"Everything is as it should be."

                                                                                  - Benjamin Purcell Morris

 

 

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November 2023 Propaganda Report: 60 Minutes Strikes Again...and Again...and Again!

Now that I’ve begun to dip my toes back into the cesspool of propaganda, I’m once again coming to the grim realization that I don’t have to walk far to find those putrid waters.

A few weeks ago, I wrote about how I stumbled upon an episode of the CBS dinosaur 60 Minutes and was shocked/amused at how shamelessly it peddled propaganda against Russia, China and Iran, no doubt in the hopes of convincing gullible Americans into believing some Manichean ideal about us being the good guys, and them being the bad guys, and how we must righteously annihilate them in a world war.

In the weeks that followed, 60 Minutes has kept up its relentless propaganda pace with astounding consistency. In fact, since 60 Minutes started its 56th season on September 17, 2023, over the course of eleven episodes the show has run an astonishing twelve segments either directly or tangentially accusing Russia, China and/or Iran of various evils and nefariousness. This relentless cavalcade of propaganda pieces has been entirely devoid of nuance or journalistic integrity, filled with false assumptions, decidedly one-sided, egregiously vacuous and transparently contrived.

The 60 Minutes episode from November 12th is a perfect example of the type of vapid-to-the-point-of-inane propaganda now common place in American media. The topic on this episode was…shock of shocks…the evil of those nefarious Iranians and Russians!! How original.

The first segment was about an alleged Iranian government program to kill or kidnap American officials, citizens and Iranian dissidents on U.S. soil, which is a nmcie companion piece to the 60 Minutes segment I previously wrote about which dealt with an Iranian-American arrested for espionage in Iran, who was eventually part of a recent prisoner swap.

Leslie Stahl, sporting her trademark physics-defying hairstyle that is best described as Andy Warhol run through a nuclear Cuisinart and a turbo wind tunnel, started off the festivities by reading a list of U.S. officials allegedly targeted. The list included such world-class asshats as Mike Esper, Mike Pompeo and to top it all off, John fucking Bolton.

Bolton and Stahl sat down for one of the more contrived sequences in 60 Minutes history, which is quite an accomplishment, and Bolton, as is his wont, talked tough while looking like a constipated Seussian character. Bolton is one of the more blood-thirsty and maniacal hawks in recent U.S. history, again…quite an accomplishment, and he is completely devoid of any credibility on issues revolving around Iran, Russia, China, the Middle East, Europe, Asia or anywhere else in the world, but Stahl, of course, lapped up his braggadocio bullshit and never once pushed back against his false bravado or his claims…nor did she…you know…show any actual evidence to back up the FBI’s claims of an Iranian kidnap/assassination program.

Stahl then interviewed Masi Alinejad, an Iranian dissident woman living in Brooklyn whom the FBI claims was targeted by this Iranian kidnapping/assassination plot.

Alinejad came to the U.S. fourteen years ago and has been an outspoken advocate for women in Iran, and routinely confers with women in Iran and posts videos online of them not wearing a headscarf in defiance of Iranian religious law.

To be kind, Alinejad comes across as absolutely batshit crazy. She is hyper emotional and seems like the type of person you’d see wandering the streets of Brooklyn talking to neighborhood squirrels while wearing an ornate Kentucky Derby hat and a vintage wedding dress.

Alinejad shared her story of how Iran hired an Azerbaijani man in New York to buy a gun and track down Alinejad, then kidnap her and take her to Iran for trial.

Stahl’s reaction to this story is as revealing as it is pretty funny, as she says it “sounds implausible”. No shit Leslie…maybe it “sounds implausible” because it is, in fact, implausible.

Apparently, the kidnap plot against Alinejad crumbles and so the Iranians pivoted and told this criminal from Azerbaijan to skip the kidnapping and just kill her. The criminal allegedly stalks her, then goes up to her front door and “tries to get in” her house.

What’s weird about this claim of this guy trying to break in to Alinejad’s house is that 60 Minutes shows door cam footage of him on her porch meant to prove the claim, but the video doesn’t show him actually trying to get in to her house at all…in fact he never touches the door. He wanders back on forth on the porch looking at his phone, like a delivery man wondering if he has the wrong address. If there was footage of him actually trying to break in, which would be pretty damning…60 Minutes would’ve shown it. But apparently, they don’t because they didn’t.

According to the story, the alleged assassin then leaves…apparently because he couldn’t get in the house – no doubt held back by the fact that he never touched the door, and then is pulled over by cops for “running a stop sign”, and the police find a rifle in the trunk of his car.

Let’s unpack this shall we…the guy has a weapon, which the FBI alleges he was going to use to kill Alinejad at the behest of Iran, but for some inexplicable reason he decides not to take the weapon with him when he goes to kill her and ends up just standing around like a dope on her porch. What was he going to do, meet her, introduce himself and then tell her to hold on while he runs to his car and gets his rifle?

Also, never believe coincidences in cases like this. This guy wasn’t pulled over by the cops by happenstance…he was marked and everyone knew what he was doing. A strong indicator of this is that if you or I run a stop sign, the police are not going to search the trunk of our car. They will give you a ticket and that will be that. This is why I assume that this alleged assassin from Azerbaijan was actually either an intelligence agency asset or an informant of some kind, and that the entire plot was manufactured by the feds.

Now why would I assert such a crazy thing? Well because this 60 Minutes story also reveals that the man who allegedly wanted to kidnap or kill John Bolton hired a hitman online (yeah…ok) and that hitman wasn’t really a hitman…he was…you guessed it…an FBI informant.

The FBI has lots of informants and they get up to lots of nefarious stuff for their fed paymasters. For example, that 2020 kidnap plot against Michigan governor Whitmer…the vast majority of people involved were actually working for the FBI. If you look at many big-name cases, particularly in the wake of 9-11, the same is true. Hell, at the very least two of the 9-11 hijackers were living with an FBI informant in San Diego right before the attacks.

So, take all of this nonsense from the FBI and 60 Minutes about a vast Iranian assassination/kidnap plot with a gigantic grain of salt.

That said, governments and their intelligence agencies do kidnap and kill citizens of other countries. You know how I know that? Because 60 Minutes unironically shows a video in this segment where an Iranian citizen confesses to assisting the Iranian Revolutionary Guard with their kidnapping and assassination program. The Iranian man, a smuggler who was allegedly given carte blanch in his illegal business if he cooperated with the Revolutionary Guard, confesses in a video MADE BY ISRAELI INTELLIGENCE AGENTS IN THE BACK OF A CAR AFTER THESE SAME ISRAELI INTELLIGENCE AGENTS KIDNAPPED AND FORCEFULLY INTERROGATED THE GUY. Ms. Stahl fails to recognize the irony of using a confession video obtained through an Israeli kidnapping plot to prove the villainy of Iranians for their kidnapping plots.

Speaking of other governments kidnapping people…that sounds sort of like…I don’t know… the U.S. government rendition program under the Bush regime.

And speaking of assassinations of other country’s government officials…that sounds a lot like the U.S. assassination of Iranian General Qasem Soleimani in 2020. Not to mention the cavalcade of scientists assassinated in Iran by Israeli intelligence in the last decade.

Stahl does bring up the Soleimani assassination but fails to see any similarities as the Iranian General was a “terrorism mastermind”. As always, terrorism is in the eye of the beholder, as U.S. foreign policy over the last 75 years has killed and terrorized infinitely more people, especially Iranian people, than the “terrorist” Soleimani could ever dream of matching. Bolton, Pompeo and the entirety of the George W. Bush administration are at a minimum, equals to Soleimani on the terrorism chart.

Speaking of dead Iranians…does anybody remember the 290 Iranian murdered by the U.S. in 1988 when the U.S.S. Vincennes shot down Iranian Air flight 655 over Iranian airspace? Well…I’m sure Iranians do, and they probably think of it as a terror attack. The George H.W. Bush was president at the time and he refused to apologize to Iran because America never apologizes….typical terrorists behavior.

Stahl goes on to recount the FBI allegations against Iran saying that in order to keep a legal distance, Iran uses “proxies” from the criminal world to do their dirty work.

This sounds quite similar to how the U.S. intelligence community uses criminals to run guns and drugs into the U.S. from Central and South America in order to fund their black budget projects…like, ironically enough, Iran-Contra.

It is also similar to how prior to the war in Afghanistan, poppy production in that country under Taliban rule had fallen to nearly zero…but after we went on the hunt for Bin Laden by starting a war there, poppy production skyrocketed, followed by a flood of heroin into the U.S. and Europe. The same thing happened during Vietnam, when the CIA would run heroin from Thailand through Vietnam and into the U.S. Not surprisingly, Leslie Stahl didn’t bring any of this uncomfortableness up.

