CHAOS: The Manson Murders - Errol Morris' and Netflix's Anti-Conspiracy Agenda
/My Rating: 1 out of 5 stars
MY Recommendation: SKIP IT. Errol Morris makes a mess of his look into the Manson murders by never daring to search for truth. An intellectually incurious and vapid film that commits journalistic malpractice.
CHAOS: The Manson Murders is a new Netflix documentary from acclaimed documentarian Errol Morris based on Tom O’Neill’s expansive book CHAOS: Charles Manson, the CIA, and the Secret History of the Sixties.
Tom O’Neill was a magazine reporter given an assignment in 1999 to do write up on how the infamous Manson murders of 1969 changed Hollywood. O’Neill dove into the story so deeply that he was neck-deep in all things Manson for twenty years, and finally published his findings in 2019 in his epic Tome CHOAS: Charles Manson, the CIA, and the Secret History the Sixties.
What O’Neill uncovered in his investigation is much too extensive and expansive to flesh out here, and most definitely too expansive to be given its proper due in a documentary that runs a measly 90 minutes, which CHAOS: The Manson Murders does.
Errol Morris is one of the more respected documentarians of our time but he is shockingly off his game and way out of his depth on CHAOS: The Manson Murders, which feels like a cheap and tawdry episode of Dateline rather than a serious documentary.
This flimsy and foolish documentary is so vapid and vacuous as to be guilty of documentary malpractice. The documentary ignores the majority of O’Neill’s work, obfuscates much of the truth he revealed, and instead of diving deeper or at least adequately stating O’Neill’s thesis and argument, it spends it’s time rehashing frivolities and pondering inane questions like “why are people so interested in these murders?”
For example, one of the many things O’Neill proves in his book is the corruption and moral and ethical bankruptcy of famed Manson prosecutor Vincent Bugliosi – who also wrote the famous book on the case Helter Skelter. Morris doesn’t even mention Bugliosi until the final twenty minutes of his documentary, and never gets into any of the scandals that O’Neill uncovered and experienced first-hand in his reporting.
The biggest bombshell O’Neill uncovered in his book is the connection between Charles Manson and villainous government psychiatrist, Jolly West. Jolly West, for those who do not know, was a psychiatrist for the CIA who headed up MKULTRA, the CIA’s mind-control program. West seems to have been connected to many curious and nefarious events throughout his time as a CIA psychiatrist.
For example, when Jack Ruby was sitting in a Dallas prison cell waiting to be interviewed by the Warren Commission, he got a special visit from Jolly West, who spent the day with him and at the end of that day, lo and behold, Jack Ruby had lost his mind and West recommended he be institutionalized. How interesting.
Jolly West was in San Francisco working out of a free clinic in Haight-Ashbury during the “Summer of Love”, which also happened to coincide with the implementation of CIA’s CHAOS program - which was designed to co-opt and destroy the anti-war movement through the introduction of drugs and agent provocateurs. The FBI program COINTELPRO was designed to do the same thing and started at the same time.
Well, you’ll never guess who was in the Haight-Ashbury clinic of Jolly West once a week for a year during the late sixties…you guessed it…Charles Manson. Manson brought his girls in there for medical treatment and he himself met his parole officer in the same building. The same parole officer who, time after time, refused to have Manson’s parole revoked when he got arrested multiple times in San Francisco…and who even wrote letters urging judges not to imprison him. Curious.
Errol Morris shows little to no interest in the Jolly West intrigue, instead just shrugging his shoulders at the notion that the CIA was really up to no good with its MKULTRA program. Morris even says that ‘yes, the CIA wanted to do bad things, but it never succeeded’. Hmmm.
O’Neill then chimes in and corrects Morris by stating that there is documented proof (found in a document the CIA covered up for half as century) from Jolly West himself, who admitted in a CIA memo that he had mastered the ability to create a “Manchurian candidate” type of situation by implanting false memories in patients through hypnosis and various drugs. Morris replies to this information in shockingly flaccid fashion when he retorts, “well, Jolly West could be lying”.
This exchange perfectly encapsulates why Errol Morris is so out of his depth with this story. He is repulsed by “conspiracy theories” of any kind and prefers to embrace mundane explanations, even when the mundane explanation isn’t adequate and the “conspiracy theory” is well documented. This approach shows that Morris isn’t interested in truth but instead in his own respectability amongst the corporate media and “people who matter”.
