oops, I mean by a “lone nut” (wink-wink)…all because Kennedy wasn’t going to make the villainous vampire class gobs of money by greenlighting the war in Vietnam, among a myriad of other reasons.

Prescott Bush (who, along with many of his Business Plot co-conspirators, supported the Nazis before and during World War II) had a son, George HW Bush – who later become the Director of the CIA, as well as Vice President and eventually President, he earned his stripes by being an integral part of the plot against JFK.

Nearly twenty years later in 1981, George HW Bush was Vice President to Ronald Reagan when The Gipper had the great misfortune of getting shot just months after his inauguration by…you guessed it…another “lone nut” (wink-wink), this one named John Hinckley.

If Reagan had died Bush would’ve inherit the throne – and would have been eligible to be president for nearly 12 years (nearly three full terms) since Reagan had just started his presidency…which makes the fact that the Bush family had deep connections to John Hinckley’s family, so deep in fact that Scott Hinckley (John Hinckley’s brother) was scheduled to have dinner at Neil Bush’s (HW Bush’s son) home the week of the assassination attempt, a very uncomfortable “coincidence” (wink-wink).

Since the assassination/execution of JFK, we’ve had a succession of fascist monsters from both political parties occupying the White House and ruling the land, most notably, but not exclusively, the aforementioned George HW Bush, as well as his diabolical son George W. Bush.

George W. Bush, you may recall, was president when 9/11 occurred and the War on Terror and War in Iraq were launched and ultimately failed, the torture and surveillance regime became mainstream, and the big money interests raped and pillaged America and gutted the working class…again…and then got “bailed out” by their cronies.

9/11 is another of those unfortunate Bush family coincidences (wink-wink), because on the morning of the attack George W. Bush, former President and father of the then current President, was at the D.C. Ritz-Carlton as a representative for the Carlyle Group meeting with the brother of Osama bin Laden – the CIA asset the CIA claimed perpetrated the 9/11 attack, sort of like how CIA asset Lee Harvey Oswald committed the JFK assassination. I’d wink again but I’m fresh out of winks.

As much as I’d like to ignore the abominable cinematic calamity of Amsterdam and dive deep into the rabbit hole and talk about the machinations of the wicked witches and warlocks ruling this country, I simply must, for the moment, return to this shit sandwich of a movie.

I suppose it is to Amsterdam’s credit that it even dares to bring up the Business Plot, something of which most people are completely unaware, but the movie is so cinematically repulsive and artistically repugnant that one must seriously consider that it’s an intentional piece of counter-intelligence propaganda meant to trigger audience revulsion at the mere mention of the Business Plot because it’s connected with this odious movie.

David O. Russell has always been an abysmal filmmaker, but Amsterdam is such a poorly made and dreadfully written, directed and acted film that it’s like Russell’s shitty filmmaking machine went into hyper-drive. The notion that Russell intentionally scuttled the production by imposing an astounding level of his fecal filmmaking flair in order to…I don’t know… appease some higher ups in the ruling class food chain in the hopes that his recent “troubles” – which include sexually harassing his transgender teenage niece/nephew, becomes less insane than it obviously sounds.

Whatever the reason, Amsterdam is sufficiently heinous enough that the Business Plot now has zero chance of becoming well-known amongst the piss-ants, proles and plebes of the general population.

Amsterdam has rightfully, and in my case righteously, been savaged by critics and lost nearly a $100 million at the box office, so congrats David O. Russell and your oligarchical overlords, your secret is safe as no studio executive will touch a Business Plot movie for at least the next 1,000 years, then it’ll be the problem of the next Reich, which by my calculations will be the Fifth, to put the fix in.

From a cinematic perspective, Amsterdam’s failure is no fluke as the script is an incomprehensible abomination that features a plot that’s so convoluted and so tonally incoherent as to be egregiously abrasive.  

Russell’s amateurish, heavy-handed and heinous direction is laughable, if not criminal. The reality is that Russell has always been a cinematic charlatan. Always. His movies, like The Fighter, Silver Linings Playbook and American Hustle, have generated some broad-based appeal but they have been, for the most part, vacuous, vapid and venal piles of shit.