Also not surprisingly, when Stahl spoke of Iran using proxies like Hamas and Hezbollah to fight their wars and foment dissent in other countries, she failed to mention how the U.S. has famously used such stand-up good guys as Al Qaeda and ISIS as proxies in the Middle East against various enemies, such as the old Soviet Union and modern-day Syria.

60 Minutes’ allergy to the truth and addiction to establishment propaganda didn’t stop with the inane Iranian kidnapping story. Up next on the same episode was even more WWIII drum banging in the form of a story about Russia’s “cultural genocide” in Ukraine.

In a previous episode, 60 Minutes did a segment about Russia’s “quiet invasion” in Georgia and now they’re doing a segment on Russia’s “cultural genocide”…how sneaky of those Russians to do “quiet” invasions and “cultural” genocides, instead of those noisy invasions and actual genocides like Israel is doing in Gaza.

The main thrust of this segment was that Russia is targeting Ukrainian churches, libraries and museums in order to wipe out Ukrainian culture and identity.

The specifics of the charges against Russia in this case are…well…almost irrelevant considering the dubious sources with incentive to manufacture any story they want with no journalistic resistance to it. That said, I don't doubt in the least that churches, libraries and museums have been destroyed in Ukraine.

What I find fascinating though is that as this story aired another war is raging…this time in Gaza, and lots of churches, including the third oldest Christian church in the world, St. Porphyrius, and hospitals too, have been deliberately targeted, as have civilians.

You can bet your ass that 60 Minutes will not run a story on the cultural genocide of Christians by Israel…and that’s because when Israel commits cultural genocide, or any other kind of genocide, it’s good, but when Russia does it, it’s bad.

To be fair, it isn’t just Israel that gets a free pass…we give a free pass to ourselves as well. Remember when the Iraqi museum under U.S. military control was looted during the Iraq War, and Donald Rumsfeld’s response was to scoff at the charges and then to declare that “stuff happens”?

I certainly do not condone Russia’s military destroying Ukrainian churches, museums and libraries, nor do I condone their alleged looting. But I must say that these charges would be more impactful if western media outlets hadn’t already run with vacuous accusations of Russian rape camps and massacres, both of which have been shown to be scurrilous charges and empty propaganda talking points.

What I find so deplorable about establishment media’s modern war coverage is, whether it be in Ukraine, Syria, or Israel, the manufacturing and hyping of false atrocity stories.

War is bad enough as it is that you don’t need to gin up phony furor over fake rape camps or beheaded babies and the like. War is an atrocity all its own, it doesn’t need any help. And frankly, these stories only further to coarsen and dehumanize the public…which is already pretty coarse and inhumane.

The following Sunday, November 19th, 60 Minutes kept the propaganda train rolling with a segment titled “The Disappeared”, which was a shameless appeal to emotion that was so devoid of journalistic integrity as to be egregious.

The segment told the story of how Russia is “abducting” Ukrainian children from Ukraine and taking them into Russia. 60 Minutes reports that according to the Ukrainian government, the “official” number of children “abducted” by Russia is 19,000 but that they think the “real” number is 300,000…that’s quite a range…one might even say it is “highly improbable”. Just so everyone knows, 60 Minutes makes abundantly clear throughout the segment that all of this “abducting” is a “war crime”.

The story follows a “brave” Ukrainian grandmother, named Paulina, as she “rescues” her nine-year-old grandson Nikita who was “abducted” by the Russians. This story is…ummm…complicated to say the least.

So, Paulina’s grandson Nikita has special needs and was attending a boarding school for disabled students in Ukraine. His parents are completely out of the picture, but why that is, is never revealed in the story, we only learn that the grandmother is “in the process of filing for guardianship of her grandson”. Curious considering that Nikita was “abducted” nearly 8 months ago…which indicates he had no family member as his guardian prior to the “abduction”.  

Also curious is that Paulina lives far away (in Poland) from Nikita, as she works and has to pay for the boarding school….or so 60 Minutes tells us. The reality is that Paulina hasn’t seen Nikita in a long time and it has nothing to do with the Russians. In fact, she is in such close contact with Nikita that she only finds out he has been “abducted” by the Russians, when his picture is posted on social media by a Ukrainian activist group.

The host of the segment, Cecilia Vega, then informs us that over the seven months Nikita was “held captive”, the Russians played a “cruel game of hide and seek”, moving the child three times in eight months.

In an attempt to expose the villainy of the Russians, a digital map is used to show the long journey Nikita was taken on “post-abduction”. First, he is taken out of Ukraine to Crimea, then to Russia proper – but still close to the border, and then…astonishingly…he is taken back to Ukraine not all that far from where he was originally “abducted”. Cecilia Vega’s voice-over sums up this journey by simply declaring that the child was taken “deep into Russian-held territory”.

Paulina then works with an activist group in Ukraine dedicated to “rescuing” the children “abducted” by Russia, and they hatch a plot to get Paulina to Nikita.

We are told by a former Ukrainian politician who now runs the non-profit activist organization that “rescues” these children, that each child who returns to Ukraine is :a witness to a war crime”…which is a strange thing to say since it will just signal to Russia not to release any more children…right? Ms. Vega never asks that question because it would complicate the shallow sound-bite she is so eager to get and the Manichean narrative she has pledged to uphold and propagate.

Then we hear about Vlad, a 16-year-old Ukrainian boy, who recounts his tale of being taken from his home in Ukraine by Russian soldiers and put in a “camp”, which sounds an awful lot like a school. Among the tortures he endures are that he has to say the Russian national anthem every morning (the horror!!).

Vlad also tells us that speaking Ukrainian was forbidden in the “camp”, which means he got to experience exactly what every ethnic Russian Ukrainian citizen experienced after the U.S.-led coup in 2014 in Ukraine. The post-coup government banned the Russian language, Russian media outlets, opposition political parties and even Russian Orthodox Churches…and some Ukrainian ones too.

Vlad, being a teenager, lashes out at these ridiculous restrictions and tears down a Russian flag in anger. He is then put in the detention facility part of the “camp” and is held in “isolation”. 60 Minutes acts like this is the most barbaric thing to have ever occurred, and I concur, that children, even 16-year-olds, should not be put in isolation. Unfortunately, in the U.S. 35% of all prisoners held in youth detention facility are held in isolation at one point during their incarceration. Celia Vega never mentions that fact.

Vega did mention that the Russians were “indoctrinating” children in these “camps” by telling them “repeated lies” like “Ukraine lost the war”. By all observable metrics, Ukraine has lost the war though, and the indoctrination charge is pretty rich coming from 60 Minutes – which does nothing more than indoctrinate its viewers with the most pernicious of propaganda.

As for Vlad, his story is a sad one, but he did get back home, so Russia’s “abduction” campaign seems very, very ineffective. Considering that the Ukrainian military routinely “abducts” teens and old men off the street and uses them as forced conscripts, which they then throw into the meat grinder at the front line to be slaughtered, it’s safe to say that Vlad was lucky to be in a Russian school instead.

And that is really the point of all this. The notion that Russia is moving children out of a war zone for the safety of the children is only absurd and ridiculous if you have a cartoonish and comic book understanding of Russia and Russians. You don’t have to think Russians are the good guys to believe that they don’t want to massacre children.

And considering the fact that Israel has slaughtered more civilians and children in just over a month of war in Gaza, than Russia has in two years in Ukraine, speaks to this reality.

Another piece of evidence backing this notion is that Paulina makes it to the school where Nikita is living under Russian control. Despite the fact that she has no legal guardianship of Nikita, Russian officials, including Maria Mlova-Balova – the woman who is “accused of war crimes” by Ukraine (and 60 Minutes) for her work running Russia’s Child Services, Paulina is allowed to leave with Nikita.

Mlova-Belova, or as 60 Minutes identifies her “the accused war criminal”, tears up with joy at the reunion of Paulina and Nikita. Mlova-Belova – “the accused war criminal”, then gives gifts to Nikita and says to Paulina, “would like you like to stay in the Russian Federation with us maybe? We can give you some money, maybe a car?”

Paulina declines, as Mlova-Belova calls the reunion a “joy” and wishes Paulina and Nikita a “happy life”. Paulina and Nikita then leave for the long journey back to Poland.

