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UFO Week - Manhattan Alien Abduction (Netflix): A Documentary Review

UFO WEEK: MANHATTAN ALIEN ABDUCTION

Earlier this year I was alerted to the fact that starting on October 30th and running up to December 16th, there were going to be five UFO-related documentaries being released on various streaming platforms.

As someone who has been interested in the topic and followed it for the majority of my adult life, I was glad that there would be a bevy of new UFO documentaries to digest. I was so happy, in fact, that I decided that once the final documentary, James Fox’s The Program, was released on December 16th, I would have a celebratory “week” on the website and review all the UFO documentaries over the course of five days – one review a day.

But then a funny thing happened on the way to UFO week…namely UFOs!! In the past two weeks there has been a cavalcade of coverage of the UFO topic because apparently New Jersey is being swarmed by drones of “unknown origin” that nobody seems to be able to do anything about. (As an aside…its odd that they are called “drones” when in fact they are the etxtbook definition of UAP’s - unidentified aerial phenomenon, or UFOs - unidentified flying objects…makes you think)

The New Jersey reports have been followed by reports, and video, from other areas of the country and the globe. Truth be told, a week before the New Jersey sightings, my son and I witnessed a very bizarre anomalous object flying at night over our farm in rural Pennsylvania. It looked somewhat like a plane, but it wasn’t a plane, and it made no noise and had odd lights on it that are not like the lights on a regular plane. We spotted something similar, but not identical, just last week as well, again at night.

We get lots of military craft flying over our farm so I just chalked it up to some military craft I couldn’t identify….and maybe it is…and maybe that’s what everyone is seeing over New Jersey. Who knows? There have been other reports in the local media of UAP/drones in the area over the weekend.

The theories about the sightings in New Jersey are all over the map. There are people claiming they are “Special Ops” drones used to sniff out a nuclear threat posed by a “loose nuke” or a “dirty bomb”. The theory goes from there and speculates the nuke is from Iran or China or Russia.

Others speculate that it is actually a false flag and that nefarious elements of the U.S. government are planning to detonate a nuke and blame it on…Iran, China and/or Russia in order to get the neo-con world war of their dreams.

Then there are those who think the “drones” are from Iran/China/Russia and are part of some recon mission that is a prelude to a Pearl Harbor type event.

Then there are others who think that the events of the last two weeks are the beginnings of “disclosure”, where the government admits there are aliens and they’re here, or the aliens step out of the shadows and tell everyone themselves that they’re here.

There are others who think that this is just a false flag using Project Bluebeam to make it appear there are alien craft in our skies in order to scare people and drum up a draconian response that demands we give up more rights to the powers that be in order to stay “safe”.

And finally, there are those who claim that this is all a hoax or a mass hallucination, and that some teenagers are flying normal drones over New Jersey as a gag and the media and the populace are going full War of the Worlds on it because they’re in the throes of hysteria.

As for who to believe…one thing is for certain, whatever government spokespeople say - don’t believe it as it is either going to be a manufactured lie or completely and utterly incorrect. That you can take to the bank.

What do I think is happening? Honestly, I don’t know. My sense is that the false flag discussion, be it about nukes or Project Bluebeam, are probably on the correct track…but who the hell knows?

On that note…let me officially welcome you to UFO Week!! Let’s start things off with a review of the Netflix documentary mini-series Manhattan Alien Abduction.

MANHATTAN ALIEN ABDUCTION

My Rating: 2 out of 5 stars

My Recommendation: SKIP IT. This could have, and should have, been a thorough debunking of an abduction claim, but it is a rather empty and shallow miniseries that diminishes everyone involved.

Manhattan Alien Abduction, which premiered on Netflix on October 30th, tells the story of Linda Napolitano – who claims to have been abducted from her New York City apartment on November 30th, 1989, and her nemesis, Carol Rainey, who thinks the story is an elaborate hoax.

Napolitano’s story is, not unexpectedly, an odd one. She claims that on November 30th, 1989, in the middle of the night, that aliens abducted her out of her 12th floor Manhattan apartment “on a blue beam of light, lifting her onto a reddish-orange spacecraft that quickly sped off toward the Brooklyn Bridge.”