Russell’s movie Three Kings was his most interesting but…that’s not saying much. And just a reminder, Three Kings, which was about the first Gulf War, wasn’t an anti-war film at all but was actually advocating for MORE war…and magically the war it hoped for came to be a few years later in the wake of 9-11. Yay!

Russell makes the bizarre choice in Amsterdam to shoot a bevy of scenes where the characters are talking directly to the camera while in conversation with each other. This is so absurd as to be distracting, if not maddening. These conversations are sometimes between three or four people, and no one’s eye line matches, so it’s like Russell is cutting between characters talking in opposite directions. I get why he did it – Russell is playing the Hollywood political card and having the characters talk directly to us because they’re not-so-subtly warning us about the peril facing our democracy right now because of Trump…blah blah blah…but this sort of myopic Rachel Maddow-inspired nonsense ignores the fact that our democracy died a long, long time ago…also it’s so cinematically disjointed and disordered as to be catastrophic.

Russell’s continued focus on eyes in Amsterdam, whether they be Mike Myers weird blue ones, or Ed Begley Jr’s unblinking ones, or Christian Bale’s glass one, or the eyes of the actors speaking directly into the camera during scenes, is inanely ham-handed. Look (“see” what I did there?), we get it…the brave artist David O. Russell is trying to use his egregiously shitty movie to get us to see the Truth of our own world – but it’s so poorly done and so politically vacant it made me roll my eyes so far in the back of my head I nearly had a seizure.

As for the all-star cast…hoo-boy.

Christian Bale is a good actor and he does his best here but goodness gracious it’s like watching a man piss into hurricane-force winds and wonder why he gets wet. Bale’s Dr. Burt Berendson has a glass eye…reminiscent of the actor’s role in The Big Short…a far-superior film that should be connected to Amsterdam due to the sub-text and text of corrupt elites rigging the system but Amsterdam sucks so bad that connection is completely lost.

Margot Robbie, who plays nurse Valerie Vandenberg, is a luminous beauty, but her old timey New Yawk accent which she seems to fall back into in nearly every role, has become extremely tiresome. Robbie is a big movie star but the more you see her the less you think of her.

John David Washington, who I thought was so good in BlacKKKlansman, is so bad in this movie, and in his last bunch of movies, I can confidently declare he must have had quadruple charisma bypass surgery. Washington is simply dead behind the eyes and brings nothing to this role, so much so I could swear I hear a sucking sound every time he’s on screen.

Rami Malek has a supporting role and confirms what has become very apparent in recent years…Rami Malek is officially an awful actor. Chris Rock too has a supporting role that would have been better served if it never existed, and Taylor Swift has a supporting role and is remarkably successful in proving she’s not an actress. Good for you Taylor!

The bottom line is that the Business Plot is an important piece of history that has successfully been banished from our collective consciousness, and Amsterdam is such a God-awful, disaster of a movie that this crucial, treasonous event will only be further flushed down the memory hole and forever forgotten. Which is a shame since people should be aware that we live in a fascist, corporate hellscape ruled by cruel, vicious, blood-thirsty oligarchs just like the ones who tried to overthrow FDR, and who very successfully overthrew JFK.

This begs the question, where’s our Smedley Butler? And where’s the great Smedley Butler bio-pic or prestige TV series we so desperately need?

I’ll tell you where they are…they’re strangled in the crib by the ruthless ruling elites who use their lap dog media to stifle the truth of their tyranny and treason, ensuring it never sees the light of day and even if it did it would never be believed by the misinformed masses.

In conclusion, in case you haven’t figured it out yet, I hated Amsterdam and implore you not to waste your time watching. The truth is I watched it so you don’t have to…and boy oh boy…you really don’t have to.

Follow me on Twitter: Michael McCaffrey @MPMActingCo

©2023

Glass Onion: A Knives Out Mystery - A Spoiler-Free Review

****THIS IS A SPOILER FREE REVIEW!! THIS REVIEW CONTAINS ZERO SPOILERS!!!****

My Rating: 1 out of 5 stars

My Recommendation: SKIP IT. And insulting, insipid and insidious cinematic venture that is abysmally written, directed and acted.