Just think about this for a moment…Mlova-Belova –“the accused war criminal”, greets a Ukrainian grandmother with gifts and an offer of citizenship and financial aid, and then allows her to come take her grandson and leave, despite the fact that the Ukrainian government official running the rescue operation says every returned child is a witness to a war crime, and this “war criminal” woman puts the entire interaction on video and shares it with the world.

Does this sound like some nefarious, child-stealing enterprise being run by a “war criminal”? Does Maria Mlova-Belova sound like a monster who wants to harm Ukrainian children? In addition to that, is a nine-year-old boy with special needs some great prized possession or piece of war booty the Russians covet? Or is the more likely scenario that Mlova-Belova is a Russian bureaucrat doing her best to find a safe place or safe home for children in great peril in a very complex and difficult situation? We know what 60 Minutes wants you to think, but the facts of this scenario speak to a much more nuanced and complicated situation.

(This is not to even mention the fact that as this story ran, Israel is waging war in Gaza and making no effort to avoid killing many, many children – according to some reports, over 5,500. It would seem Russia is doing a much more humane thing by removing children from an active war zone. I’ll let you decide.)

On Sunday, November 26th, 60 Minutes ran yet another propaganda segment titled “Rise”, which was about a former American Marine Corps officer who runs a program which brings Ukrainian war widows and their children to the Swiss Alps for a week in order to climb mountains and confront their psychological trauma of having lost a husband/father.

The segment was hosted by a weepy, teary-eyed Scott Pelley, who introduced us to Nathan Schmidt, the former Marine who served three brutal tours in Iraq and has the psychological scars to prove it.

Pelley repeats the terms “Putin’s invasion” and “Putin’s unprovoked invasion” like mindless mantras throughout the segment, just so everyone knows that subtlety and nuance are not welcome on 60 Minutes, despite those declarative condemnations being, at best, disputed. To state aloud that Russia’s invasion of Ukraine was “unprovoked” is to prove yourself uninformed to the point of illiteracy in the recent history of Ukraine and America’s involvement.

There is a certain irony in the fact that Schmidt, who is so obviously torn up about what he witnessed and experienced in Iraq, helping Ukrainians heal from the psychological wounds of war, when the Iraqis, whose country he invaded, are apparently left to fend for themselves when it comes to dealing with the immense trauma, he and his nation inflicted upon them.

When hearing the very sad stories of the Ukrainian war widows and their children, I couldn’t help but wonder…where are the ethnic Russian Ukrainians who lived in the Donbas who were left widowed and orphaned by the Ukrainian government’s bombardment of thei towns and villages post the 2014 coup – a coup which was instigated and sponsored by the U.S.? Ukraine killed 14,000 ethnic Russians in the Donbas…so there are lots of war widows and orphans to choose from for a healing mountain climb. Why weren’t they invited?

And where is the healing mountain climbing for the relatives of the 48 ethnic Russian Ukrainian citizens who were burned alive in the union house in Odessa in 2014 by Ukrainians and backed by the U.S. installed Ukrainian government? I’m sure they’d like to climb a mountain and forget their troubles too.

This 60 Minutes segment is the heartstrings portion of the propaganda program, similar to the previous segment on the “disappeared” children. It is meant to overwhelm you with raw emotion, which will short circuit your brain and your critical thinking ability. Facts? We don‘t need facts! We need feelings!!

The thing that bothers me the most about this wave of 60 Minutes propaganda pieces is not the shamelessness, but the obvious venality, vacuity and malignant intent of it all.

This 60 Minutes anti-Russian/China/Iran propaganda isn’t meant to inform, it is meant to inflame. Its goal is to misinform, disinform and blind the populace to reality and dull their ability to think critically while aggravating their emotions, all in the hopes of ginning up support for a massive war against the new Axis of Evil.

War is undoubtedly a racket, and 60 Minutes is a critical part of that racket’s infrastructure. The dupes and dopes who buy into the bullshit that 60 Minutes and the neo-con American government are peddling, will ride the wave of their incuriosity and righteousness, and flag-wave us into a world war and our own annihilation.

I know Quixotically waving my red warning flags will make no difference in the long run and will do nothing to stop the inevitable, but at least it gives me something to do while the dogs of war howl louder and louder and 60 Minutes keeps the beat by incessantly banging their war drums.

 Follow me on Twitter: @MPMActingCo

©2023

All Quiet on the Western Front (2022): A Review and Commentary

****THIS IS A SPOILER FREE REVIEW!! THIS REVIEW CONTAINS ZERO SPOILERS!!****

My Rating: 4 out of 5 stars

My Recommendation: SEE IT. A fantastic film that tells a story that is as relevant today as it’s ever been.

It is morbidly ironic that as German director Edward Berger’s bleak and beautiful new remake of the classic World War I film All Quiet on the Western Front begins streaming on Netflix, that all is most definitely not quiet on Europe’s Eastern front.

It’s not insignificant that the movie, a remake of the 1930 Academy Award Best Picture winner based on the 1929 novel of the same name, which recounts the tale of a group of young German men intoxicated by the fantasy of fighting in World War I who are then eviscerated by the brutal reality of it, should premiere while a vicious war rages on Europe’s Eastern front between Ukraine and Russia.

The lesson of the book and all film iterations of All Quiet of the Western Front is that war is a fruitless, savage endeavor that, like an insatiable, gruesome beast, devours men’s bodies as it mangles their spirits and souls.

Of course, we know all of this to be true about war, and yet, we in the West, in the U.S. in particular, are such thoroughly disinformed, misinformed and propagandized Russo-phobic war fetishists and superhero fantasists that we convulse with glee at the notion of escalating the war in Ukraine – a war which we started via the U.S. backed Maidan coup and ensuing slaughter of ethnic Russians in the Donbas, up to and including calling for more muscular American military intervention and even the use of nuclear weapons.

This is all madness…but as All Quiet on the Western Front teaches us, all war is madness, and some form of extreme psychosis is required to participate in it. Berger’s two-and-a-half-hour film effectively captures this madness, from the young men’s giddy rush to enlist at all costs to their grim death sprint out of the open air coffin trenches and across the hell of no man’s land.

The movie is exquisitely and exceptionally photographed, and that cinematic beauty juxtaposed against the inhuman brutality of the behavior captured in the frame is jarring and deeply unnerving.

Berger also uses a technique which I almost always find off-putting but which works here, which is using modern music in a period piece. The music is a grinding, industrial guitar that accompanies the young German men as they take their first few steps out of the fantasy of war and into the reality of it. This music is used sparingly throughout, but it is remarkably effective in conveying the sense of this war, as is true of all wars, as being a mindless meat grinder, industrial in its level of dehumanization and carnage.

The opening of the film, of which I will refrain from revealing the specifics, is simple yet extraordinary in transmitting this same sensation of war as mass murder incorporated, and it sets the stage for the rest of the film to expound upon that thesis.

The battle scenes in All Quiet on the Western Front are realistic, disturbing and exceedingly well-executed. Director Berger and his cinematographer James Friend are able to maintain audience orientation while never sacrificing artistic vision. The battles look, and therefore feel, grounded, gritty and gruesome.

Cinematographer Friend masterfully lights and composes his frame not only in the battle scenes but in the quieter moments. There are shots of landscapes, trees and the sky in this film that would look right at home in a Malick movie or framed in a museum.

The acting, particularly Felix Kammerer as the lead Paul Baumer and Albrecht Schuch as Kat, are terrific as both men bring quiet intensity and sensitivity to their roles. Kammerer’s mastery of the thousand-yard stare and Schuch’s innate humanity elevate their performances and the movie.

The rest of the cast are subtle and superb as well, bringing life to what in lesser hands would be well-worn war movie stereotypes.

The film is not perfect though, as the narrative break aways to follow the ceasefire negotiations among the German contingent of bureaucrats, headed by the great Daniel Bruhl as Matthias Erzberger, feel like they should be in a different movie. These sections are interesting, but they break the spell of the film by removing the viewer from the myopic madness in the muck and mire of the front lines. I understand the desire to want to take a glimpse of things from 10,000 feet so to speak, but in this case, it works against the film’s better interests and drama.

That said, the rest of the movie is glorious as it vibrates with a sort of dramatic Malickian chaos mixed with existential inevitability that is captivating, compelling, exhausting and unnerving.

This movie should be mandatory viewing for Americans, the majority of whom are vociferous cheerleaders for the current war in Ukraine. These American idiots with Ukrainian flags in their Twitter bios are no different that the young German men at the center of All Quiet on the Western Front eager to prove their worth and courage, except, of course, that those Germans didn’t just pose and preen about war on social media, they actually went and fought and died in it.

