Air: A Review - Who Knew That Shameless Corporate Ass-Kissing Could Be So Entertaining?

****THIS IS A SPOILER FREE REVIEW!! THIS REVIEW CONTAINS ZERO SPOILERS!****

My Rating: 3 out of 5 stars

My Recommendation: SEE IT. A rare treat of a well-made movie for grown-ups. Not life changing but undeniably entertaining.

Air, the new movie about Nike’s push to sign Michael Jordan to an endorsement deal in 1984, is, to quote Kris Kristofferson, “partly truth, partly fiction, a walking contradiction”.

The film, which is directed by Ben Affleck and stars Affleck as well as his old buddy Matt Damon, is the rarest of rare things in our current culture in that it’s a movie featuring movie stars, made for grown-ups in which everyone involved is exceedingly competent at what they do.

Ben Affleck’s direction, the cast’s performances, first-time screenwriter Alex Convery’s script and Robert Richardson’s cinematography are all, at a bare minimum, competent and often much more than that. For this reason alone, the film is undeniably entertaining.

It’s a testament to Damon and Affleck’s star power, and the professionalism and skill of everyone involved, that even though viewers know how the story ends, Air is still a compelling and captivating story that at times is remarkably exhilarating and even moving.

Matt Damon is terrific as Sonny Vaccaro, the guy leading the charge to get Michael Jordan to sign up with the then basement-dwelling, third ranked basketball sneaker company, Nike.

Damon has always been a top-notch movie star actor, and he brings all his skill to the fore as the lovable loser Vaccaro. Damon is a pleasant and oddly charming screen presence who effortlessly carries this story from start to finish.

Viola Davis, who plays Michael Jordan’s mom Deloris, is outstanding in her supporting role. With minimal screen time Davis imbues Deloris with a silent authority that dominates the drama. Every time she is on-screen, she is subtly the center of the universe. It would be difficult to imagine a scenario where Davis doesn’t get nominated for an Oscar for this performance.

Ben Affleck is very good too as Phil Knight, the very strange founder of Nike. Affleck is fantastic at being unintentionally funny and if Phil Knight is anything it is unintentionally funny.

Affleck’s direction is solid as well. His decision to not make Michael Jordan a major character in the film, and to not show Jordan’s face, were pretty brilliant as the movie could have easily spun out of control and turned into a rather cheap, made-for-tv type of project with a Jordan imitator joining the festivities.

All that said, there are some things about Air that leave a decidedly bad taste in my mouth.

The first of which is that this movie is undeniably a piece of corporate propaganda and hagiography. This isn’t just a film about American capitalism and corporatocracy, it is a celebration of American capitalism and corporatocracy.

The movie bends the truth to some extraordinary degrees in order to pretend it isn’t celebrating the rather deplorable parts of American capitalism and corporatism symbolized by Nike, and to act like it’s actually a tale about the working man fighting against corporate power.

Jordan is made out to be a pioneer who broke the mold regarding shoe contracts by demanding profit sharing and his mother Deloris makes the case that “young black boys will pay a lot for this sneaker and that money should go to my son!” She also says that workers like Vaccaro, and black athletes endorsing sneakers, are exploited by companies like Nike, and Converse and Adidas and they deserve more of the profits.

This is all well and good and is a nice bit of drama for the film, but the fact that Nike pays slave wages to third world workers in order to make their sneakers goes unsaid and unacknowledged. Also unsaid and unacknowledged is the fact that Nike sell their status symbol shoes at exorbitant prices that are so high that in the 80’s and 90’s they often caused crime and violence by young black men against other young black men in order to get them.

In addition, it is also a bit unnerving that Sonny Vaccaro, who is widely considered by many in the know to be one of the sleaziest people from the amateur basketball scene back in the 70’s and 80’s, is made out to be the good-hearted, kind, lovable hero of the movie.

Vaccaro was a shark who was deeply involved in all sorts of shady shit back in the day, and to see him in the film and in the film’s prologue, portrayed as the champion of the good, the noble and the right is a bit much.

There’s an interesting monologue in the film about the Bruce Springsteen song “Born in the USA”, which was enormously popular in 1984. The song, which was co-opted by Reagan as a flag-waving theme song, is actually a lament about the brutal decline of America, but because its morose lyrics are accompanied by the energized music of an uber-patriotic anthem, the song’s meaning gets lost and its artistic power usurped.