Back in 2019 I wrote an article about the blockbuster murder mystery movie Knives Out, and it caused quite a kerfuffle.

The article, titled “Knives Out Sharpens the Blade of Anti-White Racism”, made the argument that the Rian Johnson directed, Daniel Craig starring whodunnit featured a pernicious anti-white racism hiding in plain sight.

This article pissed a lot of people off, but curiously, no one actually refuted its thesis, instead deciding to attack me personally - the good old argument-ad-hominem in action.

It's true that some people attempted to argue that Knives Out wasn’t anti-white but was just targeting the rich for denigration, but they obviously didn’t watch the movie or fully read my article as that assertion was factually incorrect (a poor white maid and a working-class white cop are both deemed bad - greedy and moronic respectively).

Regardless, as I wrote in my review, I found Knives Out to be “poorly constructed, abysmally executed, politically trite, culturally patronizing, profoundly racist and exceedingly dull and predictable.”

My opinion was most definitely in the minority as Knives Out raked in $312 million at the box office and boasts a 97% critical score and 92% audience score at Rotten Tomatoes.

That said, I still I think I was right, not just about the film’s odious racial politics but also about its quality.

Which brings us to Glass Onion: A Knives Out Mystery, the newest Knives Out movie currently streaming on Netflix.

In a case of ‘the more things change the more they stay the same’, I found Glass Onion, written and directed once again by Rian Johnson, to be poorly constructed, abysmally executed, politically trite, culturally patronizing, profoundly racist and exceedingly dull and predictable.

The film, of course, stars Daniel Craig as the ‘world’s greatest detective” Benoit Blanc, or as I call him Benoit Ballz. I liked Craig as James Bond, but his Benoit Blanc, who is officially out of the closet in Glass Onion (will Craig himself soon follow?), is like the bastard son of Foghorn Leghorn and Forest Gump who got his own Murder, She Wrote franchise.  

Craig’s southern accent is so excruciating it would be cringe-worthy in a dinner theatre performance at a truck stop in Saskatchewan, in a major studio feature film it’s an absolute abomination.

Thankfully though for Craig, Janelle Monae arrives in Glass Onion with a different but equally amateurish southern accent too. Yay!! Bad acting definitely rules the day in Glass Onion.

In addition to Monae, the entire cast is a who’s who in this whodunnit, with Edward Norton, Kathryn Hahn, Leslie Odom, Dave Bautista and Kate Hudson playing prominent and poorly-written roles as the soon-to-be suspects.

The plot of Glass Onion is as derivative as it is predictable as it involves Miles Bron (Edward Norton), a tech billionaire, and the collection of sycophants who rely on him for their success who come to his Greek Island to have a murder mystery weekend that ultimately ends up being a real murder mystery. These include governor/mom Claire (Kathryn Hahn), Men’s Rights Activist Duke (Dave Bautista), former model /current influencer/entrepreneur Birdie (Kate Hudson), scientist Lionel (Leslie Odom), and Miles’ former business partner Cassandra (Janelle Monae).

Through circumstance, Benoit Ballz…oops, I mean Benoit Blanc – the world’s greatest and now gayest detective, also arrives on the island and does what he does best…solve a murder…but what murder? Well, that’s a long, and ultimately, not the least bit interesting story.

As for the mystery of this Knives Out Mystery - I literally knew who the bad guy was, and what his dark secret was, the second I saw him, and I’m not exactly the ‘world’s greatest detective’.

The truth is that Glass Onion is a horrifically flawed film in almost every way. The writing, directing and acting are notable only due to their glaring inadequacies.

As for Rian Johnson’s writing and directing, the structure of Glass Onion, and the mystery it unravels, is so poorly constructed and executed as to be cinematic malpractice. The audience is never given a character with which to connect and share a perspective. In fact, every single character in the story knows more than the audience does almost throughout the entire film.