The neo-con, armchair tough guys who’ve gotten us into every war of my lifetime, of which we’ve won none, from Vietnam to Afghanistan to Iraq and now Ukraine, are like the bloated and bloviating military bureaucrats in All Quiet on the Western Front as they’re eager for other men to pay dearly for the exorbitant faux-nationalist checks that their flag-waving egos were so excited to write. The neo-cons con is to destroy their host nation from within as they accuse dissenters from the self-destruction of being traitors (or in the case of Ukraine - Putin shills and apologists) . These nefarious neo-cons always demand other, more masculine, working class men sacrifice their bodies, minds and souls for the sake of the neo-con’s fragile eggshell egos and deep-seated genital insecurities.

If you follow media narratives throughout history, this war in Ukraine has all the markings of America’s typical modern war psyops/propaganda playbook. There’s scaremongering using the delusional domino theory about some expansionist enemy/ideology, be it communism (Vietnam), Islamism (Afghanistan/Iraq) or Putinism (Russia), that will conquer the earth if the U.S. don’t role play as Churchill to some new Hitler. And there’s always a new Hitler, an alleged madman who is a history breaking tyrant that is simultaneously an evil genius and an incorrigible, bloodthirsty idiot. Today it’s the media-crafted Bond villain Putin. Before him it was the madman Saddam, or the madman Qadaffi, or the madman Bin Laden, or the madman Ho Chi Minh and on and on and on.

Will watching All Quiet on the Western Front wake up American morons from the establishment media’s Russo-phobic propaganda spell and remove from the memory hole the U.S.’s and Ukraine’s role in starting and enflaming this war? No, probably not. Nor will it disabuse Americans of the notion that they are the good guys and that this is a good war, as there are no good wars and there are no good guys fighting in them.

All Quiet on the Western Front is a fantastic movie, but it’s not a miracle worker and it would take a miracle for America and the rest of the West to wake up from their propaganda-fueled dream of the war in Ukraine as history-making hero machine and to see it for what it really is, a senseless, money-making meat grinder, which contains within it the possibility of a worldwide war of unimaginable carnage.

All Quiet on the Western Front is Germany’s submission for the Academy Award for Best International Feature. It most definitely deserves to be nominated, and in my mind is thus far the number one contender for the award.

You should watch All Quiet on the Western Front because it’s an excellent film, and also because it contains lessons that we in the West should already know but apparently need to learn over again, and fast…namely, that war is hell and only devils want it.

 

©2022

The Greatest Beer Run Ever: A Review and Commentary

****THIS IS A SPOILER FREE REVIEW!!! THIS REVIEW CONTAINS ZERO SPOILERS!****

My Rating: 2 out of 5 stars

My Recommendation: SKIP IT. An unforgettable true story turned into a completely forgettable motion picture.

The Greatest Beer Run Ever is the amazing, nearly unbelievable, true story of John “Chickie” Donohue, a seemingly dim-witted, ne’er do well merchant mariner from Inwood in New York City, who decides to show his support by traveling to Vietnam in 1968 to deliver beer to his neighborhood buddies serving in the war.

The Greatest Beer Run Ever, which is written and directed by Peter Farrelly and stars Zac Efron and is currently streaming on Apple TV +, is a really great story…but unfortunately, it’s a bad movie.

Farrelly (There’s Something About Mary) won a Best Picture and Best Original Screenplay Oscar four years ago for Green Book, his much-maligned movie on race relations, which was also set in New York City in the 1960’s and dealt with a conservative seeing the light and embracing a more progressive vision.

Green Book wasn’t as bad as the interminably aggrieved victimhood brigade would have you believe, but it also definitely wasn’t Best Picture material (although with the laughable CODA winning the award last year who the hell knows what a Best Picture worthy movie is anymore). Green Book was basically a well-crafted, well-acted, rather simple-minded movie about hope for humanity, no wonder it was so hated in our current awful age.

With The Greatest Beer Run Ever, Farrelly seems to, in the wake of the Green Book criticisms, be trying to either bolster his much tarnished liberal bona fides or give a mea culpa for his perceived sins against the new woke religion. Whatever he’s trying to do…he fails miserably.

Green Book, for all its shortcomings, worked as a piece of middlebrow entertainment masquerading as upper middle-class art, because it featured two really terrific actors, Viggo Mortenson and Mahershala Ali (who won a Best Supporting Actor for his work). The Greatest Beer Run Ever is not so blessed, as it stars poor Zac Efron.

Efron seems like a nice guy, and I have absolutely no animus towards him whatsoever and wish him nothing but success. But the truth is he’s an extremely limited actor and those limitations are laid bare in this film.

Efron’s Chickie is like a more handsome, street-smart Forest Gump who stumbles through history oblivious to his own buffoonery. As one Sergeant says upon meeting Chickie in a war zone, “don’t worry about him, some people are just too stupid to get killed.”

As for Efron, he’s a good-looking kid (“kid” – he’s 34!) but he’s utterly devoid of charisma and magnetism. He almost seems to be trying to hide in front of the camera. Emotionally he’s a black hole from which no life or light escapes. And his dismal New Yawk accent is come and go for the first third of the film and then disappears completely for no apparent reason.

To be clear, Efron isn’t the only bad actor in the movie. The entire supporting cast, with two notable exceptions, are simply dreadful.  The egregiously amateurish cast are either over-the-top caricatures or underwhelming to the point of invisibility.

In particular, Chickie’s group of friends in New York are portrayed by a collection of the worst actors I can remember seeing in a mainstream movie and their accents are less New York than they are a rancid stew of Providence, Boston and Maine. I won’t name any of them out of some twisted sense of compassion, but holy shit they are embarrassingly bad.

The two notable exceptions regarding the abysmal acting are Bill Murray as The Colonel, a World War II vet who runs the local bar, and Russell Crowe, as a journalist in Vietnam. Murray and Crowe are not particularly exceptional in their roles, but whenever they are on-screen a sense of relief comes over the viewer as they know at least they’re in the hands of professionals. Murray and Crowe feel at home on the screen, whereas everyone else, most notably Zac Efron, does not.

To be fair to Efron, Farelly’s script and his direction are no help either as they’re utterly atrocious.

There are major plot points and dramatic moments throughout the movie that need to be earned but simply never are, like when Chickie makes the decision to go to Vietnam, it just sort of happens…and everything, particularly the crucial emotional beats, are as vacuous as that.

Another grating thing about the movie is that a major plot point is Chickie must carry a bevy of beers (Pabst Blue Ribbon cans) in a duffle bag across the ocean and all over Vietnam. Beers are heavy, but Chickie’s wondrous bag always seems nearly weightless and empty, but he continuously pulls beer after beer after beer out of it like it’s a magic hat.

If that bag were realistic, and Chickie had to lug it around and decide between dumping out beers or staying true to his mission, then the story and his burden would take on great meaning. The duffle bag literally could’ve been Chickie’s (and America’s) cross to bear across the globe for the sin of the Vietnam war…but instead it’s just a ticky-tack prop that draws viewers out of the reality of this astounding true story.

Another major issue is that Farrelly’s tone through much of the movie is whimsical, and it undermines the horror of the war we see unfolding before us and it all feels…unseemly. There’s a scene like this at the front lines in Vietnam which is so poorly choreographed and directed, and tonally off-kilter, that I found it repulsive.

What’s so grating about The Greatest Beer Run Ever is that it really could have, and should have, been great.

As I watched I kept thinking of how amazing this film would’ve been if it were made in the 1970’s, when the topic, a conservative ‘Road to Damascus’ moment regarding the crime and calamity that was the Vietnam war, would have more cultural resonance, meaning and impact. Imagine a movie like that directed by someone like Hal Ashby and starring Jack Nicholson, I mean God-damn…THAT would’ve been worth seeing!

But instead, we get this rather pathetic modern-day effort from Farrelly and Efron that feels almost instantaneously forgettable.  

To be fair, there are a few sequences that I thought were well done, most notably when Chickie runs into a little Vietnamese girl in a field and tries to interact with her. The scene is shot without sound with music playing over it and it’s easily the best and most profound scene in the film. Another interesting visual is what I will call “the falling-man” shot…which was very reminiscent of 9-11 and therefore was loaded with uncomfortable but insightful symbolism.