It could be that Affleck uses the “Born in the USA” monologue to let astute viewers know that he is trying to hide his critique of the insidious nature of American capitalism and corporatocracy in plain sight in this hagiography. I’d like to think so…but Air feels too weak in its criticisms and too vociferous in its praise of Nike (and all that it represents) to pass that test, and thus feels like just the anthem part of “Born in the USA” without the existential lament at its core.  

The reality is that Air is really a movie about marketing that is itself a piece of marketing. The film, with its fantastic soundtrack of 80’s music, looks and feels like a two-hour commercial for Nike. In this way it is almost an extension of The Last Dance, the ten-hour Michael Jordan docu-series that was so gloriously received by everyone but me back in 2020. That docu-series was shameless legend cultivation and brand buttressing of Michael Jordan and was produced by…you guessed it…Michael Jordan. But our culture is so enamored and addicted to narcissistic self-promotion and propaganda, that no one cared they were being fed a piece of self-serving bullshit.

Speaking of shameless marketing and self-promotion, it is strange that Damon and Affleck are out pounding the pavement selling this movie and pretending this is their first reunion film since their smash hit Good Will Hunting back in 1997, for which they won a Best Original Screenplay Oscar.

Damon and Affleck’s last actual on-screen and writing credit reunion was Ridley Scott’s underrated 2021 film The Last Duel. The Last Duel was overlooked by audiences and snickered at by critics, but I thought it was very good, so to see Damon and Affleck pretend like it doesn’t exist is somewhat bizarre…but makes sense in terms of marketing as the Damon-Affleck reunion card is being played again. As they say, everything old is new again…apparently even on-screen reunions that already happened two-years ago.  

Also a bit odd is the fact that this movie is the first from Damon and Affleck’s production company Artists Equity, which is all about paying workers above and below the line fairly and with equity in the film.

That the narrative of Air somewhat reflects the business model of Artists Equity is clever, as is Affleck talking up how he looked out for first time screenwriter Convery and promised him he’d get full credit despite some rewrites.

But that “looking out for the working man” narrative feels like window dressing when the movie it is placed in is an embarrassing ass-kissing of sweatshop masters Nike made by the deplorable demons at Amazon. I mean…yikes…you’d be hard pressed to find two companies as destructive to working people and our culture as Nike and Amazon. This insidious approach is somewhat reminiscent of the Best Picture winner Nomadland, which told a tale of the working poor on the fringes of society yet disgustingly managed to portray Amazon - which is well-known for its abuse of workers and labor practices, as a friend to the working man and wonderful worker’s paradise.

And yet, despite the rather repulsive pro-corporation politics and economics on display in the movie, Air is an irresistibly entertaining and unrelentingly enjoyable movie, which is a testament to Affleck and Damon’s talent and star power.

In conclusion, Air is in rarified air in that it’s a movie for grown-ups that features movie stars confidently filling up the big screen. I highly recommend it and can guarantee that while it won’t change your life, it will definitely leave you satisfied.

 Follow me on Twitter: @MPMActingCo

©2023

Happy as Lazzaro: A Review

****THIS REVIEW CONTAINS ZERO SPOILERS!! THIS IS A SPOILER FREE REVIEW!!****

My Rating: 4.25 out of 5 stars

My Recommendation: SEE IT. An insightful Italian fable that eloquently and poignantly speaks to our modern world and our fallen nature. Be forewarned, it is a foreign film, so those with more conventional tastes may find it a bit odd…but it really is worth giving a try if you can.

Happy as Lazzaro, an Italian drama written and directed by Alice Rohrwacher, is the story of a good-hearted simpleton, Lazzaro, who lives and works in a farming community in Italy that gets turned upside down as the modern world encroaches upon the isolated village. The film stars Adriano Tordiolo as Lazzaro, with supporting turns from Nicoletta Braschi, Sergi Lopez and Alba Rohrwacher.

Happy as Lazzaro is a fable that insightfully exposes the “progress” of 21st century capitalism that has crushed most under its heel and has broken the spirit and stolen the souls of all those fall under its spell.

Lazzaro is exquisitely portrayed by Adriano Tordiolo who imbues the character with a genuine humanity that is impeccably good-hearted without ever being cloying or gratuitous. Tordiolo gives Lazzarro a distinct physicality, his arms hanging straight down by his sides, his posture erect, his heart exposed. Like a rural Italian Chauncey Gardner, Tordiolo’s doe eyed Lazzaro is immune from cynicism and illuminated by an eternal optimism.