Morris’ cowardice and journalistic impotence reminded me of a podcast I listened to a few years back about the RFK assassination titled The RFK Tapes. This podcast got a lot of traction at the time as the host of it did a deep dive into the conspiracy surrounding the RFK assassination. And just as the evidence had piled up to a tipping point in favor of conspiracy, the podcast host had a very abrupt change of heart and instead not only denounced the idea of a conspiracy surrounding the RFK assassination, he stopped investigating it at all. His reason for this change of heart (notice I say heart and not mind), was because, in essence, he felt bad people like Alex Jones believed in conspiracy theories and propagated them so he didn’t want to be a conspiracy theorist. So, in order to protect delicate sensibilities of the Sandy Hook families – which has no connection or correlation to the RFK assassination, this podcaster simply turns off his mind and turns his back on his research and his research partner.
This podcaster didn’t discover something that proved the conspiracy theory wrong, quite the opposite…but he did realize that he didn’t love the Truth more than he loves his reputation amongst the corporate media. This podcaster played it off as some sort of moral and ethical act of courage to do so…but it was an act of intellectual cowardice.
Errol Morris just did the same thing with the CIA’s connection with the Manson murders and Tom O’Neill’s expansive research. Morris has such an intense case of cognitive dissonance regarding O’Neill’s thesis he chooses to ignore the lion’s share of his research and expertise and instead elevates and gives the last word to Bobby Beausoliel, a member of Manson’s ‘family’ who was arrested for murder before the Tate-LaBianca murders occurred.
Beausoliel met Manson in Los Angeles about a year before the murders, and he was never in San Francisco with Manson and the family, and he has no first-hand experience about what happened regarding the Tate-LaBianca murders, as he had been on the run for ten days prior to the murders and arrested the day before they occurred. In other words, Beausoliel, who has been in prison since his arrest in 1969, is incapable of having a big picture view of Manson and who may or may not have “created” him and potentially “directed” him. But Morris still lets Beausoliel get the last word of the film by saying essentially, ‘people make too much about this stuff, the truth is simple…Occam’s Razor rules the day – Manson was just a bad dude out for revenge.’
Ultimately, Errol Morris is one of those intellectuals who can’t get out of his own way and is so crippled by his slavish devotion to institutionalism, establishment and his paymasters in the corporate media (like Netflix), that he is incapable of seeing what is right in front of his nose.
I know many people of a similar ilk, who are incredibly smart and successful but are incapable of thinking critically or of seeing what is obvious to those that have eyes to see and the courage to actually look.
Netflix has adamantly embraced the establishment’s anti-conspiracy position in its documentaries. Besides this Manson documentary there was The Octopus Murders documentary series which investigated the Danny Casolaro story and despite all of the evidence to the contrary, came to the conclusion that well there is no conspiracy because conspiracies are bad. Sigh.
I really, really wish CHAOS: The Manson Murders was good, or at least did an adequate job of presenting Tom O’Neill’s work, but it is really bad and it doesn’t do the least bit of justice to O’Neill’s work. This documentary is, quite frankly, an absolute travesty.
My recommendation for anyone, Manson aficionados or newbies alike, is to pick up O’Neill’s book CHAOS: Charles Manson, the CIA, and the Secret History of the Sixties, and read it.
The book isn’t perfect, in fact it can be downright frustrating because O’Neill refuses to speculate or project, but instead sticks to what he can prove. The book tells a fascinating tale and takes you down many tantalizing roads of inquiry but repeatedly comes up just short because the case is so old and cold and so many people associated with it are no longer alive.
But it is O’Neill’s journalistic restraint that gives the book credibility. This is not some wild-eyed exercise in wish fulfillment, this is a serious examination of one of the most curious cases in American juris prudence and cultural history, where the CIA, FBI, LAPD, LA County Sheriff’s Department, Bureau of Prisons, and the Los Angeles District Attorney’s Office, all behaved in the most bizarre of ways in order to enable Manson before his arrest, and pervert a free and fair trial after it.
If you’re interested in the reality of the world that you inherited and currently inhabit…go read Tom O’Neill’s CHAOS: Charles Manson, the CIA, and the Secret History of the Sixties, and skip entirely Errol Morris’ mendacious, deceptive, and deceitful documentary CHAOS: The Manson Murders, for it is a total waste of time.
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