What is most interesting to me about the rather uninteresting The Greatest Beer Run Ever though, is that Farrelly was attempting to make somewhat of an anti-war movie in an age when anti-war movies are so rare as to be extinct. The reason for this is two-fold…first, the Pentagon and intelligence community control Hollywood and the messages about the military and war that it produces – and anti-war sentiment is not on their agenda. This manifests in movies and tv shows like Top Gun: Maverick and Seal Team getting made and movies like Oliver Stone’s long planned project on the My Lai massacre not finding funding. Secondly, the anti-war movement in America, along with Occupy Wall Street, Tea Party and the rest of the populist movements of both left and right, have been successfully co-opted and crushed by the establishment, resulting in the anti-war movement being virtually non-existent today.  

Anti-war sentiment is now anathema in America, as liberals – long the vanguard in anti-war movements, have been so easily conditioned to demand blood lust, most notably against Russia. The same liberals I marched with against the Iraq war in 2003 are now ignoring the War in Yemen and demanding all-out war in Ukraine – up to and including nuclear war, and unthinkingly regurgitate vapid establishment propaganda like children reciting their A-B-C’s.

If you apply logic and dare to question establishment propaganda, like the obvious inanities of the Ghost of Kiev, or the Snake Island buffoonery, or the less obvious but equally dubious claims of the Bucha massacre, or the supposed Russian rape camps, or you speak out against the U.S. escalating the war by sending billions upon billions of dollars to Ukraine (in the form of weaponry) and sabotaging the Nord Stream pipelines, you’ll be reflexively tarred and feathered as a shill or stooge for Putin.

People have become deathly allergic to context (and thinking), so if you point out the fact that the U.S. instigated the illegal coup in Ukraine in 2014 ,and later broke the Minsk Peace agreements, and point out the fact that Ukraine killed 14,000 ethnic Russians (who were Ukrainian citizens) in the Donbas in the eight years after the coup, and that the Ukrainian government is riddled with fascists who banned the Russian language and shut down media outlets and opposing political parties, you’re just a useful idiot on Putin’s payroll.

This sort of shallow, simple-minded, historically illiterate, Manichean, knee-jerk jackassery used to be what liberals called out on the right and righteously fought against, but now liberals act exactly like flag-waving, McCarthy-ite right-wingers demanding all those with opposing views slavishly obey the establishment line or be branded a traitor or Russian sympathizer, or both. These empty-headed, emotionalist liberal fools are afflicted with the same disease they used to fight against, and are completely blind to their reactionist Russo-phobic conditioning.

The co-opting of the anti-war left by neo-con war mongers and neo-liberal corporatists is a calamity and will be catastrophic for the health of our nation, and may well lead to another world war and all of us to a fiery death.

On that less than pleasant note, let’s return to an equally unpleasant but much less important topic…The Greatest Beer Run Ever.

In more skilled and gifted-hands The Greatest Beer Run Ever could have made salient points on these weighty and vital issues and held a mirror up to reveal the madness that has engulfed America and its anti-anti-war discourse and actions. But unfortunately, Peter Farrelly lacks the needed craft, talent and courage to make such a meaningful movie, and instead churns out this flaccid, flimsy, D-level nonsense that will come and go with no one noticing.

The bottom line is that The Greatest Beer Run ever is a missed opportunity, and you would be wise to miss it too.

 

©2022

The Film 'Come and See', the Russian Psyche, and the War in Ukraine

My Rating: 5 out of 5 stars

My Recommendation: SEE IT NOW. Arguably the greatest war film, and greatest anti-war film, ever made.

‘COME AND SEE’ IS VITAL TO UNDERSTANDING THE RUSSIAN PSYCHE REGARDING THE WAR IN UKRAINE

A few years ago, in order to commemorate the 75th anniversary of V.E. Day, I wrote a list of the best war films ever made that was published at RT.com, an English-language Russian news outlet. I got a lot of feedback on my list, as readers shared their favorite war films and compared them to mine. Interestingly, I was inundated with emails and comments from Russian readers who were outraged I failed to have Come and See, the 1985 Soviet war film directed by Elem Klimov, not only not on my list, but not at the top of it.

The truth was I hadn’t seen Come and See because it isn’t widely or easily available here in the U.S. The film, which for years was nearly impossible to find on any streaming service, is now available on the Criterion Channel (which is wonderful and a must have service for any cinephile). Having finally watched the movie I can now say that those Russian readers were right and I was wrong…Come and See deserves to be on the top of the list of best war films ever made. It is a terrible injustice that the film has thus far remained mostly undiscovered in the West as it is an astonishing piece of cinematic art.

I think now, as the war in Ukraine rages into its second month, it’s most imperative that Westerners watch Come and See in order to better understand historical context and how it effects the collective Russian psyche regarding perceived enemies on its western border.

The dramatically scintillating Come and See is unquestionably a cinematic masterpiece, and I don’t use that word lightly. The film chronicles the odyssey of Florian Gaishun, a young teenage boy trying to survive the Nazi occupation of the Soviet Republic of Belarus in 1943.

Florian is eager to join a rag tag group of Soviet partisans in a guerrilla war against the Nazis. But his mother, afraid to be left alone in their small village with two young twin daughters, is adamant he stays home.

But once Florian discovers a discarded but usable weapon buried in the dirt, the partisans come to his house and officially conscript him into service.

Thus begins Florian’s coming of age story, which is a trial by fire where a Focke-Wulf 189 German reconnaissance plane haunts the skies above his head like a blood-thirsty vulture and Nazi savagery dominates and decimates the fragile world around him.

Florian is thrust into most harrowing journey through the brutality of war and the darkness of the human heart, and must endure the most hellacious of circumstances and devastating of tragedies.

It’s impossible to adequately describe Florian’s gruesome crucifixion upon the cross of war, and the ungodly horrors he must suffer. The viewer must simply bear witness to them too and suffer the same visceral anguish as Florian.

The film boasts two terrific performances, one from Aleksei Kravchenko as Florian, and the other Olga Miranova as Glasha.

Kravchenko’s face over the course of the film is a roadmap of the horrors he’s experienced. His ‘thousand-yard stare’ is a monument to the soul-crushing and heartbreaking ordeal he’s undergone.

Miranova is electrifying as Glasha, a young woman Florian meets in the early days of his time with the partisan guerrillas. Miranova is like a beautiful, gaping wound walking the earth, trying to avoid catastrophe but sentenced to an endless parade of calamities.

Director Klimov pulls no punches on Come and See, as he masterfully, using a variety of clever and intriguing filmmaking techniques, such as a split diopter lens and the use of reduced sound to heighten drama, tells Florian’s tale. Klimov’s brilliant direction immerses the viewer in the hell of war, as well as expresses the collective rage against the Nazis that unleashed a wave of brutality and barbarity against the Soviets that is staggering to contemplate.

This is why it’s so imperative that Westerners watch Come and See, because it so forcefully conveys the palpable fear, anxiety and angst left on the Soviet/Russian psyche by the barbarity of the Nazi invasion forty years after it happened, as well as today.

Hitler sent his very best divisions when he invaded the Soviet Union because he understood that to win the wider war the Nazis needed to destroy the USSR and usurp its plethora of resources, most notably oil and wheat, which would then fuel and feed Hitler’s war machine.

Hitler, like Napoleon before him, found out the hard way that invading Russia is never a good idea, as the winters are brutal and the people made of extraordinarily stern and resilient stuff.

Roughly 30 million Soviets died in World War II (compared to about 418,000 Americans), but their deaths were not in vain as it was the Soviets who broke the Nazi war machine’s back and won World War II. But there isn’t a Russian family that didn’t suffer immensely during the war and for generations after, and the psychological damage from that trauma still resonates today.

In the West, when we hear talk of Russia wanting to “de-nazify” Ukraine, it sounds like a vacuous talking point. To Russians it deeply resonates though because it’s driven by a palpable existential fear – a fear perfectly captured in Come and See.

My intention here is not to try and change any minds regarding the war in Ukraine, as I’m aware enough to know that when emotions are as inflamed as they are now, and the bullshit propaganda is piling up so high you need wings to stay above it, as it is now, appealing to reason and logic is a fool’s errand.

But what I am here to do is to try and get people to watch Come and See for its cinematic mastery, and its collective cultural insights, so that they can at least understand the deeper psychological and historical context of Russia’s actions and impulses.

For instance, most people in the US don’t know this but in 2014 the US backed a coup in Ukraine that overthrew a democratically elected government. The overthrown government was more inclined to Russia’s viewpoint, and the newly-installed government was beholden to the US.

To Americans, that bit of history is largely unknown, but to Russians it’s not only well-known, but deeply troubling and anxiety-inducing.

The same is true of the fact that the newly installed Ukrainian government sat idly by as 42 pro-Russian activists were burned alive in the Trade Union House in Odessa, Ukraine post-coup in 2014, something which most Americans don’t know but that Russians know all too well (and which is remarkably reminscernt of one of the more horrifying scenes in Come and See).