Lazzareo is at once a holy fool, a saint and a martyr. He is the memory of innocence and the hope of salvation. His entry into the modern world is reminiscent of the scene from The Brothers Karamozov where Christ meets The Grand Inquisitor, echoes of which are seen when Lazzaro is thrown out of a Catholic church and the sacred music follows him. Lazzaro, like Christ, is a shepherd who is unwanted in our cruel and dehumanized world.

Writer/director Rohrwacher deftly tells this gem of a story and allows the narrative to unfold at a leisurely but effective pace. Rohrwacher exquisitely creates Lazzaro’s idyllic world, and then masterfully pulls the rug out from underneath it and the viewer.

In the latter portion of the film, Rohrwacher expertly uses tempeture, both climate and color, to indicate how Lazzaro’s world has changed, from the warmth of the old village to the foreboding bleakness of the modern city.

Lazzaro’s village, Inviolata, is a symbol of both innocence and a quaint version of shared feudal exploitation. The simplicity of the earlier part of the film is then overtaken by the dark inevitability in the latter part of the movie. Everyone from Inviolata is violated and learns from this violation to spend their time out of that Garden of Eden violating others. Rorhwacher shows that the old ways of exploitation in the village have metastasized and are now global in scale, but the modern world is actually much worse because its exploitation strips the comfort, security and solace of community away from people. The modern world turns everyone into a hustler and grifter, afflicted with a narcissistic myopia focused solely on their own survival at the expense of others.

As the film teaches us, capitalism is exploitation upon exploitation, a cancer of competition where everybody is exploiting somebody…the lone exception being Lazzaro who only gets exploited but never exploits, for he is in this world but not of it. Only saints like Lazzaro can keep their integrity and humanity in tact under capitalism, but integrity and humanity is no protection from the corrupting beast of the free market or the wolf of mankind’s darker nature.

Lazzaro stands guard against the wolf, he communicates with the wolf, he knows the wolf and the wolf knows him. Lazzaro is not afraid, he is immune to fear, which is epidemic in capitalism and is also its fuel…fear of lack, fear of other, fear of self…keep us all on in a state of pain and capitalism sells us the snake oil to soothe our discomfort. Lazzaro is devoid of all of these fears and, even though he is a tireless and selfless worker, is an existential threat to capitalism.

Lazzaro is a saint, literally the last good man, an innocent whose soul and spirit is pure even though he has been exploited many times over. In the modern capitalist world all things are violated and violate…the church, government, business, people. It is no coincidence the climactic scene of the film takes place in a bank and shows that the spiritual corrosive of capitalism turns everyone into wolves…hungry and insatiable and afraid…always on the hunt for the weaker, needing to exploit…in the end, the actual wolf is replaced by us.

In conclusion, I was deeply moved by Happy as Lazzaro as it is a powerful fable that insightfully speaks to our current spiritual void and how capitalism feeds our darkest impulses. Lazzaro is like a character from a dream who comes to remind us who we really are but have long forgotten, it will do you good to spend two hours with Lazzaro trying to remember. Happy as Lazzaro is currently on Netflix and I whole-heartedly encourage you to watch it.

©2018

Dunkirk : Random Thoughts

****THIS ARTICLE CONTAINS SOME MINOR SPOILERS****

Estimated Reading Time : 6 minutes 39 seconds

After seeing Dunkirk I exited the theatre and sat in the lobby at an isolated table next to a big window that gave me a nice view of most of Los Angeles. I sat there and jotted down my thoughts on the film and once that was done, I kept on jotting. In a near stream of consciousness, I scribbled down everything that came flooding into my mind. These thoughts may be completely incoherent, totally random and not make a lick of sense, but if you think that means I'm not going to share them with you then you don't know me very well. So sit back, relax and enjoy unfettered access to the dark corners of my post-Dunkirk mind.

BREXIT STAGE LEFT

Director Christopher Nolan's politics are always difficult to read, but it strikes me that his newest tour-de-force, Dunkirk, is an unabashed metaphor for modern-day Britain escaping the EU before that whole enterprise goes under.

One supporting clue to that thesis is that the first civilian small boat that crosses the channel and lands on France's shore to save and extract British soldiers from Europe is named "New Britannia". Add to that the films overall underlying premise that Brits are palpably and desperately yearning for "home", and Kenneth Branagh's Henry V-esque role/performance, and it seems pretty clear.

