Documentary 'Room 2806: The Accusation' - Explores the Seedy Side of Dominique Strauss-Kahn, Former Poster Boy for the Global Elite

 Estimated Reading Time: 2 minutes 806 seconds

The docu-mini-series showcases sex, money, power, class, race and gender as it dives deep into the fetid swamp of a controversial 2011 sex assault case in a futile search for truth.

My Rating: 2.5 out of 5 stars

My Recommendation: SEE IT/SKIP IT. An at-times interesting and entertaining exercise, but ultimately and unfortunately, it is never an insightful or truly satisfying experience.

Room 2806: The Accusation, the new four-part documentary mini-series that premiered on Netflix December 7th, tells the twisted tale of Dominique Strauss-Kahn (DSK), the former managing director of the International Monetary Fund (IMF), and the sexual assault claim brought against him in 2011.

In 2011, DSK was at the zenith of his career. As head of the IMF he had performed admirably during the 2008 financial crisis and now seemed poised to defeat unpopular incumbent Nicholas Sarkozy and become the president of France.

Life was good for the darling of the Socialist Party and of the socialite set, due to his career success and his marriage to the beautiful heiress Anne Sinclair, an accomplished and connected French journalist.

Then DSK went to New York on a business trip and stayed at the posh Sofitel Hotel in room 2806, the presidential suite. This is where, on May 14, 2011, the 62-year-old had a brief sexual encounter with a32-year-old housekeeper, Nafissatou Diallo, right before leaving to catch a scheduled flight.

Diallo, an illiterate immigrant from Guinea, quickly made the claim to hotel security, and then the police, that she was sexually assaulted. In response, NYPD swiftly arrested Straus-Kahn at JFK airport.

And thus begins the tumultuous journey to find out the truth of what actually happened in Room 2806.

Along the way DSK is charged with sexual assault, held in the notorious Rikers Island jail, resigns from the IMF and loses any chance of becoming the French president. In addition, both DSK and Diallo have their lives upturned, backgrounds scoured and are ultimately thoroughly humiliated in the press…and yet the truth still remains elusive.

Room 2806 is like a B-movie or dime store novel in that it is filled with a series of evermore-improbable twists and turns.

Conspiracy theories, not unfounded and not satisfactorily debunked, swirl around the case as French intelligence and their connections with Sarkozy and the Sofitel’s parent company, raise serious questions as to whether DSK was set-up.

There are also shocking revelations about both DSK and Diallo, which leave the viewer dismayed and disoriented, as neither protagonist can be trusted.

The well-paced series uses May 14, 2011, the date of the alleged sexual assault, as the epicenter of the story, but bounces forward and backward in time in an attempt to give more context.

This approach initially humanizes DSK, who, at times, comes across as an impressive and sympathetic figure in this real-life melodrama.

Despite his power and wealth, which usually protect people like him, DSK’s elite social status is instead an incentive for law enforcement and the media to be vicious towards him. As DSK’s licentious proclivities, both past and future, are exposed his friends and supporters claim he’s merely a libertine and lothario rather than a rapacious sexual predator, but that is far too generous an assessment. As the film reveals, DSK is a lecherous, licentious, lascivious and depraved degenerate who is a shameless slave to his own voracious ambitions and appetites.

Unsurprisingly, Daillo is sympathetic…at first. The narrative of the hard working, single parent immigrant preyed upon by an entitled and debauched elite is a compelling one. But there is something off about her…and those feelings of unease are backed up when she’s exposed as being a much more complicated and compromised character than originally portrayed.

As ultimately unlikeable as DSK and Diallo both are, this case attracts a collection of odious secondary characters like dung beetles to a manure pile.

Shakespeare once wrote, “first thing we do, let’s kill all the lawyers”, and this insight is certainly applicable to the DSK case. His lawyers are, not surprisingly considering his enormous wealth and status, the very best in the business. Ben Brafman is one of the most talented and notorious lawyers in New York, and for the right price he quickly slithers to DSK’s defense with fork-tongued aplomb.

Diallo has a pair of lawyers as well, neither of which seem to have a brain between them, and they bend over backwards to aggrandize and embarrass themselves in the documentary.

Then there are the self-serving activists that use the awful case as a platform from which to shout their inanities. There is a black former NYPD officer who is now a race activist who does a cheap Al Sharpton impersonation and screams that Diallo is a victim of racism – even though that is a vacuous claim and there is explicit evidence to the contrary.

Feminists plant their protest flag on the dung heap as well. Some even suggest that the DSK case was the true beginning of the #MeToo movement. This seems a historically tenuous claim, but that is expected from vapid hysterics.

The events documented in Room 2806: The Accusation leave you feeling in despair for humanity and in need of a shower. It also leaves you believing DSK, Diallo, their lawyers, the cops and the parasitical activists, are all vile creatures that truly deserve the pronounced misery of each other’s company.

Little wonder that DSK, now an embittered 71-year-old forced into the shadows, has announced plans to release his own documentary next year, claiming the “time has come for me to speak out (something he declines to do in Room 2806), Is it likely to be more illuminating? I suspect it will simply throw another forkful or two on the steaming dung heap he created in the first place.

In the final analysis, wading through the muck and mire that is the DSK case by watching Room 2806: The Accusation, is at-times, an interesting and entertaining exercise, but ultimately and unfortunately, it is never an insightful or truly satisfying one.

 A version of this this article was originally published at RT.

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