Another example, which most Americans don’t know but of which Russians are keenly aware, is that this same US installed Ukrainian government then banned the Russian language and went to war with ethnic Russians in the Donbass region in Eastern Ukraine. Since that war started in 2014, nearly 14,000 people, mostly ethnic Russians, including women and children, have been killed.

Another piece of historical context largely ignored in the US is that when Russia and Ukraine signed a ceasefire/peace agreement called the Minsk Agreements (Minsk Protocol signed in 2014, and Minsk II – a ceasefire signed in 2015), it seemed peace was possible, but Ukraine and the US ignored those agreements and the slaughter of ethnic Russians continued in the Donbass.

To watch Come and See gives Americans an opportunity to see the developments in Ukraine through the eyes of Russians. To Russians, Ukraine’s Azov Battalion, which western media reported on extensively for years as a battalion of devilishly devout Nazis but which now ignores that context, is not an outlier, but the crux of the issue. As evidenced by the brutal wholesale slaughter of an entire Belorussian village in Come and See, which the film informs us was something that happened to 628 Belorussian villages at the hands of the Nazis during the war, Nazi bloodthirst isn’t a speculative talking point to Russians, it’s a historical fact and a traumatic trigger.

The way Russians see it, the US installed a Nazi friendly regime in Ukraine, and Russians remember what the Nazis did the last time they had power in the region…and it was genocidal in its scope and scale and demonic in its unabashed cruelty.

When Russians see pro-Russian activists burned alive in Odessa, and ethnic Russians massacred in the Donbass, the horrors of World War II as exquisitely captured in Come and See are conjured in all their grueling and gruesome savagery.

I understand that many Americans, fed a hearty diet of establishment media Zelensky worship as well as ludicrous propagandistic tales of the Ghost of Kiev and the Heroes of Snake Island, might watch Come and See and interpret it very differently. For instance, Americans might watch Come and See and believe Putin to be Hitler and the modern-day Russians in Ukraine the equivalent of the Nazis in Belarus in 1943.

I disagree with that assessment and find it to be historically illiterate and painfully myopic, but that said, I completely understand why, after years of relentless Russo-phobic propaganda, people would be conditioned to feel that way.

Regardless of how you interpret Come and See, I whole-heartedly encourage you to watch it. By being one of the greatest war movies of all-time, Come and See succeeds in being the greatest anti-war movie of all-time.

As for the war in Ukraine…like all wars, I hate it and vehemently oppose it. I understand why it’s happening, what triggered it, the wider forces at play in it and the stakes involved in it, but I despise war in all its brutality and callousness and inhumanity.

I know most people don’t believe in this sort of thing anymore, and frankly I don’t blame them, but I ardently and earnestly pray every day that the war in Ukraine ends and an everlasting peace is found and prospers. Ukraine is nothing but a boiling cauldron of suffering, and the last thing this world needs is more suffering, the brilliant Come and See is a testament to that fact.

 

©2022

John Oliver - Shameless Establishment Shill

FOR THE PREVIOUS JOHN OLIVER ARTICLES CLICK ON THE LINKS BELOW

1. COURT JESTER AS PROPAGANDA TOOL - 2. THE DRUMPF AFFAIR AND LITTLE BILL MAHER'S POWER FETISH - 3. WAXING BRAZILIAN AND WANING CREDIBILITY -4. OUT TRUMPING TRUMP ON THE GREAT WALL OF TRUMP - 5. THINGS SAID AND UNSAID.

Estimated Reading Time : 5 minutes 02 seconds

This Sunday, February 12, 2017, season 4 of John Oliver’s Last Week Tonight premieres. If the first three seasons are any indication, viewers can expect no deviation from the official party line by the establishment’s favorite comedy accomplice.

John Oliver is a charlatan who appears to be a rebellious liberal comedian speaking truth to power, but is really a shameless shill for the ruling class in the U.S. Oliver specializes in telling his liberal audience and those in the establishment exactly what they want to hear. He never genuinely challenges or questions the U.S. power structure, making him an agent of the status quo, which is why the media love him so dearly.

In order to maintain most favored status among liberals, Oliver assails universally loathed entities like FIFA, the NCAA, tobacco or televangelists. Or he’ll investigate a wonky subject like infrastructure, voter ID laws or reforming the bail system. While Oliver gets quite a lot of attention for these stories, they only generate heat, not light. Nothing changes as a result, not even popular opinion since Oliver is only preaching to the converted in the liberal echo chamber.

When it comes to potentially controversial topics, like the rare times he looks at the U.S. political, military and media establishment, John Oliver gives his sycophant fans the soft sell. In the 89 Episodes of Last Week Tonight that have aired, they have shown 250 segments. In those segments, Oliver has scrutinized issues pertaining to the U.S. military and foreign policy just 11 times, that’s 4.4%. In contrast, the show has dedicated 14 or 5.6 % of their segments to Russia, Putin and Russia’s foreign policy. And those numbers do not include the innumerable one-liners at Russia’s expense scattered throughout various other segments, as Putin is Oliver’s favorite comedy whipping boy.

VIDEO LINK

Even when Oliver looks into issues like drones, torture, Guantanamo Bay or NSA spying, he does so with the gentlest of tones and the kindest of language. For example, in regards to drones he called U.S. strikes, which killed civilians, “a little disturbing”. At end of the segment he concluded that now “might be the time to think about drones”. So his scathing assessment of the drone program was that it might now rise to the level of “thinking about”? And I guess “might” was the operative word in his statement since Oliver has never returned to the topic.

Contrast this delicate approach to the U.S. with his scorched earth campaign against Putin, where Oliver leads a cacophony of establishment media voices preaching a Russian hysteria. Oliver has assured his audience that the “brutal Russian dictator” shot down MH17, invaded Ukraine, committed war crimes in Syria, murdered Boris Nemtsov and would starve and freeze the population of Crimea once winter arrived. Oliver’s stance on Russia is just as vacuous, assumption-filled and fact-free as the rest of the mainstream media. A braver comedian would challenge the current prevailing presumptions, but courage is obviously not John Oliver’s strong suit.

Even when Oliver is mildly critical of the U.S., like he was in his torture and Guantanamo Bay pieces, he deflects those American failures by pointing to other nations that he feels are much, much worse, like Russia, North Korea, Iran, and Sudan. He also avoids using moral and ethical frameworks to argue against alleged U.S. failings, instead favoring arguments about “image”.

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Oliver’s main thrust on torture was that it causes “serious harm to America’s image”. He had an entire segment titled “The CIA’s Public Image” which dealt with how the CIA handles its social media. Of all the things to talk about regarding the CIA, their social media prowess seems to be the most frivolous, which is probably why Oliver chose it. In Oliver’s interview with NSA chief Keith Alexander, an important part of the conversation was on the NSA’s image and how to change it for the better, not on its Orwellian surveillance programs.  When it comes to questioning the U.S. establishment, Oliver never dare wander into the heart of the matter, only stay on the surface and stick to appearances.

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The discussion with Keith Alexander was also enlightening when contrasted with Oliver’s interview with Edward Snowden. Watching the Alexander and Snowden interviews side by side, it is easy to see where Oliver’s loyalties lie. Oliver uses the softest and most playful tone with Alexander, where he is extremely aggressive and nasty with Snowden.

The Snowden interview also reveals Oliver’s tactic of obfuscating uncomfortable issues. Oliver spends the first half of his Snowden segment making the story about how frightened he is to be in Russia. He is fearful because Snowden is late, the old KGB building is across the street and Russians are no doubt listening to his every word. You could come away from these bits thinking it is Russia that’s been eavesdropping on the world and not the U.S. But that was Oliver’s point with the Snowden interview and many other segments, to distract from U.S. crimes by imagining foreign ones.

The cherry on top of the Snowden episode was when John Oliver blamed Edward Snowden for the “major f***- up” of the New York Times publishing information that allegedly named a secret agent and a target.  In John Oliver’s world, the New York Times is sacrosanct and above blame, but that scoundrel Snowden makes for a convenient scapegoat.

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Lies of omission are littered throughout Last Week Tonight episodes as well. When Oliver did a segment on Obama’s visit to Saudi Arabia, he made the story about how rude the Saudi’s were to the president but gave no context at all. According to Oliver, the Saudi’s just randomly decided to hate Obama. Of course, the actual context is pretty important, Obama went to Saudi Arabia to calm the royal family over the 9-11 lawsuits and the congressional bills opening up the Saudi’s to liabilities for the attacks. Why Oliver would ignore this is beyond me.