Linda’s story could easily be dismissed as the ravings of a mad woman except for the fact that there were 23 people who claimed to witness it, among them a “world leader”, namely United Nations Secretary General Perez de Cuellar.

What really propelled Linda’s story into the spotlight was that she brought her tale to ufologist Budd Hopkins, who was one of the leaders in the study of alien abduction in UFO culture, and was a conduit for Linda to the wider UFO community.

Hopkins, who died in 2011, was very well known in the UFO world for having been among the first, along with Harvard psychiatrist Dr. John Mack, to use hypnosis to help people recall their abduction experiences. Hopkins hypnotized writer Whitley Strieber and assisted him in recalling his famous abduction experience which is recounted in the blockbuster book Communion (1987).

Hopkins brought Linda into his world of self-help alien abduction survivor meetings in his New York City apartment, and dove deep into her story, including with hypnosis.

Carol Rainey was Budd Hopkins’ wife at the time of Linda’s alleged abduction, and had a front row seat to Linda’s relationship with Budd and with her time in the spotlight recounting her tale to anyone who’d listen in the media.

Manhattan Alien Abduction is essentially a cat fight between Linda and Carol stretched over three episodes.

Carol is there to debunk Linda’s story, and Linda is there to convince you of it.

In my less than humble opinion, neither woman succeeds, despite the mini-series obviously being made for Carol’s benefit and from her perspective rather than from Linda’s or from a genuine journalistic instinct.

Linda’s story is, frankly…preposterous, and it only gets more and more outlandish with every passing fact and incident that comes to light.

For example, Linda claims that two bodyguards for UN Secretary general Cuellar, named Richard and Dan, come to her apartment in the days after her abduction and, in a somewhat menacing fashion, question her about the incident, and in doing so admit they, along with Cuellar, saw the whole thing while driving by that night.

That element of the story is fine and is very helpful in making Linda seem somewhat believable…but the Richard and Dan story just goes off the rails from there.

Linda claims Richard and Dan later abducted her…while she was walking down the street audio recording herself for her own safety, and abscond her to some location to threaten and question her again.

This second Richard and Dan story is, frankly, embarrassing. It sounds so fake and so stupid is boggles the mind that anyone would tell it, never mind believe it. But Linda told it, and Budd Hopkins believed it.

Linda seemed to have Hopkins wrapped around her finger by playing the ‘fragile bird who needs protecting’ game, and Hopkins fell for it. This seemed to infuriate Carol back in the 1980’s and 90’s…and still today.  

Back at the time, Carol, a self-proclaimed documentarian and journalist, then goes about getting Linda on camera as much as she can and investigating her story in order to debunk it. Carol, and the makers of this docu-series, think she has succeeded…I don’t.

To be clear, I don’t believe Linda’s preposterous and ever more outlandish story. It is so outrageous and ridiculous as to be absurd. But that also makes it very easy to debunk…and Carol and the makers of this documentary, fail to do even the most rudimentary journalistic work to expose Linda as a fraud…but they work very hard to make it seem like they’ve done the work.

For example, Linda and Budd have 23 witnesses who claim to have seen her being abducted into the New York night sky. That’s a lot of witnesses. A scene plays out in the documentary where Carol, while videotaping in the early 90’s, has Budd call one of the witnesses in order to question them, but Budd isn’t able to get in touch with them and leaves a message. This is his second attempt to do so. No other attempts are made…and Carol, and the producers, claims this proves all the witnesses are fake or frauds. Huh?

The claim is also made by Carol that she called one witness and that it “sounded like Linda”. Again, this is the extent of the journalism on display in this series. Out of 23 witnesses, one didn’t call back and the other sounds kind of like Linda, and so that makes all 23 fake or fraudulent? That is just as ridiculous a claim as Linda’s original claims.

Then there’s the story of Richard and Dan, the UN security guards for the Secretary General. Back in 1990 Carol films Linda as they go through file footage of various UN events and Linda actually identifies one of the guys in the video as being Dan. She literally ID’s the guy.

