Chris Evans goes full Captain America, assembling a cavalcade of warmongering Washington avengers to discuss the Middle East

Estimated Reading Time: 3 minutes 47 seconds

The gullible Hollywood star exposes himself to be a useful idiot for the military/intelligence industrial complex by producing a blindly orthodox new six-part discussion series on Yemen, Iran, Palestine, Syria and Saudi Arabia.

As the U.S. limps out of Afghanistan with its tail between its legs, and millions suffer and die under the most brutal of American-induced maladies from Syria to Palestine to Yemen and across the Middle East, I implore you to fear not as Captain America is now on the case.

Chris Evans, the movie star best known for playing the patriotic leader of the Avengers, Steve Rogers, in the multi-billion-dollar Marvel Cinematic Universe, is out to solve the world’s problems and has set his dazzling blue eyes and decidedly empty-head on the mess that is the Middle East.

In 2017, the dreamy Evans founded a civic media organization titled “A Starting Point” which he unironically claims is “non-partisan”. Thankfully for humanity, on August 31st, A Starting Point will air a new six-part series titled “Influence and Power in the Middle East” where “experts” discuss Yemen, Saudi Arabia, Syria, Iran and Palestine.

I was hoping that this series would feature such Captain America adjacent luminaries as Iron Man, Spider-Man, Thor and The Hulk, but unfortunately the line-up of speakers is considerably less impressive.

“Influence and Power in the Middle East” features a cavalcade of archaic establishment asses like George W. Bush’s National Security Adviser Stephen Hadley, Council on Foreign Relations president Richard Haass, former Secretary of Defense and CIA director Leon Panetta, and everybody’s favorite raving lunatic and former Trump National Security Adviser John Bolton.

This is literally a murderer’s row of Washington warmongers, nefarious neo-cons and CIA criminals who have raped and pillaged the Middle East for the entirety of their kiss up-kick down careers. This is the equivalent of having Ted Bundy on a dating podcast to share his insights about women.

In addition, apparently former CIA operative Will Hurd is going to “host” these discussions, one could only hope that his experience “hosting” detainees during torture sessions in Afghanistan and Pakistan would be replicated with these vile villains.

If I wanted to see Hadley, Haass, Panetta, Bolton and a cavalcade of National Security lackeys and CIA shills spout their obscene and absurd military/intelligence industrial propaganda, I’d just turn on cable news, as CNN, MSNBC and Fox seem to exist solely to platform and/or employ these types of repugnant reprobates.

Speaking of the mainstream media, it’s nice to see Chris Evans, one of those hopeless Hollywood fools who endlessly espouses diversity in movie casting, emulate media business-as-usual with his A Starting Point charade by casting only people slavishly addicted to establishment orthodoxy for these discussions…no diversity of opinion here!

For example, Richard Haas and Dr. Jon Alterman, two pro-Israel shills, will discuss Palestine. I’m sure that will be immensely enlightening.

Another example is having Leon Panetta and John Bolton tackle Iran. Bolton is the John Bonham of banging the drum for war with Iran. You know what won’t get mentioned in that stultifying, establishment-friendly discussion? The U.S. shooting down of Iran Air flight 655, a civilian airliner, over Iranian airspace in 1988, killing all 290 men, women and children aboard.

What would be considerably more useful, noble and interesting would be if Chris Evans had used his oversized public stature to actually feature diverse opinions from diverse people, like…I don’t know…maybe have actual Palestinians discuss Palestine, and Iranians discuss Iran, and Syrians discuss Syria and Yemenis discuss Yemen. You know, platform people who never ever get a platform in American media.

And if Captain America really had a pair, he’d have Jamal Khashoggi’s widow and 9-11 victims’ family members come and discuss Saudi Arabia.

But we all know that Chris Evans is entirely devoid of not only testicular fortitude, but of brains.

Evans is such a moron that in 2016 he actually flew into a rage because he believed that Marlon Brando had literally anally raped his co-star Maria Schneider on camera at the behest of director Bernardo Bertolucci while filming Last Tango in Paris in 1971. Think about how breathtakingly ridiculous that is for a moment.

To be clear, Brando did not actually rape Schneider or have any genital/sexual contact with her while filming Last of Tango in Paris, any more than Clint Eastwood really shot people while filming The Good, The Bad and The Ugly. The sex between Brando and Schneider was entirely simulated, but when the egregiously gullible Evans read about a mis-informed rumor that the Brando story was true, he donned his white knight savior costume and valiantly tweeted.

“Wow. I will never look at this film, Bertolucci or Brando the same way again. This is beyond disgusting. I feel rage."

He followed that gem up by tweeting, “They should be in jail." The punchline being that Evans was unaware that Marlon Brando had been dead for a decade by the time Captain America courageously hit send on that tweet.

The reality is that Evans isn’t just an empty-headed imbecile but also a shameless establishment shill. This buff buffoon is no doubt great at doing pull-ups, but he has the intellect of a toddler in pull-ups.

Chris “Captain America” Evans obviously set out to prove with his ‘serious’ A Starting Point venture that he wasn’t just another vacuous but impossibly handsome Hollywood pretty boy, but by the looks of the “Influence and Power in the Middle East” guest list, I can confidently declare “Mission Not Accomplished!”, as he’s only proven himself to be just another useful idiot for the money-hungry and bloodthirsty military/industrial complex and corrupt Washington establishment.