When Oliver doesn’t ignore context is also revealing. In two segments on Ramzan Kadyrov, the Sunni strongman in Chechnya who had lost his cat, Oliver went to great lengths to give Kadyrov’s ties to Putin. He also spoke of Kadyrov’s Wikipedia page, which has a section about his human rights abuses, and spoke of it as if it were some sort of smoking gun. This is curious, as there was no mention of human rights abuses when another group of despotic Sunni Muslims, the Saudi’s, were the topic. And the Saudi’s don’t just have a section on their Wikipedia page about human rights abuses, they have a whole page dedicated to their human rights abuses! But Kadyrov is an enemy of the U.S. establishment and the Saudi’s are protected by it, so Oliver acted accordingly.

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Oliver only uses context when it supports the official narrative, not when it undermines it. A case in point was his coverage of the protests in Brazil against the left-wing Workers Party government. Oliver made that story about left wing corruption in Brazil, and nothing more. A closer examination of those protests reveals that a major factor was class and race, with wealthy Whites protesting against the government and poor Black/Brown people protesting for it. Race and class would normally be things that someone like John Oliver, and his liberal audience, would focus on, he certainly would in relation to the Tea Party or Trump supporters here in the U.S. But in South America, the official U.S. narrative is left-wing, populist governments are “no bueno”, and so  Oliver, whether it be in regards to Dilma Rousseff in Brazil or Rafael Correa in Ecuador, propagates that position.

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In contrast to his coverage of Brazil, watch this segment on turmoil in another left-wing South American country, Venezuela. In it, Oliver opens the segment with a news story that clearly defines the context of the protests, with the poor and working class on one side, and the military and police on the government side. Why clarify the struggle in Venezuela so distinctly but keep the Brazil situation murky at best? Because context in the Venezuela story supports the establishment media narrative that Oliver wants to sell, and it undermines it in the Brazil story.

And finally, the most remarkable proof of Oliver being an establishment shill occurred on the season three finale. Oliver actually pleaded with his audience to subscribe to the New York Times and the Washington Post in order to counter Trump and fake news. This was the first time John Oliver ever made me laugh out loud, as buying the Times and Post as an antidote to fake news is like treating obesity with a diet of pizza and ice cream.

It is too bad that Oliver’s insipidly predictable comedy and insidious support for all things establishment are so beloved by his minions. They obviously don’t know it yet, but John Oliver isn’t laughing with them, he’s laughing at them, all the way to the bank.

Previously published on Saturday February 11, 2017 at RT.

©2017

THE JOHN OLIVER TWIST : Things Said and Unsaid.

This is the fifth article in our new series THE JOHN OLIVER TWIST, where we monitor tv's political comedians and hold them accountable. The original article, Court Jester as Propaganda Tool, can be found HERE. The second article, The Drumpf Affair and Little Bill Maher's Power Fetish, can be found HEREThe third article Waxing Brazilian and Waning Credibility can be found HERE, and the fourth, Out Trumping Trump on the Great Wall of Trump HERE.

ESTIMATED READING TIME : 7 MINUTES 12 SECONDS

A (relatively) brief post on the recent comings and goings of our favorite political comedian, Brave Sir John Oliver, and to a lesser extent, Little Bill Maher, over the last few months. Much has happened but I've been pressed for time so haven't been able to update you, dear reader, on the shenanigans these two faux truth tellers have been up to.

As I have tried to show in previous posts, John Oliver uses the Establishment Propaganda Model ™ to great effect to deceive and misinform his audience. Oliver is not the first comedian to use that model, but in recent years he has certainly been the most effective. Part of how you know he is such a good propagandist for the establishment is to see how the establishment has embraced his work. If Oliver were what he claimed to be, a rebel speaking truth to power, those in power would loathe or maybe even fear him, but they don't, they celebrate and embrace his every move. It seems every week following one of Oliver's shows the public is inundated with articles in the mainstream press about how Oliver's latest "takedown" or "evisceration" of one subject or another was so utterly brilliant. Even Oliver has poked fun at the embarrassing amount of gushing praise his work receives.

The thing about Oliver's "eviscerations" or "takedowns" are that they have absolutely no effect whatsoever on the subjects he takes on. Yes, they may raise some sort of momentary awareness, but that awareness evaporates almost as soon as the episode is over. The Atlantic magazine did a great piece on this recently where they exposed the reality that Oliver is all sound and fury signifying nothing. And that is part of the Establishment Propoganda Model™ as well. Feed the audience something to distract them and to give them the impression that they are well informed and making a difference, when in reality they are really being led down a cul-de-sac of self satisfaction with nothing at all changing in the long run. 

What has interested me the most in the last few months since my last John Oliver Twist post, has been the things that Oliver has left out of his segments, as opposed to what he has put in. This is a vital part of the Establishment Propaganda Model ™, focusing on certain, specific things, but leaving others out. For instance, on episode 10 of season 3, which aired on April 24, 2016, Oliver's opening segment was on Obama's trip to Saudi Arabia and how the Sauid's ignored him during his trip.

It was a cute bit, but if you watch it closely you realize that it entirely ignored the real reason the Saudi's were so angry with Obama. Saudi Arabia was furious with the U.S. over a bill that was up before congress that would allow victims of the 9-11 attacks to sue Saudi Arabia over their role in those attacks. That is kind of a huge thing to leave out of the story, don't you think? It's like talking about O.J.'s marriage to Nicole and leaving out the stabbing. The funniest part of the whole thing is that two episodes later, on episode 12 of season 3, which aired on May 15, 2016, Oliver opened his main segment, which happened to be on the 9-1-1 emergency phone system and it's problems, by stating "9-1-1, a number we work hard to remember". Apparently Brave Sir John doesn't work so hard to remember those numbers when they point to Saudi complicity in terror attacks referred to by those same three numbers, and Obama's ass-kissing of those same, complicit Saudi's. 

The Saudi/Obama kerfluffle and Oliver's choice to willfully ignore the reason behind it, 9-11, is both odd and telling. It is also telling that just a few weeks later, Oliver did a little bit on Chechnya's leader Ramzan Kadyrov, who had lost his cat. Kadyrov is a real piece of work, no doubt about it, but Oliver made a big point, in fact he mentioned it twice, that Kadyrov's wikipedia page has an entire section dedicated to his human rights violations, as if this was some sort of remarkable "gotcha" point. As I said, Kadyrov, a Sunni Muslim, is a real piece of work (or a real piece of something else more odorous), but that said, you know another group of Sunni Mulsims who have a less than stellar track record on human rights…that's right...the Saudi's! Oliver never mentioned that fact in his piece on Obama visiting the royal kingdom to try and quell the fears of financial liability of the royal family over their role in 9-11. In fact, Saudi Arabia has such a horrendous human rights record that, unlike Kadyrov, they don't just have a mention of it on their wikipedia page…they have a whole wikipedia page dedicated to it!!

This is how the Establishment Propaganda Model™ works, some things are said and others not said. The assumptions underlying the establishment propaganda are never to be challenged, only blindly accepted. A great example of this shows up on Oliver's most recent episode, episode 13 of season three, which aired May 22, 2016. Oliver opened the episode by doing a segment on the turmoil in Venezuela, and the protests that have broken out there. The very first thing he shows about the protests is a video clip from ABC News which clearly states the context of the protests, that "on one side (of the protests) are students and the middle class, and on the other, police and the military."

That quote may seem like a minor part of a bigger segment, but this clip and statement are incredibly crucial in setting up the context of the protests and the premise of Oliver's argument that follows. This statement of "students and the middle class being on one side, and the military on the other", does all the work Oliver needs in setting audience expectations for who the good guys are and who the bad guys are in the Venezuelan situation.  And I am not saying that Oliver is wrong here, as he skillfully shows with the rest of the segment, Venezuelan president Maduro is, like Kadyrov, a real piece of work. What actually intrigued me the most about Oliver's Venezuela piece and his setting of context in regards to the protests, was that in a very similar situation in Brazil (episode 6, season 3, air date March 20, 2016), he completely ignored the context of those protests because he was taking the side of the right wing, the lighter skinned, the powerful, the rich and the military, against the black lower and working classes. Why would Oliver highlight the context in one case and ignore it in the other? The answer is obvious, the context helps him in the Venezuela argument, and undermines him in the Brazil argument. The key in both cases is that Oliver, just like the American Establishment, and just as the Establishment Propoganda Model™ would predict, calls for the overthrow or removal of an elected, left-wing, South American government that is less than friendly with the U.S.. The Venezuela/Brazil protests segments are damning and incontrovertible evidence of Oliver as a propaganda tool. Every liberal watching his show immediately sided with the "students and middle class" against Maduro in Venezuela, just as they would have sided with the black, poor and working class protesting in support of the left-wing President Dilma Rousseff in Brazil, but Oliver intentionally never alerted them to the class warfare element of the Brazil situation.