This is obviously an interesting time for Dunkirk to be hitting the theaters. In Britain, the tumultuous uncertainty of the impending Brexit (along with the fact that Theresa May's government is teetering) hovers over the nation like a dense fog. To many this is a catastrophe on par with the British armies defeat at Dunkirk. At this darkest hour comes Dunkirk, a film, and a story, that highlights the very best of Britishness, their resilience, resourcefulness and stiff-upper lip and all that. That Britishness was on full display in 1940 at Dunkirk when the Brits had their back against the wall and all, including the war and the world, seemed lost, but they rose to the occasion back then for their finest hour. 

Love it or loathe it, the British will now have to withdraw back to the their island fortress and work together in order to survive the coming inevitable post-Brexit winter. I happen to think that Brexit will be revealed to be a prescient decision by the Brits once the financial troubles and civilizational clashes in the EU boil over and chaos ensues. The UK will then have a head start in localization and in rebuilding their nation, traditional national identity and economy well before the other EU nations are forced to do the same by economic and political forces well beyond their control or knowledge. The movie Dunkirk also gives some not so subtle signs as to what it believes will happen to the French (and the rest of Europe) in the coming years, as there is one major French character in the film and he ends up at the bottom of the channel, unable to escape the rising tide that is destined to engulf the EU.

The film Dunkirk can be a roadmap for the British to follow in their flight from Europe and return to "home". They must change course by jettisoning the historic shackles of their own imperialism and colonialism and prioritizing their own national interests and the interests of their native and traditional peoples. Many folks will get hurt, some will be left behind and some will die. But it all MUST happen if Britain, the nation and culture, is to live to see another day. Similar to how after the actual evacuation of Dunkirk the Brits, my Scottish grandmother and her children among them, had to suffer through the blitz by seeking refuge in tube stations as the German bombardment raged overhead, so it will be with post-Brexit Britain. As the world order tumbles, and the EU crumbles, Britain will have to hunker down in order to avoid and survive the external onslaught.  

THE OLD ORDER IS DEAD

The U.S. global empire is over. Neo-liberalism is dead. China and Russia are potentially ascendant because they will be able to withstand hardships and instability much better than their counter-parts in the west due to their more recent experience with calamity and their less diverse make-up. Having a more homogeneous population will make for less ethnic competition and confrontation as resources dwindle and power consolidates especially in cultures that are not born of a melting pot. Also to the Sino-Russian advantage, is that they are beginning to work much more closely together in regards to their economies, resources and militaries in order to ascend to power and eclipse the fading star that is U.S. global hegemony. 

From the rubble of neo-liberalism and the old world order, post-Brexit Britain will have a chance to rise from the ashes and will benefit from having a head start on most of the rest of the Europe. "Dunkirk" will be the first step in Britain's grand Brexit maneuver. First comes consolidation (Dunkirk), then comes resilience and localization (the Blitz), then comes intelligent re-ordering of priorities and the world order.

In world war two, Britain allied with the hated Soviets in order to defeat Nazism. And regardless of what you've been taught in school, it was the Soviets who defeated Hitler, not the British and Americans. And so it will be in post-Brexit and "Blitz" Britain, where the Brits will realize that the U.S. has become a global albatross around their necks, and that Russia and China and others are the most rational choice for allies and very limited partnerships, regardless of their obvious flaws.

THE WINTER OF OUR DISCONTENT

Look, I understand that these thoughts will be unpopular and deemed unpleasant at best. I am not endorsing this inevitable trajectory, only acknowledging it. The writing is on the wall and to ignore it would not only be the height of folly but perilous. Understanding where the collective unconscious is leading humanity is vital in order to prepare for and respond to the black swan events that sneak up on us but are all too obvious in hindsight. My Isaiah Wave Theory®© shows that film, in conjunction with other social/economic/historical/political trends, can be a very critical element in getting a glimpse into the collective unconscious to see what lies ahead for us. Just like 2016 when the story lines, color schemes and visuals of Captain America: Civil War, Batman v. Superman: Dawn of Justice, X-Men: Apocalypse, Rogue One and even La La Land  were telling us of the disastrous clash awaiting us later in the year (2015 films The Revenant, The Martian, The Hateful Eight, Avengers : Age of Ultron and Star Wars : A Force Awakens portended the same exact thing), so it is with Dunkirk, War for the Planet of the Apes, Logan and Wonder Woman this year. As the Game of Thrones has been telling us over the last few years, "Winter is Coming"…well...I have bad news for you, "Winter is Here". Or more accurately, "The Long, Cold Winter of our Discontent has just Begun".