Now, does that mean it is the guy? Does that mean that the guy she ID’s came to her house and did all the things she claims? No. What it does mean is that it should be easy to investigate who that person is…and maybe…just maybe…find him and talk to him. If you work as a security guy at the UN, there’s a paper trail, pay stubs, taxes, insurance, and all the rest. There’s a paper trail and probably a picture ID on file. Do Carol and the producers of this series investigate and find that material? No, they don’t. Why not? I have no idea. Maybe they’re lazy.

Carol and the producers do have handwriting analysis done on a type-written letter signed by Secretary Cuellar in which he claims to have seen all that happened to Linda that night in 1989. The hand writing analysis is on Cuellar’s signature and the expert declares that no one writes their name exactly the same way twice and this signature is too perfect to be real.

Now, the signature and the type-written letter may very well be fake, but public officials use signature stamps to sign their name all the time…is it out of the possibility that this happened here? No. Did Carol or the producers acknowledge this? Also no.

If Linda is as big a bullshitter as she appears to be in this documentary, you’ve got to find more substantial evidence and prove she is a bullshitter…it can’t be that hard.

What about the other 22 witnesses? Did they try and track them down? Who are they and where are they?

Where’s the investigation into Richard and Dan and the UN and all that? This is simple stuff. It may not be easy to do and may take effort, but if Linda is so full of shit then it should be easy to prove and yet they never prove it.

With the slightest bit of awareness on the game being played on you by understanding what is missing from this series, Manhattan Alien Abduction looks in hindsight to be a cheap and tawdry venture.

As bizarre and unbelievable as Linda’s claims are the investigation into them is shallow and amateurish. Do the work. Track down the witnesses. Find a connection. Don’t just speculate and assume and conjecture and imply…investigate and prove…or in this case, disprove.

Here’s another oddity about this mini-series, namely that Carol Rainey has her own major biases from a tormented childhood in a religious cult, and from her personal relationship with Budd Hopkins, that skew her own objectivity and judgement.

Hopkins and Rainey divorced in 2006, and when he died in 2011 he was in a relationship with Leslie Kean. You know who Leslie Kean is? She’s the journalist who went on to break the big UFO story published in the New York Times in 2017 that brought ufology into the mainstream.

The question I have after learning of Hopkins relationship with Kean, and Carol Rainey’s background and her obvious jealousy of Linda Napolitano, is this…is this docuseries just Carol Rainey in a jealous fit trying to destroy the legacy of Budd Hopkins, Linda Napolitano’s reputation and undermine Leslie Kean’s life’s work?

As much as I think Linda Napolitano is a fabulist, I think Carol Rainey is one too…and a much more nefarious one. Rainey is the woman scorned, and while she may be right about everything, her personal vindictiveness and venom are not journalistically acquired evidence…they are just grievances in the form of accusations.

Ultimately, Manhattan Alien Abduction disappoints despite a very compelling thesis, and is scuttled by a thoroughly amateurish and weak journalistic effort that fails to adequately disprove something that should be so easily debunked.

©2024

Pentagon UFO Report Viewer's Guide

Estimated Reading Time: 3 minutes 59 seconds

The Pentagon is releasing their UFO report, so now might be a good time to check with movies to see what to expect when we make contact.

This Friday the Pentagon is supposed to release its highly anticipated report on UFOs, or as the government now calls them, UAPs – unidentified aerial phenomena.

Similar to Richard Dreyfuss in Close Encounters of the Third Kind, I’m a long-time, self-confessed, tin-foil hat wearing UFO enthusiast/fanatic. As such I’m delusionally hoping the recent government and media pivot to taking UFOs seriously will lead to some sort of “disclosure”, where the truth out there will finally be revealed.

Of course, my more rational side knows that anytime you’re relying on the government or media for transparency or truth you’re playing a fool’s game.

Regardless of what the new UFO report says, the possibilities of what’s going on in our skies and under our seas span from the mundanity of mistaken perception combined with malfunctioning equipment to the momentous notion of extra-terrestrial/inter-dimensional visitors. Despite the alleged implausibility of it, my bet is on the latter, which means that aliens are indeed traversing our air space and ocean depths with technological aplomb and military impunity…so it might be a good idea to figure out their intentions.