In a murder mystery it’s best to have the audience share perspective with the detective or another protagonist, and that gives viewers an opportunity to solve the crime along with the detective/protagonist as they learn new information – this is filmmaking and storytelling 101. But in Glass Onion, the audience is deceived and left in the dark.

This approach is, frankly, insulting to the audience, as it undermines the credibility of the film by leaving viewers alone out of the loop for the duration. Making the audience into fools for believing what they are shown, and then repeatedly, unbelievably and moronically altering the reality that has been established throughout is truly, truly insulting.

Also insulting are, once again, the vacuous politics of the film. Glass Onion desperately tries to be so of the present moment that it feels like a twitter argument between thirsty twenty-somethings trying to grow their follower count…and that’s not a compliment. The painfully trite politics are so shallow, so vapid and so reactionary, the movie feels like it was written during a teenager’s furious tantrum post a Thanksgiving shouting match with their conservative grandparents.

The vapid political and cultural immediacy of Glass Onion ends up being tedious and tiresome, with, shock of shocks, Miles Bron being an obvious Elon Musk (scapegoat du jour in current liberal circles) stand in. Dave Bautista’s Duke, the gun-toting, meathead, men’s rights bro du jour is a stand-in for internet lightning rod of the moment Andrew Tate. And Kate Hudson’s Birdie is every empty-headed internet celebrity/influencer who tweets politically incorrect things and claims they’re “speaking their truth”.  

What an original and compelling collection of characters. Yawn. The truth is these people aren’t interesting in the least on the internet, why would I want to spend two hours and twenty minutes with them in a movie?

I won’t get into the specifics in an attempt to avoid spoilers, but I will say that my article declaring and bemoaning the anti-white racism of Knives Out looks more and more brilliant and insightful as every moment passes as it was proven correct by the obvious racial preferences also on display in Glass Onion. You may agree with the film’s racial preferences – they are certainly very fashionable at the moment, but you can’t deny them.

My argument all along is that the blatant anti-white racial prejudice on display in Knives Out, and now Glass Onion, is repulsive and unacceptable and would be just as repulsive and unacceptable if it were targeting blacks, Latinos, Asians, Jews, gays, lesbians or the transgendered.

The reality is that anti-white racism (with racism defined as "prejudice, discrimination, or antagonism directed against other people because they are of a different race or ethnicity") is not only tolerated nowadays but celebrated. This is an unhealthy, toxic and dangerous turn of events and it can only lead to very bad things.

Speaking of bad things, Glass Onion, despite its 93% critical and audience score at Rotten Tomatoes, is a shitty movie. I keep hearing and reading people calling it a “fun” movie and that’s why they like it. I found it not fun at all, but entirely insulting, insipid and insidious.

After watching this movie, I couldn’t help but ponder the current state of our culture where raging sub-mediocrities like Glass Onion and Top Gun: Maverick, are celebrated as being “great” movies. Even the people who like those films admit on some level that they are absurd and ridiculous, but yet they still claim they’re “great” often times because of the absurdity and ridiculousness.

Unfortunately, it seems to me that our standards, whether they be for art, cinema, literature, music, TV, theatre, or politics and personal behavior, have in the last few years gone through a precipitous decline and a lowering of the bar to the point where we now except the most-base of garbage and consider it sublime and supreme.

I even find myself at times falling under the spell of this cultural degradation as I occasionally try to elevate my opinion of movies and tv shows I see in order to avoid constantly being the executioner lopping off one head of a movie/tv show after another. Believe it or not, that can become tedious even for an axe-wielding cinephile like me.

But the truth is, for good or for ill, I just can’t do it, I just can’t deny reality and lower my standards to say something mediocre is great or something shitty is mediocre. I can’t and I won’t. As I say to people who accuse me of being negative, “don’t blame me, I didn’t make the shitty movie/tv show. Blame the people who made the piece of shit!”

In regards to the “poorly constructed, abysmally executed, politically trite, culturally patronizing, profoundly racist and exceedingly dull and predictable” Glass Onion which I highly recommend you skip…don’t blame me for this piece of shit, blame Rian Johnson.

©2022