THE CENTER CANNOT HOLD

There has been a lot of talk about how the Brexit vote and Trump's victory in America are actually outliers, and that the right-wing or the alt-right trends are receding worldwide. People often point to Geert Wilders defeat in the Netherlands and Marine Le Pen's loss to Macron in France's last election as proof of this fact. There are many things wrong about not only that interpretation of those election results but the premise of an alt-right ascendancy or decline.

Let's start with the former. What is really happening now with Trump and Brexit as examples, is not an alt-right/right wing rise, but rather the collapse of the center and the establishment. Yeats, as a million writers (myself included) remind us ad nauseum, tells us that "the center cannot hold", and that is where we are now. This is why it is so vital for the democrats to jettison the centrist, neo-liberal, "Clinton-way" and embrace a far left economic ideology. Many democrats keep telling me that to defeat Trump they must position themselves as the centrist and "rational" party. I understand the sentiment as Trump seems so outrageous that by going to the center democrats believe they will flourish. This could not be further from the truth. A leftist, not liberal, but leftist, economic agenda is the only thing that will defeat Trumpism. More of the same Wall Street corporate ass kissing will be punished by voters because the establishment, media included, is in a credibility death spiral. Trump won by out flanking democrats to their left economically, democrats simply must go further out on the flank to defeat him and the republicans next time. And it is important to note that what is vital is a leftist economic message, not a culturally liberal message. A culturally liberal agenda with its accompanying substance-free identity politics will be doomed to fail and will scuttle the entire progressive ship right along with it. 

Jeremy Corbyn's powerful rise in the last British snap election, despite constant attacks on him by the media and the Blairites in his own party, is proof of the current vitality of this old school leftist ideology. Labour's showing in that election was stunning, but not for those who can properly read the tea leaves. I saw it coming just as I saw Trump's victory coming, and could not understand how others didn't see it coming. 

There are democrats who have poo-pooed Corbyn and Labour's stunning election showing by saying, "they didn't actually win". This is myopic analysis at best. Corbyn is actually better positioned now because he didn't win and become Prime Minister. He can sit back and prepare for his ascent to 10 Downing Street while Theresa May is on the hook for all of the failures of her makeshift coalition government. Corbyn is a shadow Prime Minister, which means power with no responsibility…in other words, the catbird seat. And of those establishmentarians diminishing Corbyn's election results, imagine if the entire mainstream media and a good number of his own party hadn't attacked him relentlessly and mercilessly at every turn…he and Labour might actually have won outright.

As for the election in the Netherlands and Geet Wilders, people terribly misread that result in regard to a wider trend. Wilders is a one man gang and it was impossible for him to actually ascend to power. What he was able to do though is push the center right party out towards him at the far right, as they fully embraced his stances on immigration, for example, and won the election. This was an electoral loss for Wilders, but a resounding ideological victory. 

APRES MACRON - LE DELUGE

As for France, democrats and the establishment media in America have been touting Macron as the second coming who will save centrism and neo-liberalism from the populist hordes. Guess again. This is just another mis-reading of the trend. All of the mainstream, traditional parties in France were decimated and didn't even make it to the final round of the presidential election. Macron ran and won as an outsider (even though he is a consummate insider). His victory over Le Pen  and the more baser instincts of the populace, will only be temporary as he is not only terribly ill-equipped to deal with the existential threats to France, he is completely blind to them. He, like Trump, is wrapping the same old turd in a different type of bread, but it will still taste like a shit sandwich once everyone has to take a bite of it. 

Macron will fail in France because the ground he stands on is quicksand. There will be more terror attacks which will stoke the fires of ethnic nationalism even further. At some point, probably after a particularly nasty attack and/or an economic earthquake, people will say enough, and it won't matter what your passport says, the French will brutally evict or restrict anyone who doesn't look "traditionally French". Many think this is an impossibility and tell me so. This makes me laugh as France and a whole bunch of other European countries have, in living memory, been ruthlessly efficient in removing a population they deem troublesome. If you don't think it can happen again, you are fooling yourself.

ONCE MORE UPON THE BREACH, DEAR FRIENDS, ONCE MORE; OR CLOSE THE WALL UP WITH OUR ENGLISH DEAD!

The same will happen in Britain. Citizenship will not matter as much as tribalism once the heat of civilizational clash and economic instability rises to an unbearable level. Just this year England has suffered through multiple terror attacks that are like logs on a camels back. At some point, the camels back will shatter and the Islamists will get the blowback they want, but it won't go quite as well as they expect. In a clash of civilizations, always bet on the home team…in the middle east bet the Islamists, in Europe/UK bet the natives. Britain will probably recede back into England, with Northern Ireland, Scotland and maybe even Wales being jettisoned to independence in order for the English to survive the coming storm. 