As a film critic, I thought the best way to prepare for contact with our elusive galactic visitors the Pentagon cannot confirm or deny exist was to turn to movies as a guide, as our collective imagination has projected onto the silver screen and our culture a cavalcade of useful alien archetypes.

The Benevolent Aliens

Movies about human-alien contact that feature gentle aliens we’d be lucky to have visit us are very reassuring, and among the very best that cinema has to offer.

In this archetype, which features fantastic movies like E.T., Close Encounters of the Third Kind, The Abyss, Arrival and The Iron Giant, the aliens are good guys and the villains are our aggressive and deceptive government.

In some of these types of films, like Starman, The Man Who Fell to Earth and Midnight Special, the alien can be a pseudo-Christ figure, and government bureaucrats a nasty combination of the Sanhedrin and brutish Roman soldiers.

These benevolent alien stories put us at ease because in them humans are still in power. These movies are philosophical in nature and posit that the problem isn’t the aliens, it’s our own corrupt human nature, something we foolishly believe we can eventually overcome.

The Malevolent Aliens

Hollywood has inundated audiences with a plethora of malevolent aliens with distinctly human-mindsets over the years as well, which may lead us to assume nefarious intentions on the part of actual visitors from space.  

For instance, in the less than stellar Independence Day, War of the Worlds (1953/2005), Edge of Tomorrow, Battle: Los Angeles and Starship Troopers, aliens, despite their non-human appearance, seem remarkably human in their militaristic behavior and thirst for blood and conquest. The malevolent alien archetype scares us because it renders us powerless and reflects our violent aggression back onto us.

The creators of these fictional aliens assume that extra-terrestrials share our depraved belligerence and can only be defeated by military force (and accompanying bigger budgets), which is not surprising considering Hollywood’s long-standing, fierce commitment to making shameless propaganda for the Pentagon.

A similar archetype is the vastly superior malevolent alien with a specific weakness. For example, in the taut thriller A Quiet Place the terrifying aliens are blind but have super-sensitive hearing…maybe too sensitive. In the often-over-looked M. Night Shyamalan gem Signs, the alien’s weakness is water, while in War of the Worlds it’s susceptibility to the common cold.

This specific archetype is actually religious in nature as it spotlights humanity’s desire to think they exist under God’s divine protection against the demonic evil of alien invaders, which is sort of amusing considering there are actually reports of some real-life military brass believing UFOs/Aliens are “demonic” entities.

The Hunters

To me the most terrifying alien archetype is that of the alien hunter whose prey is humans.

In Predator, the alien hunts humans for sport, and in the Alien franchise, the alien is a horrifying beast relentlessly hunting humans in order to propagate its species by incubating its eggs in our bellies. Alien in particular forces humans to consider the prospect of being moved down the food chain, and while that’s exhilarating in fiction, in reality it’s absolutely chilling.

The Shapeshifters

Another terrifying alien archetype is the shapeshifter that can assimilate and mimic humans. Films like The Thing (1983), Species, Invasion of the Body Snatchers (1956/1978) and Under the Skin all turn humans into potential aliens.

This archetype is unnerving because it makes us suspicious of other people and ourselves. Aliens might already be among us, and anybody, including us, could be an alien. That said, if aliens are seductresses that look like Scarlett Johansson (Under the Skin) and Natasha Henstridge (Species), there are worse ways to die.

In conclusion, to be optimistic about alien visitation, watch E.T. For a realistic portrayal of how all this UFO stuff will go down, check out Close Encounters or Robert Zemeckis’ under-rated Contact. For a philosophical/religious alien experience dive into Arrival, Starman or The Iron Giant. For a tense thrill ride, go with A Quiet Place. To indulge the nightmare scenario, go with John Carpenter’s The Thing (1983) and Ridley Scott’s masterpiece Alien. To see a fantastic documentary that seriously examines the UFO phenomenon, watch Out of the Blue (2003). And to find the truth regarding UFOs, keep your eyes on the prize and to the skies, and trust absolutely no one.  

A version of this article was originally published at RT. 

©2021