Captain America famously said: “I don’t like bullies. I don’t care where they’re from. “ However, it would appear Chris does like bullies, especially if they’re from Washington.

A version of this article was originally published at RT.

©2021

The Dissident: A Review

My Rating: 2.5 out of 5 stars

My Recommendation: SKIP IT/SEE IT. If you have know nothing about the Khashoggi murder, this is a decent overview, but if you are decently informed on the subject, it is not worth your time.

The Dissident details the gruesome assassination of Saudi journalist Jamal Khashoggi but avoids deeper questions

The documentary dutifully exposes the tyranny of the Saudi regime but hesitates when it comes to exploring their accomplices.

The Dissident is the new documentary available on video-on-demand that chronicles the Saudi Arabian government’s infamous assassination of Washington Post journalist and Saudi reform activist Jamal Khashoggi at the Saudi Consulate in Istanbul, Turkey in 2018.

The film, directed by Academy Award winning documentarian Bryan Fogel, tells an important story, and yet it never quite feels like an important film. It isn’t a bad documentary, but it also isn’t great, and could’ve been much better.

The Dissident goes into gruesome detail about Khashoggi’s heinous and brutal murder and ultimately blames Saudi Crown Prince and Deputy Prime Minister, Mohammad bin Salman (MBS) for the crime, but if you follow the news you already know the majority of what the film details regarding the assassination, and that MBS is little more than Tony Soprano in a keffiyeh, the lead thug in the royal Saudi thugocracy.

The movie doesn’t break any new ground and what it does report is presented in such an overwrought manner that it detracts from its impact.

Fogel’s directing approach is too slick for the movie’s own good, as he overwhelms the substance with a needlessly glossy visual style.

Fogel tries to transform the Khashoggi assassination into a spy thriller and love story rather than keeping it a genuine piece of investigative journalism, which is disappointing and detrimental to the film.

Another example of the film’s stylistic problem is one of the film’s main subjects, Omar Abdulaziz, a Saudi dissident living in Montreal who became friends with Khashoggi and has made a name for himself as the host of an internet show about Saudi politics. Abdulaziz comes across as a little too polished to be trustworthy, so much so that when the film opens with a scene involving him, I literally thought it was a bad dramatic re-enactment. Unfortunately, Abdulaziz appears on camera to be less an earnest activist and more a dedicated self-promoter, and the documentary suffers because of it.

Another frustration was that the film seems intentionally obtuse when it comes to broader context.

For example, the film exposes Trump as being a vile and morally corrupt figure for his egregious kowtowing to the Saudi’s in the wake of the Khashoggi murder. Trump should be shamed for his disgusting behavior, but the film fails to point out that his cowardice regarding the Saudis does not make him unique among recent American presidents.

George W. Bush infamously bent over backwards to protect the Saudis after 9-11 (15 of the 19 hijackers were Saudis), even going so far as to fly Saudis out of the US when all flights were grounded, and refusing to declassify the portions of the 9-11 Report that were damaging to the Saudi government.

Obama was no better, as in 2016 he vetoed a bill allowing families of 9-11 victims to sue the Saudi government (the veto was overridden by Congress).

Another contextual problem with the film was that its biggest story was neglected while hiding in plain sight. That story is Pegasus spyware, which was used to hack Abdulaziz and directly led to the murder of Khashoggi.

Pegasus was created by NSO Group, an Israeli cyberarms firm that claims its diabolical product is meant to target drug dealers and terrorists. But NSO sells Pegasus to tyrannical regimes in the Middle East that use it to round up dissidents and squelch dissent.

Pegasus is a crucial topic, but The Dissident only briefly touches upon it at the hour and twenty minute mark of a two-hour film and seems willfully blind to an angle of the story that demands deeper investigation. For example, why is an Israeli company aiding tyrannical Gulf States by tracking their opposition?

The film reveals that MBS himself was directly involved in the Pegasus hacking of Jeff Bezos after Khashoggi’s murder, and following this hack the National Enquirer exposed Bezos’s extra-marital affair.

If MBS could use Pegasus to hack the tech savvy owner of Amazon and The Washington Post that is one of the richest and most powerful men on the planet…who else has he hacked? Who else has Israel hacked with Pegasus? Have Trump or other American officials been hacked by the Israel and/or Saudi Arabia using Pegasus?

Could Trump’s consistent acquiescence to the Saudis and Israel be a result of their obtaining compromising information on him through Pegasus? When the UAE and Bahrain officially recognized Israel in 2020 was it quid pro quo for Israel having sold Pegasus to them and the Saudis?

These are all the questions I had that were never addressed in The Dissident. Instead the film spends an inordinate amount of time focusing on the grief of Khashoggi’s fiancé, which is heartbreaking to be sure, and not enough on the more substantial bigger picture.

It seems that Khashoggi’s assassination is the tip of the tyrannical iceberg, and The Dissident is either unable or unwilling to dip its toe into the deeper and darker waters to find out who besides the despots in the Saudi royal family are complicit in this particular crime and in more expansive crimes against humanity across the globe.

In conclusion, if you are unaware of the particulars of the Khashoggi murder, then The Dissident is a good place to get a stylized overview, but if you’ve followed the story then you’ll need to look elsewhere for relevant insights.

 A version of this article was originally published at RT.

©2021