Unlike America, all of these European countries are not built upon a culture of immigration. The English, French and German cultures (not nations) are thousands of years old. Those countries were built upon their cultures, and are now trying to transform into multi-cultural utopias that at their core they simply are not. These countries immigration issues stem from the evils of colonialism, and are in many ways are due punishment for those sins. But that doesn't mean the native culture will embrace change so easily or willingly. That is what is bubbling up from the collective unconscious in Europe and America right now, resistance to the other and a yearning for the tribally traditional and familiar.

THE #WOKE ARE #SOUNDASLEEP

The coming "winter" will bring with it a desolation that can be transformative, but only by those insightful enough to recognize it as an opportunity and not a catastrophe. This is why I find it so frustrating watching the democrats try and "resist" Trump with their nonsensical #staywoke idiocy and "A Better Deal" bullshit. The democrats I know are so desperate to hold onto the ideological corpse of neo-liberalism and American capitalism that their politics resembles little more than a stale Weekend at Bernie's sequel. These allegedly liberal democrats have fully embraced our nefarious intelligence community, neo-conservatives and their foreign policy, and unabashed corporatism while they cry racism, misogyny and xenophobia to anyone who points out their political hypocrisy and intellectual vacuity and vapidity. These dupes and dopes have absolutely no clue for what they fighting. Are they even aware that by protesting FOR Obamacare they are protesting for a right-wing, republican health care plan that is a corporate handout and are insuring that universal coverage/single-payer will never happen? And are these same fools even remotely aware that they are substantially diminishing the impact of the once devastating words racist, misogynist and xenophobe every single time they utter them. They use those words like Americans use antibiotics, as a first option, too frequently and when it is entirely unnecessary and inappropriate, and just like with antibiotics, overuse of those words greatly diminishes their potency.

You cannot "resist" Trump and Trumpism with Hillary Clinton, Nancy Pelosi and Chuck Schumer. If you do you will fail. You cannot have the neo-liberal, corporate, holy trinity of Wall Street whores, Hillary, Nancy and Chuck roll out the "Better Deal" and have anyone take them seriously. The longer they are the face of the democratic party, the deeper the hole of credibility gets…so deep it might just be a grave. But try telling that to members of the Clinton cult and watch them shriek and scream with emotionalist abandon. This sorry group of people are so ill-prepared to do battle and succeed they should have "Born to Lose" tattooed across their chests.

OUR LAST, BEST HOPE

In contrast, Sanders and Corbyn are certainly not perfect, but they are exactly the way to counter the decomposing old order, even though they themselves are as old as dirt. Just like the billionaire plutocrat Trump was able to win as a populist, so can these two old timers win as a new wave of populist. Austerity has failed, not just in America but across the globe. "American capitalism" has failed. Imperialism has failed. You cannot try and prop them back up or re-inflate the bubble just one more time. An alternative solution must be presented, and when it is, if it is genuine, people will embrace it. Sanders and Corbyn are some of the alternate solutions, and they can fill the vacuum left by the collapsing center. But know this, if leftists do not fill that leadership void created in the wake of the disintegrating center, than a far right demagogue will. Trump did it this time but he is an ineffective fool. But next time, what if we get a ruthlessly effective and disciplined right wing demagogue…which in the post-Trump era is a very distinct and frightening possibility. This is why democrats and the Clinton cult better really "get woke", forget the luxury of culturally liberal politics and get on the economically progressive agenda or they will find themselves exiled to the wilderness at best, or blindfolded  and against the wall at worst . 

The cycle of history we are on is a perilous one, and it is fraught with many many dangers. The world will look considerably different in ten years than it does now, and it won't be because of technology, but rather ideology and economic seismology. The neo-liberal ideology is proven fraudulent and the coming economic/political seismological event that buries it forever will re-shape the world in ways which we can either shape to our benefit, or to our destruction. The first step is, with clear eyes and full heart, seeing and understanding what is happening and what is coming, and then strategically and tactically preparing for it so that what comes next is much better than what is left behind.

Ladies and gentlemen…thank you for enduring my post-Dunkirk rant. Maybe I was just shell-shocked by the film or maybe I am just a full-time maniac, or maybe, just maybe, I am on to something. Who knows? If I am wrong, it sure wouldn't be the first time…and if I am right, it wouldn't be the first time either. Only time will tell...don't forget to place your bets…and please tip the doorman on your way into the bunker.

©2017