This is how the Establishment Propaganda Model™ works, you manipulate the information you present in order to contort "reality" to your own ends. So, for instance, the mainstream media in the U.S. would ignore or treat as completely normal the U.S. military doing exercises on the Russian border, but would call Russian military exercises WITHIN THE BORDERS OF RUSSIA as provocative. An easy way to dissect this sort of propaganda is to simply turn it around and imagine what you would think if the media from another country…Russia say, did the same thing. Would you trust them, or believe them? Would you take them seriously? Of course not. If the Russians did a military exercise in Canada and the U.S. did a military exercise in North Dakota, who is the one being provocative? In this case, obviously the Russians. So this is one way you should watch and read the news and see through the propaganda model.

As previously stated, it is not always the things that are said that are revealing of the Establishment Propaganda Model™ at work, but what isn't said. For example, why does John Oliver choose the subjects he chooses? Why did he completely ignore 9-11 in regards to the Saudi/Obama situation when it was such a vital part of the story? Why hasn't he done a segment on the "28 pages" redacted from the 9-11 report which some believe implicate the Saudi's in the attack? Why hasn't he done a segment on the C.I.A. losing the torture report…talk about a situation ripe with comedy? Or better yet…why not do a bit on this press conference from last year by the State Department which talks about how the U.S. has  'long standing policy" to not support coups. it is relevant to both the Venezuela and Brazil situations…and come to think of it, the Ukrainian and Egyptian situations as well. This press conference is the height of comedy and should be right up Brave Sir John's alley…yet he ignored it. 

These are the types of questions viewers should be asking of Oliver and all of the other political comedians. These questions show that it isn't just what Brave Sir John says that proves he is a propaganda shill for the establishment, it is what he chooses NOT to say.

LITTLE BILL MAHER PUCKERS UP

As for Little Bill Maher…well…he has been up to his old ass-kissing tricks once again. Most of the episodes of Realtime with Bill Maher are dreadfully dull and inane. The only time my interest is piqued is when Bill bends over backwards (or just over) for an interview guest. On the 5th episode of season 10, which aired on February 12, 2016, Little Bill interviewed "journalist" Richard Engel. Engel was there to promote his book, and Maher was more than happy to let him "plug away".

What was so interesting in the interview was that Maher briefly mentioned Engel's being kidnapped in Syria. This kidnapping story is pretty amazing and is a twisting and turning tale of propaganda from start to finish. Engel was kidnapped by Syrian rebels who claimed to be Assad forces in an attempt to garner U.S. public support to invade Syria. Engel claimed that a group of Syrian rebels attacked his captors, killing many of them, and freed him. The purpose of the propaganda was to make Assad's troops out to be the bad guys, and the rebels to be the good guys. Except…there were no dead bodies…even though Engel claimed to have seen them. And the rebels didn't save Engel from Assad's forces, they saved him from themselves. It was all a ruse…one which, shock of shocks, NBC, the home of Brian Williams, gladly went along with. You know who else gladly went along with it? Little Bill Maher. The story had been quite clearly debunked and dissected by the time Engel made it the set of Realtime, but Little Bill Maher simply pretended that Engel's original story was the one that happened. In typical Maher fashion, he got on his knees, licked his lips and told Richard Engel that he was "so brave", much like his similar work with General Hayden this season.  This is a great example of the Establishment Propaganda Model™ in two respects…the first is what Maher (and Engel) didn't say, namely that the kidnapping was a ruse and propaganda ploy, and two, retelling the original story so that the truth of what actually happened goes down the memory hole, never to be seen or heard again.

Another hum dinger of an interview with Little Bill was on epsidoe 13, season 10, air date April 22, 2016. This time writer Lawrence Wright stopped by to discuss 9-11, Saudi Arabia and the 28 pages redacted front he 9-11 report. I was glad Little Bill was tackling this important issue…and then I saw the interview. This interview was a classic of the Establishment Propaganda Model™ in that it served no purpose but to obfuscate the truth, not reveal it. Take a look.

This interview is so incoherent as to be mind numbing…and that was its purpose. Wright speaks of Saudi complicity in the attacks due to a Saudi agent being in contact with the hijackers here in the U.S. He also spoke of Saudi government officials being involved by supporting the attack logistically. He also claimed that the U.S. intelligence community knew this as it was happening and were also in close watch over the hijackers their entire time in America. But then he says that the 28 pages aren't really worth much thought because all they will do is "embarrass" the C.I.A. Yes…"embarrass" is what he said. The idea that anything other than "embarrassment" is behind the nondisclosure of the 28 pages is never even mentioned or thought of. What an absurd idea!! How could it be anything other than fear of "embarrassment"? This ignores the fact that it isn't just 28 pages we haven't seen about 9-11 and the Saudi's, but 80,000 files. That's right, 80,000 files…not just 28 pages. That is a hell of a lot of "embarrassment" to cover up in an attempt to save face.

Later in the interview Wright goes on to "explain" that Saudi Arabia isn't responsible for any terrorism at all…only the ideology that creates terrorists. Got that? This comes just moments after he explains that Saudi Arabian officials were in direct contact and supported the hijackers on 9-11. If none of this makes any sense to you, then that makes two of us.

Of course those statements by Wright are in direct contradiction of one another. Maybe Wright was just drunk and rambling…not the craziest notion after watching the absurd interview, or maybe he was intentionally being obtuse and contradictory. Maybe that is his job, to muddy the waters, to obfuscate the truth, not to clarify it. And Little Bill Maher was all to happy to help Wright make a gigantic mess of things. Little Bill was giddy at the chance to be able to change the subject from 9-11 and Saudi and U.S. Intelligence "embarrassment" and make it about Pakistani child fuckers…seriously. Little Bill turned the redacted 28 pages of the 9-11 report into a story about Pakistani child fuckers. Pakistani child fuckers reinforces Little Bill's, and the establishment's, preferred worldview, and U.S. intelligence "embarrassment" and Saudi complicity in 9-11 do not. Concerned about Saudi Arabia, U.S. intelligence and terror attacks?Don't worry…Lawrence Wright and Bill Maher assure that there is nothing to see here.

Besides his interviews, Little Bill has been full of the usual idiocy in his comments over the last few months as well. A case in point is when he had a comedian on and talked about how he, Little Bill, doesn't tell his audience what they want to hear. He was very proud of this, wearing it as a badge of courage. Little Bill is a truth speaker who says the truth no matter what…consequences be damned!! In his next breath, Little Bill went out of his way to make a point blindly supporting Israel. Little Bill explained that Europe, who has always been adversarial with Israel, might now be more sympathetic to Israel since European countries are now being over run with Muslim immigrants from Syria. It was a staggeringly illiterate thing to say, historically speaking. In case Little Bill doesn't know, it was European Jews who immigrated into Palestine, not the other way around. And those European Jews brought with them a terrorist campaign against the locals which featured the invention of the car bomb!! Yes, Little Bill Maher doesn't tell his audience what they want to hear, unless that audience are his pay masters in the establishment, then he says exactly what they want to hear, especially about Israel, over and over again. Bravo Little Bill!! 

Also in keeping with the Establishment Propaganda Model™, Little Bill, just like Brave Sir John, hasn't mentioned on his show the C.I.A. losing it's torture report either. In addition, Little Bill keeps on banging home the idea of "liberals supporting liberal ideas" in regards to the Middle East and Islam. Either Bill is dumber than I think, or he is intentionally laying the foundation for more wars in the region against Islam. You see, you cannot argue for liberals to fight for liberal values in Middle Esatern countries, without also arguing for actual fighting in those countries. Little Bill is a neo-con in that he wants to reshape the middle east, and while he would say he is against another war there, his rhetoric betrays him. You can't tell people to fight for liberal values and then tell them not to actually fight.

In conclusion, both Brave Sir John and Little Bill Maher have been, as the Establishment Propaganda Model™ would predict, serving as useful tools to reinforce the establishment narrative, and not to attack it.  As much as I am loathe to do it, I will continue to watch these two dim-witted, establishment shill, asshats, week in and week out, all as a service to you, my dear reader. I hope you are grateful for this, the greatest of all sacrifices, that I willingly make for you. God help me!!

©2016